{"id":3794,"date":"2016-04-13T08:02:00","date_gmt":"2016-04-13T08:02:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=3794"},"modified":"2022-12-07T08:21:19","modified_gmt":"2022-12-07T08:21:19","slug":"of-vessels-and-value-valerie-snobecks-reservoirs-in-new-york-and-hong-kong","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/of-vessels-and-value-valerie-snobecks-reservoirs-in-new-york-and-hong-kong\/","title":{"rendered":"Of Vessels and Value: Valerie Snobeck\u2019s Reservoirs in New York and Hong Kong"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote\">\n<p class=\"has-large-font-size\">\u201cSculpted with exhalation. Breathed into the atmosphere, captured by oceans and plants, consumed and eventually pushed into the inner voids of the mold.\u201d<\/p>\n<cite>Valerie Snobeck<\/cite><\/blockquote>\n\n\n\n<p><em>This review is included in Ran Dian\u2019s print magazine, issue 3 (Spring 2016)<\/em><\/p>\n\n\n\n<p><strong>\u201cValerie Snobeck: Reservoirs\u201d<\/strong><\/p>\n\n\n\n<p>Essex Street, New York<\/p>\n\n\n\n<p><strong>October 29\u2013December 13, 2015<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/valerie-snobeck-reservoirs\/\"><strong>\u201cValerie Snobeck<\/strong>\u201c<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/simon-lee-gallery-hong-kong\/\">Simon Lee Gallery<\/a>, Hong Kong<\/p>\n\n\n\n<p><strong>January 13\u2013February 11, 2016<\/strong><\/p>\n\n\n\n<p>The sculptures in Valerie Snobeck\u2019s Reservoirs series, shown recently at Essex Street in New York and Simon Lee Gallery in Hong Kong, were displayed less like fine art objects than artifacts or specimens for study. Organized into groups according to their subtitles within the series (Wedges and Jams, Large and Small Bends, and Shadows and Silhouettes, all 2015), the works were arranged on metal work tables At Essex Street these were positioned lengthwise in the gallery\u2014a decision by the New York\u2013based artist that seemed intended to disrupt the flow of conventional interaction and provoke an attenuated pause.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-459.png\" alt=\"\" class=\"wp-image-3795\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-459-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-459-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-459-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-459.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Valerie Snobeck, \u201cReservoirs\u201d at Simon Lee HK, installation view (Images courtesy of the artist, Simon Lee Gallery, and Kitmin Lee Photo)<br>\u9999\u6e2fSimon Lee\u753b\u5ecaValerie Snobeck\u4e2a\u5c55\u201cReservoirs\u201d\u5c55\u89c8\u573a\u666f\uff08\u56fe\u7247\uff1a\u827a\u672f\u5bb6\uff0cSimon Lee\u753b\u5eca\u548cKitman Lee Photo)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"291\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-460.png\" alt=\"\" class=\"wp-image-3798\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-460-300x165.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-460-150x83.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-460-500x276.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-460.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Valerie Snobeck, \u201cReservoirs\u201d at Simon Lee HK, installation view (Images courtesy of the artist, Simon Lee Gallery, and Kitmin Lee Photo)<br>\u9999\u6e2fSimon Lee\u753b\u5ecaValerie Snobeck\u4e2a\u5c55\u201cReservoirs\u201d\u5c55\u89c8\u573a\u666f\uff08\u56fe\u7247\uff1a\u827a\u672f\u5bb6\uff0cSimon Lee\u753b\u5eca\u548cKitman Lee Photo)<\/figcaption><\/figure>\n\n\n\n<p>In a statement published for the Hong Kong show, Snobeck explained that her Reservoirs are faithful replicas of washer fluid tanks from engines. Made of blown and molded glass, their hollow forms are flattened or grooved in places, and bulbous, crumpled, elongated, or pinched in others\u2014abject physical qualities that replicate damage to the original plastic tanks from heat and use. Each vessel has a round, even opening, and the matte glass surfaces are in three milky shades: white, blue, and powdery pink, flecked in some areas with faint yellow and brown stains. Every one is accompanied by a shiny black length of glass that either extends from the circular opening or runs alongside it, mimicking the fluid-level sensors of the original objects. In one work in the Wedges and Jams group, Snobeck has gone so far as to include the smaller black pump that usually nestles in the side of the main reservoir as part of the sensor system. Like the vessels they are paired with, when extricated from their ordinary context, these black forms appear improvisatory in some sections and methodical in others, straddling instinct and intention.<\/p>\n\n\n\n<p>Snobeck\u2019s previous exhibitions have revealed her interest in found objects, translucency, and archival materials. Her last solo show at Essex Street, Grand Beauty Salon (2012), took its title from the business opposite the gallery and featured real tar and bits of plastic partly sculpted by the sea. In a similar way, the Reservoirs recall salvaged glass and plastic trash, their shapes coerced by wear or time adrift. Replicated in a new material and presented as sculptural objects, they convey faith in transformation and attention to the poetic potential of commonplace forms. It would seem that Snobeck sees molded glass as a vessel in itself\u2013a distillation of the natural and organic, in her own words: \u201cSculpted with exhalation. Breathed into the atmosphere, captured by oceans and plants, consumed and eventually pushed into the inner voids of the mold.\u201d The resilience of glass leads the artist to end her statement with the idea of it as a kind of vessel for time.<\/p>\n\n\n\n<p>For the viewer, the abstraction of these forms from their usual context and function and the added dimension of metal surfaces that conflate pedestals with forensic examiners\u2019 tables might conjure other possible interpretations, for instance related to environmental politics, a timely topic given the historic climate agreement just reached in Paris, binding nations to lower their carbon emissions and recycle waste materials such as plastic and cardboard. Here one encounters the forms of already-consumed objects recuperated and remade as sculpture. Installed on industrial tables in a privileged gallery space, Snobeck\u2019s works muddy the distinction between cherished objets d\u2019art and items salvaged from a recycling plant. Her Reservoirs are like the fragile cousins of common plastic tanks, buoyed by different currents and washed up on a rarefied shore, becoming vessels for contemplation. Through visually analogous forms and materials, this exhibition arguably floats an awareness of the fluid nature of value itself.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"340\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-461.png\" alt=\"\" class=\"wp-image-3801\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-461-300x193.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-461-150x97.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-461-466x300.png 466w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-461.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Valerie Snobeck, \u201cReservoirs with Stains, Dust, and Burns (Wedges and Jams)\u201d, mold blown and hot sculpted glass, 114 \u00d7 244 \u00d7 76 cm, 2015 (courtesy the artist and Essex Street Gallery)<br>Valerie Snobeck\uff0c\u300a\u50a8\u6db2\u7bb1\uff08\u6954\u5b50\u4e0e\u585e\uff09\u300b\uff0c\u5439\u5851\u6a21\u578b\u548c\u70ed\u7194\u73bb\u7483\uff0c114 \u00d7 244 \u00d7 76 cm,\uff0c2015\uff08\u56fe\u7247\u7531\u827a\u672f\u5bb6\u548cEssex Street\u753b\u5eca\u63d0\u4f9b\uff09<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"355\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-462.png\" alt=\"\" class=\"wp-image-3804\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-462-300x202.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-462-150x101.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-462-446x300.png 446w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-462.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Valerie Snobeck, \u201cReservoirs with Stains, Dust, and Burns (Shadows and Silhouettes)\u201d, mold blown and hot sculpted glass, 116 \u00d7 122 \u00d7 76 cm, 2015<br>(courtesy the artist and Essex Street Gallery)<br>Valerie Snobeck\uff0c\u300a\u50a8\u6db2\u7bb1\uff08\u5f71\u5b50\u4e0e\u8f6e\u5ed3\uff09\u300b\uff0c\u5439\u5851\u6a21\u578b\u548c\u70ed\u7194\u73bb\u7483\uff0c116 \u00d7 122 \u00d7 76 cm\uff0c2015\uff08\u56fe\u7247\u7531\u827a\u672f\u5bb6\u548cEssex Street\u753b\u5eca\u63d0\u4f9b)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"345\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-463.png\" alt=\"\" class=\"wp-image-3807\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-463-300x196.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-463-150x98.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-463-459x300.png 459w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-463.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Valerie Snobeck, \u201cReservoirs with Stains, Dust, and Burns (Shadows and Silhouettes)\u201d, mold blown and hot sculpted glass, 116 \u00d7 122 \u00d7 76 cm, 2015<br>(courtesy the artist and Essex Street Gallery)<br>Valerie Snobeck\uff0c\u300a\u50a8\u6db2\u7bb1\uff08\u5f71\u5b50\u4e0e\u8f6e\u5ed3\uff09\u300b\uff0c\u5439\u5851\u6a21\u578b\u548c\u70ed\u7194\u73bb\u7483\uff0c116 \u00d7 122 \u00d7 76 cm\uff0c2015\uff08\u56fe\u7247\u7531\u827a\u672f\u5bb6\u548cEssex Street\u753b\u5eca\u63d0\u4f9b)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"343\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-464.png\" alt=\"\" class=\"wp-image-3810\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-464-300x195.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-464-150x97.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-464-462x300.png 462w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-464.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Valerie Snobeck, \u201cReservoirs\u201d at Essex Street Gallery, New York City, installation view<br>\u7ebd\u7ea6Essex Street\u753b\u5ecaValerie Snobeck\u4e2a\u5c55\u201cReservoirs\u201d\u5c55\u89c8\u573a\u666f<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"356\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-465.png\" alt=\"\" class=\"wp-image-3813\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-465-300x202.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-465-150x101.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-465-445x300.png 445w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-465.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Valerie Snobeck, \u201cReservoirs with Stains, Dust, and Burns (Large and Small Bends)\u201d, mold blown and hot sculpted glass, 119 \u00d7 122 \u00d7 76 cm, 2015 (courtesy the artist and Essex Street Gallery)<br>Valerie Snobeck\uff0c\u300a\u50a8\u6db2\u7bb1\uff08\u5927\u5c0f\u5f2f\u66f2\uff09\u300b\uff0c\u5439\u5851\u6a21\u578b\u548c\u70ed\u7194\u73bb\u7483\uff0c 119 \u00d7 122 \u00d7 76 cm\uff0c2015\uff08\u56fe\u7247\u7531\u827a\u672f\u5bb6\u548cEssex Street\u753b\u5eca\u63d0\u4f9b\uff09<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cSculpted with exhalation. Breathed into &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/of-vessels-and-value-valerie-snobecks-reservoirs-in-new-york-and-hong-kong\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":3816,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[1512,1514,1513,1515,1516,1517],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Of Vessels and Value: Valerie Snobeck\u2019s Reservoirs in New York and Hong Kong - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/of-vessels-and-value-valerie-snobecks-reservoirs-in-new-york-and-hong-kong\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Of Vessels and Value: Valerie Snobeck\u2019s Reservoirs in New York and Hong Kong - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cSculpted with exhalation. 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