{"id":7361,"date":"2016-07-07T11:32:00","date_gmt":"2016-07-07T11:32:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=7361"},"modified":"2022-12-15T11:35:58","modified_gmt":"2022-12-15T11:35:58","slug":"new-arrival","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hans\/new-arrival\/","title":{"rendered":"New Arrival"},"content":{"rendered":"\n<p><a href=\"https:\/\/sullivanstrumpf.com\/exhibitions\/arrival\/art\/works\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u201cArrival\u201d<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/sullivanstrumpf.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Sullivan + Strumpf<\/strong><\/a>&nbsp;(#01-06 5 Lock Road, Singapore),&nbsp;<strong>June 10 \u2013 July 9, 2016<\/strong><\/p>\n\n\n\n<p>Although Gillman Barracks opened in 2012 with no small fanfare as Singapore\u2019s equivalent of Beijing\u2019s 798 art district, the past year hasn\u2019t been entirely kind to the gallery enclave. Since the departure of a third of the galleries during 2015, announcements of new tenants seem squarely aimed at a food &amp; beverage crowd who might think \u201cthis is boring, there\u2019s nothing but galleries here\u201d. Given all this, the recent arrival of Australian gallery Sullivan + Strumpf is particularly encouraging. That it is billed as the first gallery to establish a permanent presence in both Australia and Asia makes it a doubly welcome development.<\/p>\n\n\n\n<p>As for the inaugural exhibition, the overall vibe of this aptly-titled show is one of open collegiality\u2014like the art gallery equivalent of a housewarming party. It\u2019s not the most groundbreaking show, curatorially speaking, functioning instead as something of a brief introduction to the practices of a number of the artists represented by Sullivan + Strumpf. It feels rather safe\u2014but perhaps a measure of caution is warranted, and may pay off in the long term.<\/p>\n\n\n\n<p>Under the cool, diffuse light inside the gallery, the comparatively colorful works on show seem doubly emphasized, and practically pop off the walls. Particular mention goes to Sydney Ball\u2019s vaguely origami-esque \u201cInfinex #36\u201d (2015), which seems further displaced from the wall\u2019s flatness in both its color and non-rectilinear form. In a similar, albeit more tangled and organic vein, the mixed-media constructions of Hiromi Tango are unrestrained and accretive to the point of being carnivalesque, suggesting ever-growing organic forms.<\/p>\n\n\n\n<p>The three-dimensional, free-standing works on display tend towards a focus on materiality, but without the monochrome coloration that tends to accompany any such description. Tim Silver\u2019s 2016 Oneirophrenia series, for instance, presents a number of chance-influenced iterations on a basic rule: bake some dough inside a cast of his own head and cast the resulting disfigured visage. The seven results, tinged with no small amount of bodyily horror, have some dappled blue pigmentation to their surfaces which yields an oddly calming, dreamlike atmosphere.<\/p>\n\n\n\n<p>Working with one material such that it resembles another can come across as an overdone party trick for the superlatively skilled. Alex Seton\u2019s \u201cNot Going Anywhere\u201d (2016) and \u201cTarpaulin Rosette 01\u201d (2016), however, in which Bianca Carrara and Chilagoe Pearl marble are composed so as to suggest tarpaulin and brick, don\u2019t seem to succumb to that hackneyed fate. This might be thanks to an underlying reference to the tarpaulins used as shelters by displaced people, but what comes across more strongly are the clear tool-marks which remain on the surface of the marble, and the absence of any attempt to obfuscate its mineral nature\u2014both simulated and real.<\/p>\n\n\n\n<p>The buffet-style offering of artists in this initial showing makes it implausible to full appraise each one here, be it the Shrigley-esque utterances of Richard Lewer, or Sam Jinks\u2019 disquietingly realistic babies. The gallery\u2019s upcoming program seems to acknowledge this on some level, with the next three shows slated as exhibitions for Sam Leach, Joanna Lamb, and Alex Seton, respectively. More exciting still, for the coming year Sullivan + Strumpf are hinting at a more curatorially focused program, involving both their own roster of artists and other local and regional names.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/07\/JLamb_Kelloggs-Still-Life-1_2016_Laminex-on-aluminium_70x61.5cm-composite.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/07\/JLamb_Kelloggs-Still-Life-1_2016_Laminex-on-aluminium_70x61.5cm-composite-528x608.jpg\" alt=\"Joanna Lamb, \" class=\"wp-image-77437\" \/><\/a><figcaption class=\"wp-element-caption\">Joanna Lamb, \u201cKelloggs Still Life 1\u2033, Laminex on aluminium, 70 x 61.5 cm, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1393.png\" alt=\"\" class=\"wp-image-7362\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1393-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1393-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1393-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1393.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cArrival\u201d, exhibition view<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"360\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1394.png\" alt=\"\" class=\"wp-image-7365\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1394-300x205.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1394-150x102.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1394-440x300.png 440w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1394.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Sam Leach, \u201cData Collection Process\u201d, oil and resin on wood, 34 x 47 cm, 2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1395.png\" alt=\"\" class=\"wp-image-7368\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1395-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1395-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1395-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1395.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cArrival\u201d, exhibition view<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1396.png\" alt=\"\" class=\"wp-image-7371\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1396-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1396-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1396-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1396.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Alexander Seton, \u201cTarpaulin Rosette\u201d, bianco carrara marble, stainless steel, 34 x 42 x 50 cm, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"342\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1397.png\" alt=\"\" class=\"wp-image-7374\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1397-300x194.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1397-150x97.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1397-463x300.png 463w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1397.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cArrival\u201d, exhibition view<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"660\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1398.png\" alt=\"\" class=\"wp-image-7377\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/cRZkrhEo-image-1398-240x300.png 240w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1398-120x150.png 120w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hans\/image-1398.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Karen Black, \u201cSlippery Slope\u201d, oil on canvas<br>155 x 124 cm, 2016<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cArrival\u201d Sullivan + Strumpf&nbsp;(#01-0 &hellip; <a href=\"http:\/\/www.randian.art\/zh-hans\/new-arrival\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":7392,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[3378,149,415,67,102,3379,3380,416,374,393,3381,3382,3383,419,210,460,230,421],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>New Arrival - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/new-arrival\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New Arrival - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cArrival\u201d Sullivan + Strumpf&nbsp;(#01-0 &hellip; Continue reading &rarr;\" 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