{"id":14721,"date":"2019-04-18T09:54:00","date_gmt":"2019-04-18T09:54:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14721"},"modified":"2023-10-24T10:08:23","modified_gmt":"2023-10-24T10:08:23","slug":"book-review-why-only-art-can-save-us-aesthetics-and-the-absence-of-emergency-by-santiago-zabala","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/book-review-why-only-art-can-save-us-aesthetics-and-the-absence-of-emergency-by-santiago-zabala\/","title":{"rendered":"Book Review: Why Only Art Can Save Us: Aesthetics and the Absence of Emergency by Santiago Zabala"},"content":{"rendered":"\n<p>December 22, 2018<\/p>\n\n\n\n<p>by Silvia Pease<\/p>\n\n\n\n<p>Since the time of Plato, philosophers have conceptualized utopian societies based on ideals of justice. Hence, Plato, himself, assigned the philosopher-king this existential responsibility. During the medieval period, St. Augustine and St. Thomas Aquinas searched for methods to improve the existence of their societies. And, in the 19th century, Karl Marx describes politics in scientific terminology through his \u201cmaterialistic interpretation of history.\u201d Hence, throughout history, we find ourselves searching for ways to nurture empathy and justice to cope with the political world crisis and improve our lives. The book, Why Only Art Can Save Us, written by a contemporary philosopher and author, Santiago Zabala, questions how the creation of art can shift the reasoning and existential being of humanity; and how art could be the only salvation to the political world crisis. Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"350\" height=\"526\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-275.png\" alt=\"\" class=\"wp-image-14723\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/Ak2Tmy3H-image-275-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-275-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-275.png 350w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><figcaption class=\"wp-element-caption\">Santiago Zabala, Why Only Art Can Save Us: Aesthetics and the Absence of Emergency, (Columbia University Press, 2017), 198pp.<br>\u5723\u5730\u4e9a\u54e5\u00b7\u624e\u5df4\u62c9\uff0c\u300a\u4e3a\u4ec0\u4e48\u53ea\u6709\u827a\u672f\u80fd\u6551\u6211\u4eec\uff1a\u7f8e\u5b66\u53ca\u7d27\u8feb\u611f\u7684\u7f3a\u5931\u300b\uff0c\u54e5\u4f26\u6bd4\u4e9a\u5927\u5b66\u51fa\u7248\u793e\uff0c2017\uff0c\u5171198\u9875\u3002<\/figcaption><\/figure>\n\n\n\n<p>Zabala starts his book by saying that our societies experience \u201cemergencies that we can no longer afford to overlook if we care about our social, urban, environmental, and historical salvation.\u201d His idea, of art as a cognitive influencer \u201cwhose time has come,\u201d proposes an emphasis on a subjective approach to art and aesthetics.<\/p>\n\n\n\n<p>Inspired by Heidegger, Zabala addresses \u201cthe emergency of the lack of emergency\u201d by stating that our world is impaired by our inability to recognize our absence of \u201cBeing.\u201d This provocative statement is the core of Zabala\u2019s thoughtful interdisciplinary approach to using art as a catalyst. So, to present his argument, he simultaneously explores the connection between the deprived era of globalized capitalism, and the proclamation of a unique and absolute truth, resulting in a shift of consciousness.<\/p>\n\n\n\n<p>Furthermore, Zabala delineates an imaginative method of art creation in which the theoretical and political views direct the inquiry of our \u201ccomfortable existence,\u201d and the attainment of our \u201cgenuine appearance.\u201d<\/p>\n\n\n\n<p>Zabala argues that salvation through art implies the exposure of the Being\u2019s ontological condition to those politically aware and receptive. Hence, art is a process in constant renewal causing \u201calterations,\u201d and it also \u201cproduces disruptions, requiring interpretations, response, and intervention instead of contemplation.\u201d Consequently, to discover \u201cthe truth itself,\u201d we must practice immediate self-reflection to fix the \u201cleak\u201d [In German, zeitgeist] in \u201cour world view\u201d [Weltanschauung]&nbsp; (Zabala, 111- 112 &amp; 23).<\/p>\n\n\n\n<p>His theory of emergency aesthetics points to the work of contemporary artists who address, in their artworks, issues of environmental and climate change, genocide or ignored histories, financial meltdown and technology crisis and the \u201clack of emergency\u201d in art. Thus, Zabala contends, that these artists use imagination, concept, and politics merge to create the human experience of an individual living a meaningful life: kennardphillipps, Jota Castro, Filippo Minelli, Hema Upadhyay, Wang Zhiyuan, Peter McFarlane, Nele Azvedo, Mandy Barker, Michael Sailstorfer, Kardy, Alfredo Jaar, and Jane Frere. Their artworks, as per Zabala, have shifted \u201cbeyond aesthetic representationalism and formalism both because of their post-metaphysical philosophical positions and because they are affected by art\u2019s current ontological appeal\u201d (Zabala, 7).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"500\" height=\"759\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-276.png\" alt=\"\" class=\"wp-image-14726\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/2kqsFF8z-image-276-198x300.png 198w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-276-99x150.png 99w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-276.png 500w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2019\/04\/2.%E7%8E%8B%E6%99%BA%E8%BF%9C%EF%BC%8C%E3%80%8A%E9%BE%99%E5%8D%B7%E9%A3%8E.png\"><\/a><br>Wang Zhiyuan, Thrown to the Wind, 2010, steel and plastic bottles, 400 (diameter) cm x 1150cm. Courtesy the artist and White Rabbit Collection, Sydney.<br>\u738b\u667a\u8fdc\uff0c\u300a\u9f99\u5377\u98ce\u300b\uff0c2010\uff0c\u91d1\u5c5e\u3001\u5851\u6599\u74f6\uff0c400cm\uff08\u76f4\u5f84\uff09x 1150cm\u3002\u56fe\u7247\u7248\u6743\u4e3a\u827a\u672f\u5bb6\u548c\u767d\u5154\u7f8e\u672f\u9986(\u6089\u5c3c)\u6240\u6709\u3002<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-277.png\" alt=\"\" class=\"wp-image-14729\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-277-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-277-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-277-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-277.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wang Zhiyuan, Thrown to the Wind, 2010, steel and plastic bottles, 400 (diameter) cm x 1150cm. Courtesy the artist and White Rabbit Collection, Sydney.<br>\u738b\u667a\u8fdc\uff0c\u300a\u9f99\u5377\u98ce\u300b\uff0c2010\uff0c\u91d1\u5c5e\u3001\u5851\u6599\u74f6\uff0c400cm\uff08\u76f4\u5f84\uff09x 1150cm\u3002\u56fe\u7247\u7248\u6743\u4e3a\u827a\u672f\u5bb6\u548c\u767d\u5154\u7f8e\u672f\u9986(\u6089\u5c3c)\u6240\u6709\u3002<\/figcaption><\/figure>\n\n\n\n<p>The&nbsp;sculpture of Wang Zhiyuan, Thrown to the Wind, 2010, is an example of an artwork that pushes us into a state of emergency. It consists of a&nbsp; thirty-six-foot metal framework in a shape of a tornado, covered by the surplus of plastic containers and bottles, depicting a capitalistic society, Beijing, and its discards. Besides the aesthetic intensity of this artwork, it bares the emergency behind the accumulation of plastic that will never decompose. Zabala writes, \u201cThe alteration Zhiyuan creates through his sculpture thrusts us both into the overwhelming fact of the plastic bottles and their environmental consequences\u201d (Zabala, 57).<\/p>\n\n\n\n<p>If we accept his proposal, Zabala concludes that \u201cthe truth of art no longer rests in representations of reality but rather in an existential project of transformation.\u201d He states that art will shock and confront the viewer, who in turn, will analyze, choose, or revise his or hers socio-cultural-political dominant world view.<\/p>\n\n\n\n<p>Zabala\u2019s Why Only Art Can Save Us aims at the existential claim of art. Meaning, he is declaring a democratic political praxis of great importance warning that those immersed in capitalism do not see the emergencies. For Zabala, the central focus in contemporary art should be the conceptual interpretation of the cause of the struggle and \u201clack of emergency\u201d along with the loss of Being. While it is probably too early to declare this as the only way to art creation for the 21st century, possibly helps us to widen our scope in confronting the ever-changing world issues and the art creation and appreciation. A shift in art aesthetics towards an ontological argument of our historical existence seems to be a logical proposal for the art of the 21st century (Zabala, 7).<\/p>\n\n\n\n<p>Originally published on the website of<a href=\"https:\/\/www.idsva.edu\/newsletter-fall-2018\/2019\/1\/2\/book-review-why-only-art-can-save-us-aesthetics-and-the-absence-of-emergency-by-santiago-zabala?from=singlemessage&amp;isappinstalled=0\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;IDSVA(&nbsp;Institute for Doctoral Studies in the Visual Arts)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>December 22, 2018 by Silvia Pease Since  &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/book-review-why-only-art-can-save-us-aesthetics-and-the-absence-of-emergency-by-santiago-zabala\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14732,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10340,10343,10341,10342],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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