{"id":10237,"date":"2015-06-02T09:47:00","date_gmt":"2015-06-02T09:47:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=10237"},"modified":"2023-03-06T10:06:44","modified_gmt":"2023-03-06T10:06:44","slug":"eric-baudart-again-again-and-again","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/eric-baudart-again-again-and-again\/","title":{"rendered":"Eric Baudart: \u201cagain, again and again\u201d"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/again-again-and-again-solo-exhibition-of-eric-baudart\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cagain, again and again\u201d&nbsp;<\/a>&#8211; Eric Baudart solo exhibition<\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_review\/eric-baudart-again-again-and-again\/www.randian-online.com\/np_space\/edouard-malingue-gallery\/\" target=\"_blank\" rel=\"noreferrer noopener\">Edouard Malingue Gallery<\/a>, (Sixth Floor, 33 Des Voeux Road Central, Hong Kong), Apr 24 \u2013 May 30<\/p>\n\n\n\n<p>Even though \u201cagain, again, and again\u201d is French artist Eric Baudart\u2019s first solo exhibition in Hong Kong, it nevertheless offers a comprehensive view of his distinct personal style\u2014anyone familiar with the history of modern art will note the connection between Baudart\u2019s work and Duchamp\u2019s readymades. Beyond that, as suggested by its title, this solo exhibition showcases the meticulous nature of the artist\u2019s work in recent years\uff0dhis diligent striving to describe the casual, easily neglected and repetitive experience of everyday life.<\/p>\n\n\n\n<p>Entering Edouard Malingue Gallery, one\u2019s eye is instantly drawn to a sequence of installation works called&nbsp;<em>Atmosph\u00e8re<\/em>\uff0dan ongoing series the most prominent components of which are aquariums filled with oily liquid within which ordinary objects are placed. In earlier iterations of&nbsp;<em>Atmosph\u00e8re<\/em>, Baudart was accustomed to \u201cleaving blank\u201d\u2014providing these ordinary objects with unobstructed spaces like the two speaker phones placed separately on display in the exhibition; what is surprising is that these two \u201cprisoners\u201d in the aquarium produce alarming, continuous and monotonous sound. On the other hand, though it is not a deliberate gesture on the artist\u2019s part, Hong Kong in the aftermath of the Umbrella Revolution imbues the two speaker phones and their alarming sound with a metaphorical tone. Another, larger-scale&nbsp;<em>Atmosph\u00e8re<\/em>, situated next to the window, is oddly filled with ten vintage fans. Jammed together and silent, their blades slowly turn in the viscous fluid, causing subtle waves on its surface.<\/p>\n\n\n\n<p>This technique of intensively employing readymade objects, constantly expanding them and increasing their volume might remind one of the Accumulation with which Arman Fernandez, another French artist, was so fascinated during the 1970s. Arman also collected abandoned readymade objects of consumerist society, breaking them away from their original functions to produce an \u201cemancipation of identities\u201d through incision, destruction and accumulation. In this sense, despite differences in approach, Baudart\u2019s and Armon\u2019s creations are similar in terms of their underlying philosophies and their results. The gilded and shiny Concav looks very much like a hanging decoration at first sight, but is in fact composed of many street posters collected by the artist which have been overlaid and lacquered. Occupying a central position in the gallery, Cubikron 3.0 is a cube of several spring mattresses intertwined together, the bent and staggered coils tangled in such a way as to create a vibrant and novel visual dimensionality.<\/p>\n\n\n\n<p>What is most memorable about Baudart\u2019s readymades is that he has no intention of intervening in or altering the inert quality of daily life; on the contrary, the regularity and repetitiveness of the mundane are precisely what spawn his alternative aesthetic perceptions; this explains the temporal character that permeates \u201cAgain, Again, and Again\u201d. In \u201cPaillasson\u201d, two used doormats are mounted in metal frames, making them look like two solemn ornaments, while the fact that their rust-like mottles are simply the traces left by repeated trampling, contamination and weathering can only be discovered through close observation. Similar to this is the abstract effect presented by \u201cPapier Millimetre\u201d, which was actually obtained by scraping the surface of blue-and-white architecture blueprints on a daily basis.<\/p>\n\n\n\n<p>In his solo exhibition \u201cMore\u201d, held in Paris, 2013, Baudart exhibited an empty laundry detergent can, the color of which had faded due to long-term exposure to sunlight. In this exhibition, he simply makes concrete this process with the installation \u201cSolarium\u201d\uff0dmore than ten empty detergent cans are placed on a sun-bed. It is as if these cans had lives of their own, which adds a sense of humor to the exhibition. If the revolutionary significance of Duchamp\u2019s readymades lies in their power to \u201cliberate art from the aesthetics of halo and myth\u201d (Benjamin Buchloh), then for Baudart, the value of today\u2019s readymade art is to reveal ordinary objects\u2019 potential for rebirth, thereby forcing the audience to reconsider and reconstruct their own relationship to the surrounding world.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"324\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-67.png\" alt=\"\" class=\"wp-image-10238\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-67-300x184.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-67-150x92.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-67-489x300.png 489w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-67.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Eric Baudart \u201cagain, again and again\u201d, installation view at Edouard Malingue Gallery<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-68.png\" alt=\"\" class=\"wp-image-10241\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-68-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-68-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-68-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-68.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Eric Baudart \u201cagain, again and again\u201d, installation view at Edouard Malingue Gallery<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"698\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-69.png\" alt=\"\" class=\"wp-image-10244\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/g1HBoIXc-image-69-227x300.png 227w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-69-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-69.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Eric Baudart \u201cagain, again and again\u201d, installation view at Edouard Malingue Gallery<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-70.png\" alt=\"\" class=\"wp-image-10247\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-70-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-70-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-70-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-70.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Eric Baudart \u201cagain, again and again\u201d, installation view at Edouard Malingue Gallery<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-71.png\" alt=\"\" class=\"wp-image-10250\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-71-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-71-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-71-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-71.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Eric Baudart \u201cagain, again and again\u201d, installation view at Edouard Malingue Gallery<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"672\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-72.png\" alt=\"\" class=\"wp-image-10253\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/e8KvRxJZ-image-72-236x300.png 236w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-72-118x150.png 118w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-72.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Eric Baudart \u201cagain, again and again\u201d, installation view at Edouard Malingue Gallery<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"768\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-73.png\" alt=\"\" class=\"wp-image-10256\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/5BYXqHRB-image-73-206x300.png 206w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-73-103x150.png 103w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/03\/zh-hant\/image-73.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Eric Baudart \u201cagain, again and again\u201d, installation view at Edouard Malingue Gallery<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cagain, again and again\u201d&nbsp;&#8211; Er &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/eric-baudart-again-again-and-again\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":10259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[6381,1041,6380,2969,6382,912,6383,6384,1156],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Eric Baudart: \u201cagain, again and again\u201d - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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