{"id":16993,"date":"2016-11-11T03:08:00","date_gmt":"2016-11-11T03:08:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=16993"},"modified":"2023-12-08T03:15:32","modified_gmt":"2023-12-08T03:15:32","slug":"contemporary-istanbul-jagged-little-pill","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/contemporary-istanbul-jagged-little-pill\/","title":{"rendered":"Contemporary Istanbul: Jagged Little Pill"},"content":{"rendered":"\n<p><strong><a href=\"http:\/\/www.contemporaryistanbul.com\/en.htm\">Contemporary Istanbul<\/a><\/strong><\/p>\n\n\n\n<p>Bankalar Cad. Nazl\u0131han \u0130\u015fhan\u0131 No: 26\/2 Karak\u00f6y Beyo\u011flu, Istanbul, Turkey,<strong>&nbsp;Nov 3\u20146, 2016<\/strong><\/p>\n\n\n\n<p>At a gala reception in one of the city\u2019s high-end hotels, Ali G\u00fcreli, founder and chairman of Contemporary Istanbul, announced the beginning of the 11<sup>th<\/sup>&nbsp;edition of the city\u2019s annual art fair.<\/p>\n\n\n\n<p>Because of the political turmoil in Turkey this year, other important art events such as the \u00c7anakkale Biennial, Moving Image Fair, and Art International chose to cancel. After the coup attempt back in July, a large number of international gallerists also withdrew their participation in Contemporary Istanbul. G\u00fcreli stated that he did not see cancellation as an option; instead, he stressed the need for such events exactly now. It was not without a bit of black humor that he called on a medicinal metaphor: \u201cIt\u2019s like taking a pill that makes you feel better. It\u2019s a need, and in the coming years it will be even bigger. We would have carried on even if we had only 40 or 50 galleries.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"349\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-170.png\" alt=\"\" class=\"wp-image-16994\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-170-300x198.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-170-150x99.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-170-454x300.png 454w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-170.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Contemporary Istanbul 2016<\/figcaption><\/figure>\n\n\n\n<p>The Turkish fair-goers I met at Contemporary Istanbul seemed to agree with Ali G\u00fcreli on the importance of supporting the art fair. At a time when artists and journalists are being arrested and minority groups are being suppressed, it seemed that supporting the art fair has an almost symbolic meaning. This was perhaps also the reason why it attracted greater numbers this year than ever, with more than 90,000 visitors passing through.<\/p>\n\n\n\n<p>It seems unfair to judge too harshly an art fair that has had to cope with so many obstacles and as many as 28 last-minute cancellations by international galleries. Having said this, there was too much overly decorative art at Contemporary Istanbul, especially paintings\u2014the kind that are ready to hang over your couch, oblivious to everything but themselves.<\/p>\n\n\n\n<p>Some of the most renowned international galleries present were Marlborough from New York and K\u00f6nig from Berlin. But the booths that attracted most attention were those of younger galleries. Of these, one of the most interesting was \u201cThe Pill\u201d, newly opened in Istanbul (one assumes the name bears no relation to G\u00fcreli\u2019s comments on opening day), which attracted a lot of attention throughout the fair. Suela J. Cennet, a young woman from France, is the Founder and Executive Director of the gallery. Cennet relocated to Istanbul almost a year ago, and has already managed to establish \u201cThe Pill\u201d as one of the main galleries setting a standard for the local art scene. Her ambitious program consists mainly of young Turkish and French artists. It was well deserved that \u201cThe Pill\u201d won the prize for best booth this year.<a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/11\/The-Pill-Installation-view.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-171.png\" alt=\"\" class=\"wp-image-16997\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-171-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-171-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-171-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-171.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">The Pill gallery. Photo courtesy Contemporary Istanbul.<\/figcaption><\/figure>\n\n\n\n<p>Another interesting and well-curated booth came from the emerging Warsaw-based gallery Kasia Michalski, showing works by Polish artist Agnieszka Brze\u017ca\u0144ska. I was told that the colorful weavings shown there were references to ancient myths. I\u2019m sure we will be hearing more about both the gallery and this artist in the future.<\/p>\n\n\n\n<p>The Berlin based gallery xavierlaboulbenne featured a work called \u201cLions\u201d by the artist Adrian Hermanides from Zimbabwe. In 2013, in the aftermath of major protests against the President Erdo\u011fan government on Taksim Square, Hermanides collected various stones and bricks, some of which had probably been thrown at the authorities. These were displayed on a grid-like metal construction. The physical elevation of the stone from the ground to the air shifted the status of the stones and, in a sensitive, visually interesting way, made a strong point.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-172.png\" alt=\"\" class=\"wp-image-17000\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/zY6o0LQN-image-172-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-172-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-172.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u015e\u00fckran Moral,\u201dHIT-AND-RUN MY HEART\u201d, performance at Contemporary Istanbul, 2016<\/figcaption><\/figure>\n\n\n\n<p>Meanwhile, there was a performance by Turkish artist \u015e\u00fckran Moral called \u201cHIT-AND-RUN MY HEART\u201d. Not being part of the official program, the performance was announced by word-of-mouth shortly before it began. Moral, who was dressed in a black tattered dress, seemed fragile and powerful as she nailed nine animal hearts to a wall (!). At the end of the performance she threw a bloodstained text at the spectators, encouraging everybody to react to the current political situation in Turkey. While the performance felt a bit obsolete formally (imagine pairing an early Marina Abramovi\u0107 performance with a pinch of Hermann Nitsch and Vienna Actionism), it was impressive nonetheless, and well befitted the current status quo.<\/p>\n\n\n\n<p>There was a moment during Contemporary Istanbul this year when the chilling reality outside came very close. 20 members of the conservative religious group Erbakan Foundation called for a sculpture by Ali Elmaci called \u201cI Can\u2019t Reciprocate Your Feelings Osman III\u201d at Gallery Isabel Croxatto to be removed because it depicted Abdulhamid II, the last Ottoman sultan. Not wanting to cause problems at the fair, the artist chose to remove his work.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"300\" height=\"480\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-173.png\" alt=\"\" class=\"wp-image-17003\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/dfzmTQ3A-image-173-188x300.png 188w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-173-94x150.png 94w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-173.png 300w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Ali Elmaci, \u201cI Can\u2019t Reciprocate Your Feelings Osman III\u201d, Gallery Isabel Croxatto<\/figcaption><\/figure>\n\n\n\n<p>Navigating as an artist in the current political climate in Turkey is not easy; what is allowed and what not is at the moment a vast grey zone. Turkish artists who are politically motivated have to choose between self-censorship and, in the worst case, being frozen out of the cultural life. An example of this is the aforementioned artist \u015e\u00fckran Moral, who used to be represented in the most acknowledged art institutions in Turkey. Following a performance she made in 2011, however, she received many death-threats and was forced to leave her home country immediately. She went into exile in Italy for a year.<\/p>\n\n\n\n<p>Today, Istanbul\u2019s once vibrant and promising art scene\u2014on everybody\u2019s lips just a few years ago\u2014seems far away. And while many young people and artists want to leave Turkey, hopefully there will also be many as courageous as \u015e\u00fckran Moral who choose to stay. Andy Warhol once said: \u201cThey always say time changes things, but you actually have to change them yourself.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"639\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-174.png\" alt=\"\" class=\"wp-image-17006\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/CJabZFXm-image-174-248x300.png 248w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-174-124x150.png 124w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-174.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Agnieszka Brze\u017ca\u0144ska, untiled, 2016, Gallery Kasia Michalski.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-175.png\" alt=\"\" class=\"wp-image-17009\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-175-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-175-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-175-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-175.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Contemporary Istanbul 2016, fair view.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"349\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-176.png\" alt=\"\" class=\"wp-image-17012\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-176-300x198.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-176-150x99.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-176-454x300.png 454w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-176.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Contemporary Istanbul 2016, view of the fair. Courtesy Contemporary Istanbul.<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/11\/Contemporary-Istanbul-inside.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"347\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-177.png\" alt=\"\" class=\"wp-image-17015\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-177-300x197.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-177-150x99.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-177-456x300.png 456w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-177.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Eda Soylu, \u201cConstructing the House Anew\u201d, Kadir Has University. Photo courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/11\/Eda-Soylu.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"431\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-178.png\" alt=\"\" class=\"wp-image-17018\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-178-300x245.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-178-150x122.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-178-368x300.png 368w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-178.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Etel Adnan, untitled, oil on canvas, 38 x 46 cm. Gallerie Lelong. Photo courtesy Contemporary Istanbul<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/11\/Etel-Adnan.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"615\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-179.png\" alt=\"\" class=\"wp-image-17021\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/7rAcRAwy-image-179-258x300.png 258w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-179-129x150.png 129w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-179.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Genco G\u00fclan, \u201cAlexander with Six Eyes\u201d, marble polymer 51 x 32 x 27 cm. PIRAMID SANAT Gallery. Photo courtesy Contemporary Istanbul<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/11\/Genco-G%C3%BClan.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"792\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-180.png\" alt=\"\" class=\"wp-image-17024\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/1veLPzFx-image-180-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-180-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-180.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Irfan \u00d6n\u00fcrmen, \u201cDiffusion\u201d, mixed media, 2016. C24 Gallery<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/11\/Irfan-%C3%96n%C3%BCrmen.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"592\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-181.png\" alt=\"\" class=\"wp-image-17027\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/axp5QakX-image-181-268x300.png 268w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-181-134x150.png 134w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-181.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Jakob Kudsk Steensen, \u201cPrimal Tourism: Walk-through\u201d, Virtual Reality, 2016, Moving Image.<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/11\/jacob-Kudsk-Steensen.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"638\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-182.png\" alt=\"\" class=\"wp-image-17030\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/04zhMVin-image-182-248x300.png 248w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-182-124x150.png 124w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-182.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Ling Jian, \u201cDream of the Red Chamber\u201d, oil on canvas 180 x 150 cm, 2015, ACAF Projects<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/11\/Ling-Jian.jpeg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"739\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-183.png\" alt=\"\" class=\"wp-image-17033\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/MT4qYoc4-image-183-214x300.png 214w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-183-107x150.png 107w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-183.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">SARP, \u201cKanun\u201d, archival print 140 x 100 cm, 2016. Yavuz Gallery<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Contemporary Istanbul Bankalar Cad. Nazl &hellip; <a href=\"http:\/\/www.randian.art\/zh-hans\/contemporary-istanbul-jagged-little-pill\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":17036,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[11427,11429,11428,501,149,415,67,11272,102,289,11430,11431,416,29,239,417,374,393,11247,11432,11433,419,210,460,230,421],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Contemporary Istanbul: Jagged Little Pill - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/contemporary-istanbul-jagged-little-pill\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Contemporary Istanbul: Jagged Little Pill - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Contemporary Istanbul Bankalar Cad. 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