{"id":17338,"date":"2016-06-23T08:40:00","date_gmt":"2016-06-23T08:40:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=17338"},"modified":"2023-12-08T08:54:44","modified_gmt":"2023-12-08T08:54:44","slug":"art-basel-2016-orgasmically-successful","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/art-basel-2016-orgasmically-successful\/","title":{"rendered":"Art Basel 2016 orgasmically successful."},"content":{"rendered":"\n

As you may have heard, despite war in Syria, refugees escaping conflict and poverty, a crazy Korean popping of missiles, the US economy going wobbly, Donald Trump being nominated for US Republican presidential candidate and going wobbly, a crack down on censorship here, there and, well, there,<\/em> a terrorist attack on a gay nightclub in Miami, England voting for obscurity (did you know about their referendum this week?), DESPITE ALL OF THAT, Art Basel did just great. Orgasmic sums of money changed hands (just read the post-Basel press releases). But there was also great art. Oh and it was rainy. SO rainy.<\/p>\n\n\n\n

Notes & Memes<\/strong>
Performance art, Jannis Kounellis, Seth Price, pavilions, architect designed booths, immigration, refugees, surveillance, green trousers (again),\u2026<\/p>\n\n\n\n

Chinese art<\/strong>
No, not much this year, except for some major works in Art Unlimited: Ding Yi, Cheng Ran, Colin Siyuan Chinnery, Birdhead. And not many galleries: ShanghART, Vitamin Creative Space, Long March Space, and Galerie Urs Meile and Galleria Continua, and Marlborough had a Song Yige, and Thaddaeus Ropac had a Yan Pei Ming. Hmm. But compare the prices: great art from China is cheap compared to (often not so great art) from Western galleries, or even Chinese art in Western galleries.<\/p>\n\n\n\n

Classics & Masters
<\/strong>Art Basel is not just about selling famous one-name artists\u2014the Picassos, Pollocks and Warhols\u2014but also about remembering other masters, whether still living\u2014Haim Stainbach, Jannis Kounellis, and Liang Shaoji and Seth Price; or not\u2014L\u00e1szl\u00f3 Maholy-Nagy.<\/p>\n\n\n\n

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Performance art was not only present in Art Unlimited\u2013here Jannis Kounellis \u201cDa inventare sul posto\u201d (To Invent on the Spot), 1972, with Cy Twombley-esque painting, it was first performed at Documenta 5 in 1972 and maybe, just maybe, he is not taking it altogether Cyrioiusly (Luxembourg & Dayan, New York & London<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Perfection. Roy Lichtenstein \u201cLandscape with Red Sky\u201d 1985 (Kukje Gallery, Seoul & Tina Kim Gallery, New York)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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L\u00e1szl\u00f3 Maholy-Nagy\u2014Almost unpronounceable Modern hero slowly being remembered (some never forgot)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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A hugely underrated artist\u2014Liang Shaoji \u201cNature Series Candle\u201d, 2011 (ShanghART, Shanghai, Beijing & Singapore)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Jackson Pollock at Mitchell-Innes & Nash, New York.<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Anna Opperman in the Feature section was a new iteration of the late artist\u2019s recent show at Barbara Thumm, Berlin<\/figcaption><\/figure>\n\n\n\n

Feature section<\/strong><\/p>\n\n\n\n

\"\"
Vanguard video artist, Lynn Hershman Leeson\u2019s \u201cRoberta Breitmore Series\u201d was in the Feature section (Waldburger Wouters, Brussels)<\/figcaption><\/figure>\n\n\n\n

Statements<\/strong>
This is the section for young, emerging galleries with solo-presentations.<\/p>\n\n\n\n

\"\"
Mary Reid Kelley\u2019s \u201cThis Is Offal\u201d. video work won the Baloise Art Prize in the Statements section (Arratia Beer, Berlin)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
Jasper Spicero \u201cT.U.R.T.L.E.\u201d 2016 (Johan Berggren Gallery, Helsinki) in Statements\u2014the story of making a set with a turtle and then making a movie about what was made.<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Daniel Jacoby in Statements (Maisterravalbuena, Madrid)<\/figcaption><\/figure>\n\n\n\n

Always painting<\/strong>
Because\u2026there is always painting\u2026but Art Basel is where you will find the best (that is purchasable).<\/p>\n\n\n\n

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Lesley Vance \u201cUntitled\u201d 2016 (Xavier Hufkens, Brussels)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Neo Rauch \u201cDieb\u201d 2004 (David Zwirner, London & New York)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Small but perfect, Peter Doig\u2019s \u201cGirl with Skiis\u201d 1997 (Michael Werner Gallery, New York, London, Berlin)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Wang Xingwei \u201cThe Divine Anti-Japanese Goose No.2\u2033 (2015-2016, oil on canvas, 240 \u00d7 315 cm) (Galerie Urs Meile, Beijing & Lucerne)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
Toby Ziegler at Simon Lee Gallery (Hong Kong, London, New York)
oh yes, this IS\u00a0a painting.<\/em><\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
Door to perception\u2014Andreas Slominski \u201c2655 GGG\u201d 2016 (B\u00e4rbel Gr\u00e4sslin, Frankfurt)<\/figcaption><\/figure>\n\n\n\n

And installation and sculpture<\/strong><\/p>\n\n\n\n

\"\"
Mary Kelly (Mitchell-Innes Nash)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
G\u00fcnther Ueker \u201cBaume aus einem Stamm\u201d (Trees from One Trunk), 2009-2015 (Dominique L\u00e9vy, New York, London, Geneva)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
(foreground) Monika Sosnowska \u201cUntitled\u201d 2016 (background) Seth Price \u201cUntitled\u201d 2006 (Galerie Gisela Capitain, Berlin)<\/figcaption><\/figure>\n\n\n\n

Ob the second visit you notice other things<\/strong><\/p>\n\n\n\n

\"\"
Richard Prince at Almine Rech Gallery<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
neugerriemschneider booth, with the theme of nature, including Olafur Eliasson, Ai Weiwei, \u2026well you know already. But the green trousers are not part of the display.<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
Olafur Eliasson \u201cCosmic Gaze\u201d 2016, 329 glass spheres, at Tanya Bonakdar<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Cao Fei at Vitamin Creative Space \u2013 not the robotic vacuum cleaner.<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Jolle Tuerlinckx (Galerie n\u00e4chst St.Stephen Rosemarie Schwarzw\u00e4lder, Vienna)<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
David Hammons and John Chamberlain (right) at Mnuchin Gallery<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
Koenraad Dedobbeleer at Mai 36 Galerie<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Seth Price<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Olafur Eliasson at neugerriemschneider<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Ugo Rondinone at Eva Presenhuber<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Doris Salcedo at White Cube \u2013 riffing on Rachel Whiteread?<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Matthew Barney at Gladstone Gallery<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

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Koenraad Dedobbeleer at Mai 36 Galerie<\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

\"\"
And now we go to Art Unlimited\u2014Joseph Kosuth \u201cTitled (Art as Idea as Idea)\u201d [Nothing] (1968) (Sean Kelly New York and Spr\u00fcth Magers, Berlin, London & New York)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

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