{"id":14439,"date":"2016-04-22T18:58:00","date_gmt":"2016-04-22T18:58:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14439"},"modified":"2023-10-15T19:03:23","modified_gmt":"2023-10-15T19:03:23","slug":"painterliness","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/painterliness\/","title":{"rendered":"Painterliness"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/strange-guest-tang-dayao-solo-exhibition\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Tang Dayao: \u201cStrange Guest\u201d<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/platform-china\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Platform China&nbsp;<\/strong><\/a>\uff08798 Art Zone, Chaoyang, Beijing\uff09,&nbsp;<strong>Mar 5\u2013Apr 10, 2016<\/strong><\/p>\n\n\n\n<p>Tang Dayao\u2019s paintings are of everyday things, not accumulations of concepts. He does not imbue his paintings with memories of an era, nor does he indulge in private worlds. Fragments of the everyday are finally restored to the everyday, and we are not obliged to make any further forays into interpretation. And yet, while these are representations of daily scenes, Tang Dayao has by no means made things seem realistic: there are no strong effects of light and shadow, while spaces with pronounced depth hold within them figures as flat and rigid as wooden boards. Stiff transitions between rough brush strokes and stark color palettes intentionally abandon the optical verisimilitude that traditional paintings ought to produce. This distortion in Tang Dayao\u2019s paintings rejects a viewer\u2019s smooth slide into the world portrayed. The artist places the emphasis in his creative process on the representation of the act of painting: using the form of a painting itself to mimic the concept of \u201cpainting.\u201d The image he presents is thus a \u201cpainting,\u201d as opposed to a representation of things.<\/p>\n\n\n\n<p>With works like \u201cStrange Visitor\u201d, the feeling that the canvas has lost its \u201ctruth\u201d reminds one of its painterly qualities. The crux of the piece lies in balancing the relationship between the figure at the door, the dog, and the visitor. The slight pressure of the figure\u2019s hand gesture, dissuading the dog from barking, the cautious posture of the frightened visitor and so on all lead viewers to establish on their own a connection between the image and the title. From a certain perspective, it is somewhat like Vermeer\u2019s \u201cThe Art of Painting\u201d, where in order to promote his best work, Vermeer titled his virtuosic masterpiece thus. He attempted to impress the audience with his skills\u2014rather than with an extraordinary scene depicted on the canvas. In this way, the images served only as a foil in displaying his talents. The function of these images\u2014whether it be the curtain being pulled open in the foreground, the seat facing the painter, the costumes and props on the table, the painter\u2019s clothing, the model\u2019s makeup, or the map hanging on the wall\u2014rested in displaying the artist\u2019s ability to represent all kinds of materials, as well as his fashion sense. Yet from another angle, we could equally say that Tang Dayao has chosen yet another tradition: modernist formalism.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/U7A6908%E5%89%AF%E6%9C%AC.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/U7A6908%E5%89%AF%E6%9C%AC-528x353.jpg\" alt=\"\u6c64\u5927\u5c27\uff0c\u201c\u964c\u751f\u6765\u5ba2\u201d\uff0c\u7ad9\u53f0\u4e2d\u56fd\uff0c\u5c55\u89c8\u73b0\u573a\" class=\"wp-image-73387\" \/><\/a><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cStrange Guest\u201d, exhibition view at Platform China<br>\u6c64\u5927\u5c27\uff0c\u201c\u964c\u751f\u6765\u5ba2\u201d\uff0c\u7ad9\u53f0\u4e2d\u56fd\uff0c\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"708\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-210.png\" alt=\"\" class=\"wp-image-14440\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/EPN73jp3-image-210-224x300.png 224w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-210-112x150.png 112w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-210.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cStrange Guest\u201d, oil on canvas, 150 x 200 cm, 2015\u300a\u964c\u751f\u6765\u5ba2\u300b\uff0c\u5e03\u9762\u6cb9\u753b\uff0c150 x 200cm\uff0c2015<\/figcaption><\/figure>\n\n\n\n<p>Much like the work of Wang Xingwei, Ma Ke, Wang Yin, and others, Tang\u2019s paintings attempt to crystallize a position of \u201cmeaninglessness\u201d through disenchantment with the painting\u2019s subject. This approach is reminiscent of the return to painting that happened in China in the eighties: Up to just before the \u201985 New Wave, the Chinese art world had not directly accepted Western avant-garde art concepts or forms. Although the \u201cStars\u201d exhibition, held unofficially in a park adjacent to the National Art Museum on September 27, 1979, presented the pioneering expressionism and symbolism of the times, a large portion of artists had not abandoned tradition completely and were looking for new forms. One example would be a work like Luo Zhongli\u2019s \u201cFather\u201d, in which the artist, inspired by American photographic realism, deployed magnification to highlight social realities. Or the work of Chen Danqing, who absorbed much of the French painter Jean-Fran\u00e7ois Millet\u2019s style and gave the viewer a sense of being perched right on the sidelines in order to more authentically represent life in Tibet. Or yet He Duoling, who, having studied the painting techniques of the American painter Andrew Wyeth, brought an entirely new kind of realist painting style to the Chinese art world. Others include Jin Shangyi, of the anti-\u201cSoviet\u201d tradition, or Yang Feiyun, or Wang Yidong. All of these artists attempted, by way of line, shape, color, and other factors, to seek out a new style inside the tired tradition of realism, thereby temporarily gaining entrance to the \u201cavant-garde.\u201d In the image-saturated visual environment of today, it is less about taking on more strange figures or styles to draw in the viewer, and rather about adopting the opposite tack: filling the picture plane with the unremarkable&nbsp; in order to arrest the attention of the aesthetically fatigued viewer. At a time when any kind of new subject matter or styles are hard to come by, turning back once again to a long-forgotten formalist tradition could very well turn out not to be a bad choice at all.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/U7A6922.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/04\/U7A6922-528x357.jpg\" alt=\"\u6c64\u5927\u5c27\uff0c\u201c\u964c\u751f\u6765\u5ba2\u201d\uff0c\u7ad9\u53f0\u4e2d\u56fd\uff0c\u5c55\u89c8\u73b0\u573a\" class=\"wp-image-73388\" \/><\/a><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cStrange Guest\u201d, exhibition view at Platform China<br>\u6c64\u5927\u5c27\uff0c\u201c\u964c\u751f\u6765\u5ba2\u201d\uff0c\u7ad9\u53f0\u4e2d\u56fd\uff0c\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"335\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-211.png\" alt=\"\" class=\"wp-image-14443\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-211-300x190.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-211-150x95.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-211-473x300.png 473w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-211.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cStrange Guest\u201d, exhibition view at Platform China<br>\u6c64\u5927\u5c27\uff0c\u201c\u964c\u751f\u6765\u5ba2\u201d\uff0c\u7ad9\u53f0\u4e2d\u56fd\uff0c\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-212.png\" alt=\"\" class=\"wp-image-14446\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-212-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-212-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-212-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-212.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cAt Noon\u201d, oil on canvas, 200 x 300 cm, 2014<br>\u300a\u6b63\u5348\u300b\uff0c\u5e03\u9762\u6cb9\u753b\uff0c 200 x 300 cm, 2014<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"366\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-213.png\" alt=\"\" class=\"wp-image-14449\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-213-300x208.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-213-150x104.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-213-433x300.png 433w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-213.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cLooking Back\u201d, oil on canvas, 70 x 100 cm, 2015<br>\u300a1 \u56de\u5fc6\u300b\uff0c\u5e03\u9762\u6cb9\u753b\uff0c70x100cm\uff0c2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"337\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-214.png\" alt=\"\" class=\"wp-image-14452\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-214-300x191.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-214-150x96.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-214-470x300.png 470w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-214.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cFarming\u201d, oil on canvas, 90 x 140 cm, 2015<br>\u300a\u8015\u79cd\u300b,\u5e03\u9762\u6cb9\u753b\uff0c90x140cm\uff0c2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"340\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-215.png\" alt=\"\" class=\"wp-image-14455\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-215-300x193.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-215-150x97.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-215-466x300.png 466w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-215.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cTaking a Rest\u201d, oil on canvas, 90 x 140 cm, 2015<br>\u300a\u5c0f\u61a9\u300b\uff0c\u5e03\u9762\u6cb9\u753b\uff0c90x140cm\uff0c2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"397\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-216.png\" alt=\"\" class=\"wp-image-14458\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-216-300x226.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-216-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-216-399x300.png 399w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-216.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cThe River Bank\u201d, oil on canvas, 120 x 160 cm, 2015<br>\u300a\u6cb3\u5cb8\u300b\uff0c\u5e03\u9762\u6cb9\u753b\uff0c120x160cm\uff0c2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-217.png\" alt=\"\" class=\"wp-image-14461\" width=\"528\" height=\"380\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-217-300x216.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-217-150x108.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-217-417x300.png 417w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-217.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Tang Dayao, \u201cSketch\u201d, oil on canvas, 180 x 250 cm, 2015<br>\u300a\u5199\u751f1\u300b\uff0c\u5e03\u9762\u6cb9\u753b\uff0c180x250cm\uff0c2015<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Tang Dayao: \u201cStrange Guest\u201d Platform Chi &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/painterliness\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14464,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[1152,10244,1298,10246,10245,7052,10247],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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