{"id":14060,"date":"2016-12-05T11:41:00","date_gmt":"2016-12-05T11:41:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14060"},"modified":"2023-10-12T11:03:28","modified_gmt":"2023-10-12T11:03:28","slug":"here-what-matters-is-performance","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/here-what-matters-is-performance\/","title":{"rendered":"Here, What Matters is Performance"},"content":{"rendered":"\n<p><strong><a href=\"http:\/\/beijinglive.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cBeijing Live\u201d<\/a>&nbsp;International Performance Art Festival<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.danishculture.com\/danish-cultural-center-beijing\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Danish Cultural Center<\/strong><\/a>&nbsp;(706 Beiyi Jie, 2 Jiuxianqiao Lu, Chaoyang Qu),&nbsp;<strong>Oct 14-23, 2016<\/strong><\/p>\n\n\n\n<p>Performance Art is an artistic category the comings and goings of which are like wind to a weathervane. Without even mentioning its roots in surrealism, its mythological father Duchamp, the arrival of Pollock, and so on, it suffices to say that in China, the trajectory of its development has already made it synonymous with anything that could be labelled as \u201cgesture\u201d in art. For more than thirty years, performance art has made people think at once of \u201crebellion,\u201d \u201cthe elite,\u201d \u201cthe avant-garde,\u201d the \u201cunderground\u201d and other such diverse values. This is what has also made it duty-bound, from the beginning, to part ways with its old friend \u201cperformance\u201d (as in the performing arts)\u2014even though the two share a name.<\/p>\n\n\n\n<p>Probably ever since the \u201ctraditional\u201d became hot again in 2011, performance art in China has been trapped in its second significant downturn since the dawn of the \u201cChina\/Avant-Garde\u201d in 1989. But in the last three years, the rise of all different kinds of performance art being shown in various alternative spaces has proved that the form has not entirely fallen from grace. It is still the most direct manifestation of the avant-garde. Some examples would be He Yunchang\u2019s solo exhibition (White Box Museum of Art, 2014) and Double Fly Art Center\u2019s performances (Space Station and Today Art Museum, 2015) among others. In addition, there has also been a revisiting of classic performance art, as seen in the exhibition at Guangdong Times Museum entitled \u201cOperation PRD-Big Tail Elephants\u201d (2016). Regardless of their authenticity or shape, these activities\u2014as long as they given the title \u201cperformance art\u201d \u2014are all a tribute to a particular value. At the very least, through reflection upon performance art we can recall some of the most basic as-yet unanswered questions that are upon us, such as: does contemporary art have boundaries? This is an ever-present debate, and it is often the case that the more the boundaries become blurred, the more we are inclined clarify them.<\/p>\n\n\n\n<p>The international performance art festival \u201cBEIJING LIVE\u201d produced and curated by Jonas Stampe took place at the Danish Cultural Center and the Goethe-Institute in Beijing, invited more than thirty artists from around the world to Beijing; they performed their work over the course of ten days. Along with younger artists, the roster also included a number of high-profile figures like Alison Knowles, one of the founders of Fluxus; Huang Rui, the founder of China\u2019s Stars Group; and others. It is possible that due to contextual or cultural differences, audiences were not necessarily able to understand each and every performance; but there lingered always an inexplicable, unified atmosphere of tragedy. This was because of an inherent conflict within all performance art: in order to maintain its form, it cannot escape the mainstream gaze, nor can it become part of that mainstream. At the same time, it must try its hardest to avoid becoming a mere adornment of the mainstream. It may be said that the dilemma of performance art is simultaneously the very source of its existence: it flees the system, while participating in the construction of a fantasy of rebellion. The anxiety it engenders resides in the hope it ignites. Here, under a thought-provoking title like \u201cBeijing Live\u201d, \u201cperformance art\u201d once again flashed for a moment into public view.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/12\/11.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/12\/11-528x664.jpg\" alt=\"Mauritz Tistel\u00f6\uff08\u745e\u5178\uff09\uff0c\u300a\u7eaa\u5ff5\u5927\u540c\u5927\u5f20\u300b\uff0c2016\u5e7410\u670819\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u7a7a\u5c71 \/ Mauritz Tistel\u00f6, Sweden, \" class=\"wp-image-84133\" \/><\/a><figcaption class=\"wp-element-caption\">Mauritz Tistel\u00f6\uff08\u745e\u5178\uff09\uff0c\u300a\u7eaa\u5ff5\u5927\u540c\u5927\u5f20\u300b\uff0c2016\u5e7410\u670819\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u7a7a\u5c71 \/ Mauritz Tistel\u00f6, Sweden, \u201cIn memory of Datong Dazhang\u201d, Oct 19, 2016, Danish Cultural Center, Beijing. Photo: Kong Shan.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"406\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-121.png\" alt=\"\" class=\"wp-image-14061\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-121-300x231.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-121-150x115.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-121-390x300.png 390w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-121.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Joakim Stampe\uff08\u745e\u5178\uff09\uff0c\u300a\u4e0d\u6295\u964d\u300b\uff0c2016\u5e7410\u670819\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u7a7a\u5c71 \/ Joakim Stampe, Sweden, \u201cNo Surrender\u201d, Oct 19, 2016, Danish Cultural Center, Beijing. Photo: Kong Shan<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-122.png\" alt=\"\" class=\"wp-image-14064\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-122-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-122-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-122-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-122.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">John Court\uff08\u82f1\u56fd\uff09\uff0c\u300a\u65e0\u9898\u300b\uff0c2016\u5e7410\u670823\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u4f9d\u5b50\u96f7 \/ John Court, UK, Untitled. Oct 23, 2016. Danish Cultural Center, Beijing. Photo: Yi Zi Lei.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"351\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-123.png\" alt=\"\" class=\"wp-image-14067\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-123-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-123-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-123-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-123.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Lilibeth Cuenca Rasmussen\uff08\u4e39\u9ea6\uff09\uff0c\u300a\u4f5c\u4e3a\u4eba\u7684\u4eba\u300b\uff0c2016\u5e7410\u670823\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u4f9d\u5b50\u96f7 \/ Lilibeth Cuenca Rasmussen, Denmark, \u201cHuman Being Human\u201d Oct 23, 2016. Danish Cultural Center, Beijing. Photo: Yi Zi Lei<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"571\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-124.png\" alt=\"\" class=\"wp-image-14070\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/ZJMJHlW6-image-124-277x300.png 277w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-124-139x150.png 139w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-124.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u595a\u5efa\u519b\uff08\u4e2d\u56fd\uff09\uff0c \u300a\u62ef\u6551\u300b\uff0c2016\u5e7410\u670823\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u4f9d\u5b50\u96f7 \/ XI Jianjun, China. \u201cRescue Performance\u201d Oct 23, 2016. Danish Cultural Center, Beijing. Photo: Yi Zi Lei<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"512\" height=\"768\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-125.png\" alt=\"\" class=\"wp-image-14073\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/bFcGlmey-image-125-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-125-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-125.png 512w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><figcaption class=\"wp-element-caption\">\u8096\u9c81\uff08\u4e2d\u56fd\uff09\uff0c\u300a\u6781\u5730\u300b\uff0c2016\u5e7410\u670823\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u4f9d\u5b50\u96f7 \/ Xiao Lu, China, \u201cPolar\u201d, Oct 23, 2016. Danish Cultural Center, Beijing. Photo: Yi Zi Lei<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"595\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-126.png\" alt=\"\" class=\"wp-image-14076\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/cKsOThnD-image-126-266x300.png 266w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-126-133x150.png 133w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-126.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Alison Knowles\uff08\u7f8e\u56fd\uff09\uff0c\u300a\u5236\u4f5c\u6c99\u62c9\u300b\uff0c2016\u5e7410\u670823\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u4f9d\u5b50\u96f7 \/ Alison Knowles, US, \u201cMake a Salad\u201d, Oct 23, 2016.Danish Cultural Center, Beijing. Photo: Yi Zi Lei<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-127.png\" alt=\"\" class=\"wp-image-14079\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-127-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-127-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-127-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-127.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Ali Al-Fatlawi &amp; Wathiq Al-Ameri\uff08\u4f0a\u62c9\u514b\uff0c\u73b0\u5c45\u745e\u58eb\uff09\uff0c\u300a\u65e0\u9898\u300b\uff0c2016\u5e7410\u670823\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u4f9d\u5b50\u96f7 \/ Ali Al-Fatlawi &amp; Wathiq Al-Ameri, Switzerland\/Iraq, Untitled, Oct 23, 2016, Danish Cultural Center, Beijing. Photo: Yi Zi Le<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"488\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-128.png\" alt=\"\" class=\"wp-image-14082\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-128-300x277.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-128-150x139.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-128-325x300.png 325w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-128.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u8c22\u84c9\uff08\u4e2d\u56fd\uff09\uff0c\u300a\u543e\u7236\u543e\u5b50\u300b\uff0c2016\u5e7410\u670822\u65e5\uff0c \u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1a\u7a7a\u5c71 \/ Echo Morgan, \u201cMy Father My Son\u201d, Oct 22, 2016. Danish Cultural Center, Beijing. Photo: Kong Shan<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-129.png\" alt=\"\" class=\"wp-image-14085\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-129-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-129-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-129-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-129.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Monali Meher\uff08\u8377\u5170\uff09\uff0c\u300a\u626d\u300b\uff0c2016\u5e7410\u670815\u65e5\uff0c\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\u3002\u6444\u5f71\uff1aJoakim Stampe \/ Monali Meher, \u201cRed &amp; Twisted\u201d, Oct 15, 2016. Danish Cultural Center, Beijing. Photo: Joakim Stampe<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cBeijing Live\u201d&nbsp;International Perfor &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/here-what-matters-is-performance\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14088,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10045,10044,149,415,67,10040,10041,102,10042,10029,61,416,2828,10043,29,239,417,374,393,10046,10047,2909,10048,419,210,460,230,421,10049,3425,5311],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Here, What Matters is Performance - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/here-what-matters-is-performance\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Here, What Matters is Performance - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cBeijing Live\u201d&nbsp;International Perfor &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/here-what-matters-is-performance\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-05T11:41:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-12T11:03:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/4.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/here-what-matters-is-performance\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/here-what-matters-is-performance\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Here, What Matters is Performance\",\"datePublished\":\"2016-12-05T11:41:00+00:00\",\"dateModified\":\"2023-10-12T11:03:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/here-what-matters-is-performance\/\"},\"wordCount\":736,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"\u201cChina\/Avant-Garde\u201d\",\"\u201c\u5317\u4eac\u00b7\u73b0\u573a\u201d\u56fd\u9645\u884c\u4e3a\u827a\u672f\u8282\",\"art\",\"art gallery\",\"artist\",\"Beijing Live\",\"Danish Cultural Center\",\"exhibition\",\"International Performance Art Festival\",\"Katy Pinke\",\"Liang Shuhan\",\"magazine\",\"performance art\",\"Performance Art Festival\",\"Ran Dian\",\"Ran Dian magazine\",\"Ran Dian \u71c3\u70b9 magazine\",\"randian\",\"randian online\",\"\u4e09\u89d2\u6d32\u884c\u52a8\u4e4b\u5927\u5c3e\u8c61\",\"\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3\",\"\u4f55\u4e91\u660c\",\"\u53cc\u98de\u5c0f\u7ec4\",\"\u6b63\u5728\u5e03\u5c55\",\"\u71c3\u70b9\",\"\u827a\u672f+\",\"\u827a\u672f\u5bb6\",\"\u827a\u672f\u753b\u5eca\",\"\u827e\u8389\u68ee\u2022\u8bfa\u5c14\u65af\uff08Alison Knowles\uff09\",\"\u884c\u4e3a\u827a\u672f\",\"\u9ec4\u9510\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/here-what-matters-is-performance\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/here-what-matters-is-performance\/\",\"url\":\"http:\/\/www.randian.art\/here-what-matters-is-performance\/\",\"name\":\"Here, What Matters is Performance - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2016-12-05T11:41:00+00:00\",\"dateModified\":\"2023-10-12T11:03:28+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/here-what-matters-is-performance\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/here-what-matters-is-performance\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/here-what-matters-is-performance\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Here, What Matters is Performance\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\",\"name\":\"Lien\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"caption\":\"Lien\"},\"sameAs\":[\"http:\/\/www.randian.art\"],\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/lien\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Here, What Matters is Performance - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/here-what-matters-is-performance\/","og_locale":"zh_TW","og_type":"article","og_title":"Here, What Matters is Performance - \u71c3\u70b9 Ran Dian","og_description":"\u201cBeijing Live\u201d&nbsp;International Perfor &hellip; Continue reading &rarr;","og_url":"http:\/\/www.randian.art\/here-what-matters-is-performance\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2016-12-05T11:41:00+00:00","article_modified_time":"2023-10-12T11:03:28+00:00","og_image":[{"width":2000,"height":1333,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/4.jpg","type":"image\/jpeg"}],"author":"Lien","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Lien","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"6 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/here-what-matters-is-performance\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/here-what-matters-is-performance\/"},"author":{"name":"Lien","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb"},"headline":"Here, What Matters is Performance","datePublished":"2016-12-05T11:41:00+00:00","dateModified":"2023-10-12T11:03:28+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/here-what-matters-is-performance\/"},"wordCount":736,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":["\u201cChina\/Avant-Garde\u201d","\u201c\u5317\u4eac\u00b7\u73b0\u573a\u201d\u56fd\u9645\u884c\u4e3a\u827a\u672f\u8282","art","art gallery","artist","Beijing Live","Danish Cultural Center","exhibition","International Performance Art Festival","Katy Pinke","Liang Shuhan","magazine","performance art","Performance Art Festival","Ran Dian","Ran Dian magazine","Ran Dian \u71c3\u70b9 magazine","randian","randian online","\u4e09\u89d2\u6d32\u884c\u52a8\u4e4b\u5927\u5c3e\u8c61","\u4e39\u9ea6\u6587\u5316\u4e2d\u5fc3","\u4f55\u4e91\u660c","\u53cc\u98de\u5c0f\u7ec4","\u6b63\u5728\u5e03\u5c55","\u71c3\u70b9","\u827a\u672f+","\u827a\u672f\u5bb6","\u827a\u672f\u753b\u5eca","\u827e\u8389\u68ee\u2022\u8bfa\u5c14\u65af\uff08Alison Knowles\uff09","\u884c\u4e3a\u827a\u672f","\u9ec4\u9510"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/here-what-matters-is-performance\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/here-what-matters-is-performance\/","url":"http:\/\/www.randian.art\/here-what-matters-is-performance\/","name":"Here, What Matters is Performance - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2016-12-05T11:41:00+00:00","dateModified":"2023-10-12T11:03:28+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/here-what-matters-is-performance\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/here-what-matters-is-performance\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/here-what-matters-is-performance\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"Here, What Matters is Performance"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb","name":"Lien","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","contentUrl":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","caption":"Lien"},"sameAs":["http:\/\/www.randian.art"],"url":"http:\/\/www.randian.art\/zh-hant\/author\/lien\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/14060"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=14060"}],"version-history":[{"count":1,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/14060\/revisions"}],"predecessor-version":[{"id":14091,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/14060\/revisions\/14091"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/14088"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=14060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=14060"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=14060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}