{"id":14389,"date":"2016-04-29T18:35:00","date_gmt":"2016-04-29T18:35:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14389"},"modified":"2023-10-15T18:39:55","modified_gmt":"2023-10-15T18:39:55","slug":"sean-scully-resistance-and-persistence","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/sean-scully-resistance-and-persistence\/","title":{"rendered":"Sean Scully: Resistance and Persistence"},"content":{"rendered":"\n<p><strong>Art Museum Of Nanjing University of the Arts<\/strong>&nbsp;(15 North Huju Road, Gulou District, Nanjing),&nbsp;<strong>Apr 8\u2013May 8, 2016<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/sean-scully-resistance-and-persistence\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cResistance and Persistence\u201d<\/a>&nbsp;is a continuation of \u201cFollow the Heart: the Art of Sean Scully\u201d from last year.<strong><\/strong><\/p>\n\n\n\n<p>With the works arranged roughly chronologically in the museum\u2019s third-floor exhibition space, viewers will first encounter Sean Scully\u2019s \u201cBackcloth\u201d(1970) in their field of vision. The variegated patterns intersect above the picture plane in an orderly manner, weaving a layered grid. Orange, cobalt, ultramarine, dark green, pitch black\u2014the subtle overlapping of thick and slender patterns forges a sense of depth which easily leads the viewer\u2019s eye to inquire into the hazy vista under the grid. Similar to this is \u201cDiagonal Light\u201d (1972), in which colorful, complex patterns interwoven on the flat surface could echo the urban landscape, or yet be a representation of forms of light\u2014revealing the artist\u2019s sentiment in its entirety. In \u201cUpright Horizontals Red Black\u201d (1979), the composition and the choice of colors tend towards the minimal; with the red and the black forming a regular pattern through regular brushstrokes, the active tension in the painting\u2019s expression is dissolved. Matched with the frank title, the work allows one to focus only on the sparse design, the viscous texture of the paint, and a sense of cool and warmth as conveyed by the hues. The physicality of the painting\u2019s medium is highlighted, while the artist\u2019s continual repetition of the lines and patterns diminishes the sense of his own presence\u2014here lies only the physical world which is not opened up for deeper contemplation. In contrast with the two earlier, more vibrant works, \u201cUpright Horizontals Red Black\u201d refuses the viewer any visual pleasure, while the over-simplicity of the forms does not permit much content to be conveyed.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/%E8%82%96%E6%81%A9%C2%B7%E6%96%AF%E5%BA%93%E5%88%A9%EF%BC%8C%E2%80%9C%E6%8A%B5%E6%8A%97%E4%B8%8E%E5%9D%9A%E6%8C%81%E2%80%9D%EF%BC%8C%E5%B1%95%E8%A7%88%E7%8E%B0%E5%9C%BA_Sean-Scully%EF%BC%8C%E2%80%9CResistance-and-Persistence%E2%80%9D%EF%BC%8Cinstallation-view-2.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/%E8%82%96%E6%81%A9%C2%B7%E6%96%AF%E5%BA%93%E5%88%A9%EF%BC%8C%E2%80%9C%E6%8A%B5%E6%8A%97%E4%B8%8E%E5%9D%9A%E6%8C%81%E2%80%9D%EF%BC%8C%E5%B1%95%E8%A7%88%E7%8E%B0%E5%9C%BA_Sean-Scully%EF%BC%8C%E2%80%9CResistance-and-Persistence%E2%80%9D%EF%BC%8Cinstallation-view-2-528x352.jpg\" alt=\"\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u201c\u62b5\u6297\u4e0e\u575a\u6301\u201d\uff0c\u5c55\u89c8\u73b0\u573a Sean Scully\uff0c\u201cResistance and Persistence\u201d\uff0cinstallation view\" class=\"wp-image-73795\" \/><\/a><figcaption class=\"wp-element-caption\">\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u201c\u62b5\u6297\u4e0e\u575a\u6301\u201d\uff0c\u5c55\u89c8\u73b0\u573a Sean Scully\uff0c\u201cResistance and Persistence\u201d\uff0cinstallation view<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"351\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-198.png\" alt=\"\" class=\"wp-image-14390\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-198-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-198-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-198-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-198.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u300a\u5929\u5e55\u300b\uff0c \u5e03\u9762\u4e19\u70ef\uff0c 1970 Sean Scully\uff0cBackcloth\uff0cacrylic on canvas, 1970<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-199.png\" alt=\"\" class=\"wp-image-14393\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-199-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-199-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-199-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-199.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u300a\u5bf9\u89d2\u4e4b\u5149\u300b\uff0c\u5e03\u9762\u4e19\u70ef\uff0c1972\uff08\u5c40\u90e8\uff09 Sean Scully\uff0cDiagonal Light\uff0cacrylic on canvas\uff0c1972\uff08detail\uff09<\/figcaption><\/figure>\n\n\n\n<p>From the mid-1970s onwards, Sean Scully began to spend more time in the US; meanwhile, his work gradually evinced minimalism to a greater degree. As Frank Stella declared, \u201cWhat you see is what you see\u201d. Minimalism avoided any metaphors, symbolism, or conveyance of emotional content\u2014all that Abstract Expressionism affirmed\u2014instead emphasizing the materiality of the painting. It had similarities with Pop Art\u2014both focused on then-contemporary American life\u2014but Minimalism removed the symbols and markers of its materials, and instead, with its clear, repetitive forms, resisted unflinching consumerism. Ample horizontal or vertical lines along with irregular rectangular forms construct the vast \u201cBacks and Fronts\u201d (1981). Breaking through the limits of the frame, the undulating edge and the cold, severe lines bring one back to the cosmopolitan vista brought about by America\u2019s post-war boom\u2014that of New York skyscrapers. Scully chipped at the surplus values of modern living and returned them as objects composing a cool, icy shell. The vast size and irregular edges bring about a sense of theatricality, impelling viewers to form a meaningful experience on their own. In \u201cFalling Wrong\u201d (1985), meanwhile, Scully infused the painting with sculptural elements\u2014or one might say that he extended the minimalist challenge for the traditional binary division of painting vs sculpture. The work, in relation to the space and the lighting, in turn changed the relationship between the viewer and the artwork.<\/p>\n\n\n\n<p>From the 1980s onwards, however, the lines in the painting grew wider; the brushstrokes daubed on gradually became distanced from their previous regularity and came to possess a flowing sense of motion. Sean Scully began to move away from minimalism to explore the fusion of body and spirit in his work. The sensorial body returned to the work, while the intentionality of the paintings grew richer. The artist again redefined his personal vision; the essence of painting was no longer the existence of things, but instead recovered the subjectivity of the artist and the expressionism of painting. In his exploration of abstraction\u2014as suggested by the exhibition title\u2014the artist continues to resist the experiences of his previous works, and persists with a new personal realization of art.<\/p>\n\n\n\n<p>As the second phase of Sean Scully\u2019s touring exhibitions in China, \u201cResistance and Persistence\u201d will be shown at the Guangdong Museum of Art and at Hubei Art Museum over the coming year.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/%E8%82%96%E6%81%A9%C2%B7%E6%96%AF%E5%BA%93%E5%88%A9%EF%BC%8C%E3%80%8A%E5%90%8E%E4%B8%8E%E5%89%8D%E3%80%8B%EF%BC%8C%E4%BA%9A%E9%BA%BB%E5%92%8C%E5%B8%83%E9%9D%A2%E6%B2%B9%E7%94%BB%EF%BC%8C1981_Sean-Scully%EF%BC%8CBacks-and-Fronts%EF%BC%8Coil-on-linen-and-canvas%EF%BC%8C1981.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/%E8%82%96%E6%81%A9%C2%B7%E6%96%AF%E5%BA%93%E5%88%A9%EF%BC%8C%E3%80%8A%E5%90%8E%E4%B8%8E%E5%89%8D%E3%80%8B%EF%BC%8C%E4%BA%9A%E9%BA%BB%E5%92%8C%E5%B8%83%E9%9D%A2%E6%B2%B9%E7%94%BB%EF%BC%8C1981_Sean-Scully%EF%BC%8CBacks-and-Fronts%EF%BC%8Coil-on-linen-and-canvas%EF%BC%8C1981-528x352.jpg\" alt=\"\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u300a\u540e\u4e0e\u524d\u300b\uff0c\u4e9a\u9ebb\u548c\u5e03\u9762\u6cb9\u753b\uff0c1981 Sean Scully\uff0cBacks and Fronts\uff0coil on linen and canvas\uff0c1981\" class=\"wp-image-73801\" \/><\/a><figcaption class=\"wp-element-caption\">\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u300a\u540e\u4e0e\u524d\u300b\uff0c\u4e9a\u9ebb\u548c\u5e03\u9762\u6cb9\u753b\uff0c1981 Sean Scully\uff0cBacks and Fronts\uff0coil on linen and canvas\uff0c1981<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-200.png\" alt=\"\" class=\"wp-image-14396\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-200-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-200-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-200-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-200.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u300a\u5d29\u574f\u300b\uff0c\u4e9a\u9ebb\u5e03\u9762\u6cb9\u753b\uff0c1985 Sean Scully\uff0cFalling Wrong\uff0coil on linen\uff0c1985<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"368\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-201.png\" alt=\"\" class=\"wp-image-14399\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-201-300x209.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-201-150x105.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-201-430x300.png 430w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-201.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u300a\u591a\u5229\u5b89\u00b7\u592a\u9633\u795e\u300b\uff0c\u94dd\u677f\u6cb9\u753b\uff0c2012 Sean Scully\uff0cDoric Apollo\uff0coil on aluminum\uff0c2012<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"439\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-202.png\" alt=\"\" class=\"wp-image-14402\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-202-300x249.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-202-150x125.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-202-361x300.png 361w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-202.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u8096\u6069\u00b7\u65af\u5e93\u5229\uff0c\u300a\u7ea2\u697c\u300b\uff0c\u4e9a\u9ebb\u5e03\u9762\u6cb9\u753b\uff0c2012 Sean Scully\uff0cRed Chamber\uff0coil on linen\uff0c2012<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Art Museum Of Nanjing University of the  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/sean-scully-resistance-and-persistence\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14405,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10226,10227,10228,1407,10229,4878,10230],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sean Scully: Resistance and Persistence - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/sean-scully-resistance-and-persistence\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sean Scully: Resistance and Persistence - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Art Museum Of Nanjing 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