{"id":14936,"date":"2015-07-23T10:56:00","date_gmt":"2015-07-23T10:56:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=14936"},"modified":"2023-10-25T11:08:47","modified_gmt":"2023-10-25T11:08:47","slug":"on-christoph-kellers-grey-magic","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/on-christoph-kellers-grey-magic\/","title":{"rendered":"On Christoph Keller\u2019s \u201cGrey Magic\u201d"},"content":{"rendered":"\n<p>\u201c<a href=\"https:\/\/www.randian-online.com\/np_event\/christoph-keller-grey-magic\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Grey Magic<\/strong><\/a>\u201c: solo exhibition by Christoph Keller<\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/esther-schipper\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Esther Schipper<\/strong><\/a>&nbsp;(Schoneberger Ufer 65 D-10785, Berlin, Germany), Jun 29\u2013Sept 5, 2015<\/p>\n\n\n\n<p>Christoph Keller\u2019s current exhibition \u201cGrey Magic\u201d at Esther Schipper oscillates between scientific experiment, historical investigation and phenomenological sculpture, drawing on the paraphysics and esotericism of pre-WW1 Berlin. The exhibition is an attempt to examine the Kantian concept of \u2018eccentric sensation\u2019 through the lens of the philosopher and judge Ernst Moses Marcus (1856-1928), and Keller tackles his subject via an ambitious dualistic approach that combines both experimental and historical elements, bound together by a catalogue containing both primary and secondary material. Marcus\u2019 theory hypothesizes that objects are not perceived retinally by a subject; instead, the subject\u2019s eye sends an optical impulse to the brain, causing waves to emanate to the ether. As Keller\u2019s accompanying text notes, \u201cthe visual object that is perceived within the brain is then materialized in the form of an ether emanation that is precisely the direction of the optical impulse. Accordingly, what we perceive is an ether world\u2014which is nonetheless real\u201d.<\/p>\n\n\n\n<p>In the piece \u201cMirror Magic Curtain\u201d (2015), a serpentine of mirrored and printed polystyrene, occupying much of the gallery space, Keller attempts to visualize this highly complex concept and communicate it to the visitor. The spiral reflects the space and the viewer, and as its panels twist and turn in the gallery\u2019s air currents, the viewer sees herself reflected from ever-shifting angles and dizzying multiple perspectives, thus calling the division between \u2018real\u2019 space and optical space into question. Keller\u2019s intention is to delocalize the self, to render it present throughout the gallery through the reflections from multiple panels in the spiral. The effects and the division of physical space in the gallery calls to mind the phenomenological aspects of Minimal Art.<\/p>\n\n\n\n<p>The companion piece, \u201cGrey Magic\u201d comprises of a series of wall panels with text, and derives its name from a novel by Salomo Friedlaender\/Mynona, \u201cGraue Magie, ein Berliner Nachtschl\u00fcsselroman\u201d (Grey Magic, a Berliner Night-key Novel). Mynona\u2019s obscure book is a homage to Marcus\u2019 theses, and indeed, Marcus features as the character Sucram. The book originated from a forgotten segment of avant-garde Berlin literary and artistic society, active around 1906 and 1918, in which Marcus was an active participant, along with such figures as Hannah H\u00f6ch and Alfred Kubin, and their ideas and thoughts on paraphysics, physiology, psychology and ethereal and rational magic. The panel texts are Keller\u2019s mechanistic, staccato summaries of each chapter. The elements of the exhibition are thus drawn together as an on-going Gesamtkunstwerk, intended to highlight both the scientific and historical genesis of the forgotten theory. Key to it all is the aforementioned catalogue, published by the artist, containing Marcus\u2019s essay, correspondence between Mynona and Marcus, Mynona\u2019s writings, as well as a text that Keller commissioned an academic, Detlef Thiel, to write. This text was subsequently published in an academic journal, furthering Keller\u2019s conceptualist device of blending his art with life. It is difficult, if not impossible to access the exhibition and to comprehend the connection between the works without this text.<\/p>\n\n\n\n<p>Despite this grandiose orchestration of Marcus\u2019 complex and \u2013 from contemporary perspectives \u2013 hopelessly eccentric interpretation of optical theory, it is not the artwork that lies at the heart of the exhibition, but the perceiving subject, the visitor, who must submit herself to the Kellerian experiment. And indeed, the second room holds the aforementioned white camp-bed and questionnaire about perception: the visitor is invited to fill out a Ganzfeld test about her notions of paranormal phenomena such as ESP and dream prediction, then must lie still for ten minutes under a bright photographic light, ears covered by headphones emitting white noise, eyes covered by red goggles, and then reproduce any \u2018visions\u2019 seen on paper. When the exhibition concludes, the questionnaires will be collated for comparison.<\/p>\n\n\n\n<p>While Keller\u2019s attempt to explore \u2018eccentric sensation\u2019 through historical, scientific and narrative means fascinates, however, it fails to cohere owing to an over-reliance on an extensive theoretical background which cannot be fully resolved by the elements of the exhibition itself. The exhibition feels constrained by its physical limitations: if there were more space and more time for Keller to present his investigation, this would allow for a fuller exploration of Marcus\u2019 indubitably interesting hypotheses. We can thus hope that in the future, Keller will be afforded the institutional setting that this work deserves.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-326.png\" alt=\"\" class=\"wp-image-14937\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-326-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-326-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-326-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-326.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Christoph Keller, \u201cMagic Mirror Curtain\u201d, mirrored and digitally printed polystyrene panels, thread, 200 x 20 x 0.1 cm each, 125 panels, 200 x 2500 x 0.1 cm overall, 2015. Courtesy by The Artist and Esther Schipper, Berlin. Photo: \u00a9 Andrea Rossetti.<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/07\/05.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"351\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-327.png\" alt=\"\" class=\"wp-image-14940\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-327-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-327-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-327-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-327.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Christoph Keller, \u201cGrey Magic \u2013 Spirals (Chapter 7, Dark Purple Spiral)\u201d, archival inkjet print on Hahnem\u00fchle paper, 58.8 x 46.2 x 3 cm (framed), 2015; \u201cGrey Magic \u2013 Spirals (Yellow Spiral)\u201d, archival inkjet print on Hahnem\u00fchle paper, 58.8 x 46.2 x 3 cm (framed), 2015; \u201cGrey Magic \u2013 Spirals (Chapter 8, Magenta Spiral)\u201d, archival inkjet print on Hahnem\u00fchle paper, 58.8 x 46.2 x 3 cm (framed), 2015. Courtesy by The Artist and Esther Schipper, Berlin. Photo: \u00a9 Andrea Rossetti.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"361\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-328.png\" alt=\"\" class=\"wp-image-14943\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-328-300x205.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-328-150x103.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-328-439x300.png 439w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-328.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Christoph Keller, \u201cMental Radio\u201d, lamp, tripod, cot, pillow, pillowcase, blanket, side table, custom-made goggles, wireless MP3 headphones, audio loop, questionnaire, clipboard, egg timer, dimensions variable, 2015. Courtesy by The Artist and Esther Schipper, Berlin. Photo: \u00a9 Andrea Rossetti.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cGrey Magic\u201c: solo exhibition by Christo &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/on-christoph-kellers-grey-magic\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":14946,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10421,10422,10423,79],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On Christoph Keller\u2019s \u201cGrey Magic\u201d - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/on-christoph-kellers-grey-magic\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On Christoph Keller\u2019s \u201cGrey Magic\u201d - 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