{"id":15126,"date":"2015-04-16T10:51:00","date_gmt":"2015-04-16T10:51:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=15126"},"modified":"2023-10-26T10:57:26","modified_gmt":"2023-10-26T10:57:26","slug":"portrait-of-a-blind-artist-obscured-by-flowers","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/portrait-of-a-blind-artist-obscured-by-flowers\/","title":{"rendered":"Portrait of a Blind Artist Obscured by Flowers"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/portrait-of-a-blind-artist-obscured-by-folwers-vip-opening-ryan-gander-6-march-stpi\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u201cRyan Gander: Portrait of a Blind Artist Obscured by Flowers\u201d<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/singapore-tyler-print-institutestpi\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Singapore Tyler Print Institute (STPI)<\/strong>&nbsp;<\/a>(41 Robertson Quay, Singapore),&nbsp;<strong>March 7\u2013April 11, 2015<\/strong><\/p>\n\n\n\n<p>A speech during a show\u2019s opening night may preface an exhibition\u2014but usually only in that perfunctory, administrative sense. With Ryan Gander\u2019s \u201cPortrait of a Blind Artist Obscured by Flowers\u201d, though, something else may be at work. Gander drily recites a maudlin tale of an inspiring young child he had met on the beach during his student days\u2014that gentle uplift you might read in Upworthy and Humans of New York. As the story concludes, Gander\u2019s halting cadence evaporates as he confessed that a ghost-writer crafted these bizarrely banal heart-warmers which he uses instead of speeches, and bids those assembled to enjoy the show.<\/p>\n\n\n\n<p>Perhaps no more than a passing joke on the curious rituals of the art world, though one still suspects a deliberate diversion. Is this deviation from the norm an invitation to heightened critical awareness, or a warning against investing too much into the surfaces of Gander\u2019s works?<\/p>\n\n\n\n<p>As a whole, the works evoke an aggressive, exhaustive referentiality\u2014a state of mind diametrically opposed to lofty contemplation. Instead, they lean towards the merciless algorithmic efficacy of a search engine, scanning the terrain of the Singapore Tyler Print Institute (STPI), its residency and related notions, aggregating all available material and fusing a number of unlikely correspondences and connections.<\/p>\n\n\n\n<p>For the most literal execution of this presumed approach, one can point to either the Seriously Retinal \/ Serious Poke (2014) series\u2014in which French curve rulers are repurposed as graphic elements in a harmoniously effervescent series of prints\u2014and the series Crooked finance\u2026 Gradient economy\u2026 Every colour left\u2026 (2014). In the latter, inks and pigments are mapped in color swatches of serial intensity and laid out with rectilinear industrial formality, alongside a number of penciled-in annotations of initials and date ranges. The inks and pigments happen to be leftovers from previous resident artists, and the annotations hint at the histories of these materials, a detailed genealogy of a wholly fungible substance\u2014in the manner of the interminable \u201cbegets\u201d in the Old Testament\u2014at once an instance and a negation of the sacralizing properties of artistic provenance.<\/p>\n\n\n\n<p>Taking a similar tack is \u201cNothing without meaning\u201d (2014), which seems at first to be an incongruously tatty pair of white pedestals supporting nothing, which are stained and scuffed like so many others hidden away in the back rooms of galleries. A second glance reveals the artifice\u2014the stains and scuffs are printed onto the pedestals, perhaps to reproduce the patterns of wear on two specific pedestals in STPI\u2019s store. Or they might be stand-ins for a general class of object, rather than faithful representations of something specific. In any case, the title might comment on little-noticed art-world infrastructure that silently inhabits the background, as the framework which lends support to the meanings and ideas that an artist might want to convey. Then again, the artifice seems a shade too clear\u2014brittle, even, flaunting the very transparency of its glossy artificiality. Perhaps if we look at the title in a different light, it\u2019s literally nothing, without meaning\u2014a trap for those overly drawn to hidden truths and deeper meanings.<\/p>\n\n\n\n<p>This storm of referentiality, though, gives pride of place to references\u2014explicit and oblique\u2014to works by other artists, with the eponymous \u201cPortrait of a blind artist obscured by flowers\u201d referring to Gerhard Richter, while \u201cHokusai\u2019s blues\u201d (2014), naturally, comes to us from the ukiyo-e master Katsushika Hokusai. Given the overall allusive indeterminacy and rather mordant humor, it is hard not to wonder if the density of these references plays some part in some larger scheme, with the self-gratifying balm of recognizing Gander\u2019s references serving as misdirection. Other titles in this body of work are less direct, with some from excerpts of conversations about those very works, as with \u201cI feel like she\u2019s throwing all these signs at me\u201d (2014). Drive-by titles, if you will, forming\u2014in concert with the rest of the show\u2014something in between the perfect encouragement for finding significance in vague stimuli (pareidolia), and unstable conceptual terrain wholly unforgiving to lazy spectators.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"373\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-376.png\" alt=\"\" class=\"wp-image-15127\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-376-300x212.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-376-150x106.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-376-425x300.png 425w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-376.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Exhibition View<br>\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"373\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-377.png\" alt=\"\" class=\"wp-image-15130\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-377-300x212.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-377-150x106.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-377-425x300.png 425w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-377.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Exhibition View<br>\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/04\/Exhibitionview1.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"613\" height=\"483\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-378.png\" alt=\"\" class=\"wp-image-15133\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-378-300x236.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-378-150x118.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-378-381x300.png 381w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-378.png 613w\" sizes=\"(max-width: 613px) 100vw, 613px\" \/><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/04\/RG-Seriously-RetinalSerious-PokeficuselasticaLoRes.jpg\"><\/a><br>\u201cSeriously Retinal \/ Serious Poke (ficus elastica)\u201d, relief print from French curve rulers on STPI handmade cotton paper, 132.5 x 166.5 cm, 2014<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"700\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-379.png\" alt=\"\" class=\"wp-image-15136\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/6mOFLJAJ-image-379-226x300.png 226w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-379-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-379.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cPortrait of a blind artist obscured by flowers\u201d, 4 colour offset lithography on Fabriano paper, 76 x 57 cm, 2014<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/04\/RG-PortraitofablindarFF972.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"362\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-380.png\" alt=\"\" class=\"wp-image-15139\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-380-300x206.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-380-150x103.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-380-438x300.png 438w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-380.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cHokusai\u2019s blues\u201d, cyanotype, screen print with natural indigo pigment, Saunders 638g paper, 135 x 195 cm, 2014<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cRyan Gander: Portrait of a Blind Artist &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/portrait-of-a-blind-artist-obscured-by-flowers\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":15142,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10485,643,6634,5802],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Portrait of a Blind Artist Obscured by Flowers - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/portrait-of-a-blind-artist-obscured-by-flowers\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portrait of a Blind Artist Obscured by Flowers 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