{"id":19444,"date":"2013-10-26T11:49:00","date_gmt":"2013-10-26T11:49:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=19444"},"modified":"2024-01-02T11:56:25","modified_gmt":"2024-01-02T11:56:25","slug":"fiac-paris-highlights","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/fiac-paris-highlights\/","title":{"rendered":"FIAC Paris highlights"},"content":{"rendered":"\n

*See image gallery for more pictures of fiac 2013<\/p>\n\n\n\n

Celebrating FIAC<\/strong><\/a>\u2018s 40th in Paris\u2019 Grand Palais, which with its glass dome lends the fair a certain high-end je ne sais quoi<\/em>. But not only the architecture was a step up from last week\u2019s art fair in London. Apart from New York\u2019s Paula Cooper<\/strong>, Barbara Gladstone<\/strong> and Andrea Rosen<\/strong>, Art Basel main section selection committee members neugerriemschneider<\/strong> (Berlin) and Xavier Hufkens<\/strong><\/a> (Brussels) all preferred to do business at FIAC rather than even considering Frieze this year. \u201cI always do FIAC,\u201d Hufkens told me, and when I asked Stephane Custot why this year one of London\u2019s big guns chose to participate at FIAC instead of Frieze, he told me that he felt that for Waddington Custot Galleries<\/strong><\/a>, \u201cThe time is up at the main Frieze fair,\u201d but the gallery was looking into participating at either Frieze Masters or PAD next year. \u201cHowever, we will definitely return to FIAC,\u201d he added. Despite the exceptionally high quality in the selection of galleries, the buying mood at the fair seemed unchanged. While national and international collectors abounded, the age-old proverb holds also for this year\u2019s FIAC: You can lead a horse to water, but you can\u2019t force it to drink. The French art fair FIAC runs till Sunday evening.<\/p>\n\n\n\n

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(front) Bertrand Lavier, \u201cDipo\u201d, 1993, and (back) Garder Eide Einarsson \u201cCruising the Anime City \u2013 An Otaku Guide to New-Tokyo (I)\u201d, 2012, available at Yvon Lambert, Paris<\/figcaption><\/figure>\n\n\n\n
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(front) Dora Garcia, \u201cThe Joycean Society #1\u2033, 2013 and (back) Hans-Peter Feldmann \u201cBookshelves\u201d, 1999, available at Projectes SD, Barcelona<\/figcaption><\/figure>\n\n\n\n
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Roman Ondak \u201cOutlined Stream\u201d, 2012 at gb agency, Paris<\/figcaption><\/figure>\n\n\n\n
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Markus Oehlen, \u201cFreefidelity-Camp,\u201d 2001. Available at Galerie Hans Mayer, D\u00fcsseldorf.<\/figcaption><\/figure>\n\n\n\n
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Ai Weiwei, \u201cIron Tree,\u201d 2013. Available at neugerriemschneider, Berlin<\/figcaption><\/figure>\n\n\n\n
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Yoshitomo Nara, \u201cSetsuko the Cat\u201d, 2012. Available at Pace Gallery<\/figcaption><\/figure>\n\n\n\n
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Rudolf Stingel, \u201cUntitled\u201d, 1994. Available for just under $0.5 million at Paula Cooper, New York<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

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