{"id":3321,"date":"2016-06-08T16:34:00","date_gmt":"2016-06-08T16:34:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=3321"},"modified":"2022-12-06T16:59:22","modified_gmt":"2022-12-06T16:59:22","slug":"between-language-and-infinity","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/between-language-and-infinity\/","title":{"rendered":"Between Language and Infinity"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/yang-jian-the-beginning-of-infinity\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Yang Jian: \u201cThe Beginning of Infinity\u201d<\/strong><\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/white-space-2\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>White Space<\/strong><\/a>&nbsp;(No.255, Caochangdi Airport Service Road Chaoyang District Beijing 100015),&nbsp;&nbsp;<strong>Apr 23 \u2013 May 29, 2016<\/strong><\/p>\n\n\n\n<p>The poet and conceptual artist Vito Acconci, a seminal figure of New York\u2019s experimental art scene in the 1970s, tried to make \u201carchitecture\u201d using words and language. He created poems in which the sound of the voice and its pitch, the words and images would evoke the perception of spatial relationships, plans, volumes and other structural elements, establishing a simultaneous space in which architecture and language would exist together and mirror each other. Since becoming a full time architect, Acconci has tried to recreate this correspondence with his designs.<\/p>\n\n\n\n<p>Yang Jian\u2019s exhibition \u201cThe beginning of infinity\u201d engages with a different, but parallel experiment. According to the exhibition\u2019s introduction: \u201cThis exhibit showcases a novel written by Yang Jian about time, routes and \u2018the final destination\u2019 through the form of a labyrinth built by an anonymous architect who happens to have left some notes behind.\u201d Our journey into this maze (built using metal stands and long, translucent white plastic sheets) starts as if we were entering a mysterious scientific institution, the whereabouts and purposes of which are not given.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"351\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-341.png\" alt=\"\" class=\"wp-image-3322\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-341-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-341-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-341-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-341.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yang Jian, \u201cLabyrinth\u201d, galvanized iron pipe, frosted glass tint, silk-screen printing, magnet, masking tape, dimensions variable, 2016<\/figcaption><\/figure>\n\n\n\n<p>In the corners, at every new turn, one can read on the sheets sentences and notes which provide some insight into the architect\u2019s building process and fragments of life that embody or run parallel to their train of thought. The labyrinth\u2019s width is limited: large enough for just one person. The metal stands and the plastic sheets are cold and mute. Their pristine logic of repetition forces the visitor through a specific path which, potentially, could be subverted and challenged (the sheets-walls are soft and movable) but that, in reality, has an intense psychological power; one\u2019s perception is quickly attuned to a feeling of imprisonment amid the otherness of this artificial environment.<\/p>\n\n\n\n<p>Along the journey we meet various objects and things: some are informal, like a strange hybrid sculpture including a plant with a lead ribbon; some are recognizable, such as an off-white cloth and lead version of Alice\u2019s White Rabbit; some are drawn from daily life, like a metal medical cabinet on wheels, or a surveying instrument mounted on a tripod, or three electric bulbs in iron boxes; among the sculptural forms is a large leaf of lead with an iPad inserted in the middle of it as if occupying the space of a wound. There is a rubber foam piece and monitors with data and a device that is counting the time the artist thinks he has left to live. Apart from the anonymous architect\u2019s words, we have no clue or logic to follow save for the labyrinth itself.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"792\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-342.png\" alt=\"\" class=\"wp-image-3325\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/DYjxLgUh-image-342-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-342-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-342.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yang Jian, \u201cSegmentation of Human in Aerial View\u201d, lead sheath, copper, cotton thread, iron board, wood board, wheel, dimensions variable, 2016<\/figcaption><\/figure>\n\n\n\n<p>All the materials employed are cold: industrial relics, maybe transformed by the hand of a \u201ccreator\u201d, or perhaps just abandoned there, assembled by chance, or by an occasional passerby. &nbsp;On a purely artistic level, the exhibition is elegant and sophisticated. As a \u201cplastician\u201d, Yang Jian carefully orchestrates subtle contrasts of surface, texture, color and volume, almost without leaving the spectrum of grey, black and white, with just a few touches of primary and pastel color (pieces of cloth, greenish screens and red digital numbers on LED elements). The way the light travels through the space and is reflected by these various surfaces is also interesting and subtle, alternating its quality from a diffuse space-ship-like milky white to the all absorbing black of rubber, or warm, rusty iron surfaces versus the rich, dense grey-blue of lead.<\/p>\n\n\n\n<p>On a conceptual level, Yang Jian renders tangible a complex physical and mental interpretation of space in which language manifests itself in the form of the labyrinth. This succeeds in being&nbsp; precise and constrictive, but also undetermined, suspended in a silent dimension between straightforward materiality and an unconscious or oneiric archetypal projection.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"351\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-343.png\" alt=\"\" class=\"wp-image-3328\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-343-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-343-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-343-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-343.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yang Jian, \u201cThe beginning of Infinity\u201d, exhibition view<\/figcaption><\/figure>\n\n\n\n<p>We might think of being in some of the worlds Borges created, or in one of Calvino\u2019s&nbsp;<em>Imaginary Cities<\/em>, or equally in a Philip K. Dick short story or Stanley Kubrick\u2019s sequence plan. The infinity proposed by Yang Jian is engaging and disturbing: the world has become language and this language is ultimately selecting and designing our space and restricting our chances to break out in any direction. The labyrinth is almost intangible, light and translucent, and its structural elements can be easily moved or trespassed, endlessly changing configuration; this seems harmless, but slowly all the empty space is being filled, leaving no void and proposing no meaning. Through the conceptual production and distribution of language, we are becoming prisoners in a matrix that endlessly reflects and reproduces her structural complexity without any purpose beside proliferation. The seductive and sophisticated presence conjured here always suggests a \u201cbeyond\u201d which, like the sirens\u2019 chants, drive us towards ultimate wreckage that is not an event and does not take place, but nonetheless constantly erodes and erases all traces of and references to our previous existence. &nbsp;The modern and postmodern industrial objects we encounter are, paradoxically, the only elements with an organic quality that resides in their nature as relics of a collective unconscious.<\/p>\n\n\n\n<p>Gaston Bachelard wrote in\u00a0<em>The Poetics of Space<\/em>: \u201cSometimes the house of the future is better built, lighter and larger than all the houses of the past, so that the image of the dream house is opposed to that of the childhood home.\u201d Yang Jian leads us through this labyrinthine house of the future, dropping clues around it that might remind one of a childhood home. We realize, however, that some manmade objects, with their patina of rust and oxidation, their weight, familiar shapes and use and evocative power, are still closer and easier to relate to than the inherent logic of dominance hidden behind the lifeless structural elements composing the house itself.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"792\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-344.png\" alt=\"\" class=\"wp-image-3331\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/Tzs4ciMI-image-344-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-344-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-344.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yang Jian, \u201cCountdown Timer of My Life\u201d, led chip, transparent resin, soil, ruderal, acrylic, 11 \u00d7 5 \u00d7 12 cm, 2007-2010<\/figcaption><\/figure>\n\n\n\n<p>Who is the anonymous visionary architect? Are they the artist\u2019s super-ego, or merely a projection of our innate self-deceiving intellectual and emancipatory delusions about art and architecture themselves? Perhaps the answer is hidden somewhere in the folds of this anti-gesamtkunstwerk. \u201cYou can check out anytime you like, but you can never leave\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"351\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-345.png\" alt=\"\" class=\"wp-image-3334\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-345-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-345-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-345-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-345.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yang Jian, \u201cNot Recommended for Use\u201d, bulb, lamp holder, iron board<br>35 \u00d7 30 \u00d7 6.5 cm, 2016<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"792\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-346.png\" alt=\"\" class=\"wp-image-3337\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/2DhhruFl-image-346-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-346-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-346.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yang Jian, \u201cSDSS-3939\u2033, aluminum, iron, sdss spectroscopy plate, led light, overall dimensions variable, 2015-16<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"351\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-347.png\" alt=\"\" class=\"wp-image-3340\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-347-300x199.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-347-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-347-451x300.png 451w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-347.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yang Jian, \u201cWind Detected\u201d, video installation, single channel video (color, sounds), iron frame, 2015-16<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"792\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-348.png\" alt=\"\" class=\"wp-image-3343\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/IWarX0S4-image-348-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-348-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-348.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Yang Jian, \u201cLead Brain\u201d, lead, stainless steel trolley, garbage bag, liquid soap, spoon, duster cloth, snail, shaver, 49 \u00d7 24 \u00d7 80 cm, 2016<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Yang Jian: \u201cThe Beginning of Infinity\u201d W &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/between-language-and-infinity\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":3346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[1372,149,415,67,172,102,1373,1374,416,239,1298,374,393,1375,1376,1283,878,1378,1377,1379,419,210,1228,1122,460,230,421],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - 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