{"id":11696,"date":"2012-06-08T08:54:00","date_gmt":"2012-06-08T08:54:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=11696"},"modified":"2023-04-27T09:02:03","modified_gmt":"2023-04-27T09:02:03","slug":"anselm-kiefers-let-a-thousand-flowers-bloom","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/anselm-kiefers-let-a-thousand-flowers-bloom\/","title":{"rendered":"Anselm Kiefer\u2019s \u201cLet a Thousand Flowers Bloom\u201d"},"content":{"rendered":"\n<p><strong>\u201cLet a Thousand Flowers Bloom,\u201d solo exhibition by&nbsp;Anselm Kiefer.<\/strong><\/p>\n\n\n\n<p><strong><a href=\"http:\/\/whitecube.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">White Cube<\/a><\/strong>&nbsp;(50 Connaught Road Central, Hong Kong).&nbsp;<strong>May 16 \u2013 Aug 25, 2012.<\/strong><\/p>\n\n\n\n<p><strong><em>From Weibo (China\u2019s answer to Twitter), around May 17, 2012:<\/em><\/strong><\/p>\n\n\n\n<p><em>Zhang Xiaogang (Chinese artist): White Cube is bringing out new works by established artist Kiefer. Mao and \u201cHundred Flowers\u201d \u2014 why repaint this topic? Is this done specifically for the Chinese market?<\/em><\/p>\n\n\n\n<p><em>timneverdie: \u2026Westerners know three things about China: 1. Mao Zedong 2. Bruce Lee 3. Jackie Chan.<\/em><\/p>\n\n\n\n<p><em>Sun Ning (Platform China): The power of the market and capital in destroying artists is really too great. His status in my mind has evaporated. Ah, my pitiful and yet still beautiful worship and memory of him in my youth \u2014 this has now become aged and precious little.<\/em><\/p>\n\n\n\n<p><em>Shen Boliang (Artinfo China): Kiefer even said this time that Mao had better taste than Hitler, saying that he [Mao] is a cultured poet.\u00a0<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"494\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-249.png\" alt=\"\" class=\"wp-image-11697\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-249-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-249-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-249-401x300.png 401w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-249.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Anselm Kiefer, \u201cLa\u00dft tausend Blumen bl\u00fchen,\u201d oil, acrylic, shellac and charcoal on photographic paper on canvas, 280 x 570 x 10 cm 2012 (\u00a9 the artist; photo: Ben Westoby; courtesy of White Cube).<\/figcaption><\/figure>\n\n\n\n<p>These are a small selection of the negative commentary from the popular Chinese micro-blogging website Weibo on Anselm Kiefer\u2019s show at White Cube, Hong Kong. The irony of not letting Mr Kiefer\u2019s own flowers bloom appears to have escaped most.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"439\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-250.png\" alt=\"\" class=\"wp-image-11700\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-250-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-250-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-250-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-250.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Exhibition view of Anselm Kiefer\u2019s \u201cLet a Thousand Flowers Bloom\u201d at White Cube Hong Kong (\u00a9 the artist; photo courtesy of White Cube)<\/figcaption><\/figure>\n\n\n\n<p>Anselm Kiefer is a moral historiographer, measuring history and culture by the critical moment of European history, even Western history \u2014 the catastrophic rise and ultimate defeat of Nazi Germany. In this sense all Kiefer\u2019s works may be termed \u201cGerman,\u201d even when the subject involves images of Mao.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"439\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-251.png\" alt=\"\" class=\"wp-image-11703\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-251-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-251-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-251-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-251.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Exhibition view of Anselm Kiefer\u2019s \u201cLet a Thousand Flowers Bloom\u201d at White Cube Hong Kong (\u00a9 the artist; photo courtesy of White Cube)<\/figcaption><\/figure>\n\n\n\n<p>Modern Europe, albeit presently in a financial quagmire, is wealthy, democratic, transparent, and egalitarian compared with most other places in the world, and a model of respect for human rights. This respect was built in response to the systematic horror of Nazism in the 1940s. Many guard against its return, including Anselm Kiefer, a relentless sentinel against forgetting.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"439\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-252.png\" alt=\"\" class=\"wp-image-11706\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-252-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-252-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-252-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-252.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Exhibition view of Anselm Kiefer\u2019s \u201cLet a Thousand Flowers Bloom\u201d at White Cube Hong Kong (\u00a9 the artist; photo courtesy of White Cube)<\/figcaption><\/figure>\n\n\n\n<p>Kiefer notes that in the 1960s, at the height of the Cultural Revolution in China, Maoism was also popular in Europe (One would have thought that the example of Russia would have taught Western leftists to be cautious about charismatic leaders, but no). \u201cLet a hundred flowers bloom; let a hundred schools of thought contend\u201d (<em>\u201cbaihua qifang, baijia zhengming\u201d<\/em>) was a slogan from the late-1950s, and one should note the popular Western misquotation of \u201c1,000\u2033 instead of \u201c100,\u201d as Mr Kiefer does.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"439\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-253.png\" alt=\"\" class=\"wp-image-11709\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-253-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-253-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-253-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-253.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Exhibition view of Anselm Kiefer\u2019s \u201cLet a Thousand Flowers Bloom\u201d at White Cube Hong Kong (\u00a9 the artist; photo courtesy of White Cube)<\/figcaption><\/figure>\n\n\n\n<p>Germany, like China, suffered from a collective Stockholm Syndrome. It had its false messiah, its little books, its statues, its burnings and punishments, its flower-strewn battlefields, its murders and murderers. It has known what it means to hide from its past, the acts of its forefathers. In the 1960s, however, this taboo crumbled \u2014 dramatically \u2014 as paper walls tend to (or even concrete or electronic ones), with children asking parents to account for their actions. The parallels between Germany and China are strong.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"496\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-254.png\" alt=\"\" class=\"wp-image-11712\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-254-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-254-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-254-399x300.png 399w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/04\/zh-hant\/image-254.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Anselm Kiefer, \u201cDiamat,\u201d plaster, lead and steel, 94 x 225 x 224 cm, 2012 (\u00a9 the artist; photo: Stephen White; courtesy of White Cube).<\/figcaption><\/figure>\n\n\n\n<p>Anselm Kiefer has spared neither his country nor himself. He has become successful but not through compromise. And as he does not need the cash, I\u2019m skeptical that he needs to sell anything to collectors in China (White Cube may do but they could have chosen any number of easier artists to exhibit in Hong Kong). So is Hong Kong the best venue for these works? No, Beijing is. But that might be difficult right now. Hong Kong is the next best thing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cLet a Thousand Flowers Bloom,\u201d solo exh &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/anselm-kiefers-let-a-thousand-flowers-bloom\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":11715,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[7597,7596,633,98,7598,620,209,1696,7599,7600,7601,1702,648],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Anselm Kiefer\u2019s \u201cLet a Thousand Flowers Bloom\u201d - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/anselm-kiefers-let-a-thousand-flowers-bloom\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anselm Kiefer\u2019s \u201cLet a Thousand Flowers Bloom\u201d - 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