{"id":17040,"date":"2016-11-20T03:49:00","date_gmt":"2016-11-20T03:49:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=17040"},"modified":"2023-12-08T03:53:49","modified_gmt":"2023-12-08T03:53:49","slug":"artissima-2016","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/artissima-2016\/","title":{"rendered":"Artissima 2016"},"content":{"rendered":"\n

After Frieze and FIAC, Artissima<\/strong><\/a> is the last European art fair in the autumn frenzy of art fairs. It is also a vibrant art fair in a beautiful setting in the capital of the Piedmont province. The fair\u2019s date in autumn is well chosen: autumn is colorful and atmospheric in Piedmont, and, of course, it is the season of truffles.<\/p>\n\n\n\n

What was said in 2013 is still fully valid (see Slow Art and Slow Food in Torino<\/a>). In particular, the fair is not a place of rush. Visitors are curious, but take their time to wander around, to assess, and possibly to acquire. Artissima is well known for its \u201cBack to the Future\u201d section in which overlooked positions, mainly from the \u201960s and \u201970s, are showcased. Artissima was probably the first international art fair to introduce this kind of section and to give exposure to forgotten\u2014<\/em>or nearly forgotten\u2014<\/em>perspectives (many other fairs have meanwhile introduced similar sections). At this year\u2019s Artissima, several surprising artist statements from the \u201960s and \u201970s were presented again, for example the original and highly autonomous work of Swiss artist Klaus Lutz, shown by Rotwand Gallery from Zurich.<\/p>\n\n\n\n

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Installation shot presentation, Lynn Hershman Leeson and Eli Corti\u00f1as at Artissima 2016, booth of Waldburger Wouters, Brussels<\/figcaption><\/figure>\n\n\n\n

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Installation shot, MadeIn Gallery at Artissima 2016, courtesy MadeIn Gallery, Shanghai<\/figcaption><\/figure>\n\n\n\n

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Installation shot Franz Erhard Walther at Jocelyn Wolff (Paris), Artissima 2016<\/figcaption><\/figure>\n\n\n\n

Another section of the fair is \u201cPresent Future\u201d. Here, young artists and galleries are invited by curators. Directed by the curator Luigi Fassi, this certainly is a highlight of the fair. Positioned in the entrance area area, the curation and presentation is appealing and inviting\u2014 <\/em>very different from what is stereotypically understood as an \u201cart fair\u201d. The section offers the possibility to discover new positions and is loved by visitors. This year\u2019s Present Future Illy Prize was awarded to Cecily B. Evans, presented by Barbara Seiler from Zurich.<\/p>\n\n\n\n

The \u201cNew Entries\u201d section features galleries new to Artissima, for example MadeIn Gallery from Shanghai, whose booth with Miao Ying, Shen Xin, and Lu Pingyuan received much praise and attention. Overall at the fair, video art was spread widely; it seems galleries take more risks at Artissima in showing video art than at other art fairs. It is known that Torino hosts some very serious private collectors for video art as well as institutions that collect video art. An impressive video presentation was staged by KOW from Berlin, showing works by German video artist Clemens von Wedemeyer.<\/p>\n\n\n\n

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Installation shot, Klaus Lutz at Rotwand Gallery, Artissima 2016, courtesy Rotwand, Zurich and the Estate of Klaus Lutz<\/figcaption><\/figure>\n\n\n\n

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Installation shot, Pat O\u2019Neill at Monitor Gallery (Rome), Artissima 2016<\/figcaption><\/figure>\n\n\n\n

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Installation shot, Eli Corti\u00f1as at Artissima 2016, booth of Waldburger Wouters, Brussels<\/figcaption><\/figure>\n\n\n\n

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Installation shot, Pauline M\u2019barek at Galerie Rehbein (Cologne and Brussels), Artissima 2016<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

After Frieze and FIAC, Artissima&nb … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":17062,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[149,415,11434,11435,67,88,102,416,29,239,417,374,393,11436,419,210,460,230,421],"yoast_head":"\nArtissima 2016 - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/artissima-2016\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artissima 2016 - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"After Frieze and FIAC, Artissima&nb … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/artissima-2016\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2016-11-20T03:49:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-08T03:53:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/Pauline_MBarek-Relics_TRehbein.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"4160\" \/>\n\t<meta property=\"og:image:height\" content=\"3120\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u4f5c\u8005\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9884\u8ba1\u9605\u8bfb\u65f6\u95f4\" \/>\n\t<meta name=\"twitter:data2\" content=\"4\u5206\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/artissima-2016\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/artissima-2016\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Artissima 2016\",\"datePublished\":\"2016-11-20T03:49:00+00:00\",\"dateModified\":\"2023-12-08T03:53:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/artissima-2016\/\"},\"wordCount\":473,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"art\",\"art gallery\",\"Artissima\",\"Artissima report\",\"artist\",\"Chris Moore\",\"exhibition\",\"magazine\",\"Ran Dian\",\"Ran Dian magazine\",\"Ran Dian \u71c3\u70b9 magazine\",\"randian\",\"randian online\",\"Torino\",\"\u6b63\u5728\u5e03\u5c55\",\"\u71c3\u70b9\",\"\u827a\u672f+\",\"\u827a\u672f\u5bb6\",\"\u827a\u672f\u753b\u5eca\"],\"articleSection\":[\"News\"],\"inLanguage\":\"zh-CN\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/artissima-2016\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/artissima-2016\/\",\"url\":\"http:\/\/www.randian.art\/artissima-2016\/\",\"name\":\"Artissima 2016 - 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