{"id":19397,"date":"2013-10-31T11:28:00","date_gmt":"2013-10-31T11:28:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=19397"},"modified":"2024-01-02T11:32:30","modified_gmt":"2024-01-02T11:32:30","slug":"provocative-hk-artist-kwan-sheung-chi-takes-home-hugo-boss-asia-art-award","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/provocative-hk-artist-kwan-sheung-chi-takes-home-hugo-boss-asia-art-award\/","title":{"rendered":"Provocative HK Artist Kwan Sheung Chi Takes Home Hugo Boss Asia Art Award"},"content":{"rendered":"\n

Surprising even the most hardened skeptics, the inaugural Hugo Boss Asia Art Award exhibition<\/strong><\/a> in Shanghai presented a number of challenging and edgy works with the Hong Kong artist Kwan Sheung Chi<\/strong> <\/a>taking home the generous sum of 300,000 RMB and the accolades and attention that go with it. The director of the Rockbund Art Museum, Larys Frogier states that Kwan Sheung Chi \u201ccombines a rich, witty and yet critical exploration of artistic social and cultural challenges\u2026[He] is producing such artworks in a very unique and subtle way, extending and revisiting the limits of medium, and of art production and display.\u201d<\/p>\n\n\n\n

Always cutting and satirical, Kwan explore issues such as collective memory in regards to \u201chistorical events\u201d in China (note the dimensions to \u201cUntitled (White\u201d), corruption, tension and instability and fa\u00e7ades of normalcy. Bars and lines feature prominently in this show, most obviously in Kwan\u2019s works \u201cWater Barrier (Maotai: Water, 1:999)\u201d which explores issues of public protest and corruption\u2014the artwork literally reeked of Maotai, the preferred tipple of many top officials with one bottle of the liquor mixed in at a ratio of 1 part baijiu <\/em>to 999 parts water. The work will be accompanied by a public performance where art goers of the Rockbund will attempt to topple the water barrier on the evening of Nov 1. We advise any interested parties to bring their Wellies.<\/p>\n\n\n\n

\"\"
Kwan Sheung Chi, \u201cWater Barrier (Maotai : Water, 1:999)\u201d, installation, 2013<\/figcaption><\/figure>\n\n\n\n

Caustic substances come up again in his cheekily titled work \u201cDoing It with Chi\u2026Making and Exit Bag\u201d and \u201cDoing It with Mrs Kwan\u2026Making Pepper Spray.\u201d The videos are produced in a cheap cable television kind of aesthetic\u2014and use a cooking show or DIY format to teach the viewer how to make pepper spray\u2014in one scene Mrs. Kwan, dressed in her housewife uniform, remarks that the pepper spray contains Western, Chinese and Japanese flavors, \u201csomething for everyone\u2019s taste.\u201d While in \u201cExit Bag\u201d, Kwan advises the viewer that in order to improve the aesthetics of the suicide one should get their hair done before donning a suffocation bag.<\/p>\n\n\n\n

Yet Kwan is only one of the many artists producing deep and challenging work. The jury had much to discuss, says Frogier: \u201cThe main debate was driven to the different ways artists were critically questioning, displaying and revisiting some social contexts in China by raising also new art languages into the international art scene.\u201d<\/p>\n\n\n\n

The finalists\u2019 exhibition also featured a strong showing by Li Liao with a piece dealing with the issue of how artists fare in a society where money is the prime indicator of status. The inspiration came from Li\u2019s personal experience\u2014in fact, his relationship with his girlfriend, which was concealed from his girlfriend\u2019s parents until she became pregnant. Li\u2019s father-in-law visited and the artist and turned this little slice of family drama into a work that consisted of a dialog between the father and son in law\u2014a ripped sweater and broken remote control from the scuffle and a donation of RMB 40,000 RMB (taken from the production fees) to the father-in-law as proof that Li was able to earn a living wage.<\/p>\n\n\n\n

Hsu Chia Wei, from Taiwan, also produced some challenging works dealing with issues of identity, history and memory with his work, \u201cHuei-Mo Village\u201d in which the artist visited a village in Thailand inhabited by a band of displaced KMT soldiers of the Republic of China army. These troupes were supposed to bring up the rear but instead were stranded in Yunnan after 1950 where they fled to Burma and fought against the Burmese for years, until they eventually moved to Thailand and obtained citizenship in return for protecting the Thai border. Many locals were also involved in the drug trade as the area is close to the Golden Triangle. Many were sentenced for drug offenses leaving a large number of orphans behind. Hsu created a fictional film with the orphans and a model of an army barracks with former soldiers working in close collaboration with these communities.<\/p>\n\n\n\n

With Hsu and with most of the participants, we can find a strong sociopolitical engagement, which is refreshing to see. This is no doubt a result of the eclectic jury which involves many respected figures in the art world\u2014both independent curators, or those working at independent spaces, mixed in with those in the employ of prestigious institutions. These include Biljana Ciric (independent curator), Cosmin Costinas (Para\/Site, Hong Kong), Yuko Hasegawa (chief curator of Museum of Contemporary Art, Tokyo), Alexandra Munroe (senior curator of Asian Art at the Guggenheim, New York), Pauline Yao (Curator at M+, Hong Kong) and the Beijing-based artist Peng Yu.<\/p>\n\n\n\n

Both the jury and the museum made a conscious effort to spotlight art from Taiwan and Hong Kong \u2014 overlooked corners of the Chinese contemporary art world. \u201cIt is decisive to highlight some areas and art practices in the endless process of remapping art and in the remaking of contemporary history,\u201d says Frogier, \u201cIt could be related to Hong Kong and Taiwanese artists, but it is also strongly connected to the young mainland Chinese artists who are confronting today and striving for new visibilities in the art institutions.\u201d<\/p>\n\n\n\n

_________________________<\/strong><\/p>\n\n\n\n

Hugo Boss Asia Art finalists\u2019 exhibition<\/strong><\/a><\/p>\n\n\n\n

Rockbund Art Museum<\/strong><\/a>\u00a0(20 Huqiu Road, Huangpu District, Shanghai)\u00a0Sep 13\u2013Dec 8, 2013<\/strong><\/p>\n\n\n\n

\"\"
Kwan Sheung Chi, \u201cONE MILLION (Renminbi)\u201d, single-channel video; HD, color, mono sound, 1hour 20 mins 24s, 2013<\/figcaption><\/figure>\n\n\n\n
\"\"
Kwan Sheung Chi, \u201cUntitled\u201d (White), paper, endless copies, 89 x 64 cm, 175.5 cm at ideal height, 2013<\/figcaption><\/figure>\n\n\n\n
\"\"
Kwan Sheung Chi \u5173\u5c1a\u667a<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Surprising even the most hardened skepti … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":19414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[712,940,12960,4300,12959,12961,12962,5703,12963,9579,2354,5705,2355,12964,12965,260,12966,12967,5706,5707,3593,5708,12968,12969],"yoast_head":"\nProvocative HK Artist Kwan Sheung Chi Takes Home Hugo Boss Asia Art Award - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/provocative-hk-artist-kwan-sheung-chi-takes-home-hugo-boss-asia-art-award\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Provocative HK Artist Kwan Sheung Chi Takes Home Hugo Boss Asia Art Award - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Surprising even the most hardened skepti … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/provocative-hk-artist-kwan-sheung-chi-takes-home-hugo-boss-asia-art-award\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2013-10-31T11:28:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-02T11:32:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/Kwan-Sheung-Chi_Water-Barrier-Maotai-water-1-999_2013_02-1024x683.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/provocative-hk-artist-kwan-sheung-chi-takes-home-hugo-boss-asia-art-award\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/provocative-hk-artist-kwan-sheung-chi-takes-home-hugo-boss-asia-art-award\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Provocative HK Artist Kwan Sheung Chi Takes Home Hugo Boss Asia Art Award\",\"datePublished\":\"2013-10-31T11:28:00+00:00\",\"dateModified\":\"2024-01-02T11:32:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/provocative-hk-artist-kwan-sheung-chi-takes-home-hugo-boss-asia-art-award\/\"},\"wordCount\":929,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"Alexandra Monroe\",\"Biljana Ciric\",\"corruption\",\"Cosmin COSTINAS\",\"Doing it with Chi\",\"Doing it with Mrs Kwan . . . 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