{"id":15682,"date":"2014-09-30T21:00:00","date_gmt":"2014-09-30T21:00:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=15682"},"modified":"2023-10-30T21:12:00","modified_gmt":"2023-10-30T21:12:00","slug":"makha-sanewong-na-ayuthaya-the-time-is-now","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/makha-sanewong-na-ayuthaya-the-time-is-now\/","title":{"rendered":"Makha Sanewong na Ayuthaya: the Time is Now"},"content":{"rendered":"\n<p><a href=\"http:\/\/wtfbangkok.com\/index.php\/2014\/08\/04\/makha-sanewong-na-ayuthaya-unidentified-familiar-object\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u201cUnidentified Familiar Object\u201d: solo exhibition by Makha Sanewong na Ayuthaya<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/wtfbangkok.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>WTF Gallery, Bangkok<\/strong>&nbsp;<\/a>(#7, Sukhumvit soi 51, Bangkok 10110, Thailand),&nbsp;<strong>Aug 22\u2013Sep 21, 2014<\/strong><\/p>\n\n\n\n<p>\u201cEducation should teach you to think logically. But in Thailand it\u2019s the opposite right now,\u201d asserts Makha Sanewong na Ayuthaya. Just 27 years of age and currently completing an MFA at the respected (if somewhat antiquated) Silpakorn University, Makha is surely one to watch closely in the crowded scene of young contemporary artists in Thailand. \u201cUnidentified Familiar Object\u201d, his first solo exhibition with hip hybrid space WTF, is impressively coherent in its understated physicality and its conceptual concern with the absurdity of contemporary politics in this nation of almost 70 million people, which has been subject to martial law since May this year. Makha\u2019s work combines ingenuity with found materials with a biting, dark humor\u2014with immediate and lasting effect.<\/p>\n\n\n\n<p>Upon climbing the stairs to WTF\u2019s split-level gallery space, the first piece that visitors will encounter is \u201cWhich Side?\u201d (all works from 2014), consisting of a rough-hewn wooden box mounted to the wall, with a 10 baht coin spinning in perpetual motion. Upon closer inspection, a small hole beneath the coin and the low hum of a store-bought motor reveal the simple mechanics of this kinetic sculpture. Humble in scale, the work nevertheless wryly sets the tone for \u201cUnidentified Familiar Object\u201d.<\/p>\n\n\n\n<p>Modest in scale and means, \u201cWhich Side?\u201d is explained by the artist as an indictment of the pointlessness of the Thai education system. On one side of the 10 baht coin is an image of the Thai king, and on the reverse is an image of a Buddhist pagoda in Bangkok. Neither the monarchy nor religion are topics open for debate in Thailand, with the former protected by a strict l\u00e8se-majest\u00e9 law implemented over a century ago. Yet even for viewers without knowledge of Thai cultural politics, the work might invoke a certain kind of bemused wonder at the futility and indecisiveness of a spinning coin that never settles on one side or another.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/09\/THAI11.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/09\/THAI11.jpg\" alt=\"\" class=\"wp-image-48770\" title=\"THAI11\" \/><\/a><figcaption class=\"wp-element-caption\">\u201cWhich Side?\u201d, coin and DC motor, 41x80x20 cm, 2014<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"372\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-507.png\" alt=\"\" class=\"wp-image-15683\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-507-300x169.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-507-150x85.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-507-500x282.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-507.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">\u201cNot stand. Not Fall\u201d, student chairs and pencil, 40x410x70 cm, 2014<\/figcaption><\/figure>\n\n\n\n<p>Sharing space with this work is \u201cNot Stand, Not Fall\u201d, the largest piece in the show. A row of wooden chairs lean against one another at a 45-degree angle, propped up by nothing more than a pencil. The chairs are of a kind instantly recognizable to most Thais as government-issue schoolroom furniture. The eloquent exhibition text asks \u201cIf you can\u2019t sit on a chair, what good is it?\u201d and provocatively suggests that Makha\u2019s works \u201cdepict the logical fallacies of positions whose underpinning has largely been stripped away.\u201d<\/p>\n\n\n\n<p>Happily, the seriousness of such a task is offset by the playfulness of the work\u2019s form. The repeated geometry of the boxy chairs initially recalls Minimalist sculpture, only for this apparent similarity to be neatly undermined by the insertion of the structurally essential yet formally incongruous pencil. As with \u201cWhich Side?\u201d even viewers unfamiliar with the specificities of the Thai iconography and not attuned to Makha\u2019s submerged social critique will still appreciate the hovering between balance and collapse in \u201cNot Stand, Not Fall.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/09\/THAI04.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/09\/THAI04.jpg\" alt=\"\" class=\"wp-image-48763\" title=\"THAI04\" \/><\/a><figcaption class=\"wp-element-caption\">\u201cEndless Unbalance\u201d, scale and DC motor, 60x23x130 cm, 2014<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"372\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-508.png\" alt=\"\" class=\"wp-image-15686\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-508-300x169.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-508-150x85.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-508-500x282.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-508.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">\u201cIs It Cool On Top?\u201d, Wooden chair, aluminium stair, knife, bucket, brick, rope and bench vise, 60x221x280 cm, 2014<\/figcaption><\/figure>\n\n\n\n<p>Equilibrium, or the lack thereof, is also key to \u201cEndless Unbalance,\u201d a sculpture made from a vintage analogue scale, which (with the aid of another simple motor) has been set into a ceaseless cycle of rocking back and forth. The work\u2019s flouting of expectations of this most basic of measuring instruments invokes a surprisingly torturous unease, aptly complementing the artist\u2019s intended comment on the lack of impartiality and accuracy in contemporary Thailand.<\/p>\n\n\n\n<p>On the same floor, \u201cIs It Cool On Top?\u201d is the title given to a wooden chair perched on top of a precarious platform balancing, literally, on a knife\u2019s edge atop an industrial aluminium ladder. The symbolism here is surely the most heavy-handed in the exhibition, yet the work still rewards close attention, bringing to mind towers and elevated thrones, its clamped-together method of construction teetering between the structurally necessary and the flagrantly functionless.<\/p>\n\n\n\n<p>Comprising just six sculptures, \u201cUnidentified Familiar Object\u201d is a tightly organized exhibition. Apparently, the artist\u2019s process begins with hand-drawn sketches, followed by hand-made to-scale models. Only the most compelling plans finally materialize at full size in scavenged materials. The perhaps surprisingly methodical development of these works pays off in their restraint and concision.<\/p>\n\n\n\n<p>The exhibition marks a subtle yet significant development from Makha\u2019s first solo show, titled \u201cNon Still Life\u201d and presented at Pongnoi Community Art Space in Chiang Mai in 2011. While the previous exhibition also featured commonly available found objects transformed through the artist\u2019s subtle interventions, the social critique was absent and the humor was less dark and more sensationalist. The earlier exhibition was explained by Makha as transforming the functions of everyday objects, while \u201cUnidentified Familiar Object\u201d might be better described as the deliberate rendering of ordinarily practical things as useless.<\/p>\n\n\n\n<p>The wilfulness of Makha\u2019s negation of use value mirrors the political situation in contemporary Thailand, albeit without violence or destruction in the gallery or studio. But more powerfully, the artist\u2019s response, combining frustration with laughter, reflects a palpably widespread feeling in the nation today. While many of his generation throw up their hands in despair at Thailand\u2019s seemingly intractable cycle of coups and corruption, Makha insists that he\u2019s optimistic. The starting point for his creative process and for the experience of seeing his work is simply \u201chaving fun,\u201d and the artist calmly says that he is \u201cwaiting for my time, for change.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/09\/THAI06.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2014\/09\/THAI06.jpg\" alt=\"\" class=\"wp-image-48765\" title=\"THAI06\" \/><\/a><figcaption class=\"wp-element-caption\">Exhibition View<br>\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"496\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-509.png\" alt=\"\" class=\"wp-image-15689\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-509-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-509-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-509-399x300.png 399w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-509.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">\u201cIs It Cool On Top?\u201d, Wooden chair, aluminium stair, knife, bucket, brick, rope and bench vise, 60x221x280 cm, 2014<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"372\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-510.png\" alt=\"\" class=\"wp-image-15692\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-510-300x169.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-510-150x85.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-510-500x282.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-510.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">\u201cIs It Cool On Top?\u201d, Wooden chair, aluminium stair, knife, bucket, brick, rope and bench vise, 60x221x280 cm, 2014<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"372\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-511.png\" alt=\"\" class=\"wp-image-15695\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-511-300x169.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-511-150x85.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-511-500x282.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-511.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">\u201cNot stand. Not Fall\u201d, student chairs and pencil, 40x410x70 cm, 2014<br><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cUnidentified Familiar Object\u201d: solo exh &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/makha-sanewong-na-ayuthaya-the-time-is-now\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":15695,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[10767,7571,620,10768,10769,10770,10771,10772,10773,10774,10775,10776,10778,10777,10779,1038],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Makha Sanewong na Ayuthaya: the Time is Now - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/makha-sanewong-na-ayuthaya-the-time-is-now\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Makha Sanewong na Ayuthaya: the Time is Now - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cUnidentified Familiar Object\u201d: solo exh &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/makha-sanewong-na-ayuthaya-the-time-is-now\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-30T21:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-30T21:12:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/image-511.png\" \/>\n\t<meta property=\"og:image:width\" content=\"660\" \/>\n\t<meta property=\"og:image:height\" content=\"372\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/makha-sanewong-na-ayuthaya-the-time-is-now\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/makha-sanewong-na-ayuthaya-the-time-is-now\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Makha Sanewong na Ayuthaya: the Time is Now\",\"datePublished\":\"2014-09-30T21:00:00+00:00\",\"dateModified\":\"2023-10-30T21:12:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/makha-sanewong-na-ayuthaya-the-time-is-now\/\"},\"wordCount\":1017,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"balance\",\"bangkok\",\"installation\",\"Makha Sanewong na Ayuthaya\",\"Makha Sanewong na Ayuthaya: the Time is Now\",\"Thailand\",\"the Time is Now\",\"Unidentified Familiar Object\",\"WTF Gallery\",\"WTF\u753b\u5eca\",\"\u4e0d\u660e\u719f\u6089\u7269\",\"\u5c31\u662f\u73b0\u5728\",\"\u5e73\u8861\",\"\u66fc\u8c37\",\"\u6cf0\u56fd\",\"\u88c5\u7f6e\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/makha-sanewong-na-ayuthaya-the-time-is-now\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/makha-sanewong-na-ayuthaya-the-time-is-now\/\",\"url\":\"http:\/\/www.randian.art\/makha-sanewong-na-ayuthaya-the-time-is-now\/\",\"name\":\"Makha Sanewong na Ayuthaya: the Time is Now - 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