{"id":20574,"date":"2014-05-09T18:32:00","date_gmt":"2014-05-09T18:32:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=20574"},"modified":"2024-01-12T18:36:01","modified_gmt":"2024-01-12T18:36:01","slug":"berlin-gallery-weekend-2014","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/berlin-gallery-weekend-2014\/","title":{"rendered":"Berlin Gallery Weekend 2014"},"content":{"rendered":"\n

It\u2019s not really a weekend. Because of May Day, it\u2019s already 4 days anyway but people keep stretching it out and frankly now the \u201cweekend\u201d is at least 10 days. And there was such a lot to see. And there was such a lot I wish I hadn\u2019t seen too. The major galleries all made a major effort, with Pae White at neugerriemschneider, Liam Gillick at Esther Schipper, Lynn Chadwick\u2019s \u201cBeast\u201d series at Blain Southern, David Claerbout at Johnen Galerie, Wolfgang Laib at Buchmann Galerie, Fischli & Weiss at Spr\u00fcth Magers, Gordon Matta-Clark at Thomas Schulte and Yang Jiechang at ARNDT, among others. But there was also a lot of boring art at second tier galleries \u2013 not because they are second tier but because they played it safe. Maybe the pressure of rising rental in Berlin is beginning to affect Berlin\u2019s free spirit. I wont mention names (no, really) but the worst\u2026maybe one of the worst\u2026was a huge van Gogh sunflower mess at\u2026and this horrible pasty, naked, sour, gangrenous nude at\u2026.<\/p>\n\n\n\n

Anyway, this article is just an introduction. Expect an end of month postcard from Berlin, with reports on many exhibitions, including some of those mentioned above.<\/p>\n\n\n\n

And China was very present. There is the huge Ai Weiwei retrospective at Martin Gropius Bau (over 70,000 visitors so far \u2013 my review will be out shortly). There is \u201cThe 8 of Paths: Art in Beijing\u201d exhibition curated by Thomas Eller, Andreas Schmid, Guo Xiaoyan and organised by Yu Zhang (expect our report on that show soon too).<\/p>\n\n\n\n

\"\"<\/a>
Nicolas Provost mesmerizing \u201cMoving Stories\u201d, video projection with sound, 7\u2032, 2010, composed entirely of stock-footage, at \u201cKIK-Two: To the friends\u201d, at Klub Kino International, curated by Anna Erickson.<\/figcaption><\/figure>\n\n\n\n

For the Nicolas Provost film, here is the youtube link<\/a>.<\/p>\n\n\n\n

\"\"<\/a>
Lu Yang \u201cThe Beast: Tribute to Neon Genesis Evengelion\u201d on the facade of Collegium Hungaricum<\/figcaption><\/figure>\n\n\n\n

Then there is Momentum Worldwide\u2019s multi-location \u201cPandamonium\u201d (sic) exhibition and program of video art from Shanghai, with Double Fly, Feng Bingyi, Hu Jieming, Hu Weiyi, Lu Yang, Qiu Anxiong, Ming Wong, Xu Wenkai, Xu Zhen, MadeIn, Yang Fudong, Yang Zhenzhong, Zhang Ding, Zhang Peili and Zhou Xiaohu, curated by Li Zhenhua and David Elliott (report coming soon). And of course the Yang Jiechang show at ARNDT and I even curated a small show of Yan Pijie at independent space, orangelab.<\/p>\n\n\n\n

My favorite show from Gallery Weekend Berlin was Liam Gillick at Esther Schipper, the exhibition an amazingly compact distillation of so many themes Gillick has worked with over the years.<\/p>\n\n\n\n

\"\"<\/a>
Liam Gillick \u201cRevenons \u00e0 Nos Moutons\u201d is the best show currently in Berlin, including \u201cHamilton: A Film by Liam Gillick\u201d, a paean to the recently deceased pioneer British pop and conceptual artist, Richard Hamilton. See it at Esther Schipper.<\/figcaption><\/figure>\n\n\n\n
\"\"
Pae White \u201cSpecial No. 127\u2033 at neugerriemschneider, Gallery Weekend Berlin.<\/figcaption><\/figure>\n\n\n\n
\"\"
Yang Jiechang, \u201cOh, Diu\u201d, video, 2003 at ARNDT Berlin \u2013 in Chinese it\u2019s a bit more direct than the English version, \u201cOh, My God\u201d, but then it is describing what one might say at the moment of orgasm. So, polit-religious comment.<\/figcaption><\/figure>\n\n\n\n
\"\"
Lynn Chadwick \u201cHowling Beast\u201d 1990 at Blaine Southern<\/figcaption><\/figure>\n\n\n\n
\"\"
Georges Ad\u00e9agbo (b.1942, Benin) \u201cLes artists et l\u2019\u00e9criture\u201d\u2026! at Wien Lukatsch is an extraordinary collation of found objects, translations, paintings, French, English, German, parodies, jokes, thoughts\u2026<\/figcaption><\/figure>\n\n\n\n
\"\"
\u201cUntitled\u201d by Jia, a performance in which she recites thousands of titles of works, creating an absurd narrative that the mind tricks itself into thinking makes sense. Part of Momentum Worldwide\u2019s \u201cPandamonium\u201d program at Collegium Hungaricum.<\/figcaption><\/figure>\n\n\n\n
\"\"
Li Binyuan \u201cDeathless Love\u201d performance at the opening of \u201cDie 8 der Wege\u2014Art in Beijing\u201d<\/figcaption><\/figure>\n\n\n\n
\"\"
Fiona Banner at Galerie Barbara Thumm \u2013 novels on pieces of old jets.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

It\u2019s not really a weekend. 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