{"id":20657,"date":"2014-02-20T11:02:00","date_gmt":"2014-02-20T11:02:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=20657"},"modified":"2024-01-13T11:03:52","modified_gmt":"2024-01-13T11:03:52","slug":"relational-aesthetics-strike-in-miami","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/relational-aesthetics-strike-in-miami\/","title":{"rendered":"Relational Aesthetics Strike in Miami"},"content":{"rendered":"\n

Security cameras at the Perez Museum on Sunday caught Miami-based artist Maximo Caminero as he walked into an exhibition, picked up an Ai Weiwei art work, and dropped it nonchalantly on the floor.<\/p>\n\n\n\n

The smashed vase was one of sixteen Han-dynasty vessels repainted by Ai Weiwei in bright industrial colors for the installation work \u201cColored Vases\u201d (2006-12). The work is on show as part of the \u201cAccording to What?\u201d retrospective of Ai\u2019s work at the Perez Art Museum in Miami. Caminero, a 51-year-old painter originally from the Dominican Republic, told the Miami New Times:<\/p>\n\n\n\n

\u201cI wanted to draw attention to the fact that there are many foreign artists like myself and others who have been here thirty years and have never received attention or support from MAM or now PAMM and other local museums\u2026.We are all taxpayers here and PAMM used $200 million of public money on its building and opened with Weiwei\u2019s work to draw attention to itself and as always continues to ignore local artists.\u201d<\/p>\n\n\n\n

He apparently had no idea that the vase was worth $1 million, and feels \u201cso sorry\u201d about it. He calls this a \u201cspontaneous protest.\u201d<\/p>\n\n\n\n

According to the news channel CNN, Ai Weiwei<\/p>\n\n\n\n

\u201c\u2026didn\u2019t have \u2018much reaction\u2019 to the news, but said that he thought that a line should be drawn when it came to damaging public or private property as part of a protest. \u2018I can\u2019t have a show in Beijing but I cannot go to museums to break work in Beijing,\u2019 he said in a phone interview. \u2018My work is basically forbidden to be shown in China\u2026.The protest itself may be valid but to damage somebody\u2019s work to do that is questionable\u2026.My work belongs to me; it doesn\u2019t belong to the public and also it doesn\u2019t [belong to] somebody else.\u2019 He said he that believes he has been contacted by the gallery but he isn\u2019t taking the loss too seriously. \u2018I don\u2019t really care much and actually my work is often damaged in different shows, because it\u2019s fragile, so normally I don\u2019t take these things too highly. Damage is damage, you know. If they have insurance, maybe it will be covered.\u2019\u201d<\/p>\n\n\n\n

It has not escaped the notice of those receiving this news that what Caminero calls his \u201cspontaneous protest\u201d bears a striking resemblance to Ai Weiwei\u2019s own performance in 1995 entitled \u201cDropping a Han Dynasty Urn.\u201d Ai has replied that he considered his work to be \u201cvery different.\u201d<\/p>\n\n\n\n

Sources:<\/p>\n\n\n\n

Hyperallergic<\/a><\/p>\n\n\n\n

CNN<\/a><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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