{"id":16604,"date":"2017-05-14T02:53:00","date_gmt":"2017-05-14T02:53:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=16604"},"modified":"2023-12-07T03:02:29","modified_gmt":"2023-12-07T03:02:29","slug":"art-brussels-2017","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/art-brussels-2017\/","title":{"rendered":"Art Brussels 2017"},"content":{"rendered":"\n

The 35th<\/sup> edition of Art Brussels took place from 21 \u2013 23 April and presented 145 galleries from 28 different countries. This is the second time the fair is located at Tour & Taxis, a vast former customs warehouse in the northern part of Brussels that was built at the turn of the 20th century when Belgium was rich off the back of its colonial exploitation of central Africa. The choice of moving the fair to Tour & Taxis meant having space for 50 galleries less, but the decision has worked in Art Brussels favour, with a better curated selection of galleries and a more impressive location: The old warehouse has high ceilings, concrete floors and natural light coming in through the rooftop.<\/p>\n\n\n\n

Art Brussels had three sections: Discovery that focused on work made the past few years by younger emerging artists, Prime that focused on more established artists from modern to contemporary and Rediscovery that focused on work made from 1917 \u2013 1987 by under-recognized or forgotten \/ deceased artists. Parallel to these sections was SOLO that, as the name indicates, gave one artist the opportunity of showing in an entire booth.<\/p>\n\n\n\n

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Fair Ground \u201cTour & Taxis\u201d<\/figcaption><\/figure>\n\n\n\n

Art fairs only work if work is sold. Without an airport terrorist attack this year, both visitor numbers and sales were better than in 2016: Galerie Lelong (Paris, NY) sold paintings by G\u00fcnther F\u00f6rg. Galerie Krinzinger made several important sales including a work of Gavin Turk during the preview. Axel Vervoordt (Antwerp, Hong Kong) sold all three editions of an Angel Vergara LED wall, a Michel Mouffe painting for around \u20ac50,000, and a cast glass sculpture by Ann Veronica Janssens for around \u20ac30,000.<\/p>\n\n\n\n

One of the few Asian galleries this year was Pearl Lam Galleries (based in Hong Kong, Shanghai and Singapore). Pearl Lam participated for the first time and reported very satisfying sales from their booth, which included works by Gonkar Gyatso and Chun Kwang Young (see images below). Other galleries from Asia were Gallery 55 from Shanghai and HDM Gallery from Beijing. Despite a still modest amount of galleries from Asia, exhibitors reported that there had been more collectors this year than usually coming from Asia and especially from Hong Kong.<\/p>\n\n\n\n

Fair director Anne Vierstraat\u2019s said during her opening-speech, \u201cwe are known as a discovery fair\u201d, which indeed has become Art Brussels trademark. Cramped into the overly packed art-agenda this spring with Art Cologne less then a week after (the world\u2019s longest established art fair) and Berlin Gallery Weekend just around the corner, Art Brussels indeed thrives on having a \u201cspecialty\u201d of its own, while the competition world-wide is getting harder each year (Art D\u00fcsseldorf launches this Autumn, following a 25% acquisition by MCH Swiss Exhibition (Basel) Ltd., owner of Art Basel, with an option to buy a majority stake later).<\/p>\n\n\n\n

At Discovery the young artist Micah Hesse (b. 1991, New Mexico) was represented by Berlin gallery Neumeister Bar-Am. The gallery showed a video animation by Hesse called \u2018Shampaigne\u2019 referring to the cover of Charlie Hebdo magazine, shortly after the shooting at their office. They declared: \u201cIls ont les armes, on les emmerde, on a le champagne!\u201d (They have weapons, fuck them, we have champagne), below a comic of a man riddled with bullet holes with champagne flowing out\u2026 In the video animation Hesse linked US gun lobbyists that are notorious for claiming that: \u201cGuns don\u2019t kill people, people kill people\u201d, with the notion of a gun as an independent entity, a so-called \u201cbad gun\u201d (just like a \u201cbad guy\u201d). The animation brings you into a fetishized, surreal world where objects have their own agency and the psychological aspects of harming someone and being harmed are explored in an intriguing and original way.<\/p>\n\n\n\n

In the prime section at Nathalie Obadia, Laure Provoust had a solo booth which was an immersive installation consisting of video, sculptures and wall-pieces. Complex layered narratives, dark surreal humour, word games and exploring the boundaries between reality and fiction, often characterize Prouvost\u2019s work. In 2013 she was also the surprise-winner of the prestigious British Turner Prize for the work \u201cWantee\u201d, a video piece about the relationship between her own fictional grandfather and deceased German artist Kurt Schwitters. The work was according to Prouvost called \u201cWantee\u201d because Kurt Schwitter\u2019s wife would always ask him and his visitors \u201cdo you want tea?\u201d<\/p>\n\n\n\n

As a nod to \u201cWantee\u201d Laure Prouvost showed dried teabags at the exhibition \u201cMementos: Artists\u2019 Souvenirs, Artifacts and other Curiosities\u201d that was part of Art Brussels landmark 35th<\/sup> edition. \u201cMementos\u201d that was curated by Jens Hoffmann and Piper Marshall brought together personal objects, relics, souvenirs, and artefacts of 73 different artists that were all represented at the fair.<\/p>\n\n\n\n

Each year during Art Brussels there are many other must-see art events to explore elsewhere in the city. An exhibition that really stood out this year was at WIELS, located in a former brewery and is one of the most significant centres for contemporary art in Europe. During the fair WIELS marked its 10th<\/sup> anniversary with the opening of a vast exhibition titled \u201cThe Absent Museum\u201d. WIELS, which still does not have the status of a museum but is none-the-less commonly referred to as one, asked in the exhibition questions about which absences in museum collections should be addressed? Which and whose histories should be told? And whose identities should be represented, shaped, or confirmed? Featuring works by artists such as Francis Al\u00ffs, Isa Genzken, Wolfgang Tillmans and Thomas Hirschhorn, the exhibition was a compelling tour de force through art history as well as the present asking what content or knowledge a museum should have in the future?<\/p>\n\n\n\n

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Art Brussels 2017, Tour and Taxis. Photo David Plas<\/figcaption><\/figure>\n\n\n\n

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Paul McCarthy, SC Western John Wayne, Pink, 2016<\/figcaption><\/figure>\n\n\n\n
\"Laure<\/a><\/figure>\n\n\n\n
\"Laure<\/a><\/figure>\n\n\n\n
\"Laure<\/a>
Laure Prouvost.\u00a0Photo credit : WE DOCUMENT ART.<\/figcaption><\/figure>\n\n\n\n

Courtesy of the artist and Galerie Nathalie Obadia, Paris\/Brussels<\/p>\n\n\n\n

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Gonkar Gyatso, 4,314 Prayers, Pearl Lam Galleries<\/figcaption><\/figure>\n\n\n\n
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Chun Kwang Young b. 1944, Aggregation 08-F001, Pearl Lam Galleries<\/figcaption><\/figure>\n\n\n\n

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Gallery 55, Drawings\u00a0by Yu Aijun, trees in the art zone<\/figcaption><\/figure>\n\n\n\n

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HDM Gallery. Painting on the left by Zhao Xuebing. Painting on the right by Zhu Rixin<\/figcaption><\/figure>\n\n\n\n

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Mementos. Artists Souvenirs, Artefacts and other Curiosities. 2017. Art Brussels. Photo David Plas<\/figcaption><\/figure>\n\n\n\n
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Mementos. Artists Souvenirs, Artefacts and other Curiosities. 2017. Art Brussels. Photo David Plas<\/figcaption><\/figure>\n\n\n\n
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Mementos. Artists Souvenirs, Artefacts and other Curiosities. 2017. Art Brussels. Photo David Plas<\/figcaption><\/figure>\n\n\n\n
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Mementos. Artists Souvenirs, Artefacts and other Curiosities. 2017. Art Brussels. Photo David Plas<\/figcaption><\/figure>\n\n\n\n
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Isa Genzken, Schauspieler ll, David Zwirner, Independent<\/figcaption><\/figure>\n\n\n\n
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Performance by Eszter Salamon and Bogl\u00e0rka B\u00f6rks\u00f6k, \u201cThe Valeska Gert Museum\u201d, Boghossian Foundation, Brussels<\/figcaption><\/figure>\n\n\n\n


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The 35th edition of Art Brussels to … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":16644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[11331,9034,11330,11332,149,11243,562,415,561,67,11333,11334,11335,93,154,208,11336,11337,102,11313,4845,11340,11338,11339,11341,416,7208,1215,4699,11342,29,239,417,374,393,11343,11344,11345,11346,11347,11348,457,458,459,419,456,210,460,230,461,421],"yoast_head":"\nArt Brussels 2017 - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/art-brussels-2017\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Brussels 2017 - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"The 35th edition of Art Brussels to … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/art-brussels-2017\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2017-05-14T02:53:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-07T03:02:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/2017-Brus.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"4176\" \/>\n\t<meta property=\"og:image:height\" content=\"2784\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u4f5c\u8005\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9884\u8ba1\u9605\u8bfb\u65f6\u95f4\" \/>\n\t<meta name=\"twitter:data2\" content=\"8\u5206\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/art-brussels-2017\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/art-brussels-2017\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Art Brussels 2017\",\"datePublished\":\"2017-05-14T02:53:00+00:00\",\"dateModified\":\"2023-12-07T03:02:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/art-brussels-2017\/\"},\"wordCount\":1081,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\""The Valeska Gert Museum"\",\"2017\",\"314 Prayers\",\"4\",\"art\",\"Art Brussels\",\"art fair\",\"art gallery\",\"art magazine\",\"artist\",\"Belgium\",\"Boghossian Foundation\",\"Bogl\u00e0rka B\u00f6rks\u00f6k\",\"Brussels\",\"contemporary art\",\"David Zwirner\",\"drawings by Yu Aijun\",\"Eszter Salamon\",\"exhibition\",\"Galerie Nathalie Obadia\",\"Gallery 55\",\"Gonkar Gyatso\",\"HDM Gallery\",\"Isa Genzken\",\"Laure Prouvost\",\"magazine\",\"Paul McCarthy\",\"Pearl Lam Galleries\",\"performance\",\"Pink\",\"Ran Dian\",\"Ran Dian magazine\",\"Ran Dian \u71c3\u70b9 magazine\",\"randian\",\"randian online\",\"SC Western John Wayne\",\"Schauspieler ll\",\"Tour & Taxis\",\"trees in the art zone\",\"Zhao Xuebing\",\"Zhu Rixin\",\"\u53f0\u6e7e\",\"\u5fb7\u8428\u5317\u4eac\",\"\u65b0\u52a0\u5761\",\"\u6b63\u5728\u5e03\u5c55\",\"\u2f51\u6817\u2f26\",\"\u71c3\u70b9\",\"\u827a\u672f+\",\"\u827a\u672f\u5bb6\",\"\u827a\u672f\u6742\u5fd7\",\"\u827a\u672f\u753b\u5eca\"],\"articleSection\":[\"News\"],\"inLanguage\":\"zh-CN\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/art-brussels-2017\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/art-brussels-2017\/\",\"url\":\"http:\/\/www.randian.art\/art-brussels-2017\/\",\"name\":\"Art Brussels 2017 - 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