{"id":16329,"date":"2018-06-19T18:58:00","date_gmt":"2018-06-19T18:58:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=16329"},"modified":"2023-11-30T19:10:31","modified_gmt":"2023-11-30T19:10:31","slug":"art-basel-unreport-beautiful-but-boring","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/art-basel-unreport-beautiful-but-boring\/","title":{"rendered":"Art Basel Unreport\u2014Beautiful But Boring?"},"content":{"rendered":"\n

\u201cAlways the same thing. How boring! Pedants definitely!\u201d said Oblomov, yawning.<\/em><\/strong><\/p>\n\n\n\n

Basel is still the best art fair in the world. You knew that already. It runs as smoothly as Swiss Rail. No air-conditioning problems<\/a> here!<\/p>\n\n\n\n

Yet there is a growing sense Art Basel is getting predictable. At first, I thought it was just me, perhaps I was developing an ennui worthy of Gilbert Osmond. But no, after talking with collectors from across Europe, China and America, there is a definite sense that the malaise is wider. And the concern is both that it is somewhat undeserved yet completely understandable. The machine works too well. It is a perverse criticism because predictability is partly why Basel dominates. And yet, not only does it have to look fresh, the magic has to feel fresh. <\/em>The grandest art show on earth must always conjure a spell that is unique, exclusive and Avant-garde. It has to promise eternal life and beauty.<\/p>\n\n\n\n

It is not threatening trade wars, political instability, mass migration and environmental calamity that are distracting us: politics is hardly ever discussed at Art Basel anyway, even when it is displayed. Not even the gathering tsunami of millennial brand indifference and lack of materialism seems to bother Baseler. No, it is old-fashioned entropy.<\/p>\n\n\n\n

Even LISTE, Basel\u2019s upstart fair for emerging artists looks more and more the same as it ever did, with a few exceptions, mainly solo shows (see below<\/strong>)<\/p>\n\n\n\n

Chinese collectors, closely courted by Art Basel and umpteen Western galleries, were present en masse<\/em>. Not so much though Chinese galleries\u2026or artists. ShanghART<\/strong>, Long March Space<\/strong>, and Vitamin Creative Space <\/strong>were there as usual, along with Hong Kong\u2019s esteemed Hanart TZ<\/strong> and Beijing\u2019s AYE Gallery<\/strong> and White Space<\/strong> (also showing He Xiangyu at Art Unlimited) were present, as were Shanghai\u2019s Madein Gallery<\/strong> and Antenna Space<\/strong> at LISTE<\/p>\n\n\n\n

Speaking of which, both Madein Gallery and Antenna Space deserve to be at Art Basel proper, though the same can be said for many great galleries now\u2013demand necessitates restrictions. Even so.<\/p>\n\n\n\n

Unlimited<\/strong>, the \u2018curated\u2019 section of big stuff, <\/strong>was also less exciting\u2013do we really need to see another Ai Weiwei<\/strong>? Unlimited loves Fred Sandback<\/strong> too, now that he\u2019s dead. So many dead artists now\u2013where do they all come from? And where do the living go? It seems that contemporary art galleries are becoming mausoleums. Of course, there were marvels at Unlimited too. Yu Hong<\/strong>\u2018s epic \u201dOld Man Yu Gong Is Still Moving Away Mountains\u201d shows an artist who is finally showing the power of her past promise. Meanwhile, Douglas Gordon<\/strong>\u2018s video installation homage to video-art godfather Jonas Meckas (b.1922) was bewitching and compelling.<\/p>\n\n\n\n

Now, before we get carried away, it\u2019s still Basel. Long after continents are laid waste by war, plague and flood, the VIP lounge will still be open. Then again, the reason Unlimited took place on the top floor of Halle 1 this year, where the children\u2019s pen used to be, is that Baselworld, Messe Basel\u2019s even-bigger and more established trade fair for watches, had to offer clients the opportunity to keep their super-expensive displays from one year to the next. So who knows. Yes, what does such existential angst mean for all other art fairs?<\/p>\n\n\n\n

At the end of the day, a Sunday, when the hotels and the Halle are empty, it doesn\u2019t really seem to be Basel\u2019s fault. It continues to do what it has always done. So who is to blame? Please, not the artists. But the galleries\u2014maybe they are simply adapting to new environmental conditions? Is it the collectors then who are driving this race to back in time? Maybe. Maybe they can\u2019t help it. Maybe it is fate.<\/p>\n\n\n\n

There was a song by Radiohead once, No Surprises<\/a><\/strong> . It ends\u2014
Such a pretty house<\/em>
And such a pretty garden<\/em>
No alarms and no surprises<\/em>
No alarms and no surprises<\/em>
No alarms and no surprises, please<\/em><\/p>\n\n\n\n

\"Yu<\/a>
Yu Hong \u201cOld Man Yu Gong Is Still Moving Away Mountains\u201d, acrylic on canvas, 6 panels, 250 x 300 cm each, overall 500 x 900 cm (image courtesy the artist and Long March Space, Beijing, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n

La Grande Bellezza<\/h1>\n\n\n\n

Italian galleries were somehow more prominent this year and not only because of lots of Alberto Burri. Italian gallery booths have a habit of being beautiful.<\/p>\n\n\n\n

\"Giuseppe<\/a>
Giuseppe Penone \u201cAvvolgere La Terrre\u2014Corteccia\u201d 2014 (image courtesy the artist and TUCCI ROSSO Studio per l\u2019Arte Contemporanea, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Alberto Burri solo show at Luxembourg & Dayan\u2019s booth (image courtesy the artist and Luxembourg & Dayan, Photo Annik Wetter)<\/figcaption><\/figure>\n\n\n\n

Treasure<\/h1>\n\n\n\n

Look and ye will find.<\/p>\n\n\n\n

\"A<\/a>
A good Giorgio di Chirico \u201cManichini\u201d Guache on paper, 1926, 45.7 x 38 cm (image courtesy the artist and Landau Fine Art, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n

China<\/h1>\n\n\n\n
\"Shao<\/a>
Shao Fan at Galerie Urs Meile\u2014the artist has a major show at Ludwig Museum Koblenz, June 10\u2013July 22, 2018 (photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Ambiguous culture-clash\u2014XU ZHEN\u00ae \u5f90\u9707\u00ae at ShanghART (image courtesy the artist and gallery, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Qiu Zhijie\u2019s new globes (image courtesy the artist and Hanart TZ, Hong Kong photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Ma Ke\u2019s dancer reaches the Rhine (image courtesy the artist and Galerie R\u00fcdiger Sch\u00f6ttle, Munich, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Pedro Wirz \u201cMy home is my dinner\u201d 2018 (foreground) and Gang Zhao \u201cUntitled\u201d 2001-2006 (image courtesy the artist and Galerie Nagel Draxler, Berlin & Cologne, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n

MEISTER & MEISTERIN<\/h1>\n\n\n\n
\"Robert<\/a>
Robert Longo \u201cUntitled (No Threat)\u201d Charcoal on mounted paper, 177.8 x 304.8 cm, 2018 (image courtesy the artist and Metro Pictures, New York, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Christian Boltanski \u201cLe Manteau\u201d 1991 (image courtesy the artist and Kewenig, Berlin, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Sarah Lucas \u201cHappy Sucker\u201d 2018 (image courtesy the artist and Gladstone Gallery, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
POPE.L \u201cAlcohol Shelf (Archive Version)\u201d 2001-09 (image courtesy the artist and Mitchell-Innes & Nash, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Eduardo Chillida and Matisse (image courtesy the artist and L\u00e9vy Gorvy, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Looking through Gabriel Rico\u2019s \u201cI\u201d 2018 to TROIKA\u2019s \u201cReality is Not Always Probable\u201d game of dice (image courtesy the artist and Galer\u00eda OMR, Mexico City, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n

UNLIMITED<\/h1>\n\n\n\n

the fun bit of Art Basel, with all the big stuff, the bit that pretends to be like a real live biennale, was upstairs this year, because bigger than Art Basel Basel World, the watch-fair apparently has been losing exhibitions<\/p>\n\n\n\n

So Basel World offered exhibitors the opportunity to keep their hugely expensive displays, in situ\u2026.so the art is in the attic. Actually, it\u2019s fine. Now it is easy to move directly between Design Miami and Unlimited and for hobnobbing, there is a direct entrance into the VIP Lounge.<\/p>\n\n\n\n

Art Unlimited\u2014Lots of Alberto Burri, Fred Sandback again, Ai Weiwei very again, Michael Rakowitz continuing with his project to recreate artifacts stolen from the National Museum of Iraq, Baghdad following the 2003 US-led coalition and continuing iconoclasm by Islamic State and related fundamentalist groups.<\/p>\n\n\n\n

\"Robert<\/a>
Robert Longo \u201cDeath Star II\u201d 2017\/18, 40,000 copper and brass full metal jacket bullets, steel armature (image courtesy the artist and Metro Pictures and Galerie Thaddaeus Ropac, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Nedko Solakov \u201cI miss Socialism, maybe\u2026\u201d 2010 (image courtesy the artist and Galleria Continua, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Daniel Buren \u201cUna cosa lira l\u2019altar\u201d 2015-2018 (image courtesy the artist and Galleria Continua, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
He Xiangyu \u201cUntitled\u201d 2018 (detail) (image courtesy the artist and White Space, Beijing, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Douglas Gordon\u2019s exquisite homage to Jonas Mekas, \u201cI had nowhere to go: Portrait of a displaced person\u201d 2016, Super8 video, 97\u2033 (image courtesy the artist and Gagosian and Galerie Eva Presenhuber, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Fred Sandback (1943-2003) \u201cUntitled (Sculptural Study, Seven-part Triangular Construction\u201d 1982\/2011, (image courtesy the artist and David Zwirner, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Matthew Barney \u201cPartition\u201d 2002\/2018 (image courtesy the artist and Sadie Coles HQ, Gladstone Gallery, Regen Projects, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Michael Rakowitz \u201cThe invisible enemy should not exist (Room N, Northwest Palace of Nimrud)\u201d 2018, Reliefs from Middle Eastern packaging and newspapers, glue, cardboard, wood; overall dimensions variable (image courtesy the artist and Barbara Wien, Berlin, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Arman \u201cFleurs\u201d 1959\/2001, Georges-Philippe & Nathalie Vallois (image courtesy the artist and gallery, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n

LISTE<\/h1>\n\n\n\n

As everyone knows, there is only one satellite fair worth going to at Basel, not least because galleries at the other fairs\u2014Scope, Volta\u2014have virtually NO chance of ever getting a place in the big top (though the specialist focus of the inaugural Paper Positions fair in Basel, a works-on\/with-paper show in the old town near Les Trois Rois, was definitely more interesting).<\/p>\n\n\n\n

Antenna Space brought Li Ming but the gallery\u2019s founder-director, Simon Wang definitely needs a bigger space to work with. Actually, Simon bore the same expression as Leo Xu did last year in the exact same space. Leo is now at David Zwirner. Sigh. Meanwhile, Madein Gallery brought Lu Pingyuan\u2019s latest\u2014dogs now, not cats! Otherwise, my favorite shows at LISTE were all solo shows. Jeanette Mundt at Soci\u00e9t\u00e9 is a really interesting painter whose work needs time to digest, with an MO that damns masculinity by pastiche.<\/p>\n\n\n\n

\"Jeanette<\/a>
Jeanette Mundt solo show was a subversive take-down of masculinity-by-pastiche, at LISTE (image courtesy the artist and Soci\u00e9t\u00e9 Berlin, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Supremely subtle\u2013Carmen Argote at LISTE (image courtesy the artist and Instituto Vision, Bogota, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Daiga Grantina solo show at LISTE (image courtesy the artist and Gallery Joseph Tang, Paris, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Gala Porras-Kim solo show at LISTE (image courtesy the artist and Labor, Mexico City, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Elena Naibutait\u00e8 solo show at LISTE (image courtesy the artist and Galleria PM8, Vigo, Spain, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"
Story-telling and childhood cartoons\u2013Lu Pingyuan \u201cMammoth Dog\u201d 2018 at LISTE (image courtesy the artist and Madein Gallery, Shanghai, photo Chris Moore)<\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

MUSEUMS<\/h1>\n\n\n\n

171,000 people live in Basel and they have a ridiculous number of exceptional museums. If bored of Art Basel, visit Basel museums. You can walk, tram or even swim to them. Here are some of the best on now: Bacon and Giacometti<\/strong> at Fondation Beyeler<\/strong>, at Kunstmuseum Basel<\/strong> <\/a>were Theaster Gates \u201cBlack Madonna\u201d<\/strong>, Martha R\u00f6sler and Hito Steyerl<\/strong> with \u201cWar Games\u201d<\/strong>, Maria Lassnig<\/strong> \u201cZweigespr\u00e4che\u201d<\/strong>, Sam Gilliam \u201cThe Music of Color\u201d<\/strong>, Bruce Nauman retrospective<\/strong><\/a> at the Shaulager <\/strong>and Lynn Hershman Leeson \u201dAnti-Bodies\u201d<\/strong><\/a> at HeK<\/strong> (Haus der elektronischen K\u00fcnste).<\/p>\n\n\n\n

*Quotes from Oblomov from Ivan Alexandrovich Goncharov, Oblomov, a novel, trans. Marian Schwartz (Seven Stories Press: New York, 1859)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cAlways the same thing. How boring! Peda … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[450,1750,475,5316,11228,7345,95,11289,11290,129,11291,255,2883,11227,11293,11292,122,11294,6399,3782],"yoast_head":"\nArt Basel Unreport\u2014Beautiful But Boring? - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/art-basel-unreport-beautiful-but-boring\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Basel Unreport\u2014Beautiful But Boring? - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cAlways the same thing. How boring! 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