{"id":18773,"date":"2014-11-20T05:22:00","date_gmt":"2014-11-20T05:22:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=18773"},"modified":"2023-12-28T05:29:11","modified_gmt":"2023-12-28T05:29:11","slug":"2014-frieze-london-frieze-masters-and-around-london","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/2014-frieze-london-frieze-masters-and-around-london\/","title":{"rendered":"2014 Frieze London, Frieze Masters, and around London"},"content":{"rendered":"\n<p>Frieze was a magazine. Now it is an art fair&nbsp;<em>with<\/em>&nbsp;a magazine. An art fair that is in a class of 1\u2014almost but not quite in the first league of TEFAF, Art Basel and FIAC but also not with any of the others, good (artissima, Art Stage Singapore) or otherwise. Most important galleries show at frieze, but not quite all of them. It understands, though, along with Art Basel and David Foster Wallace, that art fairs are about entertainment\u2014big game hunting with or without the safari suit. This is why it\u2019s in tents in one of London\u2019s most gracious parks (also because it\u2019s close to where the money is).<\/p>\n\n\n\n<p>It was successful. Of course it was\u2014this was never in doubt. And there were lots of wondrous things at both Frieze masters and Frieze itself, including art. The opening was fun, the special projects interesting, the talks serious and the food exceptional. It was a great fair. The best of Frieze week though was the Helly Nahmad Gesamtkunstwerk 1960s apartment at Frieze Masters.<\/p>\n\n\n\n<p>Beyond the fair, the Victoria Miro shows for Wengechi Mutu and Eric Fischl respectively deserved and demanded attention (Grace Jones came late to see Mutu\u2019s bewitching show). Ostensibly, the exhibition was also about Yayoi Kusama, too\u2014but she was in the garden.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-675.png\" alt=\"\" class=\"wp-image-18774\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-675-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-675-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-675-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-675.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Installation at Helly Nahmad Gallery booth, Frieze Masters.<\/figcaption><\/figure>\n\n\n\n<p>Eric did paintings constructed of many photographs of people at art fairs. Across town, a very similar exhibition was at Hauser &amp; Wirth, with Paul McCarthy showing lots of shit, people shitting, screwing and plush soft-toy squirrel penises. He was building for his giant green butt plug \u201cChristmas Tree\u201d in Paris for FIAC.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-676.png\" alt=\"\" class=\"wp-image-18777\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-676-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-676-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-676-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-676.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Tom\u00e1s Saraceno and Thomas Demand at Esther Schipper, Frieze London<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/IMG_0590.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"660\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-677.png\" alt=\"\" class=\"wp-image-18780\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/sZH4Jyw3-image-677-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-677-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-677.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">A large scholar\u2019s rock at Frieze Masters, apparently from the 18th Century. Funny, we thought rocks were older.<\/figcaption><\/figure>\n\n\n\n<p>Chinese collectors seemed thicker on the ground than Chinese artists or curators, particularly at the Gerhard Richter opening of the new Marian Goodman gallery in Soho (personally the rather clinical exhibition left me underwhelmed\u2014but the space is gorgeous).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"574\" height=\"768\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-678.png\" alt=\"\" class=\"wp-image-18783\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/ADs9FFFf-image-678-224x300.png 224w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-678-112x150.png 112w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-678.png 574w\" sizes=\"(max-width: 574px) 100vw, 574px\" \/><figcaption class=\"wp-element-caption\">El Greco at Caylis, Madrid, frieze Masters<\/figcaption><\/figure>\n\n\n\n<p>And I wondered, amidst all the fear of another imminent economic crisis, Ebola, the Ukraine, ISIS terrorists and everything else\u2014how is it that there is so much expensive art for sale? One explanation is that prices are high because there is a shortage of art. Or prices aren\u2019t high\u2014they are just prices. Both are correct. Some pay, some don\u2019t. Either way, there are vast changes happening in the art world, which is now called \u201c<em>the<\/em>&nbsp;art market\u201d. I began thinking about this during Art Basel Hong Kong. And at Art Basel. and at abc in Berlin. And I was still thinking about this during Frieze London, particularly as I walked with an artist friend through a crepuscular Regent\u2019s Park to Frieze Masters, he pointing out the mansion Damien Hirst has just bought. Meanwhile, the music and print industries are in crisis\u2026or at least, just not earning what they used to.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-679.png\" alt=\"\" class=\"wp-image-18786\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-679-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-679-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-679-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-679.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Wangechi Mutu \u201cSleeping Serpent\u201d<br>Mixed media fabric and ceramic, 91 x 91 x 945 cm (35 7\/8 x 35 7\/8 x 372 1\/8 in), 2014<br>(Courtesy the Artist and Victoria Miro, London, \u00a9 Wangechi Mutu)<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/WM_VMG_2014-o.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-680.png\" alt=\"\" class=\"wp-image-18789\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-680-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-680-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-680-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-680.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Paul McCarthy at Hauser &amp; Wirth London<\/figcaption><\/figure>\n\n\n\n<p>It does not matter. The real reason art is with us now is that our language is changing. Once we had poetic sages, then great novelists and more recently auteur directors. Now we have art, which at least gives the appearance of comprising an international language \u2014whether intellectual, economic, romantic or just fun. If you don\u2019t like them, you don\u2019t have to go to art fairs. If you don\u2019t want to, no one will force you to look at art, much less buy it. But all this machinery of the Art Market, including grand museums, billionaires, curators\u2014all of it\u2014means there is much more to discuss and provoke and criticize than ever before. It is a boon to intellectual freedom, even if we have to watch carefully that it doesn\u2019t choke on its own success. Furthermore, where once London was a backwater in terms of the art revolution that occurred during the 20<sup>th<\/sup>&nbsp;Century, over the past 20 years the internationalization and popularization of contemporary art has transformed London into the art-city it is today, second only to New York. And this is profoundly relevant for East Asia and particularly China, because this is where the art world could expand most next. All the Chinese collectors at Marian Goodman are working on it. The question is, what will money bring next? Frieze is looking very intensely to China, so maybe, one day, we can look forward to a tent on Tiananmen square.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-681.png\" alt=\"\" class=\"wp-image-18792\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-681-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-681-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-681-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-681.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Steve McQueen \u201cAshes\u201d at Thomas Dane Gallery<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/IMG_0469.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-682.png\" alt=\"\" class=\"wp-image-18795\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-682-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-682-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-682-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-682.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Mark Grotjahn with Tabwa masks at frieze (Anton Kern Gallery, New York)<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/IMG_0609.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"660\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-683.png\" alt=\"\" class=\"wp-image-18798\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/4g9lfAbe-image-683-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-683-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-683.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Zhang Ding at ShanghART, frieze London<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/IMG_6937.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-684.png\" alt=\"\" class=\"wp-image-18801\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-684-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-684-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-684-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-684.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Lee Bul at Korean Cultural Centre UK, in conjunction with her IKON Gallery solo show at Birmingham<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/IMG_6955.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"660\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-685.png\" alt=\"\" class=\"wp-image-18804\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/Ya7N2dWq-image-685-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-685-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-685.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Matthew Barney at Sadie Coles HQ<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/IMG_0447.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-686.png\" alt=\"\" class=\"wp-image-18807\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-686-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-686-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-686-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-686.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">A collector at Frieze, Regent\u2019s Park<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/IMG_6934.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"660\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-687.png\" alt=\"\" class=\"wp-image-18810\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/wh2EQxL4-image-687-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-687-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-687.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Hazy early evening view of Frieze Masters tent<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/11\/IMG_0512.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-688.png\" alt=\"\" class=\"wp-image-18813\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-688-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-688-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-688-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hans\/image-688.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Hong Kong mission next to Spr\u00fcth Magers Gallery London. No umbrellas.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Frieze was a magazine. Now it is an art  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hans\/2014-frieze-london-frieze-masters-and-around-london\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":18816,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[10646,12020,1566,11683,7596,1750,12021,475,11325,563,11434,105,1220,80,11327,5317,3954,95,2851,10067,11689,12022,5715,507,9071,11565,11734,4961,7480,9261,933,11391,12025,1537,12024,9412,11396,12023,10635,1591,5980,66,255,2814,11967,117,1628,371,12026,12027,100,134,3915,1101,374,393,11744,1692,1103,2403,10379,12028,69,122,1514,130,7586,167,11436,3196,143,1725,6399,1047,12029,12030,3197,1696,12031,71,11362,2645,599,296,646,210],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2014 Frieze London, Frieze Masters, and around London - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/2014-frieze-london-frieze-masters-and-around-london\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2014 Frieze London, Frieze Masters, and around London - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Frieze was a magazine. Now it is an art &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/2014-frieze-london-frieze-masters-and-around-london\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2014-11-20T05:22:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-28T05:29:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/wm_vmg_2014-n.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u4f5c\u8005\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9884\u8ba1\u9605\u8bfb\u65f6\u95f4\" \/>\n\t<meta name=\"twitter:data2\" content=\"7\u5206\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/2014-frieze-london-frieze-masters-and-around-london\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/2014-frieze-london-frieze-masters-and-around-london\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"2014 Frieze London, Frieze Masters, and around London\",\"datePublished\":\"2014-11-20T05:22:00+00:00\",\"dateModified\":\"2023-12-28T05:29:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/2014-frieze-london-frieze-masters-and-around-london\/\"},\"wordCount\":877,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"A Thousand Plateaus\",\"abc\",\"ABHK\",\"Alan Cristea\",\"Anselm Kiefer\",\"Antenna Space\",\"Armory Show\",\"Art Basel\",\"Art Stage\",\"art021\",\"Artissima\",\"Beijing\",\"Beijing Commune\",\"Berlin\",\"Boers-Li\",\"Budi Tek\",\"Chengdu\",\"China\",\"damien hirst\",\"David Chau\",\"Eric Fischl\",\"Faggionato\",\"FIAC\",\"Francis Bacon\",\"Frieze\",\"Frieze Art Fair\",\"Frieze Masters\",\"galleria continua\",\"Gerhard Richter\",\"Germany\",\"Guangzhou\",\"Hauser &amp; 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