{"id":17621,"date":"2016-02-05T10:20:00","date_gmt":"2016-02-05T10:20:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=17621"},"modified":"2023-12-10T01:19:05","modified_gmt":"2023-12-10T01:19:05","slug":"the-setting-is-paramount","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/the-setting-is-paramount\/","title":{"rendered":"The Setting is Paramount"},"content":{"rendered":"\n<p>Of the reports that bounded online after the first day of&nbsp;<a href=\"http:\/\/paramountranch.la\/\">Paramount Ranch<\/a>&nbsp;last weekend, little was said in criticism. They focus on the unusual character of this small fair, in which participating galleries position artworks around an old wooden ranch hiding in the Santa Monica Mountains in Los Angeles County.&nbsp;<em><a href=\"http:\/\/www.artspace.com\/magazine\/news_events\/art-fairs\/paramount-ranch-2016-53484\">Artspace<\/a><\/em>&nbsp;found it \u201cuniquely pleasant\u201d;&nbsp;<em><a href=\"https:\/\/news.artnet.com\/market\/paramount-ranch-art-fair-final-show-416987\">Artnet<\/a><\/em>&nbsp;credited it with being \u201cfree-spirited\u201d and for \u201cputting&nbsp;a fresh spin on&nbsp;the format\u201d;&nbsp;<em><a href=\"http:\/\/www.wmagazine.com\/culture\/art-and-design\/2016\/02\/paramount-ranch-santa-monica-art-fair\/photos\/slide\/1\">W<\/a><\/em>&nbsp;with satisfaction called it the \u201cwild west of art fairs\u201d. A less impressed gallerist there said, \u201cPeople just like coming to LA\u201d. Paul McCarthy\u2019s giant green inflatable \u201cTree\u201d, visible from the road, penetrated the vista disproportionally to signal the fair\u2019s presence and provide amusing photo opportunities.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-359.png\" alt=\"\" class=\"wp-image-17622\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/gWAvfTaF-image-359-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-359-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-359.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">A view of Paramount Ranch art fair.<\/figcaption><\/figure>\n\n\n\n<p>The ranch and surrounding site was purchased by Paramount Studios in 1927, and, though it is now largely defunct as a film set, is part of a national park and available for weddings, birthdays, photography and, for the past three years, this boutique two-day art fair. Paramount Ranch is precisely as one would imagine or might remember from swashbuckling movies, with shabby wooden doors, a saloon bar, barns, a corral and smaller wooden huts with signs like \u201cmining equipment\u201d in large, weather-beaten print on the paneled fa\u00e7ade. The eponymous fair is precisely the opposite of all the fairs you might have attended\u2014their primed white panels forested inside in yawning exhibition centers and glowing translucent tents (Art LA Contemporary, or ALAC, also last weekend, happens in an airplane hangar in Santa Monica, but inside, the global-standard booths remain). At Paramount, gallerists were nonetheless encouraged not to let new holes mark the wooden walls, though existing nails helped. Visitors traipsed flatly between wooden shacks containing fresh\u2019n&#8217;edgy works of art. Some galleries had played effectively to the setting, like Freddy (Baltimore), with snake sculptures by Puppies Puppies laid on hay bales; paintings by Liao Guohe were both striking and popular in BANK\u2019s (Shanghai) wooden room, and Mendes Wood DM (S\u00e3o Paolo) did well to place a silver oil paint on bronze sculpture of a half-collapsed, bolted metal form by Paolo Monteiro on the porch of the \u201cbarbershop\u201d. Elsewhere there were good and bad works, those that failed being the ones that were less distracting than the setting they were found in, or those that would look brash or insecure anywhere. A pleasing inclusion was an open, on paper auction of small pieces produced by artists at the experimental&nbsp;<a href=\"http:\/\/highdeserttestsites.com\/hdts\">High Desert Test-Sites<\/a>&nbsp;project in California.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"707\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-360.png\" alt=\"\" class=\"wp-image-17625\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/WL8nQaFP-image-360-224x300.png 224w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-360-112x150.png 112w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-360.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">High Desert Test-Sites, Gem\/Mineral Expo and Painted Rock Auction, Paramount Ranch<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/02\/image.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-361.png\" alt=\"\" class=\"wp-image-17628\" width=\"528\" height=\"707\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/D5UNYeO1-image-361-224x300.png 224w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-361-112x150.png 112w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-361.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Claire Barrow and Reba Maybury, \u201cFish Wifes\u201d, installation at Paramount Ranch (Shoot the Lobster, New York)<\/figcaption><\/figure>\n\n\n\n<p>Paramount Ranch, of which this was the third and&nbsp;<a href=\"http:\/\/www.artspace.com\/magazine\/news_events\/art-fairs\/paramount-ranch-2016-53484\" target=\"_blank\" rel=\"noreferrer noopener\">apparently<\/a>&nbsp;last edition (the founders are busy elsewhere), is an idea hatched between the artist Pentti Monkkonnen, his partner Liz Craft, and the gallerists Alex Freedman and Robbie Fitzpatrick, who relocated from Berlin to LA and opened Freedman Fitzpatrick gallery there in 2013. \u201cIt\u2019s relaxing,\u201d some visitors were heard to remark of the atmosphere, which included pet dogs and coffee sold from a trestle table to the tune of a buzzing generator (the Flash Art caf\u00e9 still had a macrobiotic sushi plate mimicking the design of the mag\u2019s current Issey Miyake cover, thanks to the artist and now Flash Art special projects coordinator Cyril Duval). Yet the stalking presence of a number of famous bodies\u2014Stefan Simchowitz (the New York Times called him the art world\u2019s&nbsp;<a href=\"http:\/\/www.nytimes.com\/2015\/01\/04\/magazine\/the-art-worlds-patron-satan.html?_r=0\">Patron Satan<\/a>) shaking the hand of&nbsp;<a href=\"https:\/\/artrank.com\/\">Art Rank<\/a>&nbsp;founder Carlos Rivera, the prolific LA collector Dean Valentine, Jeffrey Deitch (recently re-installed in New York as a commercial gallerist) and the German \u00fcber-gallerist Johann Koenig surely meant that such a sensation was merely a thin veil\u2014at least for the dealers involved. The Ranch setting felt like just that\u2014a stage set, and it was weird indeed. Paramount Ranch seemed a perfect embodiment of the art world\u2019s inclination\u2014and continuing license\u2014to ask not \u201cwhy?\u201d, but \u201cwhy not?\u201d Deconstruct it and they will come.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-362.png\" alt=\"\" class=\"wp-image-17631\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/rdGNk5Fc-image-362-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-362-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-362.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Paramount Ranch<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/02\/image_11.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-363.png\" alt=\"\" class=\"wp-image-17634\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/vmAy6dEv-image-363-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-363-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-363.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Works by Keiichi Tanaami at Karma International (LA\/Zurich)<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-364.png\" alt=\"\" class=\"wp-image-17637\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/JBgK2xcV-image-364-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-364-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-364.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Works by Camille Henrot at Konig Gallery (Berlin)<br><\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/02\/image_10.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-365.png\" alt=\"\" class=\"wp-image-17640\" width=\"528\" height=\"528\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/znyP3O1j-image-365-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-365-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-365.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Sculpture by Paolo Monteiro at Mendes Wood DM (Sao Paolo)<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/02\/image_5.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-366.png\" alt=\"\" class=\"wp-image-17643\" width=\"528\" height=\"528\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/yj4UI2Cu-image-366-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-366-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-366.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Real Fine Arts\u2019 \u201cbooth\u201d at Paramount Ranch<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/02\/image_6.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-367.png\" alt=\"\" class=\"wp-image-17646\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/BW2ljEHj-image-367-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-367-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-367.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Installation by Maggie Lee at Real Fine Arts (New York)<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/02\/image_3.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"528\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-368.png\" alt=\"\" class=\"wp-image-17649\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/z3YnFhNi-image-368-300x300.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-368-150x150.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-368.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Works by Chuck Nanney at Jenny\u2019s (LA)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Of the reports that bounded online after &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/the-setting-is-paramount\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":17652,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[2507,11592,11589,11591,11588,11590,11593,11594,682,11595,11596,11598,11597,11599,11600,11601],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Setting is Paramount - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/the-setting-is-paramount\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Setting is Paramount - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Of the reports that bounded online after &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/the-setting-is-paramount\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2016-02-05T10:20:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-10T01:19:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/para.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" 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