{"id":14265,"date":"2016-07-21T15:41:00","date_gmt":"2016-07-21T15:41:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14265"},"modified":"2023-10-13T15:45:41","modified_gmt":"2023-10-13T15:45:41","slug":"in-character","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/in-character\/","title":{"rendered":"In character"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.facebook.com\/events\/1124862377574488\/?ref=1&amp;action_history=%5B%7B%22surface%22%3A%22permalink%22%2C%22mechanism%22%3A%22surface%22%2C%22extra_data%22%3A%5B%5D%7D%5D\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Song Ta: How is the Weather?<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/practice\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Practice<\/strong><\/a>&nbsp;(111 Eldridge St, New York, New York 10002),&nbsp;<strong>Jun 30\u2013Jul 10, 2016<\/strong><\/p>\n\n\n\n<p>\u201cHow is the Weather\u201d came about thanks to conversations between Song Ta and the exhibition\u2019s curator, Ho King Man. An aimless atmosphere free of refined thinking thus evoked served somewhat as a safe, casual starter. The sense of relaxation and openness is in tune with the ethos of Practice, a small but very active non-commercial project run by Ho King Man, Cici Wu, and Wang Xu which supports a residency and monthly exhibition openings in a Chinatown apartment.<\/p>\n\n\n\n<p>Here, Song presents his calligraphy along with three pen drawings and one exam paper (not his) with a perfect score that is suspended from the ceiling in the middle of a room. Ho King\u2019s thoughtful installation shouldn\u2019t go unnoticed: twists of electrical cable under display screens were deliberately left visible to echo the movement of written characters; in playful acknowledgement of the suggestion that expert calligraphers are &nbsp;learned in general while less is expected of those who draw well, Song was encouraged to show his cartoons of animals. With simple black line, these deliver a flair for shape and his enjoyment of the demeanors of creatures.<\/p>\n\n\n\n<p>The calligraphy (shown mostly as digital images) inscribes unrelated fragments\u2014\u201dRotate resize select paste drag into wind crab by the street eat what what\u201d\u2014and copies quotations (from Mao Zedong\u2019s \u201cA Little Spark Can Kindle a Great Fire\u201d or the great \u201cwild grass\u201d calligrapher Huai Su\u2019s&nbsp;<em>Autobiography<\/em>&nbsp;(<em>Zixu Tie<\/em>)) or other extracts as an excuse to practice writing. That no reason was given for the choice of texts contributed to a certain feeling of detachment around the display\u2014a lack of context (or the need for it) that in some way echoed the mood of its name.<\/p>\n\n\n\n<p>\u201cPerhaps the only decent calligrapher in Mainland China in the past two decades\u201d was Song\u2019s idea for a title. Equipped with this attitude and a trove of gawky, unbalanced, sprawling characters, he put up what could be called a \u201cbad calligraphy\u201d show after Marcia Tucker\u2019s now-historic 1978 exhibition&nbsp;<a href=\"http:\/\/archive.newmuseum.org\/index.php\/Detail\/Occurrence\/Show\/occurrence_id\/5\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cBad Painting\u201d<\/a>&nbsp;at the nearby New Museum, which asserted a positive, liberal attitude to the mixing of art historical references. But while \u201cBad Painting\u201d featured \u201cartists who consciously reject traditional concepts of draftsmanship in favor of personal styles of figuration\u201d as Song does for his characters\u2014this is certainly a tease aimed at the calligraphy establishment\u2014Tucker also felt the bad painters\u2019 work bypassed aesthetic progress as a goal affecting the determination of value. While his writing is irreverent, Song would like his pieces to be considered and properly appreciated (indeed, he invites their \u201creview\u201d, and the exhibition includes a video of a child remarking on his writing and comments from an artist friend who responded with her own calligraphy). For him, to entertain this calligraphy would be a step forward, though it\u2019s not clear whether he wants this for himself alone, or the discipline in general; again, Song\u2019s sphere of reference is only minimally sketched.<\/p>\n\n\n\n<p>His approach might more simply be a \u201cdeskilling\u201d of his own. The term was first used in hindsight (by Ian Burns in his essay \u201cThe Sixties: Crisis and Aftermath (Or the Memoirs of an Ex-Conceptual Artist)\u201d in&nbsp;<em>Art &amp; Text<\/em>&nbsp;in 1981) to appraise artists like Seurat in the late 19<sup>th<\/sup>&nbsp;century who invested new energy in their work partly by fritting away at the idea of virtuosity (in so doing, in a sense \u201cde-historicizing their art\u201d); in this lay the kernel of fine art\u2019s challenge by industry and the consequent turn against manual as opposed to machinic or \u201creadymade\u201d effects\u2014one deepened by the possibilities of photography. There followed the self-conscious rejection of technical drawing and other skills at many western art schools.<\/p>\n\n\n\n<p>Though his anti-academic stance is nothing if not low-key, Song clearly has no interest in emulating master calligraphers or perpetuating formalism. Then again, neither do his scrawlings here suggest a path away from the individual hand\u2014 quite the opposite. He seems quietly confident, and like a lot of his work, these writings harbor a certain scorn clad in deadpan humor and an inclination to simply&nbsp;<em>do<\/em>&nbsp;something, and share the results. Song\u2019s amiable, \u201cdysfunctional\u201d characters are thus very much in-character\u2014they best convey an art of attitude, the hopes of which begin and end in the moment of making.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/07\/rossa.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/07\/rossa-528x352.jpg\" alt=\"Song Ta, \" class=\"wp-image-77835\" \/><\/a><figcaption class=\"wp-element-caption\">Song Ta, \u201cFossa\u201d, gel pen on paper, 2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-170.png\" alt=\"\" class=\"wp-image-14266\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-170-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-170-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-170-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-170.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Song Ta: \u201cHow is the Weather?\u201d, exhibition view at Practice<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"251\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-171.png\" alt=\"\" class=\"wp-image-14269\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-171-300x143.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-171-150x71.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-171-500x238.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-171.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Ho King Man (L), and Song Ta.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-172.png\" alt=\"\" class=\"wp-image-14272\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-172-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-172-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-172-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-172.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Song Ta: \u201cHow is the Weather?\u201d, exhibition view at Practice<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-173.png\" alt=\"\" class=\"wp-image-14275\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-173-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-173-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-173-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-173.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Nico-Chan\u2019s Review, (Nico-Chan\u2019s CV printed on clear adhesive film)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-174.png\" alt=\"\" class=\"wp-image-14278\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-174-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-174-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-174-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-174.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Song Ta: \u201cHow is the Weather?\u201d, exhibition view at Practice<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-175.png\" alt=\"\" class=\"wp-image-14281\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-175-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-175-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-175-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-175.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Song Ta: \u201cHow is the Weather?\u201d, exhibition view at Practice<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-176.png\" alt=\"\" class=\"wp-image-14284\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-176-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-176-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-176-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-176.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Song Ta: \u201cHow is the Weather?\u201d, exhibition view at Practice<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Song Ta: How is the Weather? Practice&#038;nb &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/in-character\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14287,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[149,415,67,102,416,10181,374,393,2579,5834,1436,419,210,460,230,421],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>In character - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/in-character\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In character - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Song Ta: How is the Weather? 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