{"id":19346,"date":"2013-11-14T11:07:00","date_gmt":"2013-11-14T11:07:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=19346"},"modified":"2024-01-02T11:12:00","modified_gmt":"2024-01-02T11:12:00","slug":"artissima-slow-art-and-slow-food-in-torino","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/artissima-slow-art-and-slow-food-in-torino\/","title":{"rendered":"Artissima \u2013 Slow Art and Slow Food in Torino"},"content":{"rendered":"\n<p>randian asked Patrick Waldburger, a young Brussels gallerist, to comment on this year\u2019s&nbsp;<a href=\"https:\/\/www.randian-online.com\/michael-sullivan-obituary\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Artissima<\/strong><\/a>.<\/p>\n\n\n\n<p>In Europe, Artissima is the last art fair in the annual art circus calendar and it comes after the frenzy of FIAC and Frieze. It\u2019s not easy for an art fair to keep up against such competition but Artissima convincingly does so by defining its own style and rhythm. Sarah Cosulich Canarutto, Artissima\u2019s director since last year, continues to further develop and refine a profile that already her predecessor, Francesco Manacorda (now the director of Tate Liverpool), began to lay out.<\/p>\n\n\n\n<p>Artissima isn\u2019t the fair of big-name artists. Of course, you find them there too, but to a very limited extent. Artissima mainly highlight emerging positions; it is an art fair for art discoveries. Galleries applying for Artissima are aware of it and bring artistic ideas they wish to unveil to a larger and sophisticated art crowd.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-56.png\" alt=\"\" class=\"wp-image-19347\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-56-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-56-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-56-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-56.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Geng Jianyi, solo presentation, installation shot, ShanghART<br>\u803f\u5efa\u7fcc\uff0c\u300a\u8868\u683c\u4e0e\u8bc1\u4e66\uff08\u6709\u6240\u4ea4\u4ee3\uff09\u300b\uff0c\u9999\u683c\u7eb3\u753b\u5eca<\/figcaption><\/figure>\n\n\n\n<p>In the fair section \u201cBack to the Future\u201d, for example, galleries can feature artists that were already active decades ago, but whose work isn\u2019t commonly known. This year,&nbsp;<a href=\"http:\/\/www.shanghartgallery.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ShanghART gallery<\/strong><\/a>&nbsp;(Shanghai, Beijing, and Singapore) put a spotlight on a work by the Chinese artist Geng Jianyi called \u201cForms and Certificates\u201d. It consists of a series of said forms and certificates that belonged to attendees of a conference on art that took place in 1988 in Huangshan.<a href=\"http:\/\/www.galeriethomasfischer.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;<strong>Galerie Thomas Fischer<\/strong><\/a>&nbsp;from Berlin presented works by Brian O\u2019Doherty (born 1928) who is also the author of the seminal essay \u201cInside the White Cube\u201d that was published in Artforum in 1976 and both an early and profound analysis of the space in which art is now commonly exhibited.&nbsp;The other sections of the fair present mainly a young program, like my own,&nbsp;<a href=\"http:\/\/www.galeriewaldburger.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Galerie Waldburger<\/strong>&nbsp;<\/a>(a solo presentation with Berlin-based video artist Eli Corti\u00f1as).<\/p>\n\n\n\n<p>Artissima can very much be compared to the culinary delicacies and the eating habits of Torino and its province, the Piemont, famous for its truffles and the Slow Food movement. The attitude of the fair is also slow in the sense that the art presented is far from being fast consumable \u201cbling-bling\u201d art and the visitors of Artissima take their time and are curious and have a taste for new art positions. Artissima is the place to look out for (yet) hidden art truffles. And as the last edition of Artissima proves, curators and savvy international collectors are aware of it, for they flocked in by masses.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"493\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-57.png\" alt=\"\" class=\"wp-image-19350\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-57-300x224.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-57-150x112.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-57-402x300.png 402w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-57.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Brian O\u2019Doherty, solo presentation, installation shot, Thomas Fischer, Berlin<br>Brian O\u2019Doherty\u4f5c\u54c1\u73b0\u573a\u7167\u7247\uff0cThomas Fischer\u753b\u5eca\uff0c\u67cf\u6797<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>randian asked Patrick Waldburger, a youn &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/artissima-slow-art-and-slow-food-in-torino\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":19353,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[7225,258,562,11434,12887,12888,12889,953,12890,122,12891,12892],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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