{"id":14783,"date":"2017-11-15T11:19:00","date_gmt":"2017-11-15T11:19:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14783"},"modified":"2023-10-24T11:28:58","modified_gmt":"2023-10-24T11:28:58","slug":"zhongguo-2185","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/zhongguo-2185\/","title":{"rendered":"Zhongguo 2185"},"content":{"rendered":"\n<p><strong>\u2018Zhongguo 2185\u2019<\/strong><br><strong>Chen Zhe, Chen Tianzhuo, Lu Pingyuan, Lu Yang, Nabuqi, Sun Xun, Tang Dixin, Xu Qu, Yu Ji, Zhang Ruyi<\/strong><br><strong>Curated by Victor Wang<\/strong><\/p>\n\n\n\n<p><strong>Xu Zhen<\/strong><br><strong>\u2018Xu Zhen Supermarket, 2007\/2017\u2019<\/strong><br><strong>Sadie Coles HQ<\/strong>&nbsp;(62 Kingly Street, London),&nbsp;<strong>Sep 21\u2013Nov 5, 2017<\/strong><\/p>\n\n\n\n<p>A long time ago, in a galaxy far, far away, a possible future ended. Only some archaeological documents remain. Liu Cixin\u2019s utopian short story \u201cZhongguo 2185\u201d, written in the 1980s and published as samizdat in 1989, speaks of this spectral future. \u201cZhongguo 2185\u201d envisions a future in which a democratic China, led by a female president, is forced to shut down the power network to stop a cybernetic insurgency helmed by one of six virtually resurrected brains\u2014Chairman Mao\u2019s.<\/p>\n\n\n\n<p>Utopian science fiction is often critical but nonetheless hopeful. Hollywood science fiction is often simply dystopian, speaking of a dark, corrupt, totalitarian, and corporatist AI future\u2014<em>Blade Runner, Alien, Terminator, Total Recall<\/em>\u2014a form established in the Reagan presidency in the 1980s. Anxious things. \u201cZhongguo 2185\u201d is a utopia with human characteristics, and it is prescient: power supply vs data supply, cybernetics and humanism, gerontocracy and paternalism, generational conflict and gender equality. Of course, the contradictions inherent in a vast quasi-socialist-capitalist-authoritarian state inevitably encourage a flexible approach to perspective. Not that this is germane to China alone. Look to the quasi-democratic-capitalist-authoritarian state of America now. Indeed, there is a possible future in which America becomes Chinese. And one in which China has become American. And the thing is, maybe&nbsp;<em>they already have.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-287.png\" alt=\"\" class=\"wp-image-14784\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/Xpbyu3q5-image-287-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-287-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-287.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Xu Qu\u2019s surveillance cameras with Chen Zhe\u2019s diary at back<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-288.png\" alt=\"\" class=\"wp-image-14787\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-288-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-288-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-288-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-288.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Nabuqi (close up)<\/figcaption><\/figure>\n\n\n\n<p>Zhongguo 2185 is a small survey of artists born after the end of the Cultural Revolution, 1966-1976, following the death of Mao the same year. The question begged but left unanswered is whether such group shows actually do anything for artists from China. \u201cChinese Contemporary Art\u201d shows have become a convenient ghetto for people who don\u2019t live there.<\/p>\n\n\n\n<p>Dominating the exhibition is Lu Yang\u2019s giant blow-up spider-gorgon self-portrait. Who is this alien?\u2014Shelob from Lord of the Rings or Alice in Wonderland? Maybe it\u2019s not safe. (Lu Yang is&nbsp;<em>never<\/em>&nbsp;safe). Behind the Dirigible Me is \u201cPower of Will\u2014Final Shooting\u201d (2016), wherein her avatar hops between a mashup of earlier works. It\u2019s a taste of what a Lu Yang show could do (like the brilliant \u201cWelcome to Lu Yang Hell\u201d exhibition in Berlin\u2019s Soci\u00e9t\u00e9 gallery this year).<\/p>\n\n\n\n<p>Some things work better than others, often the quieter ones. Zhang Ruyi\u2019s intervention-installation in the gallery\u2019s architecture, rounding iron columns and filling gaps in the floor, makes common domestic design elements in China virulent. Nabuqi\u2019s steel Great Wall \u201cvideo game\u201d narrative is deceptively plain. It is two-dimensional but heavy. Yu Ji\u2019s sculptural assemblages have grown larger and more complicated over the past 10 years. They are elegant and confounding, magic boxes where you can see all the workings but still not understand how the trick itself works. Lu Pingyuan\u2019s short stories pasted onto odd pictures of cat faces are beguiling and possibly refer to another science fiction novel, Lao She\u2019s satirical dystopia \u201cCat Country\u201d. First published in 1932, when the Kuomintang was in power, Cat Country, set on the planet Mars, critiqued a culture in decline.<\/p>\n\n\n\n<p>Downstairs, separate from \u201cZhongguo 2185\u201d but also really part of it, is \u201cXu Zhen Supermarket, 2007\/2017\u201d, a pop-up Shanghai 24\/7 shop, complete with pristine products and crappy plastic bags. You can buy at a 1:1 exchange rate, so a RMB 4 can of soda costs GBP 4. But all the products are empty. All you are buying is&nbsp;<em>literally<\/em>&nbsp;their face value. First shown at Art Basel Miami Beach in 2007 and subsequently in Singapore and at the Kunsthaus Graz in 2015, the joke doesn\u2019t wear thin but seems even to be gaining relevance in post-Brexit London.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-289.png\" alt=\"\" class=\"wp-image-14790\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/ffcUHAqr-image-289-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-289-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-289.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Zhang Ruyi installation view, sculpturally incorporated with the gallery space\u2019s structural columns<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-290.png\" alt=\"\" class=\"wp-image-14793\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-290-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-290-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-290-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-290.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yu Ji continues to expand on themes she has been developing for some 10 years now.<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2017\/10\/Zhang-Ruyi-installation-view.jpg\"><\/a><\/p>\n\n\n\n<p>Some things work less well than others. Xu Qu, a student of John Armleder, makes Buddhist prayer beads out of defunct police surveillance cameras (\u201cOccupation\u201d 2017). It\u2019s a point well made but a bit obvious. Meanwhile Chen Zhe has a photo-montage diary of self-harm and mental illness. As Slavoj \u017di\u017eek said, enjoy your symptom! It is more art as therapy than&nbsp;<em>vice versa<\/em>. I am curious but somehow a group show seems a strange place to show this\u2014more biography and psycho-tourism than art history. It needed a quieter space for contemplation. I am also very uneasy about feminine identity being equated so simplistically with pain when there is an at least 50-year history of visceral and politically charged feminist performance art. Tang Dixin\u2019s paintings work best from a distance, less so from close-up. Reluctantly I would term his style Chinese vernacular expressionism but it is not sufficiently original (yet) to be compelling. I want it to be, but it\u2019s not there yet. Compare his paintings with the Sun Xun tableaux on the opposite wall. Generally speaking, few in the West have any proper understanding of Sun Xun yet. William Kentridge is a strong influence and maybe somewhat Raymond Pettibon but Sun\u2019s work is engrossed with the cultural and political history of China of which Westerners still remain largely ignorant. If a comparison is needed, in spirit he is more Daumier or Hogarth than Kentridge.<\/p>\n\n\n\n<p>In a separate antechamber, thankfully, one of Chen Tianzhuo\u2019s kitschy avatars lies in state. Ok, I get it,&nbsp;<em>but is that all there is<\/em>? Yes, that\u2019s all there is. Chen proves it is possible to drown in the shallows.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-291.png\" alt=\"\" class=\"wp-image-14796\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/FpItsYrO-image-291-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-291-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-291.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Xu Zhen Store entrance<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2017\/10\/Xu-Zhen-Store-entrance.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-292.png\" alt=\"\" class=\"wp-image-14799\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/RYiHAQ90-image-292-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-292-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-292.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Xu Zhen Store interior<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-293.png\" alt=\"\" class=\"wp-image-14802\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/yAZCCVP0-image-293-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-293-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-293.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yu Ji close up<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-294.png\" alt=\"\" class=\"wp-image-14805\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/ufFHLqZZ-image-294-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-294-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-294.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yu Ji installation view<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2017\/10\/Yu-Ji-installation-view-1.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-295.png\" alt=\"\" class=\"wp-image-14808\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-295-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-295-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-295-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-295.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Lu Yang\u2019s blow-up spider-medusa<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-296.png\" alt=\"\" class=\"wp-image-14811\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-296-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-296-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-296-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-296.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Lu Pingyuan<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2017\/10\/Lu-Pingyuan.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-297.png\" alt=\"\" class=\"wp-image-14814\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/EBr2aBpe-image-297-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-297-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-297.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dixin \u2013 better from a distance.<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2017\/10\/Tang-Dixin.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-298.png\" alt=\"\" class=\"wp-image-14817\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/KM2yypY7-image-298-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-298-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-298.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Chen Zhe (detail)<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2017\/10\/Chen-Zhe.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-299.png\" alt=\"\" class=\"wp-image-14820\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/V0M5pEhY-image-299-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-299-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hans\/image-299.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Chen Tianzhuo<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Zhongguo 2185\u2019Chen Zhe, Chen Tianzhuo,  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hans\/zhongguo-2185\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14823,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[9034,149,415,561,67,10376,2825,154,102,10377,66,876,416,10378,29,374,393,10379,970,10380,10381,4678,71,2988,457,458,459,419,456,210,460,230,461,421],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Zhongguo 2185 - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/zhongguo-2185\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zhongguo 2185 - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u2018Zhongguo 2185\u2019Chen Zhe, Chen Tianzhuo, &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/zhongguo-2185\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-15T11:19:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-24T11:28:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/2185.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta 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