{"id":11060,"date":"2013-12-06T08:15:00","date_gmt":"2013-12-06T08:15:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=11060"},"modified":"2023-04-24T08:26:37","modified_gmt":"2023-04-24T08:26:37","slug":"from-the-media-to-the-media","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/from-the-media-to-the-media\/","title":{"rendered":"From the Media to the Media"},"content":{"rendered":"\n<p><strong>\u201cReversing Modification\u201d: The Voices of a Hundred Artists\u2014\u201cKeep Genetically Modified Food Far from Us\u201d<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/tang-contemporary\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Tang Contemporary Art Center<\/strong><\/a>&nbsp;(Gate No.2, 798 Art Zone, Jiuxianqiao Road, Chaoyang District, Beijing, China),<strong>&nbsp;Nov 30\u2013Dec 6, 2013<\/strong><\/p>\n\n\n\n<p><strong>Event Promoters: Cui Cancan, Peng Yu, Sun Yuan, Zhao Bandi<\/strong><\/p>\n\n\n\n<p>Just as the news reports on art, art also mediatizes our lives.<\/p>\n\n\n\n<p>An article recently appeared in the news about 61 academicians in China who petitioned for the promotion of genetically modified rice. Although this was immediately identified as \u201cfabricated news,\u201d it echoed recent debates between the well-known internet writer Fang Zhouzi and the famous host Cui Yongyuan on the topic of GMOs, as well as findings from the latter\u2019s investigations into GMOs in the United States. At the same time, the GMO debate merged into the torrent of appalling food-safety scandals; the twin spotlights of public concern and media exposure brought the subject to the forefront of everyone\u2019s minds. Whether intentional or not, the short-run exhibition being held at Tang Contemporary deployed a similar strategy: it started with a call for artworks, on the topic of GMOs, on the artist Peng Yu\u2019s weibo. Subsequently, 148 artists and art-related individuals joined in on the \u201cpetition-style\u201d event.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-133.png\" alt=\"\" class=\"wp-image-11061\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-133-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-133-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-133-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-133.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">\u6d3b\u52a8\u53d1\u8d77\u4eba\uff08\u5de6\u8d77\uff09\uff1a\u8d75\u534a\u72c4\u3001\u5d14\u707f\u707f\u3001\u5f6d\u79b9\u3001\u5b59\u539f\uff0c\u5510\u4eba\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3\uff0c2013\u5e7411\u670830\u65e5<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-134.png\" alt=\"\" class=\"wp-image-11064\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-134-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-134-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-134-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-134.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">\u5c55\u89c8\u73b0\u573a\uff0c\u5510\u4eba\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3\uff0c2013\u5e7411\u670830\u65e5<\/figcaption><\/figure>\n\n\n\n<p>Instead of an exhibition, it would be more fitting to call it an event\u2014or the mildest possible form of protest. The show\u2019s main piece is a video work spearheaded by Peng Yu called \u201cGenetic Roulette\u2014The Gamble of Our Lives.\u201d The film uses pre-existing clips from documentaries on GMOs as a foundation, but dubs the voices of many participants over those of the politicians, public figures and narrator, thus creating \u201cgenetically modified voices,\u201d [<em>zhuanjiying<\/em>] a play on \u201cgenetically modified organisms\u201d [<em>zhuanjiyin<\/em>] in Chinese. This punning kind of word play is nothing new in the art world; a similar technique was used in Ai Weiwei\u2019s \u201cGrass Mud Horse Covering the Middle\u201d [a critique of the party and patriotism], and Wu Junyong\u2019s \u201cChairman Mao\u201d and \u201cFuck Air Craft\u201d series [the latter a euphemism for masturbation]. Of course, such tongue-in-cheek mockery can also be taken as emphasis on the identity of the work. An entire wall on one side of the projection screen is covered with dozens of posters more or less related to the theme. A small stage sits on the other side, where the band Iron Kite played a song written specially for the project called \u201cGuide to Shopping for Non-GMO Foods\u201d at the show\u2019s opening. There was also a crosstalk performance by \u201cThe Survivor\u201d group entitled \u201cTwo Hundred Heads.\u201d The stage\u2019s backing board was covered with buzzwords associated with GMOs such as DDT, colitis, diarrhea, hormonal disorders and so forth. The organizers and participants have clearly expressed definite value and moral judgments on the subject of GMOs, but what is most direct and effective is the articulation of a \u201cnon-official\u201d perspective\u2014in direct contrast with the \u201cofficial\u201d stance of the academicians.<\/p>\n\n\n\n<p>Despite the innocence and optimism inherent in the event\u2019s tagline \u201cKeep genetically modified food far from us,\u201d the artists seem only to pay lip service to this theme\u2014whether with \u201cgenetically modified organisms\u201d or \u201cgenetically modified voices.\u201d Instead, they chose to take a united front on \u201cour\u201d side\u2014dubbed the \u201cimmoral majority\u201d by one media source. Contemporary art is more concerned with an event\u2019s effectiveness and the media attention it brings: the entire event was sparked through the media (weibo), and the topic at hand is also a controversial locus of media attention. Though when the event is written up in the media, its nature may well undergo yet another modification and be summarized as \u201ca joint protest by artists against GMOs.\u201d After all, whether voices or organisms are being modified does not matter; the event is a testimony to the on-going mediatization of art.<\/p>\n\n\n\n<p>Essentially, this event was a public service undertaken in the name of art. It is comparable to the focus on environmental issues in Europe and the United States; in China, the debate is not limited to food, but involves a larger clash in the ideological sphere\u2014free debate as an objective in and of itself. The subject is already unimportant; just like the quality of the air we breathe, the status quo cannot be swayed by any individual or group. Rather, such issues seem like a line drawn in the sand, separating people with different opinions into two distinct camps. However, the subjects these two groups disagree on range far beyond this line in the sand. In times like these, art creeps in, relaying messages on somewhat \u201coverdone\u201d topics such as \u201chuman rights,\u201d \u201ccultural conflict,\u201d and \u201cgeopolitics.\u201d For a certain segment of contemporary artists, the controversy over GMOs presents a rare opportunity to continue their long and antagonistic opposition to the State.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-135.png\" alt=\"\" class=\"wp-image-11067\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-135-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-135-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-135-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-135.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">\u201c\u65e0\u4eba\u751f\u8fd8\u5c0f\u7ec4\u201d\u8bf4\u76f8\u58f0\u2014\u2014\u300a\u4e24\u767e\u4e2a\u8111\u888b\u300b\uff0c\u5510\u4eba\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3\uff0c2013\u5e7411\u670830\u65e5<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-136.png\" alt=\"\" class=\"wp-image-11070\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-136-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-136-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-136-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-136.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" 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src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-138.png\" alt=\"\" class=\"wp-image-11076\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-138-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-138-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-138-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-138.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"495\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-139.png\" alt=\"\" class=\"wp-image-11079\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-139-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-139-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-139-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-139.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"880\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-140.png\" alt=\"\" class=\"wp-image-11082\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/tyrsTTGi-image-140-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-140-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-140.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cReversing Modification\u201d: The Voices of  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/from-the-media-to-the-media\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":11079,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[6939,5327,6940,6941,6943,6942,2905,6944,3484,6486,3157,6945,6946,1052,1533,6379,2913,6947,3162,6948],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>From the Media to the Media - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/from-the-media-to-the-media\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"From the Media to the Media - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cReversing Modification\u201d: The Voices of &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/from-the-media-to-the-media\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2013-12-06T08:15:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-24T08:26:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/image-139.png\" \/>\n\t<meta property=\"og:image:width\" content=\"660\" \/>\n\t<meta property=\"og:image:height\" content=\"495\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta 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