{"id":16121,"date":"2013-10-23T18:58:00","date_gmt":"2013-10-23T18:58:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=16121"},"modified":"2023-10-31T19:02:07","modified_gmt":"2023-10-31T19:02:07","slug":"glance-qiu-zhijie-satire","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/glance-qiu-zhijie-satire\/","title":{"rendered":"Glance: Qiu Zhijie, \u201cSatire\u201d"},"content":{"rendered":"\n<p><strong>Qiu Zhijie: \u201cSatire\u201d<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.randian-online.com\/np_space\/galleria-continua\/\">Galleria Continua<\/a><\/strong>&nbsp;(2 Jiuxianqiao Road, 798 Art District, Chaoyang district)<strong>&nbsp;Sep 26\u2013Dec 1, 2013<\/strong><\/p>\n\n\n\n<p>A while back, I was walking by the back door of Galleria Continua, when I spied Qiu Zhijie busying with the preparations for his upcoming opening. I happened to overhear him speaking to someone nearby, saying \u201call of the burnt books upstairs were once banned.\u201d Hearing this, I guessed Qiu had once again chosen the topic of \u201ctraditional culture\u201d for his upcoming show. It turns out I was right\u2014all of Qiu Zhijie\u2019s work and every aspect of his work have always come about with such exquisite reasons.<\/p>\n\n\n\n<p>Each piece in his current series is meant to reference Umberto Eco\u2019s murder mystery novel&nbsp;<em>The Name of the Rose<\/em>&nbsp;(interested readers can refer to the relevant exhibition literature or the book itself). A number of masks are arranged on a table and a wall near the entry way. The options visitors can choose from are many, including likenesses of contemporary tyrants, religious figures, mythological images, Japanese Noh theater characters, clowns, and monsters, but apart from the band of musicians performing at the exhibition, few actually elect to enter the gallery with a temporary mask. The band\u2019s performance is savage and grotesque, echoing through the vaulting spaces of the gallery, which give the music an extra layer of the unsettling. Overall, the atmosphere is hellish and sinister, bringing to mind an artist\u2019s rendering of the depths of the underworld.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/10\/9.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/10\/9.jpg\" alt=\"\" class=\"wp-image-26689\" title=\"9\" \/><\/a><figcaption class=\"wp-element-caption\">Qiu Zhijie, \u201cForbidden Books, \u201d ashes of burnt books, variable dimensions, 2013<br>\u90b1\u5fd7\u6770, \u300a\u7981\u4e66\u300b\uff0c\u4e66\u7684\u7070\u70ec\uff0c\u53ef\u53d8\u5c3a\u5bf8\uff0c2013\uff0c<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"525\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-600.png\" alt=\"\" class=\"wp-image-16122\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-600-300x239.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-600-150x119.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-600-377x300.png 377w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-600.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Qiu Zhijie, \u201cGreeting,\u201d paper masks, silicon masks, variable dimensions, 2013<br>\u90b1\u5fd7\u6770, \u300a\u7b11\u8138\u76f8\u8fce\u300b\uff0c\u7eb8\u5236\u9762\u5177\uff0c\u7845\u80f6\u9762\u5177\uff0c\u5c3a\u5bf8\u53ef\u53d8\uff0c2013<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"438\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-601.png\" alt=\"\" class=\"wp-image-16125\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-601-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-601-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-601-452x300.png 452w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-601.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Qiu Zhijie, \u201cThe Plan of 100 Unicorns,\u201d variable dimensions, project started in 2012 until now.<br>\u90b1\u5fd7\u6770, \u300a100\u53ea\u72ec\u89d2\u517d\u8ba1\u5212\u300b\uff0c\u53ef\u53d8\u5c3a\u5bf8\uff0c2012\u5e74\u5f00\u59cb\u81f3\u4eca<\/figcaption><\/figure>\n\n\n\n<p>A piece with a more medieval feel is a structure formed of jet-black wooden crossbars at the center of the exhibition space. Reminiscent of the framework of a monastery, it is a reference to the burnt down monastery library detailed in Eco\u2019s novel. Regrettably, the little carved Buddha figures at the base of each wooden pillar muddy the waters. Eco\u2019s novel never once mentioned any Buddhist figures, so it is impossible to relate the two disparate themes. Certainly, the artist himself must be able to conjure some sort of satisfactory explanation for the mash-up. Absent of such elucidation, I have to form a supposition from a practical point of inference: the artist must have made the addition for fear the work is not quite grounded, in order to acclimatize his pieces to the local conditions.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/10\/21.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/10\/21.jpg\" alt=\"\" class=\"wp-image-26652\" title=\"2\" \/><\/a><figcaption class=\"wp-element-caption\">Qiu Zhijie, \u201cElysian Fields,\u201d crossties, bamboo root carvings, electrical machines, 620 x 580 x 550 cm, 2013<br>\u90b1\u5fd7\u6770, \u300a\u6781\u4e50\u4e16\u754c\u300b\uff0c\u6795\u6728\uff0c\u7af9\u6839\u96d5\uff0c\u7535\u673a\uff0c620 x 580 x 550\u5398\u7c73\uff0c 2013<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"437\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-602.png\" alt=\"\" class=\"wp-image-16128\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-602-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-602-150x99.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-602-453x300.png 453w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/zh-hant\/image-602.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Qiu Zhijie, \u201cElysian Fields,\u201d crossties, bamboo root carvings, electrical machines, 620 x 580 x 550 cm, 2013<br>\u90b1\u5fd7\u6770, \u300a\u6781\u4e50\u4e16\u754c\u300b\uff0c\u6795\u6728\uff0c\u7af9\u6839\u96d5\uff0c\u7535\u673a\uff0c620 x 580 x 550\u5398\u7c73\uff0c 2013<\/figcaption><\/figure>\n\n\n\n<p>This melange of meaning is further explored in the nearby piece entitled \u201cThe Plan of 100 Unicorns\u201d, which is composed of several extremely bizarre carvings. Each carving is a creature formed of the body parts of various beasts, calling to mind the nameless and formless monsters in the mythology from the distant, archaic past. Though odd, they remain moving and vivid; more importantly, they were carved with excellent craftsmanship from high-quality timber. Additionally, Qiu has displayed the contracts commissioning these sculptures on the gallery wall, thus introducing the currently trendy concepts of \u201cproduction and value\u201d and \u201ccase study\u201d into the mix of ideas being explored at the exhibition.<\/p>\n\n\n\n<p>Overall, the show pays its dues to&nbsp;<em>The Name of the Rose<\/em>. The ashen remnants of the banned books Qiu Zhijie mentioned are placed right in the middle of the gallery\u2019s upstairs exhibition space, which recalls the novel\u2019s plotline. Of course, in this context, book burning also very naturally leads viewers to think of topics such as the burning of books and burying of scholars in the Qin dynasty (221\u2013206 BC), the various literary inquisitions in history, and even the current topics of freedom of speech as well as the government\u2019s new policy on \u201crumour-mongering\u201d. In short, the viewer soars on the pile associations\u2026<\/p>\n\n\n\n<p>Perhaps this says something about Qiu\u2019s train of thought in planning this show: by filling the gallery spaces with pieces both conceptual and substantial, he then transforms the exhibition space into a \u201cfield of hidden meaning\u201d, causing visitors to engage in endless debate about the artist\u2019s intent. Researchable, explorable, collectible\u2014and expressive of nostalgic sentiments. Anything a contemporary person is concerned with can be found in one way or another in his works.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/10\/8.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/10\/8.jpg\" alt=\"\" class=\"wp-image-26688\" title=\"8\" \/><\/a><figcaption class=\"wp-element-caption\">Qiu Zhijie, \u201cCannot Hold Ita Anymore,\u201d books, Elmo toys, variable dimensions, 2013<br>\u90b1\u5fd7\u6770, \u300a\u5b9e\u5728\u662f\u618b\u4e0d\u4f4f\u4e86\u300b\uff0c\u4e66\u7c4d\uff0c\u827e\u6469\u73a9\u5177\uff0c\u53ef\u53d8\u5c3a\u5bf8\uff0c2013<\/figcaption><\/figure>\n\n\n\n<p>Some books were incinerated for the sake of art, but others, also for the sake of creating works, have been displayed much like family treasures as part of other works. In \u201cCannot Hold It Anymore\u201d (2013), the artist has arranged Elmo dolls in front of various volumes. All of the books deal with hotly debated political and cultural topics, and are in this way similar to the masks downstairs\u2014they are yet another departure from the central theme of the exhibition. There is one book among the selection which might truly be important to Qiu Zhijie:&nbsp;<em>Critical Terms for Art History<\/em>. Though the title mentions \u201cterms\u201d, the volume is much more than a simple set of entries accompanied by commentary; it is a collection of essays focused on contemporary art criticism. The editor, Robert S. Nelson invited leading scholars in the field of humanities to contribute entries according to their specialties, dealing intimately with contemporary art and art history. The topics explored in the volume include representation, sign, narrative, performance, style, context, meaning\/interpretation, originality, appropriation, art history, modernism, avant-garde, primitive, memory\/monument, body, beauty, ugliness, ritual, fetish, gaze, identity, production, commodity, collecting\/museums, value, post-modernism\/post-colonialism, among many, many others.<\/p>\n\n\n\n<p>Simply put, most of Qiu Zhijie\u2019s work in recent years can be described as having two main qualities: narrative, and collectible. Clearly, Qiu is as clever as he is well-read.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/10\/6.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2013\/10\/6.jpg\" alt=\"\" class=\"wp-image-26687\" title=\"6\" \/><\/a><figcaption class=\"wp-element-caption\">Qiu Zhijie, \u201cBastard Concert,\u201d installation,performance, variable dimensions, 2013<br>\u90b1\u5fd7\u6770, \u300a\u6df7\u86cb\u97f3\u4e50\u4f1a\u300b\uff0c\u88c5\u7f6e\uff0c\u8868\u6f14, \u663e\u793a\u5668\uff0c\u53ef\u53d8\u5c3a\u5bf8\uff0c 2013<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Qiu Zhijie: \u201cSatire\u201d Galleria Continua&#038;n &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/glance-qiu-zhijie-satire\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":16132,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[11117,11118,4961,103,11119,11120,11121,11122,11123,860,11124,1059],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Glance: Qiu Zhijie, \u201cSatire\u201d - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Glance: Qiu Zhijie, \u201cSatire\u201d - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Qiu Zhijie: \u201cSatire\u201d Galleria Continua&amp;n &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2013-10-23T18:58:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-31T19:02:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/2013-01a-Qiu-Zhijie-Greeting-Continua.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"797\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Glance: Qiu Zhijie, \u201cSatire\u201d\",\"datePublished\":\"2013-10-23T18:58:00+00:00\",\"dateModified\":\"2023-10-31T19:02:07+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/\"},\"wordCount\":991,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"100\u53ea\u72ec\u89d2\u517d\",\"Cannot Hold It Anymore\",\"galleria continua\",\"Qiu Zhijie\",\"Satire\",\"The Name of the Rose\",\"The Plan of 100 Unicorns\",\"\u574f\u7b11\",\"\u5b9e\u5728\u662f\u618b\u4e0d\u4f4f\u4e86\",\"\u5e38\u9752\u753b\u5eca\",\"\u73ab\u7470\u4e4b\u540d\",\"\u90b1\u5fd7\u6770\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/\",\"url\":\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/\",\"name\":\"Glance: Qiu Zhijie, \u201cSatire\u201d - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2013-10-23T18:58:00+00:00\",\"dateModified\":\"2023-10-31T19:02:07+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Glance: Qiu Zhijie, \u201cSatire\u201d\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\",\"name\":\"Lien\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"caption\":\"Lien\"},\"sameAs\":[\"http:\/\/www.randian.art\"],\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/lien\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Glance: Qiu Zhijie, \u201cSatire\u201d - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/","og_locale":"zh_TW","og_type":"article","og_title":"Glance: Qiu Zhijie, \u201cSatire\u201d - \u71c3\u70b9 Ran Dian","og_description":"Qiu Zhijie: \u201cSatire\u201d Galleria Continua&n &hellip; Continue reading &rarr;","og_url":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2013-10-23T18:58:00+00:00","article_modified_time":"2023-10-31T19:02:07+00:00","og_image":[{"width":1000,"height":797,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/10\/2013-01a-Qiu-Zhijie-Greeting-Continua.jpg","type":"image\/jpeg"}],"author":"Lien","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Lien","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"6 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/"},"author":{"name":"Lien","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb"},"headline":"Glance: Qiu Zhijie, \u201cSatire\u201d","datePublished":"2013-10-23T18:58:00+00:00","dateModified":"2023-10-31T19:02:07+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/"},"wordCount":991,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":["100\u53ea\u72ec\u89d2\u517d","Cannot Hold It Anymore","galleria continua","Qiu Zhijie","Satire","The Name of the Rose","The Plan of 100 Unicorns","\u574f\u7b11","\u5b9e\u5728\u662f\u618b\u4e0d\u4f4f\u4e86","\u5e38\u9752\u753b\u5eca","\u73ab\u7470\u4e4b\u540d","\u90b1\u5fd7\u6770"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/","url":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/","name":"Glance: Qiu Zhijie, \u201cSatire\u201d - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2013-10-23T18:58:00+00:00","dateModified":"2023-10-31T19:02:07+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/glance-qiu-zhijie-satire\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"Glance: Qiu Zhijie, \u201cSatire\u201d"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb","name":"Lien","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","contentUrl":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","caption":"Lien"},"sameAs":["http:\/\/www.randian.art"],"url":"http:\/\/www.randian.art\/zh-hant\/author\/lien\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/16121"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=16121"}],"version-history":[{"count":1,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/16121\/revisions"}],"predecessor-version":[{"id":16131,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/16121\/revisions\/16131"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/16132"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=16121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=16121"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=16121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}