{"id":20377,"date":"2015-03-12T10:46:00","date_gmt":"2015-03-12T10:46:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=20377"},"modified":"2024-01-11T11:04:20","modified_gmt":"2024-01-11T11:04:20","slug":"art-basel-hong-kong-2015-new-york-gallery-preview-images","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/","title":{"rendered":"Art Basel Hong Kong 2015: New York gallery preview images"},"content":{"rendered":"\n

Randian asked New York-based galleries attending Art Basel Hong Kong to send in one image and a couple of lines about it. Look out for these around the fair:<\/p>\n\n\n\n

\"Do<\/a>
Do Ho Suh, \u201cRubbing\/Loving Project: Metal Jacket,\u201d colored pencil on mulberry paper, 217.2 x 175.3 cm, 2014. Courtesy the artist and Lehmann Maupin, New York and Hong Kong.<\/figcaption><\/figure>\n\n\n\n

Lehmann Maupin<\/strong><\/p>\n\n\n\n

At their Art Basel Hong Kong booth (1C08) Lehmann Maupin will present a selection from Do Ho Suh\u2019s Rubbing\/Loving<\/em> series, his most elaborate use of drawing to date conveying 1:1 representations of locations and items that are of particular cultural or personal importance to the artist, in this instance, the artist\u2019s former apartment in New York\u2019s Chelsea neighborhood. In addition to showing at Lehmann Maupin\u2019s booth, Suh will be honored at the Asia Society\u2019s third annual gala in Hong Kong on March 11.<\/p>\n\n\n\n

\"Constantin<\/a>
Constantin Brancusi, \u201cLe Poisson,\u201d polished bronze, 13 1\/2 x 42 x 3 cm, 1926. Photo: Copyright The Artist; courtesy of Paul Kasmin Gallery.<\/figcaption><\/figure>\n\n\n\n

Paul Kasmin<\/strong><\/p>\n\n\n\n

One of Brancusi\u2019s most iconic forms, \u201dFish,\u201d <\/em>was manifested in several iterations between 1922 and 1930 and the plaster from which the work Paul Kasmin Gallery is showing at Art Basel Hong Kong was cast, is in the Atelier Brancusi, Musee National d\u2019Art Moderne, Centre Pompidou, Paris.<\/p>\n\n\n\n

\"Sopheap<\/a>
Sopheap Pich, \u201cFar from the Sun,\u201d bamboo, rattan, metal wire, used burlap, plastics, 200 x 200 x 10 cm, 2014.<\/figcaption><\/figure>\n\n\n\n

Tyler Rollins Fine Art<\/strong><\/p>\n\n\n\n

At Art Basel Hong Kong, Tyler Rollins Fine Art will present a solo booth of works by Sopheap Pich; including a new series of Wall Structures<\/em>, scaffolding-like grid forms that explore the rhythms of line and void, as well as works incorporating carved stone elements for the first time, and also organic forms, specifically those inspired by seed pods, vines, hair, and antlers.<\/p>\n\n\n\n

\"John<\/a>
John Baldessari, \u201cBeethoven\u2019s Trumpet (with Ear) Opus # 127,\u201d resin, fiberglass, bronze, aluminum, and electronics, 185 x 183 x 267 cm, 2007.<\/figcaption><\/figure>\n\n\n\n

Marian Goodman<\/strong><\/p>\n\n\n\n

\u201cBeethoven\u2019s Trumpet: In One Ear & Out the Same Ear\u201d is John Baldessari\u2019s first ever sculptural project.  An edition of six, this series represents a significant and exciting expansion of Baldessari\u2019s practice, while maintaining a strong conceptual resonance with his two-dimensional work. The sculpture greets viewers with a large bronze colored ear trumpet suspended four feet off the ground and extending out into space. The trumpet is held aloft by an equally oversized white ear, which is mounted to the wall. When a viewer speaks into the trumpet, the voice triggers a short musical phrase drawn from Beethoven\u2019s Late String Quartet (Opus 127), written while the composer was completely deaf.<\/p>\n\n\n\n

\"Andy<\/a>
Andy Warhol, \u201cMao,\u201d synthetic polymer and silkscreen on canvas, 66 x 55.9 cm, 1973.<\/figcaption><\/figure>\n\n\n\n

Edward Tyler Nahem Fine Art<\/strong><\/p>\n\n\n\n

\u201cMao\u201d, 1973, is a masterpiece from Andy Warhol\u2019s widely revered series of portraits of Mao Zedong, an appropriation explicitly chosen because of its multiple associations, most importantly fame, politics, and power.<\/p>\n\n\n\n

\"Sun<\/a>
Sun Xun, \u201cThe Time Vivarium \u2013 23,\u201d acrylic and ink on paper mounted to aluminum
152.4 x 518.5 cm, 2014. \u00a9 Sun Xun, Courtesy: Sean Kelly, NY.<\/figcaption><\/figure>\n\n\n\n

Sean Kelly<\/strong><\/p>\n\n\n\n

From Sun Xun\u2019s recent solo exhibition, \u201cThe Time Vivarium,\u201d this work was created while Sun was in residence at Sean Kelly last December, working in an ad hoc studio on the lower level of the gallery.<\/p>\n\n\n\n

\"Markus<\/a>
Markus Lupertz, \u201cRote Kreuze \u2013 dithyrambisch (Red Crosses \u2013 dithyrambic),\u201d distemper on canvas, 305 x 198 cm, 1967. Courtesy Michael Werner Gallery, New York and London.<\/figcaption><\/figure>\n\n\n\n

Michael Werner<\/strong><\/p>\n\n\n\n

\u201cIt starts as an idea without a form. It is not a concept, it is a feeling. Anything from daily life can trigger a painting. The motif becomes the vehicle for the painting. (\u2026) I made a large drawing of what I wanted on the paper. After this I would usually make only three paintings from any given motif. (\u2026) Beyond the traditional idea of the motif, this was my idea of painting movement. \u201d (From an interview between Markus L\u00fcpertz and Peter Doig).<\/p>\n\n\n\n

\"Yayoi<\/a>
Yayoi Kusama, \u201cWalking on the Sea of Death,\u201d sewn stuffed fabric, fiberglass rowboat, silver paint, 58 x 256 x 158 cm, 1981.<\/figcaption><\/figure>\n\n\n\n

Fergus McCaffrey<\/strong><\/p>\n\n\n\n

Fergus McCaffrey is pleased to present a tandem exhibition of Natsuyuki Nakanishi and Yayoi Kusama. While of the same generation and country, the artists pursued divergent paths in their practice.<\/p>\n\n\n\n

\"Gama,<\/a>
Gama, \u201cDie W\u00e4chter IX (The Guardian IX),\u201doil on canvas, 300 x 250 cm, 2013.<\/figcaption><\/figure>\n\n\n\n

Chambers Fine Art<\/strong><\/p>\n\n\n\n

\u201cMy paintings explore the boundaries between worlds \u2013 between the real and the imagined, between East and West, between abstraction and figuration, between the physical world and the spirit world.\u201d (Gama).<\/p>\n\n\n\n

\"Guillermo<\/a>
Guillermo Kuitca, \u201cUntitled,\u201d oil on canvas, 198.3 x 277 x 3.6 cm, 2011. \u00a9 Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfanne.<\/figcaption><\/figure>\n\n\n\n

Hauser and Wirth<\/strong><\/p>\n\n\n\n

The centrepiece of Hauser & Wirth\u2019s painting-focused stand is Guillermo Kuitca\u2019s \u2018Untitled\u2019 (2011), a work that explores the artist\u2019s fascination with modernist motifs in which dynamic harlequin forms span the canvas to create a rhythmic crescendo.<\/p>\n\n\n\n

\"Ha<\/a>
Ha Chonghyun, \u201cConjunction 03-33,\u201d oil on canvas, 120 x 180 cm, 2003. Courtesy of the artist and Blum & Poe.<\/figcaption><\/figure>\n\n\n\n

Blum and Poe<\/strong><\/p>\n\n\n\n

\u201cThe act of pushing, or the gesture of pressing has no relation at all to the act of drawing, which takes place on the canvas surface.\u201d (Ha Chonghyun).<\/p>\n\n\n\n

\"Alicja<\/a>
Alicja Kwade, \u201cSignificant Contact,\u201d mirror, bronze, 212.5 x 80 x 145 cm, 2014.<\/figcaption><\/figure>\n\n\n\n

303 Gallery<\/strong><\/p>\n\n\n\n

A piece of bronze extends from a mirror along the floor, creating a juxtaposition between the image in the mirror, and the physical reality.<\/p>\n\n\n\n

\"Ha<\/a>
Ha Chong-Hyun, \u201cConjunction 08-05,\u201d oil on hemp cloth, 130 x 162 cm, 2008.<\/figcaption><\/figure>\n\n\n\n

Kukje Gallery<\/strong><\/p>\n\n\n\n

One of the main artists of Dansaekhwa, Ha Chong-Hyun works with plain, woven hemp, and his interest in the simple muted tones of hemp stem from his work in the 1970s when he bravely explored non-traditional materials that were used to transport food aid from the U.S. following the Korean War.<\/p>\n","protected":false},"excerpt":{"rendered":"

Randian asked New York-based galleries a … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":20378,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23],"tags":[11649,475,14182,14183,14184,6642,14185,14186,5714,1628,11763,14187,14189,14188],"yoast_head":"\nArt Basel Hong Kong 2015: New York gallery preview images - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Basel Hong Kong 2015: New York gallery preview images - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Randian asked New York-based galleries a … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2015-03-12T10:46:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-11T11:04:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2024\/01\/pk-17572-le-poisson-francois-halard.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"1237\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"Art Basel Hong Kong 2015: New York gallery preview images\",\"datePublished\":\"2015-03-12T10:46:00+00:00\",\"dateModified\":\"2024-01-11T11:04:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/\"},\"wordCount\":961,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"303 Gallery\",\"Art Basel\",\"Art Basel Hong Kong preview\",\"Art Basel Hong Kong preview images\",\"Blum and Poe\",\"Chambers Fine Art\",\"Edward Tyler Nahem Fine Art\",\"Fergus McCaffrey\",\"Hauser and Wirth\",\"marian Goodman\",\"Michael Werner\",\"Paul Kasmin Gallery\",\"Sean Kelly\",\"Tyler Rollins Fine Art\"],\"articleSection\":[\"News\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/\",\"url\":\"http:\/\/www.randian.art\/art-basel-hong-kong-2015-new-york-gallery-preview-images\/\",\"name\":\"Art Basel Hong Kong 2015: New York gallery preview images - 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