{"id":20265,"date":"2015-12-18T07:35:00","date_gmt":"2015-12-18T07:35:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=20265"},"modified":"2024-01-11T07:54:44","modified_gmt":"2024-01-11T07:54:44","slug":"national-gallery-singapore-ngs-debut-exhibitions","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/national-gallery-singapore-ngs-debut-exhibitions\/","title":{"rendered":"National Gallery Singapore (NGS): Debut Exhibitions"},"content":{"rendered":"\n<p>Rounding off a year\u2019s worth of celebrations for the Golden Jubilee of the foundation of Singapore is the arrival of the latest addition to its collection of museums and art galleries, the&nbsp;<a href=\"https:\/\/www.nationalgallery.sg\/\" target=\"_blank\" rel=\"noreferrer noopener\">National Gallery Singapore<\/a>&nbsp;(NGS). Housed in the historic buildings which once functioned as the Supreme Court and City Hall, NGS boasts a gross floor area of some 64,000 square meters, edging out the Singapore Art Museum (SAM) four times over. The gallery\u2019s ambitions are a little loftier than just being the newest, biggest player on the Singapore scene, though: it is set on becoming the premiere institution for Southeast Asian art, bolstering its permanent collection of some 8,000 pieces with an intricate web of institutional partnerships and loans from private collections.<\/p>\n\n\n\n<p>Directed by Dr Eugene Tan\u2014perhaps best known for having spearheaded the Gillman Barracks gallery cluster\u2014the National Gallery of Singapore brings together a fair number of curatorial heavyweights, among others, Senior Curators Russell Storer, lately of the Queensland Art Gallery, Lisa Horikawa, and Shabbir Hussain Mustafa.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Building-Facade_Night_UN-Blue-Light-Up_Photo_credit_National_Gallery_Singapore.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Building-Facade_Night_UN-Blue-Light-Up_Photo_credit_National_Gallery_Singapore-528x352.jpg\" alt=\"Building Facade_Night_UN Blue Light Up\uff08\u591c\u666f\u706f\u5149\u4e0b\u7684\u5efa\u7b51\u524d\u666f\uff09_(Photo_credit_National_Gallery_Singapore)\" class=\"wp-image-68052\" \/><\/a><figcaption class=\"wp-element-caption\">Building Facade at night (Courtesy National Gallery of Singapore)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-202.png\" alt=\"\" class=\"wp-image-20266\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-202-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-202-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-202-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-202.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Atrium (Courtesy National Gallery of Singapore)<\/figcaption><\/figure>\n\n\n\n<p>If the Gallery\u2019s debut permanent exhibitions (\u201c\u2018Siapa Nama Kamu?\u2019 Art in Singapore since the 19<sup>th<\/sup>&nbsp;Century\u201d and \u201cBetween Declarations and Dreams: Art of Southeast Asia since the 19<sup>th<\/sup>&nbsp;Century\u201d) are any indication, there\u2019s a clear sense of its mission to articulate coherent art historical narratives\u2014a canon of sorts\u2014both for Singapore and Southeast Asia, in some part serving the nebulously defined goal of Singapore becoming a \u201cglobal city for the arts.\u201d Both broadly chronological, the permanent exhibitions expound on various themes and periods\u2014contact between Western and Asian traditions of art, stirrings of post-colonial nationalism and so on\u2014to chart lines of descent from the 19th century to the cusp of the millennium. In its regional focus, however, the Gallery aims not to supplant national-level narratives of the region\u2019s constituent nations, but to act as a contextualizing lens of sorts.<\/p>\n\n\n\n<p>Given the institutional gravitas involved, much could be made of any inclusions, omissions, and associations\u2014a recent symposium as part of the performance art festival \u201cFuture of Imagination\u201d, for instance, noted the paucity of performance art in the permanent exhibitions, despite the impact of performance art within the region. Within the local arts community, there is some interest in the line of demarcation between the portfolios of NGS and SAM, and whether the future relationship between them will be one of encroachment, or of the latter being freed to devote more attention to the bleeding edge of the contemporary.<\/p>\n\n\n\n<p>And as for the Gallery\u2019s effect on art education, Assistant Professor Martin Constable of the Nanyang Technological University\u2019s School of Art, Design and Media suggests that there will be a salutary effect in local art students being able to see iconic works in the flesh, rather than \u201cfeeling that they have seen a painting if they have only ever seen its digital reproduction\u2014that is like claiming to have eaten a meal if all you have ever done is read a menu.\u201d<\/p>\n\n\n\n<p>Beyond these debut exhibitions\u2014which include Chinese-ink\u2013themed retrospectives of Wu Guanzhong and Chua Ek Kay\u2014the Gallery also seems intent on establishing itself as a key link between Southeast Asia and the wider art world. It has recently announced partnerships with the Centre Pompidou and Tate Britain, with a view to co-curating exhibitions which aim, respectively, to re-frame modernism with Southeast Asia as a point of reference, and the relationship between art and the legacy of imperialism. Along with a bevy of other partnerships and projects, the Gallery looks set to become a major point of exchange\u2014a prism through which Southeast Asia and the rest of the world regard one another.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Southeast-Asia-Gallery_Image-courtesy-National-Gallery-Singapore.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2015\/12\/Southeast-Asia-Gallery_Image-courtesy-National-Gallery-Singapore-528x352.jpg\" alt=\" \" class=\"wp-image-68061\" \/><\/a><figcaption class=\"wp-element-caption\">\u201cBetween Declarations and Dreams: Art of Southeast Asia since the 19th Century\u201d, exhibition view<br>\u300a\u5ba3\u8a00\u4e0e\u68a6\u60f3\u4e4b\u95f4\uff1a\u5341\u4e5d\u4e16\u7eaa\u4ee5\u6765\u7684\u4e1c\u5357\u4e9a\u827a\u672f\u300b\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-203.png\" alt=\"\" class=\"wp-image-20269\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-203-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-203-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-203-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-203.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cBetween Declarations and Dreams: Art of Southeast Asia since the 19th Century\u201d, exhibition view<br>\u300a\u5ba3\u8a00\u4e0e\u68a6\u60f3\u4e4b\u95f4\uff1a\u5341\u4e5d\u4e16\u7eaa\u4ee5\u6765\u7684\u4e1c\u5357\u4e9a\u827a\u672f\u300b\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-204.png\" alt=\"\" class=\"wp-image-20272\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-204-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-204-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-204-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-204.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cBetween Declarations and Dreams: Art of Southeast Asia since the 19th Century\u201d, exhibition view<br>\u300a\u5ba3\u8a00\u4e0e\u68a6\u60f3\u4e4b\u95f4\uff1a\u5341\u4e5d\u4e16\u7eaa\u4ee5\u6765\u7684\u4e1c\u5357\u4e9a\u827a\u672f\u300b\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-205.png\" alt=\"\" class=\"wp-image-20275\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-205-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-205-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-205-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-205.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cBetween Declarations and Dreams: Art of Southeast Asia since the 19th Century\u201d, exhibition view<br>\u300a\u5ba3\u8a00\u4e0e\u68a6\u60f3\u4e4b\u95f4\uff1a\u5341\u4e5d\u4e16\u7eaa\u4ee5\u6765\u7684\u4e1c\u5357\u4e9a\u827a\u672f\u300b\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"714\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-206.png\" alt=\"\" class=\"wp-image-20278\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/cbSyaGRe-image-206-222x300.png 222w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-206-111x150.png 111w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-206.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Wu Guanzhong \u2013 Hometown Morning \uff08\u5434\u51a0\u4e2d\u300a\u5bb6\u4e61\u7684\u65e9\u6668\u300b\uff09(Image Courtesy of National Heritage Board)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"792\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-207.png\" alt=\"\" class=\"wp-image-20281\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/Q7p2syqn-image-207-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-207-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-207.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cBetween Declarations and Dreams: Art of Southeast Asia since the 19th Century\u201d, exhibition view<br>\u300a\u5ba3\u8a00\u4e0e\u68a6\u60f3\u4e4b\u95f4\uff1a\u5341\u4e5d\u4e16\u7eaa\u4ee5\u6765\u7684\u4e1c\u5357\u4e9a\u827a\u672f\u300b\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"453\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-208.png\" alt=\"\" class=\"wp-image-20284\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-208-300x257.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-208-150x129.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-208-350x300.png 350w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-208.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cNational Language Class\u201d<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"324\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-209.png\" alt=\"\" class=\"wp-image-20287\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-209-300x184.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-209-150x92.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-209-489x300.png 489w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/zh-hant\/image-209.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cDrying Salted Fish\u201d<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Rounding off a year\u2019s worth of celebrati &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/national-gallery-singapore-ngs-debut-exhibitions\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":20290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[5316,11228,2704,13938,11227,13937,13939,12744,6971,13940,13942,13941,13944],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>National Gallery Singapore (NGS): Debut Exhibitions - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/national-gallery-singapore-ngs-debut-exhibitions\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"National Gallery Singapore (NGS): Debut Exhibitions - \u71c3\u70b9 Ran Dian\" \/>\n<meta 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