{"id":10463,"date":"2015-01-21T07:02:00","date_gmt":"2015-01-21T07:02:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=10463"},"modified":"2023-04-18T07:06:58","modified_gmt":"2023-04-18T07:06:58","slug":"from-new-york-to-beijing-polit-sheer-forms-collectivist-propaganda-committee","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/from-new-york-to-beijing-polit-sheer-forms-collectivist-propaganda-committee\/","title":{"rendered":"From New York to Beijing, Polit-Sheer-Form\u2019s Collectivist Propaganda Committee"},"content":{"rendered":"\n

Just as ever more contemporary Chinese artists (especially of the younger generation) are transitioning to new media, video and other multi-media, with \u201cfresh\u201d themes emerging in exhibitions in China and elsewhere, and just as individual experience and life conditions are becoming a cornerstone of artistic creation\u2014even the embodiment of a work itself\u2014rather than political overtones in the likes of hooligans, the helpless, or \u201cpainful histories of revolutionaries\u201d, an artist collective that takes collective living as the principal creative method and material appears all the more prominent. Such is Polit-Sheer-Form.<\/p>\n\n\n\n

In 2005, Polit-Sheer-Form was jointly founded by the artists Hong Hao, Xiao Yu, Song Dong, and Liu Jianhua, together with Leng Lin, the founder of Beijing Commune and now also the director of Pace Beijing. The group\u2019s conspicuously earnest name \u201cPolit-Sheer-Form\u201d seems also to carry a whiff of that old Socialist rectitude of \u201cgood Red families\u201d. Much like the \u201cPropaganda Bureau\u201d or \u201cFamily Planning Bureau\u201d\u2014acronyms with which many of our compatriots are so familiar\u2014Polit-Sheer-Form seems imbued with an antiquated sensibility and particularly \u201cChinese characteristic\u201d. These five artists even synthesized their own digitally manipulated portraits, with a \u201cPolit-Sheer-Form blue\u201d as the standardized background. In the image, is a man dressed in a white shirt with a Polit-Sheer-Form badge adorning his chest\u2014indubitably a most worthy spokesman to stand in for this art collective.<\/p>\n\n\n\n

In November last year, Polit-Sheer-Form held two retrospective exhibitions at the Queens Museum, New York and at UCCA in Beijing; the performances \u201cDo the Same Good Deed\u201d and a charity auction and dinner at UCCA were planned to accompany the two exhibitions. As the saying goes, \u201cWhen it rains, it pours.\u201d In all truth, Polit-Sheer-Form\u2019s participation in and design of this art performance appeared far more forceful and worthwhile than just their exhibitions. In late November, when the Polit-Sheer-Form exhibition \u201cPolit-Sheer-Form!\u201d opened at the Queens Museum in New York, the collective organized volunteers to clean Times Square in order to complete the foreign segments of the work \u201cDo the Same Good Deed\u201d. The respective definitions in China and the United States of a \u201cgood deed\u201d and the necessity of and perspective on \u201cdoing a good deed\u201d in public places posed astute rhetorical questions in this work, and the participation of artists and foreign volunteers in the performance lent greater sincerity and real backup to the concept. The portrait of \u201cMr. Zheng,\u201d with its massive scale, was placed atop the main entrance of the Queens Museum\u2014when seen from afar, as imposing, solemn and official as the portrait of Chairman Mao on Tian\u2019anmen Gate in Beijing. At the same time, \u201cMr. Zheng\u201d is not dissimilar in form to the small advertising flyers in the New York subway.<\/p>\n\n\n\n

\"Polit<\/a>
Polit Sheer Form Office at Times Square for \u201cThe Same Good Deed\u201d\u653f\u7eaf\u529e\u6e05\u6d17\u7ebd\u7ea6\u65f6\u4ee3\u5e7f\u573a\u7684\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n

On November 21, the Polit-Sheer-Form \u201cFitness for All\u201d exhibition opened in Beijing at UCCA and a charity auction dinner was held\u2014designed as a replica of a State Banquet\u2014to continue the show\u2019s work and draw attention to creativity in China. On the day of the UCCA festivities, with a unified \u201cPolit-Sheer-Form blue\u201d-decorated venue, the curator Philip Tinari recited the \u201cFat Report\u201d, which displays Polit-Sheer-Form\u2019s unique, bantering humor and their serious emphasis on pure form and mastery of performance.<\/p>\n\n\n\n

In contrast, the blue flower beds on the floor of the UCCA hall and large quantities of receipts from group events by Polit-Sheer-Form in the exhibition space were retained and made into wallpaper (the Queens Museum also has this work on display); blue fitness equipment echoed the exhibition\u2019s theme of \u201cFitness for All\u201d. Even the opening scene was replete with prints and images of circus performers brandishing whips, leaving traces and marks on the walls of the exhibition hall. Whether in terms of the expression of language or idea, this appeared tenuous and dull. Such an exhibition is certainly not enough to assume the mission it claims\u2014as \u201cthis largest exhibition in the country by a small artist group of five people is also the first in its nine-year creative career retrospective.\u201d Polit-Sheer-Form\u2019s raison d\u2019\u00eatre or the value it seeks to carry across is about breaking down the binary opposites of the individual and the collective, form and content, while their specific artistic practice is rife with design, transformations and details. Such a creative aim thus finds a better embodiment at the Queens Museum.<\/p>\n\n\n\n

It is noteworthy that the Queens Museum is able to accommodate more works by Polit-Sheer-Form because of its relatively large exhibition space. At the same time, the detailed text description and the physical display of ready-made art also imparts greater and richer layers of content to the exhibition\u2014for instance, the belts of the five members of Polit-Sheer-Form hanging high on the wall within the exhibition with the paper towels, mineral water bottles and other items Polit-Sheer-Form used when taking part in group events marked by time and place and displayed as part of the showcase. In addition, an unopened package labeled \u201cprize\u201d sits in the window display: In 2006, the Shenzhen-Hong Kong Bi-City Biennale bestowed upon Polit-Sheer-Form its Creativity Award, but with Polit-Sheer-Form was unable to attend, the Biennale instead mailed Polit-Sheer-Form a package. This package has not yet been opened, and thus  exists in between at least two possible identities: an ordinary but unknown object, and a prize with an identified value. This work had also appeared in UCCA\u2019s \u201cDUCHAMP and\/or\/in China\u201d exhibition in 2013. Also noteworthy is that the \u201cFitness for All\u201d installation, seen in Chinese public parks and residential compounds throughout China is painted in the PFSO blue and set in the art gallery\u2019s main hall. Exhibited both in the Queens Museum and at UCCA, viewers in the US, however, were unable to interact with it: since artwork insurers deemed such equipment non-artworks, they declined insurance coverage; for its part, the Queens Museum proscribes the touching of uninsured art by the audience. As this equipment is designed to make people fit, this \u201celevation of form over substance\u201d by the Queens Museum has reduced it to artifice, a mere formalistic shell or d\u00e9cor.<\/p>\n\n\n\n

These five artists were all born in the 1960s. A strong emphasis rested on a collective personality for those coming of age in this era, yet their experiences of collective life recall a fun and memorable era. This summation may appear somewhat out-of-touch with the times, but whenever I see a group photo of PFSO, it is as though I see an \u201cold boy\u201d in the art scene. Without any disguise of a love for, commitment to and intimate experience with collective life that inspires envy, their persistent proselytizing of collectivism and its connections with art is both ingenuous and cunning. They have organized an organization without order, and make a great fuss about infusing their \u201cdaily pleasures\u201d into the rubric of art; no effort is spared in their quest to forge a sense of form, either.<\/p>\n\n\n\n

When all is said and done, it is hard to describe Polit-Sheer-Form. The five members are today rather famous artists; one member, Leng Lin, has yet another identity as the director of Pace Beijing and the founder of Beijing Commune. Interviews with Polit-Sheer-Form are often difficult to conduct because each individual can resort to the \u201ccollective\u201d in this capacity to deftly evade questions; yet, in any case, no single person\u2019s views are representative of the entire group. However, when everything returns to artistic creation itself, the artist\u2019s own self-interpretation is unimportant. All Polit-Sheer-Form has to do is buff up a better expression of the complexity of their media and exhibitions.<\/p>\n\n\n\n

Through processing by Polit-Sheer-Form, form changes into content itself\u2014such as the slow-motion replay of the videos with a comic strip with blank speech balloons suspended around the lobby. On all sides hung banners with Polit-Sheer-Form declarations, overly enlarged photos of Polit-Sheer-Form\u2019s bathing center . Anyone interested in Polit-Sheer-Form must go and leaf through their album and read their collaboratively authored manifesto, and then one finds both that Polit-Sheer-Form is not quite so simple\u2014but also not so complex either. \u201cWhether in the past or today, \u2018I\u2019 is often shrouded in \u2018we\u2019. \u2018I\u2019 is repressed and distorted; yet when we feel that \u2018I\u2019 also contains \u2018we\u2019, then the \u2018I\u2019 has become a more pragmatic \u2018I\u2019.\u201d Polit-Sheer-Form has already explained their collectivism in their minds quite clearly. The seemingly ordinary \u201cPolit-Sheer-Form blue\u201d is actually\u2014as per the CMYK color mode\u2014mixed in accordance with a proportion of a 99% blue pigment, plus a 50% specially blended red (five individuals each \u201ccontribute\u201d 10% of the red), hinting at a profound meaning. The album appendix contains pictures and text, and constitutes rich and detailed \u201cPolit-Sheer-Form Memorabilia\u201d as it exhaustively records Polit-Sheer-Form\u2019s meetings, contacts, discussions and drafts (see the \u201cFat Report\u201d for the preparation details). At the very least, Polit-Sheer-Form has one of the most completely documented histories of any artistic collective.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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