{"id":6010,"date":"2015-11-28T10:53:00","date_gmt":"2015-11-28T10:53:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=6010"},"modified":"2022-12-13T10:57:57","modified_gmt":"2022-12-13T10:57:57","slug":"why-abstract-painting-still-matters-recent-london-shows","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/why-abstract-painting-still-matters-recent-london-shows\/","title":{"rendered":"Why Abstract Painting still Matters<br>\u2013 recent London Shows"},"content":{"rendered":"\n<p><a href=\"http:\/\/www.simonleegallery.com\/exhibitions\/heimo-zobernig-2015-09\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Heimo Zobernig<\/strong><\/a><\/p>\n\n\n\n<p><strong>Simon Lee Gallery<\/strong>&nbsp;(12 Berkeley Street, London W1J 8DT)&nbsp;<strong>Oct 13 \u2013 Nov 14, 2015<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.davidzwirner.com\/exhibition\/binary-function-2\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Oscar Murillo: binary function<\/strong><\/a><\/p>\n\n\n\n<p><strong>David Zwirner<\/strong>&nbsp;(24 Grafton Street, London W1S 4EZ)&nbsp;<strong>Oct 10 \u2013 Nov 20, 2015<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.newportstreetgallery.com\/exhibitions\/john-hoyland-power-stations-paintings-1964-1982\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>John Hoyland: Power Station Paintings. 1964-1982<\/strong><\/a><\/p>\n\n\n\n<p><strong>Newport Street Gallery&nbsp;<\/strong>(Newport Street, London, SE11 6AJ)&nbsp;<strong>Oct 8, 2015 \u00ad\u2013 Apr 3, 2016<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.pacegallery.com\/london\/exhibitions\/12756\/lee-ufan\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Lee Ufan: From Point, From Line, From Wind<\/strong><\/a><\/p>\n\n\n\n<p><strong>Pace&nbsp;<\/strong>(6 Burlington Gardens, London W1S 3ET)&nbsp;<strong>Sep 15 \u2013 Oct 31, 2015<\/strong><\/p>\n\n\n\n<p>Four recent shows in London remind us why \u201cabstract\u201d painting remains compelling for understanding what painting is. Each show eschewed the decorative \u201ctail-feather\u201d displays of what is now commonly known as \u201czombie abstraction.\u201d The shows were about what it is to paint\u2014physically, formally, and conceptually.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1066.png\" alt=\"\" class=\"wp-image-6011\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1066-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1066-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1066-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1066.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cHeimo Zobernig\u201d, exhibition view at Simon Lee Gallery.<\/figcaption><\/figure>\n\n\n\n<p>At Simon Lee Gallery, Heimo Zobernig\u2019s new paintings, each 2 x 2 m square, were smattered with radioactively fluorescent post-it note sized squares of green and pink, and others of blue and grey, over gestural layers of Chroma-key daylight colors. The mosaic-effect, drawn from the low-resolution pixilation\u2019s of early 1980s video screens, was like an electric surge that leaves you overwhelmed and bewildered. Slowly, slowly emerged words: VIDEO, PAINTING, LOOK.<\/p>\n\n\n\n<p>Since the late 1990s, Heimo Zoberig (b.1958, Austria) has used painting, film and sculpture to explore notions of modernism, in particular&nbsp; ideas about the screen and the grid. In this show, he has pushed further the concept of layers of paint as both concealing and revealing. In a sense, this recalls the infinite strokes of Willem de Kooning, whereby gestural marks sweep under and over each other, linking background and foreground and creating a visual\/conceptual \u201cspace\u201d within and between the strokes. But the words and the over-layers of squares in Zoberig\u2019s work force us to unpack the meaning; in fact, the entire show is about how we do so.<\/p>\n\n\n\n<p>Simon Lee Gallery is the most dedicated program gallery in London focused on contemporary painting. It would be easy but&nbsp; incorrect to say that the gallery concentrates on abstract painting: its exhibitions are precisely about painting and the artist\u2019s struggle with its history and its formal, physical and conceptual dynamics. Zobernig, then, sits well with other artists in the gallery\u2019s roster such as John Armleder, Matias Faldbakken and David Ostrowski, but also artists like George Condo and even Angela Bulloch. There is always an artistic-super-conscience at work. This is why, when visiting the gallery, the first question should not be \u201cwhat is this?\u201d but \u201cwhy am I looking?\u201d\u2014because we come with the history of art inside us, and artists like Zobernig play to art history\u2019s triggers.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"346\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1067.png\" alt=\"\" class=\"wp-image-6014\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1067-300x197.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1067-150x98.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1067-458x300.png 458w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1067.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cOscar Murillo: binary function\u201d, exhibition view at David Zwirner.<\/figcaption><\/figure>\n\n\n\n<p>At David Zwirner, Oscar Murillo\u2019s (b. 1986, Columbia) show blended film, sound, installation, painting, and drawing. Canvases were hung like an operatic curtain in front of the window. Others, dyed inky black, were cast on the floor like rumpled studio drop sheets. Steel bunks recalled Anselm Kiefer. Like Zobernig, the paintings were layered with the process of painting, including mistakes, erasures, smudges and accidental dirt from the place of its making. It looks theatrical, too\u2014a stage awaiting a performance. But again, this is about the reality of the work, which is to say, the created space of the exhibition and its individual elements but also the actual space it inhabits, in a room, in a building, in a city\u2014where we live, and how. Here, the film of a New Year\u2019s Day street party in the artist\u2019s hometown, La Paila in Columbia, is crucial; it offers a point of contrast and therefore a key to how we can approach the other parts of the installation. Painting is also about communication\u2014not only with an immediate audience but across geographical and linguistic space.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1068.png\" alt=\"\" class=\"wp-image-6017\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1068-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1068-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1068-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1068.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cJohn Hoyland: Power Station Paintings. 1964-1982\u2033, exhibition view at Newport Street Gallery.<\/figcaption><\/figure>\n\n\n\n<p>Newport Street Gallery is Damien Hirst\u2019s recently launched art space dedicated to showing work from his collection. It is beautiful, but also practical\u2014designed to show art rather than showcase its architect or owner. Hirst\u2019s detractors may question this, but it is noteworthy that &nbsp;Hirst has been one of the most active advocates for and supporters of fellow artists\u2014Sarah Lucas, Rachel Howard and Ashley Bickerton have all been vocal about their respect for and thanks to Hirst. An artist who was initially skeptical about Hirst was the British painter John Hoyland (1934-2011). However, at a time when the artist was largely overlooked, Hirst was a great fan of Hoyland\u2019s giant abstract paintings. The two became close friends, and Hirst Hoyland\u2019s foremost collector. SFor these reasons it is apt that a show of Hoyland\u2019s works should inaugurate the Newport Street Gallery. And it is stunning. Descriptions can be read and JPGs poured-over, but the experience of being there\u2014what every exhibition should strive for\u2014changes one\u2019s perception, and the memory of it remains long after leaving the show. Traditionally, English painting can be finicky and labored\u2014times, even that of masters such as Bacon; the one real exception is Turner. Here, though, is an exhibition about color, freedom, and scale. The paintings and their painting work internally, the brush and movement of pigment about the defined space and surface of each work. But then each work itself is injected into the physical space of the viewer, into this reality. And it is the size that shakes you because we are no longer dealing with a specimen in a book or on a computer or hung on a lounge-room wall, but a physical giant that you are forced to confront. The show is on until April 2016. If you can, go.<\/p>\n\n\n\n<p>Finally, at Pace Gallery\u2019s Royal Academy address was a mini-retrospective of Lee Ufan (b.1936, Korea). Lee was one of the founders and main theorists of Japan\u2019s somewhat essentialist Mono Ha (\u201cObject School\u201d) artistic movement, which broadly advocated de-westernization and de-modernization and applied Eastern philosophical traditions to a minimalist artistic practice. While the philosophy strikes me as somewhat theosophical, it resulted in some of the most beautiful process-generated minimalist paintings. Another exhibition has just opened at Pace in Hong Kong.<\/p>\n\n\n\n<p>The point with each of these shows is that all abstraction is based in reality. We use the term to discuss a particular set of registers\u2014stylistic, formal and conceptual\u2014that actually operate within all paintings but have been highlighted in avant-garde painting from the late 19<sup>th<\/sup>&nbsp;century onwards. If so-called Abstract painting is simply a matter of being non-objective\u2014whatever that is (it is derisory to reduce painting to simply the interpretation of learned signs: a tree, a house, a person)\u2014then of course it quickly descends into mere decoration. \u201cNon-objective\u201d though is also code: used to cut out certain registers from a discussion. That is ok, provided it is temporary and contextualized. If not, it becomes tendentious, but that is a risk with all jargon, including \u201cabstract painting\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"520\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1069.png\" alt=\"\" class=\"wp-image-6023\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1069-300x295.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1069-150x148.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1069-305x300.png 305w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1069.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Heimo Zobernig, Untitled, acrylic on canvas, 200 x 200 cm, 2015.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"512\" height=\"768\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1070.png\" alt=\"\" class=\"wp-image-6026\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/OjcpeoUE-image-1070-200x300.png 200w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1070-100x150.png 100w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1070.png 512w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><figcaption class=\"wp-element-caption\">\u201cOscar Murillo: binary function\u201d, exhibition view at David Zwirner.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"604\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1071.png\" alt=\"\" class=\"wp-image-6029\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/b6w4yUtb-image-1071-262x300.png 262w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1071-131x150.png 131w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1071.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">John Hoyland, \u201cLongspeak 18.4.79\u2033, acrylic on canvas, 1979, 243.8 x 213.4 cm. Image \u00a9 The John Hoyland Estate.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"352\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1072.png\" alt=\"\" class=\"wp-image-6032\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1072-300x200.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1072-150x100.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1072-450x300.png 450w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1072.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">\u201cLee Ufan: From Point, From Line, From Wind\u201d, exhibition view at Pace Gallery.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Heimo Zobernig Simon Lee Gallery&nbsp;(1 &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/why-abstract-painting-still-matters-recent-london-shows\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":6037,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[2473,88,208,2474,2475,2476,2477,761,104,1551,2478,2479,2480,2481,2482,2483],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Why Abstract Painting still Matters\u2013 recent London Shows - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why Abstract Painting still Matters\u2013 recent London Shows - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"Heimo Zobernig Simon Lee Gallery&nbsp;(1 &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-28T10:53:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-13T10:57:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/john-hoyland.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"797\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Duyen Le\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Duyen Le\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/\"},\"author\":{\"name\":\"Duyen Le\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13\"},\"headline\":\"Why Abstract Painting still Matters \u2013 recent London Shows\",\"datePublished\":\"2015-11-28T10:53:00+00:00\",\"dateModified\":\"2022-12-13T10:57:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/\"},\"wordCount\":1210,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"abstract painting\",\"Chris Moore\",\"David Zwirner\",\"Heimo Zobernig (Austria)\",\"John Hoyland\",\"Lee Ufan\",\"Newport Street Gallery\",\"Oscar Murillo\",\"Pace\",\"Simon Lee Gallery\",\"\u4f69\u65af\u753b\u5eca\",\"\u50f5\u5c38\u62bd\u8c61\u4e3b\u4e49\",\"\u5965\u65af\u5361\u00b7\u7a46\u91cc\u7565\uff1a\u4e8c\u5143\u51fd\u6570\",\"\u674e\u79b9\u7165\uff1a\u7531\u70b9\uff0c\u7531\u7ebf\uff0c\u7531\u98ce\",\"\u6d77\u9ed8\u2022\u7d22\u535a\u5c3c\u683c\",\"\u7ebd\u6ce2\u7279\u8857\u753b\u5eca\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/\",\"url\":\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/\",\"name\":\"Why Abstract Painting still Matters \u2013 recent London Shows - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2015-11-28T10:53:00+00:00\",\"dateModified\":\"2022-12-13T10:57:57+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Why Abstract Painting still Matters\u2013 recent London Shows\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13\",\"name\":\"Duyen Le\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g\",\"caption\":\"Duyen Le\"},\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/duyen\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Why Abstract Painting still Matters\u2013 recent London Shows - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/","og_locale":"zh_TW","og_type":"article","og_title":"Why Abstract Painting still Matters\u2013 recent London Shows - \u71c3\u70b9 Ran Dian","og_description":"Heimo Zobernig Simon Lee Gallery&nbsp;(1 &hellip; Continue reading &rarr;","og_url":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2015-11-28T10:53:00+00:00","article_modified_time":"2022-12-13T10:57:57+00:00","og_image":[{"width":1200,"height":797,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/john-hoyland.webp","type":"image\/webp"}],"author":"Duyen Le","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Duyen Le","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"7 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/"},"author":{"name":"Duyen Le","@id":"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13"},"headline":"Why Abstract Painting still Matters \u2013 recent London Shows","datePublished":"2015-11-28T10:53:00+00:00","dateModified":"2022-12-13T10:57:57+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/"},"wordCount":1210,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":["abstract painting","Chris Moore","David Zwirner","Heimo Zobernig (Austria)","John Hoyland","Lee Ufan","Newport Street Gallery","Oscar Murillo","Pace","Simon Lee Gallery","\u4f69\u65af\u753b\u5eca","\u50f5\u5c38\u62bd\u8c61\u4e3b\u4e49","\u5965\u65af\u5361\u00b7\u7a46\u91cc\u7565\uff1a\u4e8c\u5143\u51fd\u6570","\u674e\u79b9\u7165\uff1a\u7531\u70b9\uff0c\u7531\u7ebf\uff0c\u7531\u98ce","\u6d77\u9ed8\u2022\u7d22\u535a\u5c3c\u683c","\u7ebd\u6ce2\u7279\u8857\u753b\u5eca"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/","url":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/","name":"Why Abstract Painting still Matters \u2013 recent London Shows - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2015-11-28T10:53:00+00:00","dateModified":"2022-12-13T10:57:57+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/why-abstract-painting-still-matters-recent-london-shows\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"Why Abstract Painting still Matters\u2013 recent London Shows"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13","name":"Duyen Le","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g","contentUrl":"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g","caption":"Duyen Le"},"url":"http:\/\/www.randian.art\/zh-hant\/author\/duyen\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/6010"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=6010"}],"version-history":[{"count":1,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/6010\/revisions"}],"predecessor-version":[{"id":6040,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/6010\/revisions\/6040"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/6037"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=6010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=6010"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=6010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}