{"id":14543,"date":"2015-12-30T17:07:00","date_gmt":"2015-12-30T17:07:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14543"},"modified":"2023-10-17T17:13:33","modified_gmt":"2023-10-17T17:13:33","slug":"the-sound-and-the-fury-of-the-disco-threshing-machine","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/the-sound-and-the-fury-of-the-disco-threshing-machine\/","title":{"rendered":"The Sound and the Fury of the Disco Threshing Machine"},"content":{"rendered":"\n<p><strong>Zhang Ding \u201cEnter the Dragon\u201d<\/strong><\/p>\n\n\n\n<p><strong>ICA London&nbsp;<\/strong>(The Mall, London)<strong>, Oct 12\u201325, 2015<\/strong><\/p>\n\n\n\n<p>Soundwaves pumped through as I entered a darkened chamber, disoriented and anxious. Lights pulsed and music electrified. A crowd stood transfixed by the vision and noise as DJs on opposing stages took turns or together programming sound. The audience in the pit between the stages turned in sync with each new improvised set. Separating DJs and audience: two banks of four mirrored walls\u2014tall and faceted\u2014spun at vertiginous speed, oscillating with the beat. The disco ball has become a threshing machine.<\/p>\n\n\n\n<p><strong>Fear and Ecstasy<\/strong><\/p>\n\n\n\n<p>Neither angels nor aliens, these bewitching monoliths have landed from a galaxy deep in the subconscious; magic mirrors reflecting the hope and fear, narcissism and morbidity at the heart of the eternal existential paradox: we are unhinged by desire but petrified of reality.<\/p>\n\n\n\n<p>Evening had fallen as I emerged from the ICA into the pensive stillness of the Mall, London\u2019s royal parade road running between Buckingham Palace and Trafalgar Square. Decorated with British and Chinese flags in preparation for Xi Jinping\u2019s state visit the following week, the avenue was almost empty. \u201cEnter the Dragon\u201d is titled after Bruce Lee\u2019s 1973 film, directed by Robert Clouse. On one level, Zhang Ding\u2019s installation speaks to the strange East-West hysteria of celebration and anxiety regarding the other (not incidentally, the other major Chinese exhibition in London was Ai Weiwei at the Royal Academy). It is a red herring. Bruce Lee died of a misadventure: an allergic reaction to a painkiller.<\/p>\n\n\n\n<p>Fear and hope have been at the heart of Zhang Ding\u2019s work from the beginning. \u201cTools\u20132\u201d (2007) presented a cactus that was slowly watered to death. The 2-channel film \u201cBoxing\u201d (2007) involved the artist hitting a cactus punching bag. \u201cLaw\u201d (2009) had a precarious platform which visitors had to climb in order to peer into a pit of shining light bulbs. Delusion and entertainment were themes in the film \u201cGreat Era\u201d (2007), about a migrant worker. More recently, the ballroom dancers of \u201cBuddha Jumps over the Wall\u201d (2012) and punk rock concert of \u201cOrbit of Rock\u201d (2014)\u2014a homage to the legendary 1991 \u201cMonsters of Rock\u201d concert in Moscow\u2014set up a strange opposition of performance and entertainment, which in life we all engage in. Even in front of a television, we are never completely passive receivers of \u201centertainment\u201d but processors and participants in its consumption. People in the audience are not just receptors but accessories, adaptors and relay stations. We dance for release from the everyday but also to be seen dancing. We scream at the concert to be herd with the crowd. A singer without a crowd is not a performer. He is just a lonely singer. These themes fold one over the other in \u201cEnter the Dragon\u201d.<\/p>\n\n\n\n<p>Behind the DJs hung tall golden foam panels\u2014ritual architectural adornments; matter filled with air but with a fa\u00e7ade of density and depth; they were untouchable sound absorbers glimpsed through the whirring reflectors. The mirrors and foam are doubles for people themselves and our habits of public presentation and defense. They disconcert precisely because they represent us. This is not entertainment\u2014not for us. We are being processed. Hope and delusion stand together, mesmerized by the shining blades of furious mirrors; tricked by a promise we made ourselves. Fear is ecstatic. Which pill do you take?<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/ZhangDing2.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/ZhangDing2-528x352.jpg\" alt=\"Zhang Ding \u201cEnter the Dragon\u201d, Exhibition view, ICA London\u5f20\u9f0e\u300a\u9f99\u4e89\u864e\u6597\u300b\u5c55\u89c8\u73b0\u573a\uff0c\u4f26\u6566\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3\" class=\"wp-image-68548\" \/><\/a><figcaption class=\"wp-element-caption\">Zhang Ding \u201cEnter the Dragon\u201d, Exhibition view, ICA London<br>\u5f20\u9f0e\u300a\u9f99\u4e89\u864e\u6597\u300b\u5c55\u89c8\u73b0\u573a\uff0c\u4f26\u6566\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-234.png\" alt=\"\" class=\"wp-image-14544\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-234-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-234-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-234-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-234.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Zhang Ding \u201cEnter the Dragon\u201d, Exhibition view, ICA London<br>\u5f20\u9f0e\u300a\u9f99\u4e89\u864e\u6597\u300b\u5c55\u89c8\u73b0\u573a\uff0c\u4f26\u6566\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-235.png\" alt=\"\" class=\"wp-image-14547\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-235-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-235-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-235-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-235.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Zhang Ding \u201cEnter the Dragon\u201d, Exhibition view, ICA London<br>\u5f20\u9f0e\u300a\u9f99\u4e89\u864e\u6597\u300b\u5c55\u89c8\u73b0\u573a\uff0c\u4f26\u6566\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-236.png\" alt=\"\" class=\"wp-image-14550\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-236-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-236-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-236-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-236.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-237.png\" alt=\"\" class=\"wp-image-14553\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-237-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-237-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-237-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-237.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Zhang Ding \u201cEnter the Dragon\u201d, Exhibition view, ICA London<br>\u5f20\u9f0e\u300a\u9f99\u4e89\u864e\u6597\u300b\u5c55\u89c8\u73b0\u573a\uff0c\u4f26\u6566\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-238.png\" alt=\"\" class=\"wp-image-14556\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-238-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-238-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-238-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-238.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Zhang Ding \u201cEnter the Dragon\u201d, Exhibition view, ICA London<br>\u5f20\u9f0e\u300a\u9f99\u4e89\u864e\u6597\u300b\u5c55\u89c8\u73b0\u573a\uff0c\u4f26\u6566\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Zhang Ding \u201cEnter the Dragon\u201d ICA London &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/the-sound-and-the-fury-of-the-disco-threshing-machine\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14559,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[673,149,67,95,88,10287,5716,5717,66,374,393,10288,122,3026,646,855,114,3034,458,10289,210,460,230],"yoast_head":"<!-- This site is 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