{"id":15650,"date":"2014-10-04T20:28:00","date_gmt":"2014-10-04T20:28:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=15650"},"modified":"2023-10-30T20:31:47","modified_gmt":"2023-10-30T20:31:47","slug":"hans-op-de-beeck-the-night-time-drawings","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/hans-op-de-beeck-the-night-time-drawings\/","title":{"rendered":"Hans Op de Beeck: \u201cThe Night Time Drawings\u201d"},"content":{"rendered":"\n<p><strong><a href=\"https:\/\/www.randian-online.com\/np_event\/hans-op-de-beeck-solo-show\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cThe Night Time Drawings\u201d&nbsp;<\/a>\u2013 Hans Op de Beeck solo exhibition<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/galleria-continua\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Galeria Continua<\/strong><\/a>&nbsp;(China Dashanzi Art District 798 2 Jiuxianqiao Road, Chaoyang District Beijing),&nbsp;<strong>Sept 13\u2013Nov 23, 2014<\/strong><\/p>\n\n\n\n<p>These are literally \u201cNight Time Drawings\u201d \u2013 done alone and after dark, in black and white watercolor, after everyone else had gone home. As such, their tone is perhaps unsurprising. Hung inside a temporary gallery built within Galeria Continua\u2019s factory space (a dark grey carpet requires that the visitors remove their shoes), the drawings show such scenes as moonlit, forested roads stretching into the distance, an urban vista with a metal bridge, a fairground, a woman seen from behind, her tattooed back bare and ocean waves. It is the stuff of rather lonely remembrances or erotic musings, licked with the texture of sea foam and tempered by the stillness of electric light in a landscape; the quality of the drawing is sensitive, at times beautiful. De Beeck\u2019s imagery is also animated in a film, fading in and out to a melancholic soundtrack, in an adjacent space.<\/p>\n\n\n\n<p>The second bulk of the show consists of sculptures at mid-height on the walls\u2014all of them hands engaged in different gestures: one writes, another extends forward holding a bare branch, still another holds out a small plate of berries, and there are pairs of hands cupped as if to hold something precious, or as if their attendant body were reading from a sheet of paper. They emerge flush from the wall, cut off at the forearms, as if like indexes for human contact. As a group, they make for a strange, silent atmosphere. Singled out and sculpted carefully, they are at once proximate and distant, general and intimate. This, indeed, is a sensation pervading the entire exhibition. The selected photographs that are also presented are highly staged: \u201cVanitas (Variation)\u201d, (2014) in no way belies its backdrop of Northern European painting traditions in the way a scene is composed upon a table complete with skull, wine cups, scattered small objects and an open book. \u201cStaged Interior (Lounge)\u201d and \u201cStaged Exterior (Forest)\u201d (both 2014) show fake scenes in a photographic studio, with every apparatus exposed in the shadows around them.<\/p>\n\n\n\n<p>One might feel from this show echoes of another Belgian artist shown before at Continua Beijing\u2014Berlinde de Bruyckere. A similar gravity and existential tenor pervades both artists\u2019 work, though de Beeck\u2019s art acts without the fleshy religiosity of de Bruyckere\u2019s. One suspects that visitors to de Beeck\u2019s meticulously produced and arranged exhibition, in which grey walls and carpets and grisaille works make for a saturated, almost stifling atmosphere, will find themselves either seduced by or resisting its sentiment.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/10\/12.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/10\/12.jpg\" alt=\"\" class=\"wp-image-49781\" title=\"12\" \/><\/a><figcaption class=\"wp-element-caption\">Hans Op de Beeck, \u201cRoad at Night (2)\u201d, black and white watercolour on Arches paper in wooden frames, 120 x 303.5 cm, 2014, photographs: Hans Op de Beeck studio, courtesy: Galleria Continua, San Gimignano \/ Beijing \/ Les Moulins<br>\u6c49\u65af\uff65\u6b27\u666e\uff65\u5fb7, \u201c\u591c\u8def\uff082\uff09\u201d, \u9ed1\u767d\u6c34\u5f69\uff0c\u624b\u5de5\u7eb8\uff0c\u6728\u6846, 120 x 303.5\u5398\u7c73, \u6444\u5f71\uff1a\u6c49\u65af\uff65\u6b27\u666e\uff65\u5fb7\uff65\u8d1d\u514b\u5de5\u4f5c\u5ba4, \u7248\u6743\uff1a\u5e38\u9752\u753b\u5eca\uff0c\u5723\u5409\u7c73\u90a3\u8bfa\uff0f\u5317\u4eac\uff0f \u7a46\u7433<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"640\" height=\"480\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-501.png\" alt=\"\" class=\"wp-image-15651\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-501-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-501-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-501-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-501.png 640w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Hans Op de Beeck, \u201cStaged Interior (lounge)\u201d, Lambda print mounted on Dibond in wooden frame, 160 x 120 x 401 cm, 2014, photographs: Hans Op de Beeck studio, courtesy: Galleria Continua, San Gimignano \/ Beijing \/ Les Moulins<br>\u6c49\u65af\uff65\u6b27\u666e\uff65\u5fb7, \u201c\u821e\u53f0\u5267\u7684\u5185\u666f\uff08\u4f11\u606f\u5ba4\uff09\u201d, \u62c9\u59c6\u8fbe\u6253\u5370\uff0c\u94dd\u5851\u677f\uff0c\u6728\u6846, 160 x 120 x 4.1 \u5398\u7c73, 2014, \u6444\u5f71\uff1a\u6c49\u65af\uff65\u6b27\u666e\uff65\u5fb7\uff65\u8d1d\u514b\u5de5\u4f5c\u5ba4, \u7248\u6743\uff1a\u5e38\u9752\u753b\u5eca\uff0c\u5723\u5409\u7c73\u90a3\u8bfa\uff0f\u5317\u4eac\uff0f \u7a46\u7433<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"640\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-502.png\" alt=\"\" class=\"wp-image-15654\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-502-300x208.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-502-150x104.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-502-432x300.png 432w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-502.png 640w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Hans Op de Beeck: \u201cThe Night Time Drawings\u201d, exhibition view, Galleria Continua, Beijing; photographs: Eric Gregory Powell; courtesy: Galleria Continua, San Gimignano \/ Beijing \/ Les Moulins<br>\u6c49\u65af\uff65\u6b27\u666e\uff65\u5fb7\uff65\u8d1d\u514b\u4e2a\u5c55\uff1a\u591c\u753b \u5c55\u89c8\u73b0\u573a, \u6444\u5f71\uff1a\u827e\u91cc\u514b, \u7248\u6743\uff1a\u5e38\u9752\u753b\u5eca\uff0c\u5723\u5409\u7c73\u90a3\u8bfa\uff0f\u5317\u4eac\uff0f \u7a46\u7433<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"640\" height=\"357\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-503.png\" alt=\"\" class=\"wp-image-15657\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-503-300x167.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-503-150x84.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-503-500x279.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-503.png 640w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Hans Op de Beeck, \u201cGesture (writing)\u201d, synthetic gypsum, wood, paper, paint, steel, 75 x 48 x 45 (height) cm, 2014, photographs: Hans Op de Beeck studio, courtesy: Galleria Continua, San Gimignano \/ Beijing \/ Les Moulins<br>\u6c49\u65af\uff65\u6b27\u666e\uff65\u5fb7, \u201c\u59ff\u6001\uff08\u4e66\u5199)\u201d, \u5408\u6210\u77f3\u818f\uff0c\u6728\uff0c\u7eb8\uff0c\u989c\u6599\uff0c\u94a2, 75 x 48 x 45\uff08\u9ad8\uff09\u5398\u7c73, 2014, \u6444\u5f71\uff1a\u6c49\u65af\uff65\u6b27\u666e\uff65\u5fb7\uff65\u8d1d\u514b\u5de5\u4f5c\u5ba4, \u7248\u6743\uff1a\u5e38\u9752\u753b\u5eca\uff0c\u5723\u5409\u7c73\u90a3\u8bfa\uff0f\u5317\u4eac\uff0f \u7a46\u7433<\/figcaption><\/figure>\n\n\n\n<p>Also this month, stage sets and costume designs by Hans Op de Beeck feature in the National Ballet of Marseille\u2019s production of Orpheus and Eurydice, which tours cities in Southern China until October 29th.\u00a0<a href=\"http:\/\/www.ballet-de-marseille.com\/-ORPHEUS-EURYDICE-\" target=\"_blank\" rel=\"noreferrer noopener\">Click here<\/a>\u00a0for further information.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe Night Time Drawings\u201d&nbsp;\u2013 Hans Op &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/hans-op-de-beeck-the-night-time-drawings\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":15660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10728,10725,5581,6857,10726,10727],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hans Op de Beeck: \u201cThe Night Time Drawings\u201d - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/hans-op-de-beeck-the-night-time-drawings\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hans Op de Beeck: \u201cThe Night 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