{"id":19383,"date":"2014-04-03T11:24:00","date_gmt":"2014-04-03T11:24:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=19383"},"modified":"2024-01-02T11:29:21","modified_gmt":"2024-01-02T11:29:21","slug":"art-paris-2014-report","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/art-paris-2014-report\/","title":{"rendered":"Art Paris 2014 Report"},"content":{"rendered":"\n

2014 marks the 50th anniversary of diplomatic relations between France and the People\u2019s Republic of China. While the Chinese president Xu Jinping visited France, Art Paris<\/strong><\/a> held its five-day art fair, with China as the \u201cguest of honor\u201d for the first time; the fair closed on March 30 with a total attendance of over 58 000 visitors. Yet aside from the buzz and updates on the opening day, buyers showed a more even composure during the remainder of the fair. Except for a few galleries with remarkable results, not a few gallerists felt sales were just \u201cpassable.\u201d Galerie Claude Bernard,<\/a> an old Parisian gallery founded in 1953, showed ink paintings by Gao Xingjian, the Nobel laureate in literature; the booth was sold out on the opening night\u2014\u201chalf to old clients, and the other half to new clients.\u201d Ifa gallery<\/a>, from Shanghai and Brussels, also sold three ink pieces by Jiang Shanqing and a large photography by the Gao Brothers, while m97<\/a> from Shanghai also moved twenty or so photographic works. Elsewhere, Xin Dong Cheng<\/a> from Beijing also had multiple transactions; Cheng indicated that at least the exhibition costs had been taken care of.<\/p>\n\n\n\n

Most of the ten Chinese galleries in Art Paris this year\u2014including Blindspot<\/a> from Hong Kong, m97<\/a> from Shanghai and On Gallery from Beijing<\/a>\u2014were present in France for the first time. 10 Chancery Lane Gallery<\/a> from Hong Kong was attending the fair for the fifth time; the director, Katie de Tilly, stressed that exhibiting in France was very important: \u201cFrance is Europe, so you can meet collectors coming from France, Switzerland, Holland, Germany, Belgium and other countries.\u201d She indicated that Parisian audiences were relatively more conservative, but that they still showed a great interest in Chinese artists. The actual sales conditions depended on the overall economic outlook: \u201cThe economy is not great in France, that\u2019s for sure, but there are some benefits for taxes and inheritance, so hopefully all this will balance out somewhere.\u201d<\/p>\n\n\n\n

Although Art Paris had already announced last year that China would be the guest of honor, and despite a year of work and offering Chinese galleries a 20% discount on the booths, still only eight Chinese galleries were present in the \u201cChina Platform\u201d zone in the heart of the Grand Palais (the other two Chinese galleries were mixed in with other young galleries in the \u201cPromises\u201d section)\u2014certainly not an eye-catching number. The question of timing must have been one reason Art Paris did not attracted more galleries from China. Earlier this year, in late February\/early March, Art14 was held in London, with over ten galleries from China (along with five from Taiwan and two from Singapore). Early March also saw \u201cFocus China\u201d at the Armory in New York. With the influence and connections of Philip Tinari, the director of UCCA<\/a> in Beijing, sixteen Chinese galleries were invited, along with funding support from Hong Kong\u2019s K11 Foundation, which hosted eight rounds of discussions on contemporary Chinese art over two days. Thus Art Paris was the last act in a month of \u201cfocus\u201d on Chinese galleries\u2014and of course, the vast majority of galleries could only choose to attend one or, at most, two art fairs. In spite of all this, one key difference distinguished Art Paris from the Armory in New York: echoing the Chinese theme, quite a few galleries in the general section showed Chinese artists\u2014or else works by Western artists dealing with themes connected to China. Guillaume Piens, the artistic director, stated that up to 33 galleries showed works that were in some way or another connected to China. So the \u201cChina theme\u201d was not isolated, but permeated different corners of the fair.<\/p>\n\n\n\n

\"\"<\/a>
Paris\u2019s H\u00e9l\u00e8ne Bailly, in collaboration with ShanghART Gallery, shows a large-scale installation by Zhang Ding, \u201cBuddha Jumps over the Wall\u201d at 70000 euros.
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\"\"
Li Wei, represented by Paris Beijing Gallery, made a performance at the Grand Palais.
\u5df4\u9ece\u5317\u4eac\u753b\u5eca\u4ee3\u7406\u827a\u672f\u5bb6\u674e\u6690\u5728\u73b0\u573a\u8fdb\u884c\u884c\u70ba\u8868\u6f14\u3002<\/figcaption><\/figure>\n\n\n\n
\"\"
Dai Guangyu\u2019s performance-based photography and installation can be seen at Ifa Gallery\u2019s booth.
\u4e0a\u6d77\u827a\u6cd5\u753b\u5eca\u5c55\u51fa\u6234\u5149\u90c1\u7684\u88c5\u7f6e\u548c\u6444\u5f71\u4f5c\u54c1\u3002<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

2014 marks the 50th anniversary of diplo … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":19384,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[12943,11447,12946,12944,12945,12947,11442,374,6961,12210,12949,12948,12951,12950,12952,12953,5186,12955,12954,12956,12957,12958],"yoast_head":"\nArt Paris 2014 Report - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/art-paris-2014-report\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Paris 2014 Report - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"2014 marks the 50th anniversary of diplo … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/art-paris-2014-report\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2014-04-03T11:24:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-02T11:29:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/image-61.png\" \/>\n\t<meta property=\"og:image:width\" content=\"660\" \/>\n\t<meta property=\"og:image:height\" content=\"493\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/art-paris-2014-report\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/art-paris-2014-report\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Art Paris 2014 Report\",\"datePublished\":\"2014-04-03T11:24:00+00:00\",\"dateModified\":\"2024-01-02T11:29:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/art-paris-2014-report\/\"},\"wordCount\":690,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"10\u53f7\u8d5e\u5584\u91cc\u753b\u5eca\",\"art market report\",\"Art Paris report\",\"Chinese art Paris\",\"Guillaume Piens\",\"Katie de Tilly\",\"Paris art fair\",\"randian\",\"Yu Hsiao-Hwei\",\"\u4e0a\u6d77M97\u753b\u5eca\",\"\u4e2d\u56fd\u5e73\u53f0\",\"\u4f26\u6566\u827a\u535a\u4f1aArt 14\",\"\u5317\u4eacOn\u753b\u5eca\",\"\u5317\u4eac\u7a0b\u6615\u4e1c\u5f53\u4ee3\u827a\u672f\u7a7a\u95f4\",\"\u5927\u7687\u5bab\",\"\u5df4\u9ece\u827a\u535a\u4f1a\",\"\u7530\u970f\u5b87\",\"\u7a0b\u6615\u4e1c\",\"\u7ebd\u7ea6\u519b\u68b0\u5e93\u535a\u89c8\u4f1a\",\"\u9999\u6e2fK11\u57fa\u91d1\u4f1a\",\"\u9999\u6e2f\u523a\u70b9\u753b\u5eca\",\"\u9ad8\u884c\u5065\"],\"articleSection\":[\"News\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/art-paris-2014-report\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/art-paris-2014-report\/\",\"url\":\"http:\/\/www.randian.art\/art-paris-2014-report\/\",\"name\":\"Art Paris 2014 Report - 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