{"id":17770,"date":"2015-12-11T02:12:00","date_gmt":"2015-12-11T02:12:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=17770"},"modified":"2024-01-13T11:44:05","modified_gmt":"2024-01-13T11:44:05","slug":"the-end-of-miami-randians-final-unfair-report","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/the-end-of-miami-randians-final-unfair-report\/","title":{"rendered":"The End of Miami\u2014Randian\u2019s Final Unfair Report"},"content":{"rendered":"\n<p>Miami starts with parties and champagne and ends with blood and rain. As the deluge descended and the drains spewed, we huddled around an ATM with a homeless guy, or maybe he was a performance artist or kooky billionaire\u2014no, he wasn\u2019t. We were all far from home, and wondering whether we could con some smugglers to get us to the Perez Museum, just so we could be somewhere dry with free-flow milk and honey (or Blood Orange). And then we saw the bodies of collectors floating down the streets and knew it was hopeless. Or that the beachwear shop had been flooded. We were being punished.<\/p>\n\n\n\n<p><em>\u201cYou don\u2019t like it, do you Rocco, the storm? Show it your gun, why don\u2019t you? If it doesn\u2019t stop, shoot it.\u201d<\/em><\/p>\n\n\n\n<p>So says Humphrey Bogart\u2019s Frank McCloud to gangster Rocco in John Huston\u2019s 1948 Florida film noir \u201cKey Largo\u201d. It\u2019s in black and white.<\/p>\n\n\n\n<p>So it goes on Miami\u2019s South Beach too\u2014a storm of parties to end the binge of another art year, somehow financial infarct avoided (just, by a whisker, in the duopoly Sid and Nancy auction world which has been mainlining guarantees like purest smack), and divorce delayed again. In an attic somewhere the portrait must be getting gross.&nbsp;It was the week before COP21 and nothing stirred on Miami Beach except tractors pointlessly grading the sand and a few desultory swimmers who were pretending, like, art wasn\u2019t happening. The tents of subsidiary fairs sat on the sand like camps awaiting refugees. [S<em>croll down to read more<\/em>]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"346\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-398.png\" alt=\"\" class=\"wp-image-17771\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-398-300x197.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-398-150x98.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-398-458x300.png 458w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-398.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Martin Kippenberger \u201cDisco Bomb\u201d 1989 at Skarstedt, New York\u20141989 was the year Taylor Swift was born, the Berlin Wall fell, a hitchhiker tried to catch a tank in downtown Beijing, and Martin Kippenberger did THIS!<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-27.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-399.png\" alt=\"\" class=\"wp-image-17774\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-399-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-399-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-399-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-399.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Galerie Krinzinger presented a small but perfect documentary retrospective of Chris Burden<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-171.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-400.png\" alt=\"\" class=\"wp-image-17777\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-400-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-400-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-400-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-400.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wang Jinsong at Beijing Art Now<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-18.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-401.png\" alt=\"\" class=\"wp-image-17780\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-401-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-401-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-401-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-401.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Jane Lee at S.T.P.I., Singapore<\/figcaption><\/figure>\n\n\n\n<p>A Chinese visitor to Art Basel Miami Beach was stabbed by another Chinese visitor, an architecture graduate living on New York\u2019s swanky upper east side. It was reported everywhere. We mention it in case you missed it. Somewhere else on the beach someone was murdered or harassed or something and apparently it happened during Art Basel too.<\/p>\n\n\n\n<p>Let us not get too cynical though. Art Basel Miami Beach looked great. It was full of amazing art. And a lot of it was sold. Don\u2019t just take our word for it. Kenny Schachter, private art dealer and flaneur,&nbsp;<a href=\"https:\/\/news.artnet.com\/art-world\/kenny-schachter-art-basel-miami-beach-386951?utm_campaign=artnetnews&amp;utm_source=120715daily&amp;utm_medium=email\">wrote something similar<\/a>&nbsp;for artnet, an art sales and gossip platform. Why bother complaining about the superciliousness of an art fair? As Kenny said, there was plenty art to fall in love with and plenty of collectors to screw or be screwed by, willingly or otherwise. That\u2019s not the point. Words are easy. The fact remains that in its 14th year, the elegant conjuring trick that is Art Basel in Miami, was a huge success. As expected. Large numbers of artists and galleries will be in the black for year\u2019s end because of this wonderfully absurd carnival. Sure there is a lot of cookie-cutter art there too, and not least from very famous artists. But no-one is forced to visit an art fair. You do not need to read this article. And the A-List celebs padding about with their ego and oils are just so much blarp for the glossies.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"394\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-402.png\" alt=\"\" class=\"wp-image-17783\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-402-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-402-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-402-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-402.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Best photo-based work was this one by Liu Yue \u201cCognitive Studies-1-02\u2033 (2005) at ShanghART<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-42.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-403.png\" alt=\"\" class=\"wp-image-17786\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-403-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-403-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-403-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-403.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Daniel Knorr \u201cDepression Elevation (Munich, Feldherrnhalle Cosmos)\u201d, 2015 at the very-long-named Galerie N\u00e4chst St.Stephen Rosemarie Schwarzw\u00e4lder, Vienna<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-19.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"683\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-404.png\" alt=\"\" class=\"wp-image-17789\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/ztr0LYJn-image-404-232x300.png 232w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-404-116x150.png 116w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-404.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Mai-Thu Perret \u201cInsomnia IV\u201d 2014 at Simon Lee Gallery<\/figcaption><\/figure>\n\n\n\n<p>\u201c<em>Beuys would be delighted that everyone has finally become an artist and Rauschenberg\u2019s gap between art and life has all but disappeared.<\/em>\u201c\u2014Kenny<\/p>\n\n\n\n<p>No, the problems of the art world are more conceptually profound, and ever more concentrated. The inevitable weirdness of an art fair, particularly at the pinnacle, which is exclusively occupied by Art Basel and maybe TEFAF, is but a symptom of a wider malaise. The real issue is not what is contemporary art, but what is it for? Has it become irrelevant? The world is burning and millions of refugees are risking everything for a chance in a leaky boat to an increasingly bankrupt West, figuratively and literally. It seems we have finally succumbed to Benjamin\u2019s prognostications regarding art in the age of mechanical reproduction\u2014everything can be copied, and therefore will be. This is the fat arsed portrait in the attic. There is nothing new and nothing will be \u201cnew\u201d ever again. We are hooked on cash but buying nostalgia.<\/p>\n\n\n\n<p>Give it up, Frank Ocean\u2014<\/p>\n\n\n\n<p><em>Too many bottles of this wine we can\u2019t pronounce<\/em><br><em>Too many bowls of that green, no Lucky Charms<\/em><br><em>The maids come around too much<\/em><br><em>Parents ain\u2019t around enough<\/em><br><em>Too many joy rides in daddy\u2019s Jaguar<\/em><br><em>Too many white lies and white lines<\/em><br><em>Super rich kids with nothing but loose ends<\/em><br><em>Super rich kids with nothing but fake friends<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-405.png\" alt=\"\" class=\"wp-image-17792\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-405-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-405-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-405-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-405.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Huang Yong Ping \u201cThe Pole of the East\u201d, 2004, at Kamel Mennour, Paris<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-82.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-406.png\" alt=\"\" class=\"wp-image-17795\" width=\"528\" height=\"620\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/1exTqrvg-image-406-255x300.png 255w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-406-128x150.png 128w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-406.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Liu Wei \u201cCrucifixion\u201d 2014 and \u201cDialogue 1\u2033 2015 at White Cube<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-24.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-407.png\" alt=\"\" class=\"wp-image-17798\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-407-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-407-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-407-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-407.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Ugo Rondinone at Gladstone Gallery, New York<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-62.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-408.png\" alt=\"\" class=\"wp-image-17801\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-408-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-408-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-408-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-408.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Ran Huang \u201cA (Perilous) Self Portrait\u201d, 2015 at Long March Space (detail\u2014because it was too big to photograph without hitting the wall\u2014and painting on it\u2014opposite)<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-122.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-409.png\" alt=\"\" class=\"wp-image-17804\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-409-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-409-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-409-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-409.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Shinjiro Okamoto at Tokyo Gallery and B.T.A.P., Beijing, Survey section.<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-221.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-410.png\" alt=\"\" class=\"wp-image-17807\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/pjnd31td-image-410-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-410-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-410.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Paul McCarthy (foreground) and Mark Bradford at Hauser &amp; Wirth<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-22.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-411.png\" alt=\"\" class=\"wp-image-17810\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-411-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-411-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-411-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-411.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Lucio Fontana \u201cCardinale\u201d 1948\u2014no holy paintings! Galerie Karsten Greve, St.Moritz<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-25.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"364\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-412.png\" alt=\"\" class=\"wp-image-17813\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-412-300x207.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-412-150x103.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-412-435x300.png 435w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-412.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Phoebe Collings-James at Mother\u2019s tankstation, Dublin<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-112.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"704\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-413.png\" alt=\"\" class=\"wp-image-17816\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/a1m0dvGA-image-413-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-413-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-413.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">New sculptures by Stella Hamberg at Galerie EIGEN+ART, Berlin &amp; Leipzig<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Randian-Art-Basel-Miami-Beach-2015-141.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-414.png\" alt=\"\" class=\"wp-image-17819\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-414-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-414-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-414-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-414.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">A Kassen \u201cBronze Pour\u201d 2015 at Galerie Nicolai Wallner\u2014um, and what about the polished stainless steel scholars rocks of Zhan Wang? Hmm? What about them? Maybe Mr Kassen doesn\u2019t have google. Sad really, or otherwise he would realist that this work is STRIKINGLY SIMILAR to those by one of China\u2019s most famous sculptors.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Miami starts with parties and champagne  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hans\/the-end-of-miami-randians-final-unfair-report\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":17822,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[11674,673,11649,11650,397,149,475,562,11652,67,11651,11653,11654,123,95,11655,88,154,11385,11656,11657,507,11658,10287,11659,11661,11660,11391,9263,285,11607,11662,11663,178,964,255,515,11664,3222,586,5395,11665,11317,7208,11666,11667,374,393,10288,11402,11668,122,11669,1551,482,11671,11670,11445,1725,11672,11673,1696,71,646,114,458,210,11675,460,230],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The End of Miami\u2014Randian\u2019s Final Unfair Report - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/the-end-of-miami-randians-final-unfair-report\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The End of Miami\u2014Randian\u2019s Final Unfair Report - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Miami starts with parties and champagne &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/the-end-of-miami-randians-final-unfair-report\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2015-12-11T02:12:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-13T11:44:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/liuwei-work-lg-6.banner.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"992\" \/>\n\t<meta property=\"og:image:height\" content=\"662\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u4f5c\u8005\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9884\u8ba1\u9605\u8bfb\u65f6\u95f4\" \/>\n\t<meta name=\"twitter:data2\" content=\"8\u5206\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/the-end-of-miami-randians-final-unfair-report\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/the-end-of-miami-randians-final-unfair-report\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"The End of Miami\u2014Randian\u2019s Final Unfair Report\",\"datePublished\":\"2015-12-11T02:12:00+00:00\",\"dateModified\":\"2024-01-13T11:44:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/the-end-of-miami-randians-final-unfair-report\/\"},\"wordCount\":1024,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"\u201cUnder Heaven\u201d\",\"2015\",\"303 Gallery\",\"A Kassen\",\"Adriana Varej\u00e3o\",\"art\",\"Art Basel\",\"art fair\",\"Art: Concept\",\"artist\",\"B.T.A.P.\",\"Beck &amp; Eggeling\",\"Beijing Art Now\",\"Birdhead\",\"China\",\"CHRIS BURDEN\",\"Chris Moore\",\"contemporary art\",\"Daniel Knorr\",\"Disco Bomb\",\"Florian Meisenberg\",\"Francis Bacon\",\"Galerie Eigen+Art\",\"Galerie Krinzinger\",\"Galerie N\u00e4chst St.Stephen\",\"Gladstone Gallery\",\"HANS-PETER FELDMANN\",\"Hauser &amp; Wirth\",\"Heinz Mack\",\"Huang Yong Ping\",\"Jane Lee\",\"Kamel Mennour\",\"Karsten Greve\",\"Liu Wei\",\"Liu Yue\",\"Long March Space\",\"Lucio Fontana\",\"Mai-Thu Perret\",\"Mark Bradford\",\"Marlborough\",\"Martin Kippenberger\",\"Miami Beach\",\"Nathalie Obadia\",\"Paul McCarthy\",\"Peter Regli\",\"Ran HUANG\",\"randian\",\"randian online\",\"randian \u71c3\u70b9 newsletter\",\"Rosemarie Schwarzw\u00e4lder\",\"S.T.P.I. 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