{"id":11437,"date":"2013-05-15T11:12:00","date_gmt":"2013-05-15T11:12:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=11437"},"modified":"2023-04-25T11:21:31","modified_gmt":"2023-04-25T11:21:31","slug":"i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/","title":{"rendered":"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance"},"content":{"rendered":"\n<p><a href=\"http:\/\/www.stargallery.cn\/exhibition.php?act=show&amp;id=109\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>I\u2019m Not Involved in Aesthetic Progress: A Rethinking of Performance<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/star-gallery\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Star Gallery<\/strong><\/a>, Qikeshu Space&nbsp; (C5 Qikeshu Creative Park, No.55 Banjieta Village, Chaoyang District, 100016, Beijing)&nbsp;<strong>Apr 14 \u2013 May 16, 2013<\/strong><\/p>\n\n\n\n<p>It\u2019s easy to see the relationship between the city and the country in Beijing. One minute, you\u2019re driving along the asphalt roads of the city, but as you cross some railroad tracks, you find yourself suddenly in the middle of the dusty countryside. Stretches of brick houses take up your line of sight, but your map contradictorily indicates you are not yet outside the bounds of Beijing\u2019s fifth ring road. Hidden away here, Qikeshu Creative Park is relatively unknown to the public compared to 798 Arts Zone and Caochangdi, but galleries are familiar with the area because it houses the Ullens and Star Gallery warehouses, along with a number of artist studios and photography studios. However, Star Gallery is the first to set up an exhibition space here.<\/p>\n\n\n\n<p>Although the current exhibition is related to performance art, viewers familiar with the course modern art will not find anything new or unexpected on show. But there is something to be said for the novelty of revisiting performance art; especially when said art is has been returned to a \u201cvillage within the city\u201d environment so similar to its birthplace.<\/p>\n\n\n\n<p>The works on display range from those recently completed, and others more historical (insofar as works from the relatively short duration of modern art in China can be called historical). The group photograph of Ma Liuming and British performance artists Gilbert &amp; George brings to mind a story both difficult to describe and hard to define. Even though this photograph has been printed in nearly every publication related to modern art in China, its appearance at Qikeshu still manages to evoke an entirely different set of feelings \u2014 as if performance art is happening on some random corner of the village, proclaiming the blatant vulnerability of the human form. A screen in the center of the exhibition space shows the artist in another performance piece just seven years later in 2001 at the Istanbul Biennial. Ma Liuming sits naked in the midst of some wooden stools; his head is bowed as he silently awaits interaction from the audience, even allowing individuals to spray him with large amounts of water. In the end, he is picked up and carried away. The difference between the two pieces highlights one incontrovertible truth \u2014 time changes all, and slips past without our knowing. In the later piece, Ma Liuming\u2019s physique is already showing the early signs of corpulence, but the greatest transformation is not with his body; instead, it is found in the theme of his work. Human consumption has replaced his theories about the relationship between the physical body and politics. On view at the same time are Xing Danwen\u2019s video recordings of various performance art pieces from the 90s. Seen with our present-day eyes, they seem to belong in some historical text, which further emphasizes the great gap between the days of the Beijing East Village and now. Works recorded range from pieces as moderate as Lin Yilin\u2019s \u201cSafely Maneuvering across Lin He Road\u201d to ones as extreme as Wang Jin\u2019s \u201cTo Marry a Mule\u201d (1995).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"495\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-212.png\" alt=\"\" class=\"wp-image-11438\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-212-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-212-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-212-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-212.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Chen Shaoxiong, \u201c72.5 Hours of Electricity Consumption\u201d, installation, performance, 1992.<br>\u9648\u52ad\u96c4, \u201c\u8017\u753572.5\u5c0f\u65f6\u201d, \u88c5\u7f6e\uff0c\u884c\u4e3a\uff0c1992.<\/figcaption><\/figure>\n\n\n\n<p>\u201c72.5 Hours of Electricity Consumption\u201d (1992) by Chen Shaoxiong is yet another work from the early 90s. It is composed of brightly colored fluorescent lights, which gives the piece a more aesthetic quality. The piece is also distinctive because it involves objects (lights) undertaking the performance instead of human participants. The only true traces of movement are the measured ticks of the electricity meter, changing by the hour. The artist himself has stated his dislike of symbolism and ritual in performance, along with his abhorrence of turning ideology into a performance (according to the exhibition catalogue). Though the artist says his works display a kind of \u201cperformance-free performance art,\u201d the humanoid shapes formed by the lights still bring about a kind of symbolism, and even more so, they evoke elements of ritual \u2014 surrounded by these figures of light, the viewer experiences a sense of fear and awe. Their very silence is a unique voice in and of itself.<\/p>\n\n\n\n<p>Strictly speaking, Liu Ding\u2019s \u201cperformance \/ video\u201d piece \u201cI Simply Appear in the Company of Other Things\u201d (2012) is superfluous, at least to the current show. The piece is filed under the category of \u201cwork\u201d in the treasure trove that is the Tate Modern oil tanks. Carol Yinghua Lu effectively introduces us to Liu Ding\u2019s creative and planning processes by symbolically taking part in a situation that doubles as a performance piece. After she proclaims Liu Ding\u2019s absence, Liu participates in a discussion of himself under the pseudonym \u201cMr. Liu.\u201d In the end, this piece only demonstrates Carol Yinghua Lu\u2019s unwavering devotion to her husband, Liu Ding.<\/p>\n\n\n\n<p>The above is precisely why it is imperative to \u201crethink performance\u201d whether as an exhibition or a topic of discussion. Performance art makes symbolic play of the physical body, and serves as a record of this symbolic process. It is valuable because it generates meaning, just as the absence of meaning reduces the impact of performance itself. Today, we discuss performance art not only to pay tribute to the works of those artists, but also to pay tribute to the bygone era which had the ability to generate performance art \u2014 an era that allowed performance art to exist in its purest form.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019m Not Involved in Aesthetic Progress:  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":11438,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[6525,3283,3342,7230,7231,7229,7232,7233,7234,3478,2828,7235,7236,4281,7237,3356,7238,7240,7239,7242,7241,5090,7243,3425,7244,3293,7245,3497],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"I\u2019m Not Involved in Aesthetic Progress: &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2013-05-15T11:12:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-25T11:21:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/image-212.png\" \/>\n\t<meta property=\"og:image:width\" content=\"660\" \/>\n\t<meta property=\"og:image:height\" content=\"495\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance\",\"datePublished\":\"2013-05-15T11:12:00+00:00\",\"dateModified\":\"2023-04-25T11:21:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/\"},\"wordCount\":928,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"Carol Yinghua Lu\",\"Chen Shaoxiong\",\"Chen Zhou\",\"Fen-Ma Liuming\",\"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance\",\"Li Qi\",\"li ran\",\"light installation\",\"Liu Ding\",\"Ma Liuming\",\"performance art\",\"Qikeshu Creative Park Beijing\",\"research\",\"Star Gallery\",\"Su Wei\",\"video art\",\"Xing Danwen\",\"Zhu Ming\",\"\u5218\u9f0e\",\"\u661f\u7a7a\u95f4\",\"\u6731\u51a5\",\"\u674e\u7136\",\"\u674e\u7426\",\"\u884c\u4e3a\u827a\u672f\",\"\u90a2\u4e39\u6587\",\"\u9648\u52ad\u96c4\",\"\u9648\u8f74\",\"\u9a6c\u516d\u660e\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/\",\"url\":\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/\",\"name\":\"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2013-05-15T11:12:00+00:00\",\"dateModified\":\"2023-04-25T11:21:31+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\",\"name\":\"Lien\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"caption\":\"Lien\"},\"sameAs\":[\"http:\/\/www.randian.art\"],\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/lien\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/","og_locale":"zh_TW","og_type":"article","og_title":"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance - \u71c3\u70b9 Ran Dian","og_description":"I\u2019m Not Involved in Aesthetic Progress: &hellip; Continue reading &rarr;","og_url":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2013-05-15T11:12:00+00:00","article_modified_time":"2023-04-25T11:21:31+00:00","og_image":[{"width":660,"height":495,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/image-212.png","type":"image\/png"}],"author":"Lien","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Lien","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"5 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/"},"author":{"name":"Lien","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb"},"headline":"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance","datePublished":"2013-05-15T11:12:00+00:00","dateModified":"2023-04-25T11:21:31+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/"},"wordCount":928,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":["Carol Yinghua Lu","Chen Shaoxiong","Chen Zhou","Fen-Ma Liuming","I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance","Li Qi","li ran","light installation","Liu Ding","Ma Liuming","performance art","Qikeshu Creative Park Beijing","research","Star Gallery","Su Wei","video art","Xing Danwen","Zhu Ming","\u5218\u9f0e","\u661f\u7a7a\u95f4","\u6731\u51a5","\u674e\u7136","\u674e\u7426","\u884c\u4e3a\u827a\u672f","\u90a2\u4e39\u6587","\u9648\u52ad\u96c4","\u9648\u8f74","\u9a6c\u516d\u660e"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/","url":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/","name":"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2013-05-15T11:12:00+00:00","dateModified":"2023-04-25T11:21:31+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/i-am-not-involved-in-aesthetic-progress-a-rethinking-of-performance\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"I am Not Involved in Aesthetic Progress \u2013 A Rethinking of Performance"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb","name":"Lien","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","contentUrl":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","caption":"Lien"},"sameAs":["http:\/\/www.randian.art"],"url":"http:\/\/www.randian.art\/zh-hant\/author\/lien\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/11437"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=11437"}],"version-history":[{"count":1,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/11437\/revisions"}],"predecessor-version":[{"id":11444,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/11437\/revisions\/11444"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/11438"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=11437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=11437"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=11437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}