{"id":5274,"date":"2016-09-27T12:43:00","date_gmt":"2016-09-27T12:43:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=5274"},"modified":"2022-12-13T02:13:26","modified_gmt":"2022-12-13T02:13:26","slug":"wang-zhibos-ode-to-objects","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/wang-zhibos-ode-to-objects\/","title":{"rendered":"Wang Zhibo\u2019s Ode to Objects"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/wang-zhibo\/\"><strong>\u201cThere is a place with four suns in the sky \u2013 red, white, blue and yellow\u201d<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/edouard-malingue-gallery\/\"><strong>Edouard Malingue Gallery<\/strong><\/a>&nbsp;(Sixth Floor, 33 Des Voeux Road Central, Hong Kong),&nbsp;<strong>Aug 24 \u2013 Sept 16, 2016<\/strong><\/p>\n\n\n\n<p>Wang Zhibo is a fascinating painter, not least for her ability to disrupt the most banal of compositions to trigger both irony and unease. Her last solo exhibition, \u201cStanding Waves\u201d, at Edouard Malingue in 2013, centered around uninhabited artificial landscapes\u2014Western artefacts dumped in the middle of Chinese settings that remind one of China\u2019s so-called \u201cghost cities\u201d.<\/p>\n\n\n\n<p>While the artist\u2019s latest exhibition, \u201cThere is a place with four suns in the sky\u2014red, white, blue and yellow\u201d features a similar amalgamation of the natural and artificial, it diverges from Wang\u2019s previous works in its blurring of the line between human and non-human. In \u201cWe leave that to the people who wear them\u201d (2015), a maternal figure appears to be nursing her young child. But the mother\u2019s head is nowhere to be seen; instead, a row of bones adorn this figure\u2019s neck. A broken limb lies desolately at the bottom left corner. Yet it appears less as if the scene depicts a grisly crime than it does merely a pile of bones and flesh someone that has assembled. The irony of the title, which takes after a famous Rolex advertising slogan, \u201cA Rolex Will Never Change the World. We leave that to the people who wear them\u201d, is not lost: how much agency do the figures in the painting have, if any?<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"705\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-869.png\" alt=\"\" class=\"wp-image-5275\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/QftI8JNM-image-869-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-869-112x150.png 112w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-869.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wang Zhibo, \u201cWe Leave that to the People who Wear Them\u201d, oil on linen, 160 x 120 cm, 2015<\/figcaption><\/figure>\n\n\n\n<p>The parent-child relationship is humorously reprised as two pears in \u201cSwaddling\u201d (2016), with the bigger pear appearing to hold the smaller one in her (his?) bosom. This might lead one to reflect further on the different approaches we take to \u201csubject\u201d and \u201cobject\u201d. It\u2019s an idea that was previously laid out in \u201cDancing is better\u201d (2015) which features a series of figures dancing, posing and in other attitudes in a circle. Aesthetically, the poise and muscular lines here recall classical Greek sculpture. A few yogis, arched backs and all, are also part of the painting. Disparate in context and time, the only thing linking the two assemblages is a sense of beauty attached to the human frame.<\/p>\n\n\n\n<p>Reading like a 17th-century Flemish still-life, \u201cSummer Kitchen\u201d (2016) is suffused with all the right elements\u2014a roasted chicken takes center stage in the middle of an overcrowded table alongside a heap of potatoes, a few heads of broccoli and the like; but the perfect composition is mucked up by a white wig that has been dumped next to the chicken. In \u201cEcstasy\u201d (2016), the unique play of light and shadow is a tribute to Italian sculptor Giovanni Bernini\u2019s 1652 \u201cEcstasy of Saint Teresa\u201d. Here, however, the unique composition is modeled after a wooden display of angels at the Metropolitan Museum of Art with the deities irreverently replaced, for example, by the head of Micky Mouse and a garlic press. What is at play here goes far beyond being irreverent for its own sake. Wang seems to be saying, \u201cWe\u2019ve invested so much of our lives in these commonplace objects, don\u2019t they deserve the same kind of attention?\u201d<\/p>\n\n\n\n<p>With her previous shows, Wang has already shown a propensity for interweaving the natural with the artificial; here, she deftly collapses the human with the inanimate, the historical and contemporary. While possessing no discerning voice of their own, the objects in her paintings appear to be freighted with deep emotional or symbolic significance.<\/p>\n\n\n\n<p>In Wang\u2019s paintings, the subjects\u2014the human figures\u2014are being treated like objects, whereas the objects present are what demand anthropological scrutiny. Obviously, Wang isn\u2019t the first to endow objects with a voice, a history. What is unique about the exhibition is that it does so in the context of the modern world, when man\u2019s relationship with objects can be described as ambiguous at best. As much as we continue to define ourselves by the things we possess, the era of \u201cfast-anything\u201d has also enabled us to relinquish them alarmingly quickly. How much agency do objects have? Do histories disappear when they are discarded?<\/p>\n\n\n\n<p>The seriousness of these questions is offset by the distinct brand of humor that threads through the works on display. Rather than a hard-hitting critique of today\u2019s rampant materialistic culture, \u201cThere is a place with four suns in the sky\u2014red, white, blue and yellow\u201d is really a reflection\u2014and celebration\u2014of life itself. The idea that an object, be it a string of pearls, a pear or a garlic press, can encompass all of life\u2019s complexities.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"652\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-870.png\" alt=\"\" class=\"wp-image-5278\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/Tjw6n3B4-image-870-243x300.png 243w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-870-121x150.png 121w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-870.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wang Zhibo, \u201cSwaddling\u201d, oil on linen, 210 x 160 cm, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"347\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-871.png\" alt=\"\" class=\"wp-image-5281\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-871-300x197.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-871-150x99.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-871-456x300.png 456w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-871.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wang Zhibo, \u201cRise, Fall\u201d, oil and acrylic on canvas, 190 x 290 cm, 2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"564\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-872.png\" alt=\"\" class=\"wp-image-5284\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/tV75N3qc-image-872-281x300.png 281w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-872-140x150.png 140w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-872.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wang Zhibo, \u201cEcstasy\u201d, oil on linen, 170 x 180 cm, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"708\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-873.png\" alt=\"\" class=\"wp-image-5287\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/GqgBnGNB-image-873-224x300.png 224w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-873-112x150.png 112w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-873.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wang Zhibo, \u201cUntitled (Jewelry)\u201d, oil on linen, 107 x 80 cm, 2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"802\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-874.png\" alt=\"\" class=\"wp-image-5290\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/9j7KiNdO-image-874-198x300.png 198w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-874-99x150.png 99w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/image-874.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wang Zhibo, \u201cSummer Kitchen\u201d, oil on linen, 126 x 83 cm, 2016<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThere is a place with four suns in the  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hans\/wang-zhibos-ode-to-objects\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":5293,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[21],"tags":[422,220,183,2060,2061,1064,423,424,180,234,425,384,426,2062,429,235,1451,473,216,430,2063],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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