{"id":14329,"date":"2016-05-18T15:27:00","date_gmt":"2016-05-18T15:27:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14329"},"modified":"2023-10-14T15:32:21","modified_gmt":"2023-10-14T15:32:21","slug":"post-machine-imagining-holos","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/post-machine-imagining-holos\/","title":{"rendered":"Post-Machine: Imagining HOLOS"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/post-machine-the-imagination-of-holos\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Zheng Da and Lin Xin\u2014\u201dPost-Machine: Imagining HOLOS\u201d<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/k11-art-village-wu-han\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Wuhan K11 Art Village<\/strong><\/a>&nbsp;(Building #2, Central Business Street, Changqing Garden, Dong Xi Hu District, Wuhan)&nbsp;<strong>April 16-July 10, 2016<\/strong><\/p>\n\n\n\n<p>The exhibition preface describes \u201cHOLOS\u201d thus: \u201cThe wholeness of a collective intelligence of human, machines, and the natural world, and anything within this wholeness is holos.\u201d This \u201cPost-Machine\u201d exhibition held at Wuhan K11 Art Village is not intended to demonstrate the possibilities for innovation brought on by technological development, but to highlight the relationship between humans and machines.<\/p>\n\n\n\n<p>The \u201cnewness\u201d in new media is no longer counteracts the oldness of traditional art. It has extended into such cutting-edge fields of science and technology as robotics, bioscience, and artificial intelligence. \u201cMachine\u2019s Free Speech\u201d is an interactive LED installation constructed by Zheng Da and his team \u201cLow-Tech Art Lab\u201d. When face to face with this personified machine, electronic music is perhaps the sound of its heartbeat, while the patterns formed in the flashing LED might manifest its mode of speech. Here, the tempo and dynamics of music affect the LED. An interactive installation, the viewer can communicate with it through the metal sensor; that is, the machine can respond according to the person\u2019s heart rate, which somewhat resembles how electrocardiograms are generated. Today, as science and technology are extensively applied to our everyday lives, technological media, as an auxiliary tool, acquires a natural existence through the social interaction. By way of \u00a0huge nesting frameworks, Zheng Da enlarges the sense of technology being involved in our lives. Whether it is the order of the music being played or the flickering of the LED, all runs randomly. This \u201cunpredictability\u201d, to some extent, blurs sense of a subject behind the work, resulting in an effect of \u201cautonomous speech\u201d on the part of the machine.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-184.png\" alt=\"\" class=\"wp-image-14330\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-184-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-184-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-184-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-184.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u90d1\u8fbe\uff0c\u300a\u673a\u5668\u7684\u81ea\u5728\u4e4b\u8bed\u300b\uff0c\u4e92\u52a8LED\u88c5\u7f6e\uff0c2016, Zheng Da, \u201cMachine\u2019s Free Speech\u201d, interactive LED installation, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/05\/%E9%83%91%E8%BE%BE%EF%BC%8C%E3%80%8A%E6%9C%BA%E5%99%A8%E7%9A%84%E8%87%AA%E5%9C%A8%E4%B9%8B%E8%AF%AD%E3%80%8B%EF%BC%8C%E4%BA%92%E5%8A%A8LED%E8%A3%85%E7%BD%AE%EF%BC%8C2016-2.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/05\/%E9%83%91%E8%BE%BE%EF%BC%8C%E3%80%8A%E6%9C%BA%E5%99%A8%E7%9A%84%E8%87%AA%E5%9C%A8%E4%B9%8B%E8%AF%AD%E3%80%8B%EF%BC%8C%E4%BA%92%E5%8A%A8LED%E8%A3%85%E7%BD%AE%EF%BC%8C2016-2-528x334.jpg\" alt=\"\u90d1\u8fbe\uff0c\u300a\u673a\u5668\u7684\u81ea\u5728\u4e4b\u8bed\u300b\uff0c\u4e92\u52a8LED\u88c5\u7f6e\uff0c2016, Zheng Da, \" class=\"wp-image-74686\" \/><\/a><figcaption class=\"wp-element-caption\">\u90d1\u8fbe\uff0c\u300a\u673a\u5668\u7684\u81ea\u5728\u4e4b\u8bed\u300b\uff0c\u4e92\u52a8LED\u88c5\u7f6e\uff0c2016, Zheng Da, \u201cMachine\u2019s Free Speech\u201d, interactive LED installation, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-185.png\" alt=\"\" class=\"wp-image-14333\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-185-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-185-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-185-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-185.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u6797\u6b23\uff0c\u300a\u9519\u8bef\u7684\u79e9\u5e8f\u300bNO.2\uff0c\u7535\u5b50\u5f71\u50cf\u88c5\u7f6e\uff0c2016, Lin Xin, \u201cThe Order of Bugs Dimensions No. 2\u2033, electronic video installation, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-186.png\" alt=\"\" class=\"wp-image-14336\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-186-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-186-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-186-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-186.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u6797\u6b23\uff0c\u300a\u9519\u8bef\u7684\u79e9\u5e8f\u300bNO.3 \uff0c\u7535\u5b50\u5f71\u50cf\u88c5\u7f6e\uff0c2016, Lin Xin, \u201cThe Order of Bugs Dimensions No. 3\u2033, electronic video installation, 2016<\/figcaption><\/figure>\n\n\n\n<p>Compared with \u201cMachine\u2019s Free Speech\u201d<em>,&nbsp;<\/em>Lin Xin\u2019s \u201cThe Order of Bugs Dimensions\u201dcomes across as considerably more \u201clow-key\u201d. By digitizing the exterior appearance of natural mineral crystal and adopting a self-written BUG code to remodel it, defects in the programming that are invisible to the naked eye are converted into visible images and renderings. To Lin\u2019s mind, the imperfect BUG is the programming\u2019s own distinctive character.. In these two artworks, a creative technique based on programming and coding seems to afford opportunity for \u201cgrowth\u201d. The artists forego &nbsp;design for the works\u2019 ultimate effect, leaving them to run their own course.<\/p>\n\n\n\n<p>\u201cPhysiological Reaction\u201daggregates 1200 PC cooling fans. By resorting to the fan blades\u2019 dual status of stasis and motion, Zheng Da imbues his work with a detectable emotional reaction. We can feel the flow of air from the rotating fans, hear their buzzing sounds, and see untidy wires exposed behind the installation. No matter how it is designed, machinery ais emphasized as a product of industrialization. Conversely, in Lin Xin\u2019s three-screen digital animation \u201cBreezy Space\u201d, machinery is personified to a degree that is easier to accept. The strength of the airflow in the virtual world is perceptible from the orderly disintegration of the robots\u2019 bodies.<\/p>\n\n\n\n<p>New media has gradually become a synonym for \u201chigher level\u201d artistic creation. Artists\u2019 exploration within the field of technology is driven either by the search for a medium that is more in line with their creative ideas, or to break through a creative barrier using the \u201cnewness\u201d of the medium. &nbsp;Both artists deem the medium to be the carrier of information\u2014but it is not merely a simple tool. Zheng Da awakens a sensitivity that has faded thanks to the integration of technology into everyday life. Meanwhile, Lin Xin projects individual lives and sentiments onto the virtual world.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/05\/%E9%83%91%E8%BE%BE%EF%BC%8C%E3%80%8A%E7%94%9F%E7%90%86%E5%8F%8D%E5%BA%94%E3%80%8B%EF%BC%8C%E5%8A%A8%E6%80%81%E5%A3%B0%E9%9F%B3%E9%9B%95%E5%A1%91%EF%BC%8C2016-31.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/05\/%E9%83%91%E8%BE%BE%EF%BC%8C%E3%80%8A%E7%94%9F%E7%90%86%E5%8F%8D%E5%BA%94%E3%80%8B%EF%BC%8C%E5%8A%A8%E6%80%81%E5%A3%B0%E9%9F%B3%E9%9B%95%E5%A1%91%EF%BC%8C2016-31-528x396.jpg\" alt=\"\u90d1\u8fbe\uff0c\u300a\u751f\u7406\u53cd\u5e94\u300b\uff0c\u52a8\u6001\u58f0\u97f3\u96d5\u5851\uff0c2016, Zheng Da, \" class=\"wp-image-74691\" \/><\/a><figcaption class=\"wp-element-caption\">\u90d1\u8fbe\uff0c\u300a\u751f\u7406\u53cd\u5e94\u300b\uff0c\u52a8\u6001\u58f0\u97f3\u96d5\u5851\uff0c2016, Zheng Da, \u201cPhysiological Reaction\u201d, dynamic sound sculpture, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"328\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-187.png\" alt=\"\" class=\"wp-image-14339\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-187-300x186.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-187-150x93.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-187-483x300.png 483w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-187.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u90d1\u8fbe\uff0c\u300a\u751f\u7406\u53cd\u5e94\u300b\uff0c\u52a8\u6001\u58f0\u97f3\u96d5\u5851\uff0c2016, Zheng Da, \u201cPhysiological Reaction\u201d, dynamic sound sculpture, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"336\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-188.png\" alt=\"\" class=\"wp-image-14342\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-188-300x191.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-188-150x95.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-188-471x300.png 471w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-188.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u6797\u6b23\uff0c\u300a\u6709\u98ce\u7684\u7a7a\u95f4\u300bNO.2\uff0c\u4e09\u5c4f\u6570\u5b57\u52a8\u753b\uff0c2016, Lin Xin, \u201cBreezy Space No. 2\u2033, three-screen digital animation, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"328\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-189.png\" alt=\"\" class=\"wp-image-14345\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-189-300x186.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-189-150x93.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-189-483x300.png 483w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-189.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u6797\u6b23\uff0c\u300a\u6709\u98ce\u7684\u7a7a\u95f4\u300bNO.2\uff0c\u4e09\u5c4f\u6570\u5b57\u52a8\u753b\uff0c2016, Lin Xin, \u201cBreezy Space No. 2\u2033, three-screen digital animation, 2016<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Zheng Da and Lin Xin\u2014\u201dPost-Machine: Imag &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/post-machine-imagining-holos\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14348,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10204,10202,1027,10205,10203,10034,10207,10208,10206,10209,10210,10211],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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