{"id":11133,"date":"2013-11-22T09:48:00","date_gmt":"2013-11-22T09:48:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=11133"},"modified":"2023-05-02T20:11:03","modified_gmt":"2023-05-02T20:11:03","slug":"telling-signs-a-nine-square-meter-museum","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/telling-signs-a-nine-square-meter-museum\/","title":{"rendered":"Telling Signs: A Nine Square-Meter Museum"},"content":{"rendered":"\n<p><strong>Goethe Open space 2 Project: \u201c9 Square-Meter Museum\u201d<\/strong><\/p>\n\n\n\n<p><strong>Department of Culture and Education at the German Consulate-General Shanghai<\/strong>&nbsp;(Room 101, Fuzhou Road 318, Shanghai)&nbsp;<strong>Oct 18\u2013Oct 21, 2013<\/strong><\/p>\n\n\n\n<p>What implications lie behind nine square-meters? In the luxurious residences within Shanghai\u2019s city center, it might be smaller than a well-appointed master bathroom. It might even be smaller than a single piece of art displayed in today\u2019s grand and numerous art museums. \u201cSize matters\u201d\u2014this oblique saying sets the imagination running toward a number of corners regardless of what context it is employed in. Admiration for the grand, and neglect for the tiny is a matter of course, but the questions we should be asking next are \u201cWhat is the purpose of size?\u201d and \u201cWhat ideas does it spark in us?\u201d In an era when art museums are expanding into veritable palaces of art, when galleries balloon into private museums, and when art scenes which were once integral in the city center become pushed towards the margins, towards empty lots and warehouses on the fringes of cities, what has art become?<\/p>\n\n\n\n<p>Not long ago, the Department of Culture and Education at the German Consulate-General Shanghai opened its doors to the public, and its humble drawing room became the site for this quarter\u2019s Goethe-Institut Open Space. The project was called \u201cNine Square-Meter Museum\u201d, and the Consulate\u2019s drawing room became the exhibition space. The exhibition lasted just one day in order to impart a sense of urgency, and also begged the question, \u201cWhat possibilities can art bring in nine square-meters and twenty-four hours?\u201d<\/p>\n\n\n\n<p>Video works were directly played back on a laptop placed atop a table, and different installations were placed on tiny platforms of various sizes. \u201cSnail homes\u201d (woju; ) are practically the common theme in the exhibition. Liu Ren\u2019s work \u201cUniverse\u201d consisted of English words tucked inside egg shells; the deeper meanings of the words formed a dramatic counterpoint to the fragility of the eggshells. Liu has always maintained his approach of utilizing fragile materials to express grand, overarching themes, and here, he has again cleverly utilized this contrast to express his attitude towards life. What could his piece be if not a wry commentary on his own life as a young man living under the pressures inherent in the megalopolis that is Shanghai?<\/p>\n\n\n\n<p>One gets the sense of another type of \u201csnail home\u201d in Gao Mingyan\u2019s miniature installations. Gao has installed his own miniature library within an exquisite, hard-cover real-estate brochure. The artist couldn\u2019t help but carve his and the names of his past loves on the walls of this library, where a miniature version of himself sits, reading. As a record of life, art always ends up putting the artist\u2019s own life on show. This can be seen in Huzi\u2019s piece, \u201cSelf Portrait\u201d. The artist has tucked her likeness, peeping out from behind some curtains, in between two full and luscious lips and also a svelte pair of legs. The feeling of uncertainty in our attitudes towards life, our ever-changing moods, and the ever-present sense of loneliness are just some of the complicated emotions all of us deal with in our day and age.<\/p>\n\n\n\n<p>For his piece entitled \u201cEmancipaton electric\u201d, Shang Chengxiang created a model of the brain with a technique that borders mimetic representation, and then attached the model to an automatic vacuum cleaner, allowing it to roam the floor of the exhibition space. However, the motion of the vacuum cleaner as it jerked about bearing its heavy load came off as a touch neurotic. Rather, it was Jin Shan\u2019s piece \u201cLittle Bastard\u201d that achieved a humorous and surprising effect, and was able to shift the viewers\u2019 moods; the artist attached cherubs onto the pillars of the drawing room, with their countenances slightly altered, so the surprise felt by the viewers and the cherubs themselves was perhaps mutual. Clearly, most of the artists\u2019 works expressed individual sentiments, contradictions, and the wayward wandering of their minds\u2014a combination of their mocking and playful attitudes that are a true reflection on life.<\/p>\n\n\n\n<p>The parlor or living room is the heart of any city-dwelling family\u2019s residence; similarly, the evening of the opening ceremony also felt like a gathering hosted at a friend\u2019s home. The room was filled with faces both familiar and unfamiliar, while attendees viewed art and chatted with each other \u2014 life and art on intimate terms. As a rehearsal and prelude to future art projects hosted at the Goethe-Institut\u2019s Open Space, this exhibition has raised a series of important questions. It inspired a different way of approaching the concept of museums, and challenged the way we view them. As contemporary art in China emerges from its struggle for legitimacy, what will be the next goal to strive for? The curator of the Goethe-Institut Open Space project, Zhang Bing, has laid out some definitions she has long been seeking; for example, the exhibit examines the links between artistic creation and exhibition, exhibition and space, space and art systems. All of the artists participating in the \u201cNine Square-Meter Museum\u201d show are very young, and every work on show was small in size, completed at very little cost. It can be seen that an exhibition involving nearly ten artists can be done on a tight budget, and can furthermore be well executed.<\/p>\n\n\n\n<p>During the 90s, the curator Hans Ulrich-Obrist hosted an exhibition out of the kitchen in his own home. He later collaborated with Hou Hanru to coordinate the Cities on the Move exhibitions, undertaking artistic experiments based on local conditions in a series of different cities, allowing art programs and exhibitions to grow and evolve naturally. In recent years, miniature art spaces have been popping up all over the mainland. Arrow Factory \u2014 situated in one of Beijing\u2019s hutongs \u2014 and Bazaar Compatible \u2014 located within the small markets of Shanghai\u2019s Anshun road \u2014 are just two examples which show the practicability of small, independent arts organizations. Today, we are gratified to see that this mode of contemporary art exhibition is still alive and well in the parlor of the Department of Culture and Education at the German Consulate-General in Shanghai.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-151.png\" alt=\"\" class=\"wp-image-11134\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-151-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-151-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-151-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-151.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Opening night of 9 Sqm Museum<br>9\u5e73\u65b9\u7c73\u7f8e\u672f\u9986\u5f00\u5e55\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"440\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-152.png\" alt=\"\" class=\"wp-image-11137\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-152-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-152-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-152-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-152.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Team 9 Sqm Museum<br>9\u5e73\u65b9\u7c73\u7f8e\u672f\u9986\u56e2\u961f\u6210\u5458<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Goethe Open space 2 Project: \u201c9 Square-M &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/telling-signs-a-nine-square-meter-museum\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":11137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[6987,6988,6978,6976,6975,6977,6979,6980,6981,6983,6984,6982,6986,6985,601,646,6989,6990,6993,6991,6992,6994,6995,6997,6996,6998,6999,7000,7002,7001],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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