{"id":15601,"date":"2014-10-23T19:37:00","date_gmt":"2014-10-23T19:37:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=15601"},"modified":"2023-10-30T20:08:08","modified_gmt":"2023-10-30T20:08:08","slug":"pale-fire-fanning-the-flames-of-young-art-collectors","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/pale-fire-fanning-the-flames-of-young-art-collectors\/","title":{"rendered":"\u201cPale Fire\u201d\u2014Fanning the Flames of Young Art Collectors"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/pale-fire-revisiting-boundaries\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Pale Fire: Revising Boundaries<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/m-woods\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>M Woods<\/strong><\/a>&nbsp;(D-06,&nbsp;798 Art Zone, No.2 Jiuxianqiao, Chaoyang District, Beijing, China),&nbsp;<strong>Oct 10, 2014\u2013Jan 10, 2015<\/strong><\/p>\n\n\n\n<p>Founded by a young art collector, Lin Han, a new art museum\u2014M Woods\u2014officially established itself in the 798 Art District following a sensationally grand opening ceremony. The opening exhibition is entitled \u201cPale Fire\u2014Revising Boundaries\u201d and assembles pieces from the collections of seven art collectors active in Chinese contemporary art, including Qiao Zhibing, David Chau, Liu Wenchao, Zhao Lingjia, Lu Xun, Zhao Youhou, and Lin Han. In a way, this exhibition is a collective debut for this new generation of Chinese collectors.<\/p>\n\n\n\n<p>Traffic was redirected on the day of the opening, making way for a red carpet spread along Road 797 towards the front entrance to M Woods. A large projection screen showed letters of congratulations from the former US President George W. Bush and the former British Prime Minister Tony Blair, as well as a short recorded message of congratulations from the former Japanese Prime Minister Yukio Hatoyama. The presence of ambassadors from many different countries and luxury brand sponsorship brought the opening ceremony to a fever pitch, fully demonstrating the prowess these young collectors were so eager to exhibit. Such ostentation could be interpreted as a strategic move on Lin Han\u2019s part, similar to the way he declared his presence to the art world by purchasing one of Zeng Fanzhi\u2019s paintings for five million US dollars at an auction in November 2011. In a past interview, Han Lin has said, \u201cI bought a famous painting from a famous artist at a high price so people would know who I was.\u201d<\/p>\n\n\n\n<p>Rather than concentrating on artists or art works, \u201cPale Fire\u201d finds a unifying thread in in the private collections of different collectors. With collectors as the subject of this exhibition, the young collectors present their values and cultural aspirations. This younger generation of collectors share the benefit of an excellent education, and have grown up in a multinational environment. Beyond their business education backgrounds, some have even minored in art history. Their interests are multinational, and on the whole, they are more open to new forms of art and new materials. Over thirty contemporary art works from China and abroad are on show at this exhibition, and cover a wide range of media including installation, painting, multi-media, video and other art forms. Inhabiting the same exhibition space are works including Ouyang Chun\u2019s painting \u201cThrone Room\u201d, Tracey Emin\u2019s neon light installation \u201cMy Heart with You Always\u201d, Chiu Ya-Tsai\u2019s oil paintings \u201cLady\u201d and \u201cPortrait of a Lost Intellectual\u201d, Olafur Eliasson\u2019s installation \u201cLava Kaleidoscope\u201d, Chen Fei\u2019s painting \u201cMustache\u201d, and Xu Zhen\/MadeIn\u2019s installation \u201cPlay \u2013 Missile of Love\u201d, serving to demonstrate the diverse and international preferences of these young collectors.<\/p>\n\n\n\n<p>Though young collectors have yet to dominate the entire art market, the events and organizations the young collectors standing in front of M Woods have already directed are compelling evidence of what may be in store. For example, when Nanjing\u2019s Sifang Art Museum (directed by the young collector Lu Xun) held its first exhibition at the end of 2013, \u201cThe Garden of Diversion\u201d, it attracted a considerable attention from the art world, with many making the special effort to attend. Another instance is Aether Space founder Ying Qinglan and the young collector Bao Yifeng\u2019s ART021 art fair which was held last year at The Rockbund\u2014NIB Building in Shanghai. The well-managed fair and its \u201csmall but exquisite\u201d branding positioned it perfectly within Shanghai art market. These young collectors have rapidly made the transition from curating their private collections into the more complex ecology of the art circle.<\/p>\n\n\n\n<p>In contrast with their predecessors, the young collectors have a much closer relationship with each other, and they know how best to direct these relationships towards magnifying their own influence. In addition to their collective debut at the M Woods opening, there have been traces of the mutual support they give each other at similar events. If the founders of ART021 art fair had not had access to other young collectors as a resource, the fair\u2019s influence would have weakened considerably. Auction houses are also enthusiastic about building a communication platform for budding collectors\u2014Beijing Council has always been active in hosting forums for young collectors, including a club, invitational exhibitions, and other related activities. These events have brought this circle of young artists ever closer, so it\u2019s not hard to predict the growth of influence we will see from this \u201ctightly knit\u201d group as its voice continues to grow stronger.<\/p>\n\n\n\n<p>\u201cPale Fire\u201d seems a quiet and subdued phrase, but the exhibition text makes a direct reference to the fiery ambitions of the young collectors, \u201cIn an adept use of irony, Nabokov borrowed Shakespeare\u2019s metaphor for the title of his novel as a satirical reference to his waning protagonist. However, from a historical context, what \u2018pale fire\u2019 signifies is anything but.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/10\/IMG_3777.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/10\/IMG_3777.jpg\" alt=\"\" class=\"wp-image-50501\" title=\"IMG_3777\" \/><\/a><figcaption class=\"wp-element-caption\">(Left) Liu Wei, \u201cCamouflage Landscape\u201d, oil on canvas, 300 x 210 cm x 3 pieces (triptych), 2006<br>\uff08\u5de6\uff09\u5218\u97e1\uff0c\u300a\u8ff7\u5f69\u5c71\u6c34\u300b\uff0c\u5e03\u9762\u6cb9\u753b\uff0c300 cm x 210 cm x 3 (\u4e09\u8054\u753b)\uff0c2006<br>(Right\uff0f\u53f3) Sterling Ruby \u65af\u7279\u6797\u2022\u9c81\u6bd4, \u201cMonument Stalagmite\/WE LUV STRUGGLING\u201d, PVC pipe, foam, urethane, wood, spray paint, 558.8 cm x 96.5 cm x 157.5 cm, 2013<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"880\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-492.png\" alt=\"\" class=\"wp-image-15602\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/mOrlDd9C-image-492-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-492-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-492.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Chu Yun, \u201cGreen Water\u201d, glass container, green liquid, 160 cm x 100 cm x 90 cm, 2006<br>\u50a8\u4e91\uff0c\u300a\u7eff\u6c34\u300b\uff0c\u73bb\u7483\u7f38\u3001\u7eff\u8272\u6db2\u4f53\uff0c160 cm x 100 cm x 90 cm\uff0c2006<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"880\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-493.png\" alt=\"\" class=\"wp-image-15605\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/xg2BjgPe-image-493-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-493-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-493.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Charles Harlan, \u201cPallets\u201d, stone, brick, wood, concrete, steel, astro turf, 166.4 x 123.2 x 102.9 cm, 2013<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"880\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-494.png\" alt=\"\" class=\"wp-image-15608\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/JsNquHPm-image-494-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-494-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-494.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Xu Zhen by Madein Company, \u201cPlay\u2013Missile of Love\u201d, 420 cm x 110 cm x 80 cm, 2013<br>\u5f90\u9707-\u6ca1\u9876\u516c\u53f8\u51fa\u54c1\uff0c\u300a\u73a9-\u7231\u7684\u5bfc\u5f39\u300b\uff0c420 cm x 110 cm x 80 cm\uff0c2013<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"495\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-495.png\" alt=\"\" class=\"wp-image-15611\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-495-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-495-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-495-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-495.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Olafur Eliasson \u5965\u62c9\u7ef4\u5c14\u2022\u57c3\u5229\u4e9a\u677e, \u201cLava Kaleidoscope\u201d, aluminim, stainless steel, mirror, colored glass (blue), lava, 211 cm x 89 cm x 220 cm, 2013<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"880\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-496.png\" alt=\"\" class=\"wp-image-15614\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/dUQfsA04-image-496-225x300.png 225w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-496-113x150.png 113w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-496.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">He Xiangyu, \u201cI\u2019m Sorry\u201d, mixed medium, 170 cm x 72 cm x 9 cm (edition 3\/3), 2014<br>\u4f55\u7fd4\u5b87\uff0c\u300aI\u2019m Sorry\u300b\uff0c\u7efc\u5408\u6750\u6599\uff0c170 cm x 72 cm x 9 cm\uff0c2014<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Pale Fire: Revising Boundaries M Woods&#038;n &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/pale-fire-fanning-the-flames-of-young-art-collectors\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":15617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10666,10685,10668,10669,10670,10672,10671,10674,10673,10657,10067,10658,10659,10661,10660,10662,10663,10664,762,10665,10667,10675,10676,10677,10678,10679,10680,10281,10681,10682,10684,10683,5793],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cPale Fire\u201d\u2014Fanning the Flames of Young Art Collectors - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/pale-fire-fanning-the-flames-of-young-art-collectors\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" 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