{"id":18676,"date":"2014-12-11T09:50:00","date_gmt":"2014-12-11T09:50:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=18676"},"modified":"2023-12-28T04:08:02","modified_gmt":"2023-12-28T04:08:02","slug":"miami-vice-and-some-new-virtue","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/miami-vice-and-some-new-virtue\/","title":{"rendered":"Miami Vice\u2014and Some New Virtue"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_market\/art-basel-miami-beach-2014-preview\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Art Basel Miami Beach<\/strong><\/a>&nbsp;has closed its 2014 edition. The reports were again positive\u2014no surprises there. This fair offers an opportunity for galleries to display more conservative stock to an audience less geared to challenging work than those in Basel proper might be; the crowd was certainly not what one might call \u201ccosmopolitan\u201d. Art Basel Miami beach is traditionally seen as the glitzy, snowbird relative of Basel proper (\u201cWe\u2019re in the weirdest city in the world,\u201d one European gallerist was heard to remark during the VIP opening), with attendees in significant part accounted for by East-Coasters flying South for the winter, their leisure time and money conspicuous under the glare of the Miami sun. Signs of change are in the air, however, for Miami\u2019s reputation.<\/p>\n\n\n\n<p>But first\u2014the sales. American galleries expect to make a killing at this fair, and all signs show that they did. Upbeat reps at Simon Lee reported excellent sales of paintings by Merlin Carpenter, having sold five pieces brought to the fair and a further ten from London. Melanie Baker also sold well in an edition of Basel Miami which the gallery felt \u201csurpassed expectations,\u201d dispatching works they had\u2014and had not\u2014expected to sell. Jack Shainman of the eponymous New York gallery was pleased, too, having \u201csold more than half of our stand in the first few hours\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-648.png\" alt=\"\" class=\"wp-image-18677\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-648-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-648-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-648-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-648.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Art Basel Miami Beach<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"512\" height=\"768\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-649.png\" alt=\"\" class=\"wp-image-18680\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/kYC8ugeL-image-649-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-649-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-649.png 512w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><figcaption class=\"wp-element-caption\">Long March Space\u2019s booth at Basel (Wang Jianwei works)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-650.png\" alt=\"\" class=\"wp-image-18683\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-650-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-650-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-650-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-650.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Rirkrit Tiravanija at STPI<\/figcaption><\/figure>\n\n\n\n<p>The expats were not disappointed, either. Thaddaeus Ropac might as well have been describing Olympic sprinters when he said, \u201cThe American collectors showed strengths almost unseen before\u2014they were very focused and very determined, exhibiting fast decision-making and a curious and positive mindset.\u201d According to Art Market Monitor, they sold a 2013 Georg Baselitz bronze entitled \u201cLouise Fuller\u201d to an American collector for $2 million.&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_space\/galerie-urs-meile-2\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Galerie Urs Meile<\/strong><\/a>&nbsp;sold a recent installment of the ongoing photographic series \u201cNarrative by a Pile of Clay\u201d by young artist Hu Qingyan on the first day, as well as a large 2014 painting by Wang Xingwei, \u201cUntitled (Pan Changjiang)\u201d, early on in the fair. Three works by Li Gang were also sold to separate collectors.&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_space\/long-march-space\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Long March Space<\/strong><\/a>&nbsp;made good use of the current solo exhibition by represented artist Wang Jianwei at the Guggenheim in New York, bringing a painting and two small sculptures, both of which were sold (to collectors in the US and China). They also sold a large painting \u201cMeditation No. 8\u201d (2014) by Liu Wei, and a Xu Zhen by MadeIn Company piece (\u201cUnder Heaven-2632JP1403\u2033).&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_space\/singapore-tyler-print-institutestpi\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>The Singapore Tyler Print Institute<\/strong><\/a>&nbsp;(STPI) was pleased with the level of engagement from visitors with the&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_review\/the-doubtful-clock\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u201cTime Traveler\u2019s Chronicle\u201d<\/strong><\/a>&nbsp;project by Rirkrit Tiravanija, of which this was the first US showing. A striking sculptural formation of four metal cones from this series adorned the front of the booth. Lisson gallery, which will open its New York branch in 2015, was also very positive. Before the fair was up, its representatives remarked that the jury was merely out as to whether this year in Miami was good, really good, or excellent, and pitched their own success at the level of \u201cvery good\u201d. One suspects that the sale of the Ai Weiwei\u2019s \u201cJade Handcuffs\u201d for 70,000 Euros may have clinched the top-level verdict. As usual, some memorable sound bites were to be heard around the fair\u2014\u201cI\u2019m just looking for Picassos,\u201d remarked one punter, whom we presume missed the opportunity to buy a ceramic plate entitled \u201cVisage aux Mains\u201d (1956; $85,000) before it was swiped from Leslie Smith\u2019s booth in the Art Miami fair (<em>not<\/em>&nbsp;Art Basel Miami Beach) by thieves on Thursday.<\/p>\n\n\n\n<p>The consensus was that the new VIP opening structure worked well, allowing galleries more time to communicate with a slightly stemmed flow of collectors on the first day. Nonetheless, the galleries section was relentlessly packed with stalls, and the VIP lounge often crowded to the maximum. Welcome respite could be found at the satellite fairs, however, of which&nbsp;<a href=\"http:\/\/www.newartdealers.org\/Fairs\/2014\/MiamiBeach\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>NADA<\/strong><\/a>&nbsp;(the \u201canti-Basel\u201d fair) was among the best. Participants here also reported very strong sales, and it was a pleasure to peruse this quieter, edgier spot after the high-strung atmosphere at Basel.<\/p>\n\n\n\n<p>While sales maintained the high level of last year, a more interesting development is afoot in the wider culture of Miami. Basel Miami Beach is a fair which does not have a strong curatorial imperative\u2014to date, its very direct commercialism has matched the local context. The booths arrangements are straightforward, not subtle. There are no overbearing or difficult installations to be found breaking up the web of gallery stalls, and sections such as \u201cKabinett\u201d and \u201cPositions\u201d serve merely as light focal points in a mass of disparate works on view. Beyond the December booths, Miami\u2019s public museums are not known for strong contemporary exhibitions, seeming to cater to somewhat bland expectations. Meanwhile, numerous private collections make no secret of where much of the art fair\u2019s stock ends up, and reveal a highly competitive collecting culture (at the Rubells\u2019 opening, someone gestured at a vacuum cleaner affixed to the wall, exclaiming \u201cLook at this Jeff Koons! I have the towel dispenser, but this is much better.\u201d) Indeed, a walk round the de la Cruz or Margulies spaces can feel not unlike being inside a huge art fair booth, surrounded by grand works in no particular order; a peek into curtained-off rooms in these voluminous temples reveals piles more canvases and crates. Occasions like the Rubells\u2019&nbsp;<a href=\"https:\/\/www.randian-online.com\/np_blog\/performing-an-anniversary-don-and-mera-rubell\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>eccentric 50-strong cake-eating anniversary event<\/strong><\/a>, too, bolster a culture of performance and attention among the area\u2019s conspicuous art-buying class.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"512\" height=\"768\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-651.png\" alt=\"\" class=\"wp-image-18686\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/Pn72tdf0-image-651-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-651-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-651.png 512w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><figcaption class=\"wp-element-caption\">Jeff Koons\u2019 \u201cNew Hoover Deluxe Rug Shampooer\u201d, 1979, on display at the Rubell Family Collection.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-652.png\" alt=\"\" class=\"wp-image-18689\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-652-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-652-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-652-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-652.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Exhibition view at the Rubell Family Collection<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-653.png\" alt=\"\" class=\"wp-image-18692\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-653-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-653-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-653-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-653.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Exhibition view at the Rubell Family Collection<\/figcaption><\/figure>\n\n\n\n<p>The new&nbsp;<a href=\"http:\/\/www.pamm.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Perez Art Museum<\/strong><\/a>&nbsp;(PAMM, formerly Miami Art Museum), however, signals a new turn for institutional culture in Miami. 200,000 sq. feet (18 580 sqm) of exhibition space fills a Herzog &amp; de Meuron structure overlooking Biscayne Bay, close to the Wynwood district where galleries and private collections hover among low-rise residential streets and graffiti-marked warehouses. The opening on December 4 was rammed. The exhibition \u201cGlobal Positioning Systems\u201d is a huge display incorporating 100+ works (both on loan and drawn from the museum\u2019s holdings) which examines the intersection between history and globalization. The Chief Curator Tobias Ostrander (whose experience spans roles in S\u00e3o Paulo for the Biennial and in New York at the Brooklyn Museum of Art and MoMA, among others) has orchestrated thoughtful, broad, and often unfamiliar selections. Here is an exhibition engaged with historical and socio-political contexts which does not seek only to please the eye. What this level of engagement means is the chance for Miami to participate in international exhibition culture\u2014rather than remaining locked in its own acute commercial zone. With a museum to be proud of, the city might shed its status as an annual time-share for contemporary art followers to become a worthy location on the global exhibition map. The opportunity is certainly there. The presence of the Perez alongside Miami\u2019s&nbsp;<a href=\"http:\/\/www.icamiami.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ICA<\/strong><\/a>&nbsp;and&nbsp;<a href=\"http:\/\/www.cifo.org\/index.php\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>CIFO<\/strong><\/a>&nbsp;(the Cisneros Fontanals Art Foundation), currently showing a very good abstract exhibition called \u201cImpulse, Reason, Sense, Conflict\u201d signals real potential. Watch these spaces.<\/p>\n\n\n\n<p>Of course, there were many, many parties. Jeffrey Deitch declared Miley Cyrus \u201cthe real deal\u201d (\u201cThis year has constantly challenged me, and that\u2019s why I started doing art,\u201d she announced between spandex breaths on Wednesday night), and the HUO hosted talks with sexy musicians and artists about Instagram. Celebrities colonized the brand new, all-white Edition hotel, and Drake apparently took a beating from P Diddy in a club over a girl. But enough of that. Miami has its vices. But virtue is in the air, too.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-654.png\" alt=\"\" class=\"wp-image-18695\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-654-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-654-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-654-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-654.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Alex Israel, FKA Twigs and Hans Ulrich Obrist attend a Surface Magazine talk at Edition Hotel. (Photo by Astrid Stawiarz\/Getty Images for Surface).<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-655.png\" alt=\"\" class=\"wp-image-18698\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-655-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-655-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-655-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-655.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Exhibition view at the de la Cruz Collection<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-656.png\" alt=\"\" class=\"wp-image-18701\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-656-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-656-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-656-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-656.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Exhibition view at the Margulies Collection<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"666\" height=\"444\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-657.png\" alt=\"\" class=\"wp-image-18704\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-657-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-657-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-657-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2023\/12\/zh-hant\/image-657.png 666w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><figcaption class=\"wp-element-caption\">Sculptures on show outside the Bass Museum of Art<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Art Basel Miami Beach&nbsp;has closed it &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/miami-vice-and-some-new-virtue\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":18709,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[11977,3920,11979,11978,11975,11976,11981,11980,11982,11983],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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