{"id":17442,"date":"2016-05-11T08:56:00","date_gmt":"2016-05-11T08:56:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=17442"},"modified":"2023-12-08T09:00:47","modified_gmt":"2023-12-08T09:00:47","slug":"a-decorative-frieze","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/a-decorative-frieze\/","title":{"rendered":"A Decorative Frieze"},"content":{"rendered":"\n<p>Frieze is the major-league British art fair pitched physically in tents\u2014during spring in New York and autumn in London\u2014and aesthetically between emerging art fairs like&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_blog\/in-pictures-nada-new-york-2015\/\">NADA<\/a>, Independent and Art Basel\u2019s museum-oriented booths. In the past, this has meant a colorful cocktail that might include plasticine works alongside something by&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_blog\/postcard-from-guangzhou\/\">Pipilotti Rist<\/a>&nbsp;or Tobias Rehberger. This year, however, the content at Frieze New York felt mostly polarized between some expensive and attention-grabbing (if not necessarily grandiose) works and a broader field of modestly sized paintings and sculptures that were pretty and relatively more softly priced\u2014an alarming situation for artists, as if an art fair isn\u2019t dismaying enough. The timid offerings also raised a resounding confirmation of how slow the market is for galleries. It seems Frieze may have lost its edge\u2014at least in New York, where it is the most talked-about art fair in a city that&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_market\/frieze-london-2015\/\">might not need them<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-308.png\" alt=\"\" class=\"wp-image-17443\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-308-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-308-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-308-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-308.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Victoria Miro<\/figcaption><\/figure>\n\n\n\n<p>Victoria Miro\u2019s customary Yayoi Kusama import this year took the form of a grove of red tentacles rising from the floor. In its usual spot at the south end of the tent, Gagosian had a mixed bag of&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_feature\/paint-spotting-a-damien-hirst-primer\/\">Damien Hirst<\/a>s, including a golden-horned ram in formaldehyde. Offsetting the erstwhile livestock was a donkey in a pen (with a chandelier) as part of the Projects, recreating Maurizio Cattelan\u2019s 1994&nbsp;show at&nbsp;Daniel Newburg Gallery in New York. Meanwhile, low-maintenance paintings could be found in booths ranging from the likes of Almine Rech (\u201cI have a ski suit that looks like that,\u201d remarked one collector in passing) to David Kordansky, Pilar Corrias, Eigen + Art and Blum &amp; Poe.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-309.png\" alt=\"\" class=\"wp-image-17446\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-309-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-309-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-309-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-309.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Almine Rech<\/figcaption><\/figure>\n\n\n\n<p>Among the more memorable displays were a huge mirrored installation by David Altmejd at Andrea Rosen, a photographic triptych by Adrian Piper at Dominique L\u00e9vy, and a series of photographs called&nbsp;<em>The Chain<\/em>&nbsp;by Chien-Chi Chang at Chi-Wen Gallery, which is determined to show work that is socially engaged\u2014this series documents the treatment of mental patients in a private institution in Taiwan during the 1990s. At Clearing, giant pill packets by Marina Pinsky were juxtaposed with technicolor prints by Eduardo Paolozzi.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-310.png\" alt=\"\" class=\"wp-image-17449\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-310-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-310-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-310-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-310.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Andrea Rosen<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/05\/IMG_6623.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-311.png\" alt=\"\" class=\"wp-image-17452\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-311-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-311-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-311-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-311.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Chi-Wen Gallery<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/05\/IMG_6650.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-312.png\" alt=\"\" class=\"wp-image-17455\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-312-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-312-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-312-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-312.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">C-L-E-A-R-I-N-G<\/figcaption><\/figure>\n\n\n\n<p>From mainland China, Long March Space was conspicuously absent. ShanghART, however, made the most of their first appearance at Frieze New York with new works by&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_review\/xu-zhen-the-catcher-of-consciousness\/\">Xu Zhen<\/a>&nbsp;alongside quieter pieces by Ding Yi and Zhang Ding. Leo Xu had wallpapered his booth with fabric panels drawn from&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_review\/liu-shiyuan-the-edge-of-vision-or-the-edge-of-the-earth\/\">Liu Shiyuan<\/a>\u2018s \u201cFrom Happiness to Whatever\u201d project (previously shown also at Yuz Museum in Shanghai); Antenna Space installed a triptych of enlarged iPhone-screen-shaped kites each with a video hanging in front by&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_feature\/the-new-praise-of-folly-li-mings-work\/\">Li Ming<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-313.png\" alt=\"\" class=\"wp-image-17458\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-313-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-313-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-313-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-313.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Leo Xu Projects<\/figcaption><\/figure>\n\n\n\n<p>As always, the fair galvanized the city beyond Randall\u2019s Island, provoking a host of new exhibitions and parties. The blue-chip highlight this time was Lisson Gallery opening its brand new space in Chelsea on May 2 with a pristine though somewhat placid show of abstract paintings by Carmen Herrera. On the Thursday, visitors queued along the street outside David Zwirner to watch the macabre choreography of Jordan Wolfson\u2019s \u201cColored Sculpture\u201d\u2014perhaps the closest Frieze week came to shocking, or even surprising its visitors.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"404\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-314.png\" alt=\"\" class=\"wp-image-17461\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-314-300x230.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-314-150x115.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-314-392x300.png 392w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-314.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Carmen Herrera at Lisson New York. Photo: Lisson Gallery.<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/05\/LGNY__Install.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-315.png\" alt=\"\" class=\"wp-image-17464\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/Tv5yFz58-image-315-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-315-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-315.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Jordan Wolfson\u2019s \u201cColored Sculpture\u201d. Photo:\u00a0<a href=\"http:\/\/www.wmagazine.com\/culture\/art-and-design\/2016\/05\/jordan-wolfson-david-zwirner-robot-instagram\/\" target=\"_blank\" rel=\"noreferrer noopener\">W Magazine<\/a><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Frieze is the major-league British art f &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/a-decorative-frieze\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":17467,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[1313,11555,1750,11446,11557,11556,11558,11559,11560,11561,11562,208,11252,11563,11564,11565,11566,11567,11568,11569,958,11571,2325,11570,11572,11573,11422,11574,1725,71,11362],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Decorative Frieze - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/a-decorative-frieze\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Decorative Frieze - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Frieze is the major-league British art f &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/a-decorative-frieze\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-11T08:56:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-08T09:00:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/dole.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1506\" \/>\n\t<meta property=\"og:image:height\" content=\"1004\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/a-decorative-frieze\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/a-decorative-frieze\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"A Decorative Frieze\",\"datePublished\":\"2016-05-11T08:56:00+00:00\",\"dateModified\":\"2023-12-08T09:00:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/a-decorative-frieze\/\"},\"wordCount\":568,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"Adrian Piper\",\"Andrea Rosen\",\"Antenna Space\",\"art fair report\",\"BLUM &amp; 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