{"id":19094,"date":"2014-05-12T11:37:00","date_gmt":"2014-05-12T11:37:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=19094"},"modified":"2024-01-01T11:42:23","modified_gmt":"2024-01-01T11:42:23","slug":"art-basel-hong-kong-2014-preview","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/art-basel-hong-kong-2014-preview\/","title":{"rendered":"Art Basel Hong Kong 2014 preview"},"content":{"rendered":"\n

Invisible to the visitor to Art Basel Hong Kong<\/strong><\/a> is the vast volume of preparation that feeds into such an affair\u2014the applications, the travel, the contracts, the labels, the publications, the packing, the selection, the booth-planning (and re-planning), the commissions, the liaison, the framing, the fees, the hotels, the outfits, the installation (and de-installation), the patter and the logistics.<\/p>\n\n\n\n

For visitors perusing the results of such efforts, particularly visible will be the large-scale art works in the Encounters sector designed to decorate, dramatize and disarm the setting of the fair. A trend this year seems to be audience participation \u2013 with 5 of the 17 projects including some invitation to interact. From Taipei, Eslite Gallery is presenting \u201cPoint\u201d by Michael Lin, which is a grand stand with a rotating sign \u2013 a place from which to see and be seen. More playful is the gigantic colored cube made by Cecilia de Torres from New York (\u201cCube 48 Orange\u201d), whose panels people can unfold to change the shape.<\/p>\n\n\n\n

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Marta Chilindron, \u201cCube 48 Orange\u201d, 2014. Courtesy of Marta Chilindron and Cecilia de Torres, New York<\/figcaption><\/figure>\n\n\n\n
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Xu Qu, \u201cConquer\u201d, 2013. Courtesy the artist and the gallery<\/figcaption><\/figure>\n\n\n\n

Galerie Urs Meile is bringing an ambitious installation by Tobias Rehberger\u2014a recreation of Bar Oppenheimer, which the artist frequents in Frankfurt\u2014made entirely from bone China. The mind boggles at how Xu Qu\u2019s work, brought by Tang Contemporary and described as a nine-by-8-metre installation \u201cmade up of eight screen-printed panels with an aquatic scene bound together by ropes and chains\u201d will look. A predictable inclusion, the animator Sun Xun has created an imaginary country called \u201cJing Bang\u201d \u2013 an installation and performance piece (courtesy of the Singapore Tyler Print Institute and ShanghART ). Visitors are invited to apply for citizenship. Shen Shaomin, whose unnerving silica creatures have been seen before at Art Hong Kong (\u201cI Sleep on Top of Myself\u201d), will this year show \u201cI Touched the Voice of God\u2019\u201d (2012) \u2013 fragments from a Chinese space craft.<\/p>\n\n\n\n

At the fair itself, over 245 galleries will be participating\u2014a mix of international blue-chip galleries, top Asian and mainland Chinese galleries, as well as local galleries (We will be writing more when the fair opens). For the first time this year, the fair features a film program curated by Li Zhenhua<\/strong><\/a> at the Hong Kong Arts Centre. Look for the evening performances each night in the Agnes b. cinema. Back at the fair, an Afternoon Salon program covers a somewhat sporadic range of topics. Some highlights could be, on Thursday at 2pm, \u201cCollecting and Archiving \u2014 Art vs. Architecture\u201d with M+ curator Aric Chen and other speakers or \u2013 for those wishing to know more about the artist Nadim Abbas (also commissioned for the Absolut Art Bar) \u2014 \u201cMade in Hong Kong: On Collecting Milk Pudding and Table Cloths\u201d an hour later, with Abbas, fellow Hong Kong artist Lee Kit and William Lim. Carsten Nikolai, whose work \u201c\u03b1 (alpha) pulse\u201d will be lighting up the fa\u00e7ade of Hong Kong\u2019s iconic International Commerce Centre<\/strong><\/a> (ICC) on the Kowloon harbor front each night, will be in conversation with curator Nikolaus Hirsch. Not to be missed should be \u201cHans van Dijk: Dialogues in the Development of Contemporary Art in China\u201d for a valuable look at recent art history in China, via one of its chief actors and influencers. Afterwards, \u201cArt and Language\u201d gives space to talk about writing on art. Besides that, there are talks on nature of biennials, on the Shenzhen Biennale and much, much more.<\/p>\n\n\n\n

For early birds, there is the \u201cPost Sense-Sensibility\u201d show at Duddells (curated by Phil Tinari), Zhang Enli show<\/strong><\/a> at K11 Project Space, among others. The Art Gallery Night (\u201cArt After Hours\u201d) will take place on Tuesday 13th<\/sup>, with galleries throughout the city staying open late. At Edouard Malingue, there will be a solo exhibition of new work by Sun Xun<\/strong> called \u201cBrave New World\u201d<\/strong><\/a>; de Sarthe has a show on modernist Chinese painters. Don\u2019t expect to see native Chinese or Hong Kong art at the big-name international galleries, though. In the Pedder Building (beware the crowd), Simon Lee will show the British artist Toby Ziegler<\/strong><\/a>; Lehmann Maupin has the American Hernan Bas<\/strong><\/a>, and Ben Brown Fine Arts will present sculpture and paintings by Miquel Barcel\u00f3<\/strong><\/a>. On Connaught Road, White Cube is going to show works by Mark Bradford<\/strong><\/a>. Galerie Perrotin<\/strong><\/a> will combine contemporary photographs and sculpture, with Ryan McGinley and Jean-Michel Othoniel, respectively. The corresponding event for galleries in the further-away Wong Chuk Hang \/ Aberdeen is on Thursday evening, now a burgeoning cluster of galleries and art spaces like Spring Workshop, P\u00e9kin Fine Arts (Hong Kong), Gallery Exit, Feast Projects, Blindspot, Rossi & Rossi, Mur Nomade, and more. The studios and galleries in Chai Wan will open their doors to guests until 10 pm on Friday night and all day on Saturday. Meanwhile, Osage and the City University will show \u201cMarket Forces\u201d<\/strong><\/a> curated by Charles Merewether.<\/p>\n\n\n\n

The Absolut after-hours haunt is this year being created by Nadim Abbas (\u201cApocalypse Postponed\u201d)<\/strong><\/a>. Complete with weevils, sandbags and mute dancers, the bar promises to postpone apocalypse\u2014at least for the week.<\/p>\n\n\n\n

\"\"<\/a>
Shen Shaomin, \u201cI Touched the Voice of God\u201d, 2012. Courtesy of the artist and Osage Gallery<\/figcaption><\/figure>\n\n\n\n
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Sun Xun, \u201cJing Bang is a Heaven\u201d (\u9be8\u90a6\u662f\u4eba\u9593\u6a02\u571f), 2013. Photos courtesy of Singapore Tyler Print Institute and the Artist<\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Invisible to the visitor to Art Bas … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":19101,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[12462,8577,475,12463,12464,7673,12465,12469,11388,12466,12467,12468,144,12377,10573,1027,261,6010,2356,11967,4681,12470,9421,12260,7453,9966,122,11380,6634,4714,6378,1696,12471,11195,4678,12007,12212,12472,9422,12473,3031,5728,5086,3161,12474,12475,12476,3317,12477,12478,12479,12481,12480,6049,12482,121,1732,2567],"yoast_head":"\nArt Basel Hong Kong 2014 preview - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/art-basel-hong-kong-2014-preview\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Basel Hong Kong 2014 preview - 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