{"id":2013,"date":"2020-06-30T09:07:00","date_gmt":"2020-06-30T09:07:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=2013"},"modified":"2022-12-02T09:37:09","modified_gmt":"2022-12-02T09:37:09","slug":"recovery-see-saws-and-turbulence","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/recovery-see-saws-and-turbulence\/","title":{"rendered":"Recovery, See-Saws, and Turbulence"},"content":{"rendered":"\n<p>By Zhang Zongxi<\/p>\n\n\n\n<p>While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. Meanwhile, a few spaces upped sticks, and since it\u2019s that time of the month again, an art district was demolished, and news of disputes\/conflicts between artists and institutions popping up every now and then, not to mention a museum hooking up with 20 galleries to put on an exhibition, and certain artists actively taking part and live streaming. Such has been the complex polyphony making up Beijing\u2019s current art scene.<\/p>\n\n\n\n<p>After having been postponed for over two months, the fourth edition of Gallery Weekend Beijing finally launched on 22\u201331 May. The first large-scale art event in Beijing since the pandemic broke out, the 22 participating galleries and non-profit institutions presented a series of exhibitions, public art installations, discussions, and performances at the 798 art district as well as online. The absence of foreign exhibitions and collectors has put a certain degree of pressure on Gallery Weekend Beijing; quite a few galleries mentioned seeing fewer collectors, but that of course is to be expected given the circumstances. Being the first art platform and project to take the lead in restarting, Gallery Weekend Beijing certainly kept up its influence, not least in invigorating the mood of the Beijing art world.<\/p>\n\n\n\n<p>For the first time, Gallery Weekend Beijing 2020 split the \u201cBest Exhibition Award\u201d into two: \u201cBest Exhibition Award: Innovation Prize\u201d went to the exhibition \u201cGe Yulu\u201d at Beijing Commune, while the \u201cBest Exhibition Award: Master Prize\u201d was awarded to both Zhu Yu\u2019s solo exhibition \u201cMute\u201d at Long March Space and Duan Jianyu\u2019s solo exhibition \u201cLife\u201d at Hive Center for Contemporary Art. The exhibition of the emerging sector, \u201cThose who see and know all, are all and can do all\u201d highlighted 19 artists and artist-groups, with videos and installations taking up the better part of the show\u2014which to a certain extent indicated the overall tendency in this year\u2019s Gallery Weekend Beijing.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E2%80%9C%E6%9C%B1%E6%98%B1%EF%BC%9A%E9%9D%99%E9%9F%B3%E2%80%9D%E5%B1%95%E8%A7%88%E7%8E%B0%E5%9C%BA%EF%BC%8C%E9%95%BF%E5%BE%81%E7%A9%BA%E9%97%B4%EF%BC%8C2020-528x352.jpg\" alt=\"\" \/><\/figure>\n\n\n\n<p>Zhu Yu exhibition, Long March Space, 2020<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E2%80%9C%E6%AE%B5%E5%BB%BA%E4%BC%9F%EF%BC%9A%E6%B5%AE%E7%94%9F%E2%80%9D%E5%B1%95%E8%A7%88%E7%8E%B0%E5%9C%BA%EF%BC%8C%E8%9C%82%E5%B7%A2%E5%BD%93%E4%BB%A3%E8%89%BA%E6%9C%AF%E4%B8%AD%E5%BF%83%EF%BC%8C2020-528x348.jpg\" alt=\"\" \/><\/figure>\n\n\n\n<p>Duan Jianwei exhibition, Hive Center for Contemporary Art, 2020<\/p>\n\n\n\n<p>Of the 22 galleries and institutions, more than half of the shows involved hangable art, evenly divided between abstract and figurative works, with the former seen in Galerie Urs Meile, Ginkgo Space, PIFO Gallery, and White Box Art Center, among others, and the latter figured in the exhibitions at Magician Space, Platform China, Star Gallery, Space Station, N3 Contemporary Art, just to name a few. Videos and installations took up a good proportion, with some exploring the art of video itself, such as \u201cEmbodied Mirror: Performances in Chinese Video Art\u201d at New Century Art Foundation\u2019s Beijing Space; others explored the relationship between history and reality, such as AES+F\u2019s exhibition with their large-scale video installations at \u201cWhat Came to Pass\u201d at Tang Contemporary Art, exploring the globalization of contemporary culture through grand visual narratives. Tang Contemporary Art\u2019s Second Space exhibited Zhao Zhao\u2019s large new installations \u201cWhite\u201d, probing the history of cotton.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E5%8E%89%E6%A7%9F%E6%BA%90%EF%BC%88%E5%B1%95%E8%A7%88%E5%85%B7%E8%BA%AB%E4%B9%8B%E9%95%9C%EF%BC%9A%E4%B8%AD%E5%9B%BD%E5%BD%95%E5%83%8F%E8%89%BA%E6%9C%AF%E4%B8%AD%E7%9A%84%E8%A1%8C%E4%B8%BA%E4%B8%8E%E8%A1%A8%E6%BC%94%EF%BC%89-528x358.jpg\" alt=\"\" \/><figcaption class=\"wp-element-caption\">Li Binyuan, \u201cFree Farming\u201d, 2014, video, color, sound<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E5%94%90%E4%BA%BA%E7%AC%AC%E4%BA%8C%E7%A9%BA%E9%97%B4%E8%B5%B5%E8%B5%B5%E5%B1%95%E8%A7%88-528x704.jpg\" alt=\"\" \/><figcaption class=\"wp-element-caption\">Zhao Zhao exhibition,&nbsp;Tang Contemporary Art, 2020<\/figcaption><\/figure>\n\n\n\n<p>Thematically speaking, quite a few exhibitions reflected on, reassessed, or scrutinized the contemporary condition. The group exhibition presented by UCCA, \u201cMeditations in an Emergency\u201d focused on everyday life, the body and biopolitics, the human\/animal dichotomy, migration and borders, and the information landscape. Ge Yulu, too\u2014with his new work, in which the bodily generation of electricity through cycling transforms an everyday movement into the electricity used in the exhibition space\u2014reminds us to re-consider our own \u201csupplementary electric supply.\u201d Online forums and discussions such as \u201cPerspectives from the International Art Community: Challenges and Possibilities in a Time of Global Crisis\u201d and \u201cPost-Pandemic Age: How to Revisit Contemporary Art in China through the History of Thought and Methodology\u201d equally emphasized reflections on the contemporary.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E8%91%9B%E5%AE%87%E8%B7%AF%E4%B8%AA%E5%B1%95%E7%8E%B0%E5%9C%BA%EF%BC%8C%E5%8C%97%E4%BA%AC%E5%85%AC%E7%A4%BE%EF%BC%8C2020-528x351.jpg\" alt=\"\" \/><figcaption class=\"wp-element-caption\">Ge Yulu exhibition, Beijing Commune, 2020<\/figcaption><\/figure>\n\n\n\n<p>Two of the key galleries chose to present retrospectives of some form or another. With 2019 being the 15<sup>th<\/sup>&nbsp;anniversary of Galleria Continua\u2019s Beijing space, last October saw the start of the exhibition \u201c15 Years of Galleria Continua in China: To Be Continua\u201d, with new alterations added every month. Running through to the end of this summer, the gallery has taken turns presenting many works by artists who had their first major solo exhibition at the Beijing space. Tokyo Gallery, too, celebrated their 70<sup>th<\/sup>&nbsp;anniversary (they started BTAP in Beijing in 2002) with \u201cWe Will Meet Again: 70<sup>th<\/sup>&nbsp;Anniversary Exhibition of Tokyo Gallery + BTAP\u201d, showcasing works by the 39 Chinese artists they have collaborated with since BTAP started up in Beijing.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E5%B8%B8%E9%9D%92%E7%94%BB%E5%BB%8A%E5%8D%81%E4%BA%94%E5%91%A8%E5%B9%B4%E5%B1%95%EF%BC%8C2019-2020%E5%B9%B4%EF%BC%8C%E5%B8%B8%E9%9D%92%E7%94%BB%E5%BB%8A%E5%8C%97%E4%BA%AC%E7%A9%BA%E9%97%B4%EF%BC%8C%E6%91%84%E5%BD%B1%EF%BC%9A%E5%AD%99%E8%AF%97.jpg\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"704\" height=\"481\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-12.png\" alt=\"\" class=\"wp-image-2014\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-12-300x205.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-12-150x102.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-12-439x300.png 439w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-12.png 704w\" sizes=\"(max-width: 704px) 100vw, 704px\" \/><figcaption class=\"wp-element-caption\">15 Years of Galleria Continua in China: To Be Continua, Galleria Continua Beijing, 2020<\/figcaption><\/figure>\n\n\n\n<p>During Gallery Weekend Beijing, two new institutions opened. Wind H Art Center, towards the southern gate of 798, opened with \u201cFrom Screen to Mind: A 50 Year History\u201d, which organized video works by 23 avant-garde Western artists in an exploration of the origins of online and screen art. Another museum up in Cuigezhuang, Chaoyang, received a good deal of attention thanks to its millennial founders: X Museum, opening its doors on 29 May with \u201cHow Do We Begin?\u201d, an exhibition that explores interdisciplinary art and youth culture in three \u201cchapters\u201d\u2014\u201cMedia and Technology\u201d, \u201cSocial Reflector\u201d, \u201cArtists and Architects as Narrators\u201d.<\/p>\n\n\n\n<p>Yet whatever momentum of recovery was knocked back by new cases of COVID-19 in Beijing in early June, to the point of feeling like March all over again. A few art spaces, too, closed or moved for various reasons: The Bunker closed, while XC\u2022Hua Galleries moved out of its Beijing space. What\u2019s more, from late May to mid-June, Beijing\u2019s art districts continued to face demolition or orders to vacate: Caochangdi No. 300 and Dongyuan were demolished (including the studios of the poet Yu Xinqiao and the curator Tang Peixian); Shunyi Shuipo Art Village was demolished; Jiu Chang Art Complex was asked to vacate. Even Li Xianting, in Songzhuang Art District for decades, wrote a post and denounced the way the local authorities were chasing out artists. Such \u201ceveryday\u201d news also involved a framing company in Jinzhan, Beijing, which not having moved out in the designated time frame had many artists\u2019 artworks damaged; and another news item was related to the dispute between the artist Zhang Xiaotao, Xia Jifeng, and the former Iberia Center for Contemporary Art.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E5%BE%AE%E4%BF%A1%E6%88%AA%E5%9B%BE_20200629161500.jpg\"><img decoding=\"async\" src=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E5%BE%AE%E4%BF%A1%E6%88%AA%E5%9B%BE_20200629161500-528x394.jpg\" alt=\"\u5fae\u4fe1\u622a\u56fe_20200629161500\" class=\"wp-image-104694\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E5%BE%AE%E4%BF%A1%E6%88%AA%E5%9B%BE_20200629161512.jpg\"><img decoding=\"async\" src=\"http:\/\/www.randian-online.com\/wp-content\/uploads\/2020\/06\/%E5%BE%AE%E4%BF%A1%E6%88%AA%E5%9B%BE_20200629161512-528x388.jpg\" alt=\"\u5fae\u4fe1\u622a\u56fe_20200629161512\" class=\"wp-image-104696\" \/><\/a><figcaption class=\"wp-element-caption\">Caochangdi Art District under demolition, photographed by Zhang Zongxi, 2020<\/figcaption><\/figure>\n\n\n\n<p>On another note, Song Art Museum, along the banks of the Wenyu river, allocated its numerous exhibition halls to galleries, splitting and delegating the choice of artists as well as the workload of exhibition-making between the galleries: 20 galleries from Beijing, with 20 artists shown at the same time. \u201c2020\u201d, which opened on 19 June, thus became a highlight in the gradually recovering Beijing art world. The world online likewise became a new front, such as Fang Lijun live-streaming his making of a huge print on Douyin\/TikTok on 12 June. The latest news is that as a work of the public sector in Gallery Weekend Beijing, Hu Xiangqian\u2019s performance art session \u201cSuperfluous Gallery\u201d\u2014which includes online sales of artworks\u2014will be live-streamed on Baidu on 3\u20134 July. The curator, You Yang even invited the artist, Wang Xingwei, the band Wutiaoren, the writer Annabel Yang (Yang Hao), and others to join in support, attempting to create a \u201cLi Jiaqi\u201d (Austin Li, a major cosmetics influencer) phenomenon in the art world. Naturally, one can foresee how the significance of the event itself will surpass the significance of whatever sales will be made, but one can equally see how artists and curators seem ever more dissatisfied with loitering between \u201cdetour\u201d and \u201caccess\u201d in the art world.<\/p>\n\n\n\n<p>Translated by Daniel Ho<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Zhang Zongxi While the COVID-19 pande &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/recovery-see-saws-and-turbulence\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":2022,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[110,857,856,858,859,860,861,862,863,864,865,460,866,867,868],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Recovery, See-Saws, and Turbulence - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/recovery-see-saws-and-turbulence\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recovery, See-Saws, and Turbulence - 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