{"id":14112,"date":"2016-11-29T11:15:00","date_gmt":"2016-11-29T11:15:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14112"},"modified":"2023-10-12T11:24:04","modified_gmt":"2023-10-12T11:24:04","slug":"m50-hit-list-why-shanghais-moganshan-road-remains-important","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/","title":{"rendered":"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important"},"content":{"rendered":"\n

For a long time M50 and Moganshan Road was Shanghai\u2019s (very) little 798 District. It was the cynosure of art production, with ShanghART and major artists like Zhang Enli and Xu Zhen long-term residents. But ShanghART has moved to the new West Bund cultural district, as has Aike Dell\u2019arco and MadeIn Gallery. More than once it was whispered that M50 would fade into obscurity. The rumours are premature. M50 has adapted to its new circumstances very quickly. Established galleries like Vanguard and Antenna have only strengthened and they are joined by numerous worthy competitors, such as A+ Contemporary and the new Ying Art Center along Moganshan Road. In addition, Chronus Art Center, Shanghai\u2019s Kunsthalle for multimedia art, and the new Cc Foundation provide vital intellectual ballast for M50\u2032s more commercial vessels. Moganshan is not just alive, it seems to be thriving.<\/p>\n\n\n\n

\u201cDatumsoria\u201d with\u00a0Liu Xiaodon<\/strong>g, Carsten Nicolai, Nam June Paik, at\u00a0Chronus Art Center\u00a0<\/strong><\/h1>\n\n\n\n

Curated by Zhang G<\/strong>a. zkm Karlsruhe<\/strong> and Nam June Paik Art Center<\/strong>, Chronus Art Center<\/strong>\u2018s \u201cDatumsoria<\/strong><\/a>\u201d is an essay about the past and present of multi-media art, and our imminent future as data processors, and about the processing of data for visual consumption and the robotisation of consumers. Nam Jun Paik\u2019s new Ghenghis Khan greets visitors to planet Chronus. He is made up of an old diving helmet and bits of plastic piping and his horse is a tatty bicycle, but never mind, this Mongol emperor brings tele-vision, vision from a distance, all neon lights and buzzing tubes, as incomprehensible as a message from the stars and the old Hollywood science fiction movies. He greets us from an empire that surrounds us yet we still do not recognise.<\/p>\n\n\n\n

Beyond Ghenghis, robots paint Liu Xiaodong\u2019s new cyborg paintings, drawing on data from a live video feed from Shanghai\u2019s Bund, Beijing\u2019s Apple store and Liu\u2019s hometown\u2014landscapes of the future. Liu\u2019s work is famously about place and instantaneity but here it has been outsourced and mechanised. The very human element that was always fundamental to Liu\u2019s practice has been undermined and thrown back at us with rude \u2018originality\u2019. Finally, in a darkened room, Carsten Nicolai converts data from old punchcards into pulsating LED graphic messages, hieroglyphs from our immediate past, knowledge ghosts and secret messages, drawing on the punchcards devised by Joseph-Marie Jacquard (1752\u20131834) to allow mechanical looms to weave complex patterns. And the humanity in this is\u2026where? Visitors cannot help but feel like lab rats blinded by science.\u201dDatumsoria\u201d is full of such knotty questions though, glitches and circular codes, a DNS attack on the brain. Chronus rises.<\/p>\n\n\n\n

\"Liu<\/a>
Liu Xiaodong takes his practice to the next stage: \u201cWeight of Insomnia\u201d, 2015-2016, Installation with real-time captured video stream, 3 robotic painting machines, canvas, 500 x 250 x 400 cm in \u201cDatumsoria\u201d at Chronus Art Center<\/figcaption><\/figure>\n\n\n\n
\"\"
Nam June Paik \u201cThe Rehabilitation of Genghis-Khan\u201d, 1993, single-channel Video Sculpture, TV monitor, video player, neon lights, color-silent, 260 x 100 x 220 cm at Chronus Art Center.<\/figcaption><\/figure>\n\n\n\n
\"\"
Carsten Nicolai \u201cUnitape\u201d 2015, DLP-projectors, projection screen, mirrors, computer, sound, bench with loudspeakers in \u201cDatumsoria\u201d at Chronus Art Center.<\/figcaption><\/figure>\n\n\n\n

Ying Art Space<\/h1>\n\n\n\n

Ying Art Center<\/strong><\/a> was first established in Beijing as a gallery, collection and publishing company. Their new space at 97 Moganshan Road is capacious, combining a few predecessor gallery spaces, including M97 Gallery<\/strong> (now at 363 Changping Road, Jing\u2019an District). Launched in time for the Shanghai Biennale opening week, Ying Art Center\u2019s first show was curated by Fu Xiaodong, who also runs Beijing\u2019s Space Station.  The opening exhibition, \u201cSelf-cultivation\u2014The Personal Technology of Living Soma\u201d was aimed squarely at showcasing Ying\u2019s diverse collection and artist roster. Noteworthy are a series of 24 drypoint etchings by Wu Yi<\/strong> and two paintings by Zheng Guogu<\/strong> (who suddenly seems to be in everyone\u2019s collections) but the highlight was Yang Jian<\/strong>\u2018s video and installation about the weight of a soul, the difference between the weight of a dead body and what is left over when everything corporeal has gone.<\/p>\n\n\n\n

\"Beijing's<\/a>
Beijing\u2019s Ying Art Center opened their spacious new Shanghai space with the group exhibition \u201cSelf-cultivation\u2014The Personal Technology of Living Soma\u201d. Shown here, Yang Jian \u201cThe Shape of a Soul\u201d, glass and single channel video: perfectly eerie.<\/figcaption><\/figure>\n\n\n\n
\"\"
Zheng Guogu \u201cBrain Nerve Line (Medicine Buddha) Paisley\u201d 2015, acrylic on canvas, 105 x 75.5cm and \u201cThe Other Kind of Aesthetic (Tian Point)\u201d 134 x 106 cm, at Ying Art Center<\/figcaption><\/figure>\n\n\n\n

Zhan Rui \u201c7278\/12\u201d at Gallery 55<\/h1>\n\n\n\n

In Zhan Rui\u2019s first solo show in Shanghai, time is represented in blocks of everyday events, such as weather data, stock market movements and attendance numbers. Every aspect of life is covered without any actual life lived, and yet reality ends up being precisely what is represented: we become our categorisation, and worse, maybe only functions thereof. The system folds in on itself, but quite happily. In his new series, \u201c7278\/12\u201d, the subject analyzed is the artist\u2019s own monthly income from teaching at the art academy. Zhan Rui\u2019s practice of observation and process could be wry were it not for the relentlessness of the numbers he shows are consuming us. Observe yourself, and take note. Gallery 55<\/strong><\/a><\/p>\n\n\n\n

\"Zhan<\/a>
Zhan Rui at Gallery 55<\/figcaption><\/figure>\n\n\n\n
\"\"
Zhan Rui \u201c7278\/12<\/figcaption><\/figure>\n\n\n\n

Nadim Abbas \u201cChimera\u201d at Antenna Space<\/h1>\n\n\n\n

We have already written about this show but it deserves another mention. Nadim Abbas\u2019s first show at Antenna Space<\/strong><\/a> was a mind-delighting game of wordplay and science-fiction jokes. \u201cChimera\u201d denotes a hybrid monster (part-lion, -goat, -snake) of classical mythology from Asia Minor and also a \u201c3D molecular visualization program developed at the University of California, San Francisco\u201d\u2014and realities collide and one becomes the other. Meanwhile in \u201cHuman Rhinovirus 14\u201c<\/em> (2016) the \u201ccommon cold\u201d is represented as balls floating above centrifugal blower fans. Disease is a language and neither is completely under control. The conclusion is \u201cChamber 667\/668\u2033 (2016), a pair of empty laboratories at the wings of the exhibition, with only abandoned toilet paper rolls to indicate humans were there. Forget neo-abstraction, we are in the best Zombie artwork since Cao Fei\u2019s \u201cHaze and Fog\u201d (2013), which incidentally involves a scene with a woman in a bath with blow-up watermelons. Disease can be fun.<\/p>\n\n\n\n

\"Nadim<\/a>
Nadim Abbas \u201cChimera\u201d at Antenna Space: view of \u201cHuman Rhinovirus 14 (2016)\u201d installation, employing Bernoulli\u2019s principle in fluid dynamics applied to the common cold and made big, or are you the bacteria?<\/figcaption><\/figure>\n\n\n\n
\"\"
Nadim Abbas \u201cChimera\u201d at Antenna Space: view of \u201cHuman Rhinovirus 14 (2016)\u201d installation.<\/figcaption><\/figure>\n\n\n\n

He Yide \u201cRight Misplacement\u201d at A+ Contemporary<\/h1>\n\n\n\n

A+ Contemporary<\/a><\/strong> is related to Taipei\u2019s renowned Asia Art Center, which also has a space in Beijing\u2019s Dashanzi 798 Art District. A+ Contemporary has a reputation for finely curated and presented shows and this was further underscored by He Yide\u2019s solo exhibition \u201cRight Misplacement\u201d (October 29-December 11, 2016). He Yide uses found objects and happenstance to react to spaces with anti-monumental sculptures. Boxes are repurposed as small cabinets, a piece of felt cloth curls up against a wall, and a clay horseshoes hands from an MDF an upended shelf leaning against a well. It is human and lyrical and open to anyone who wants to see it. And if you are not looking, you will trip over it and get a real sculptural feeling.<\/p>\n\n\n\n

\"He<\/a>
He Yida \u201cRight Misplacement\u201d at A+ Contemporary<\/figcaption><\/figure>\n\n\n\n

Thomas Zipp \u201cThe Threshold Problem and Some Possible Ways to Solve It\u201d at Cc Foundation & Art Center<\/h1>\n\n\n\n

Shanghai art collector and entrepreneur, David Chau, launched his Cc Foundation<\/a> in Songjiang, on the outskirts of Shanghai. Songjiang is home to a community of artists supported by affordable (for Shanghai) studio space. Cc Foundation now also has art spaces in Hong Kong and, since November, in M50 too. The latter opened with an exhibition by Austrian artist, Thomas Zipp\u2014his first in China. Visitors could remote-control ungainly robot dummies (it\u2019s about artificial intelligence\u2014geddit?) and also witness a disturbing operation on another. I preferred sending the dummies to run over collectors\u2014I gave myself extra points if the victim fell over (I sort of had to leave after I got to 11 but I am sure I could have done better).<\/p>\n\n\n\n

\"Thomas<\/a>
Thomas Zipp at Cc Foundation & Art Center<\/figcaption><\/figure>\n\n\n\n

Hsu Che-Yu \u201cNo News from Home\u201d at Vanguard Gallery<\/h1>\n\n\n\n

Lise Li\u2019s Vanguard Gallery<\/strong><\/a>, has been one of the stalwarts of the M50 complex. A small, independent gallery with carefully curated shows. As Vanguard has matured, its repertoire has expanded from programmes mainly comprising small-scale painting, photography and video shows, to include immersive installations. During West Bund and ART021, the gallery showed Hsu Che-Yu\u2019s latest hybrid-video, continuing in work begun with \u201cMicrophone Test\u201d, exhibited in 2015 at The Taipei Fine Arts Museum. \u201cNo News from Home\u201d again mixes autobiographic reality with fiction to examine dissonance between memory (private experience) and official strictures (society)\u2014what is recorded and what is not.<\/p>\n\n\n\n

\"Hsu<\/a>
Hsu Che-Yu \u201cNo News from Home\u201d at Vanguard Gallery<\/figcaption><\/figure>\n\n\n\n

Yun Suk-nam \u201cThe Hollow\u201d at Korean\u2019s Hakgojae Gallery<\/h1>\n\n\n\n

Korean galleries are working intensely to build their China networks. Kukje is a regular presence at Art Basel Hong Kong and ARARIO has long been present in China, first in Beijing and now in Shanghai. During West Bund and ART021 Hakgojae showed Korean artist, Yun Suk-nam (b.1939, Manchuria) in a solo show, \u201cThe Hollow\u201d, Yun is a noted member of Korea\u2019s artist-feminist movement, including joining \u201cOctober Group\u201d, whose members were opposed to depicting Western art removed from everyday Korean lives. Accordingly the major work in the show was \u201cFish Market II\u201d and installation of hand-painted wooden fish \u2026 that also whimsically chastises Korean society. (Also watch out for the Yuz Museum\u2019s \u201cDansaekhwa\u201d show later this year.)<\/p>\n\n\n\n

\"Yun<\/a>
Yun Suk-nam \u201cThe Hollow\u201d at Korean\u2019s Hakgojae Gallery.<\/figcaption><\/figure>\n\n\n\n

Na Space<\/h1>\n\n\n\n

Li Huina is a young Shanghai collector. And she has opened an exhibition space for her collection in M50. Like most private collections, it is a bit mixed. On the other hand, one of the great things about collectors in China is that they are so willing to show their collections. It is partly competitiveness and one-upmanship but it is also about ambition and pride. It is in the West too but not so much, although the Selfie generation may be changing that. Anyway, the Liu Wei\u2019s are great.<\/p>\n\n\n\n

\"Another<\/a>
Another collector opens an art space: Na Space<\/figcaption><\/figure>\n\n\n\n
\"\"
Na Space opening<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

For a long time M50 and Moganshan Road w … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14133,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[949,10063,149,415,563,67,10065,10064,10066,10068,10067,102,4845,10069,10070,2638,5009,4025,416,10071,10072,1420,10073,29,239,417,374,393,10074,1283,10076,10075,10077,10079,6401,10078,458,419,456,210,460,230,421,10080],"yoast_head":"\nM50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"For a long time M50 and Moganshan Road w … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2016-11-29T11:15:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-12T11:24:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/tumblr_inline_olh3ghpwLQ1so0ru2_1280.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"855\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important\",\"datePublished\":\"2016-11-29T11:15:00+00:00\",\"dateModified\":\"2023-10-12T11:24:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/\"},\"wordCount\":1741,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"2016\",\"A+ Contemporary\",\"art\",\"art gallery\",\"art021\",\"artist\",\"CAC\",\"Carsten Nicolai\",\"Cc Foundation\",\"Chronus Art Center\",\"David Chau\",\"exhibition\",\"Gallery 55\",\"Hakgojae\",\"Korean gallery\",\"Krinzinger\",\"Liu Xiaodong\",\"M50\",\"magazine\",\"Moganshan Lu\",\"Na Space\",\"Nam June Paik\",\"Nam June Paik Art Center\",\"Ran Dian\",\"Ran Dian magazine\",\"Ran Dian \u71c3\u70b9 magazine\",\"randian\",\"randian online\",\"Thomas Zipp\",\"Yang Jian\",\"Ying Art Center\",\"Yun Suk-nam\",\"Yun Suknam\",\"Zhan Rui\",\"Zheng Guogu\",\"zkm karlsruhe\",\"\u5fb7\u8428\u5317\u4eac\",\"\u6b63\u5728\u5e03\u5c55\",\"\u2f51\u6817\u2f26\",\"\u71c3\u70b9\",\"\u827a\u672f+\",\"\u827a\u672f\u5bb6\",\"\u827a\u672f\u753b\u5eca\",\"\u8a79\u8564\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/\",\"url\":\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/\",\"name\":\"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2016-11-29T11:15:00+00:00\",\"dateModified\":\"2023-10-12T11:24:04+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\",\"name\":\"Lien\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"caption\":\"Lien\"},\"sameAs\":[\"http:\/\/www.randian.art\"],\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/lien\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/","og_locale":"zh_TW","og_type":"article","og_title":"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important - \u71c3\u70b9 Ran Dian","og_description":"For a long time M50 and Moganshan Road w … Continue reading →","og_url":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2016-11-29T11:15:00+00:00","article_modified_time":"2023-10-12T11:24:04+00:00","og_image":[{"width":1280,"height":855,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/tumblr_inline_olh3ghpwLQ1so0ru2_1280.jpg","type":"image\/jpeg"}],"author":"Lien","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Lien","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"11 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/"},"author":{"name":"Lien","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb"},"headline":"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important","datePublished":"2016-11-29T11:15:00+00:00","dateModified":"2023-10-12T11:24:04+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/"},"wordCount":1741,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":["2016","A+ Contemporary","art","art gallery","art021","artist","CAC","Carsten Nicolai","Cc Foundation","Chronus Art Center","David Chau","exhibition","Gallery 55","Hakgojae","Korean gallery","Krinzinger","Liu Xiaodong","M50","magazine","Moganshan Lu","Na Space","Nam June Paik","Nam June Paik Art Center","Ran Dian","Ran Dian magazine","Ran Dian \u71c3\u70b9 magazine","randian","randian online","Thomas Zipp","Yang Jian","Ying Art Center","Yun Suk-nam","Yun Suknam","Zhan Rui","Zheng Guogu","zkm karlsruhe","\u5fb7\u8428\u5317\u4eac","\u6b63\u5728\u5e03\u5c55","\u2f51\u6817\u2f26","\u71c3\u70b9","\u827a\u672f+","\u827a\u672f\u5bb6","\u827a\u672f\u753b\u5eca","\u8a79\u8564"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/","url":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/","name":"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2016-11-29T11:15:00+00:00","dateModified":"2023-10-12T11:24:04+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/m50-hit-list-why-shanghais-moganshan-road-remains-important\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"M50 hit list \u2013 Why Shanghai\u2019s Moganshan Road Remains Important"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb","name":"Lien","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","contentUrl":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","caption":"Lien"},"sameAs":["http:\/\/www.randian.art"],"url":"http:\/\/www.randian.art\/zh-hant\/author\/lien\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/14112"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=14112"}],"version-history":[{"count":2,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/14112\/revisions"}],"predecessor-version":[{"id":14136,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/14112\/revisions\/14136"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/14133"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=14112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=14112"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=14112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}