{"id":13621,"date":"2020-01-30T16:35:00","date_gmt":"2020-01-30T16:35:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=13621"},"modified":"2023-10-06T16:41:36","modified_gmt":"2023-10-06T16:41:36","slug":"martial-raysse","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/martial-raysse\/","title":{"rendered":"Martial Raysse"},"content":{"rendered":"\n<p>By Dr. Sophie Goetzmann<\/p>\n\n\n\n<p><strong>Martial Raysse<\/strong><br><strong>11\/01\/2020 \u2013 07\/03\/2020,&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_space\/hdm-gallery\/\" target=\"_blank\" rel=\"noreferrer noopener\">HDM Gallery<\/a>&nbsp;(798 Art District, No 4 Jiuxianqiao Lu Chaoyang District \u2013 Beijing 100015)<\/strong><\/p>\n\n\n\n<p>The HdM gallery is currently hosting an exhibition of French artist Martial Raysses\u2019s works on paper. Born in 1936 in a ceramicist family, Raysse is perhaps one of the most important and well-known artist of the contemporary art French scene.<\/p>\n\n\n\n<p>After studying literature and decorative arts in Nice, Raysse started doing abstract painting as an autodidact, participating in several group exhibitions in the south of France. 1959, calling himself an \u201cengineer of vision\u201d, he began to make his first assemblages, made of items bought at the supermarket and put together in a Plexiglas box. Those works were deeply inspired by Duchamp\u2019s readymade, the anti-art spirit of Dada, but also reminded of Andy Warhol\u2019s interest for new, colorful industrial objects. With these original installations, he received an immediate attention and had his first exhibitions in Paris. There, he was involved in 1960 in the artists French group The New Realists, among with Yves Klein or Arman. Reacting against the domination of abstract painting in Paris, those artists explored the contemporary reality by incorporating found objects or trash to their works.<\/p>\n\n\n\n<p>However, Raysse quickly distanced himself from the group, for he felt a greater affinity for American pop artists. Moving to New York, he became close to Robert Rauschenberg, and took part in many exhibitions with Andy Warhol or Roy Lichtenstein. In 1962, he began to incorporate neon light in his assemblages or his paintings, often taking the female face as a subject. Just like Warhol, Raysse was fascinated with models from advertisements or fashion photographs, and painted them with bright, flashy colors. In the same spirit, he created in 1964 a series of paintings called&nbsp;<em>Made in Japan<\/em>, in which he turned classic paintings from Ingres or Tintoretto into pop compositions, recreating them with fluorescent colors that reminds of plastic, artificial lighting or publicity. At the end of the 60\u2019s, he was thus an extremely successful pop artist, receiving international critical acclaim, which led him to represent France at the Venice Biennale in 1966.<\/p>\n\n\n\n<p>However, at the beginning of the 70\u2019s, disillusioned with the official art world, he decided to move to the countryside and progressively changed his style. From 1977, he began to make large-scale figurative paintings or sculptures; he received several public commissions, and realized many works for public places in Nimes (fountain in the Assas square) or Paris (painting for the hall of the National Library).<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/01\/%E5%B1%8F%E5%B9%95%E5%BF%AB%E7%85%A7-2020-01-31-%E4%B8%8B%E5%8D%8810.23.36.png\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/01\/%E5%B1%8F%E5%B9%95%E5%BF%AB%E7%85%A7-2020-01-31-%E4%B8%8B%E5%8D%8810.23.36-528x538.png\" alt=\"\u9a6c\u6b47\u5c14\u00b7\u96f7\u65af\uff0c\u300aIci plage\u300b\u4e2d\u7684 A\uff0c \u7eb8\u4e0a\u8272\u7c89\uff0c24 \u00d7 24 cm\uff0c2010Martial Raysse,&quot;A. pour ici plage&quot;, pastel on paper, 24 \u00d7 24 cm, 2010\" class=\"wp-image-103907\" \/><\/a><figcaption class=\"wp-element-caption\">\u9a6c\u6b47\u5c14\u00b7\u96f7\u65af\uff0c\u300aIci plage\u300b\u4e2d\u7684 A\uff0c \u7eb8\u4e0a\u8272\u7c89\uff0c24 \u00d7 24 cm\uff0c2010<br>Martial Raysse,\u201dA. pour ici plage\u201d, pastel on paper, 24 \u00d7 24 cm, 2010<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"181\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-12.png\" alt=\"\" class=\"wp-image-13622\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-12-300x103.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-12-150x51.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-12-500x171.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-12.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Ici plage\uff08\u8fd9\u91cc\u662f\u6d77\u6ee9\uff09<\/figcaption><\/figure>\n\n\n\n<p>In this very diverse and eclectic work, drawing appears to be a common thread for Martial Raysse. Indeed, the artist always draw, was it as a study for his paintings or for his own pleasure. The collection gathered at the HbM gallery reflects the diversity of Raysse\u2019s work and the different periods of his career. Three drawings representing young women (<em>A. pour ici plage<\/em>;\u00a0<em>Emilie pour ici plage<\/em>;\u00a0<em>Renata pour ici plage<\/em>) are sketches made for a huge painting (3\u00d7 9 meters big),\u00a0<em>Ici plage<\/em>, now kept in the collection of famous art patron Fran\u00e7ois Pinault. While realized in 2012, this painting is deeply rooted in Raysse\u2019s past as a pop artist. The drawings show stereotypical female bodies, naked or half-naked, dressed in a bikini with bright and flashy colors (blue, pink), who seem to just come out of an advertisement for bath suits.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"486\" height=\"616\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-13.png\" alt=\"\" class=\"wp-image-13625\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/LRgeY6m2-image-13-237x300.png 237w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-13-118x150.png 118w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-13.png 486w\" sizes=\"(max-width: 486px) 100vw, 486px\" \/><figcaption class=\"wp-element-caption\">\u9a6c\u6b47\u5c14\u00b7\u96f7\u65af\uff0c\u300a\u62c9\u6590\u5c14 Villa Borghese \u7684\u4e34\u6479\u300b\uff0c \u7eb8\u4e0a\u6728\u70ad\uff0c40 \u00d7 32 cm\uff0c1988<br>Martial Raysse, \u201cCopie d\u2019apr\u00e8s Raphael Villa Borghese\u201d, charcoal on paper, 40 \u00d7 32 cm, 1988<\/figcaption><\/figure>\n\n\n\n<p>The drawing made after Rapha\u00ebl also recalls his obsession for perfect, idealized female faces, as well as his very classic inspiration: as a self-taught artist, Raysse learned a lot from copying old masters, which he did since the early 60\u2019s with his&nbsp;<em>Made in Japan<\/em>&nbsp;series. However, he makes here his own version of Rapha\u00ebl\u2019s&nbsp;<em>Young woman with unicorn<\/em>, and his drawing reminds more of Ingres or even of the early Picasso. In a similar way, the pastel&nbsp;<em>Mod\u00e8les pour temps couvert \u00e0 Tanger<\/em>&nbsp;is a clear reference to Ingres and Delacroix\u2019s orientalism, with its bright and contrasted colors.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/01\/%E9%A9%AC%E6%AD%87%E5%B0%94%C2%B7%E9%9B%B7%E6%96%AF_%E3%80%8ATemps-Couvert-a%CC%80-Tanger%E3%80%8B%E4%B8%AD%E7%9A%84%E6%A8%A1%E7%89%B9_%E7%BA%B8%E4%B8%8A%E8%89%B2%E7%B2%89_19x23cm_2010.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/01\/%E9%A9%AC%E6%AD%87%E5%B0%94%C2%B7%E9%9B%B7%E6%96%AF_%E3%80%8ATemps-Couvert-a%CC%80-Tanger%E3%80%8B%E4%B8%AD%E7%9A%84%E6%A8%A1%E7%89%B9_%E7%BA%B8%E4%B8%8A%E8%89%B2%E7%B2%89_19x23cm_2010-528x425.jpg\" alt=\"\u9a6c\u6b47\u5c14\u00b7\u96f7\u65af\uff0c\u300aTemps Couvert \u00e0 Tanger\u300b\u4e2d\u7684\u6a21\u7279\uff0c \u7eb8\u4e0a\u8272\u7c89\uff0c19 \u00d7 23 cm\uff0c2010Martial Raysse,&quot;Mod\u00e8les pour Temps Couvert \u00e0 Tanger&quot;, pastel on paper, 19 \u00d7 23 cm, 2010\" class=\"wp-image-103895\" \/><\/a><figcaption class=\"wp-element-caption\">\u9a6c\u6b47\u5c14\u00b7\u96f7\u65af\uff0c\u300aTemps Couvert \u00e0 Tanger\u300b\u4e2d\u7684\u6a21\u7279\uff0c \u7eb8\u4e0a\u8272\u7c89\uff0c19 \u00d7 23 cm\uff0c2010<br>Martial Raysse,\u201dMod\u00e8les pour Temps Couvert \u00e0 Tanger\u201d, pastel on paper, 19 \u00d7 23 cm, 2010<\/figcaption><\/figure>\n\n\n\n<p>Although most of those drawings are sketches made to prepare a bigger work or a painting (<em>Ici plage<\/em>,&nbsp;<em>Now<\/em>,&nbsp;<em>Mais dites une seule parole<\/em>) they allow us to understand Raysse\u2019s extremely meticulous way of working, just like a classic painter. This strong work ethic may still explain his big success today: famous worldwide, Martial Raysse had a big retrospective of his career at the Centre Pompidou in Paris, in 2014.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/01\/%E5%B1%8F%E5%B9%95%E5%BF%AB%E7%85%A7-2020-01-31-%E4%B8%8B%E5%8D%8810.24.05.png\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/01\/%E5%B1%8F%E5%B9%95%E5%BF%AB%E7%85%A7-2020-01-31-%E4%B8%8B%E5%8D%8810.24.05.png\" alt=\"\u9a6c\u6b47\u5c14\u00b7\u96f7\u65af\uff0c\u300aMais dites une seule parole\u300b\u4e2d\u7684\u4fdd\u7f57\u7d20\u63cf\uff0c\u7eb8\u4e0a\u7efc\u5408\u6750\u6599\uff0c32 \u00d7 41 cm\uff0c1994Martial Raysse,&quot;Paulo esquisse pour Mais dites une seule parole&quot;, mixed media on paper , 32 \u00d7 41 cm, 1994\" class=\"wp-image-103906\" \/><\/a><figcaption class=\"wp-element-caption\">\u9a6c\u6b47\u5c14\u00b7\u96f7\u65af\uff0c\u300aMais dites une seule parole\u300b\u4e2d\u7684\u4fdd\u7f57\u7d20\u63cf\uff0c\u7eb8\u4e0a\u7efc\u5408\u6750\u6599\uff0c32 \u00d7 41 cm\uff0c1994<br>Martial Raysse,\u201dPaulo esquisse pour Mais dites une seule parole\u201d, mixed media on paper , 32 \u00d7 41 cm, 1994<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>By Dr. Sophie Goetzmann Martial Raysse11 &hellip; <a href=\"http:\/\/www.randian.art\/zh-hans\/martial-raysse\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":13630,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[9937,9938],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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