{"id":6962,"date":"2014-09-02T08:14:00","date_gmt":"2014-09-02T08:14:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=6962"},"modified":"2022-12-15T08:16:34","modified_gmt":"2022-12-15T08:16:34","slug":"my-generation","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/my-generation\/","title":{"rendered":"My Generation"},"content":{"rendered":"\n

\u201cMy Generation: Young Chinese Artists\u201d<\/strong><\/p>\n\n\n\n

Tampa Museum <\/strong><\/a>(120 W Gasparilla Plaza, Tampa, FL 33602, USA), Jun 7 \u2013 Sept 28, 2014<\/strong><\/p>\n\n\n\n

Museum of Fine Arts<\/strong><\/a> (255 Beach Drive N.E., St. Petersburg, FL 33701), Jun 7 \u2013 Sept 28, 2014<\/strong><\/p>\n\n\n\n

\u201cMy Generation: Young Chinese Artists\u201d is New York-based critic, curator, writer and journalist Barbara Pollack\u2019s well-chosen introduction to new Chinese art and artists. Installed in two venues, the Tampa Museum of Art and the St. Petersburg Museum of Fine Arts (through September 28th), it is the first exhibition in the United States to exclusively showcase the work of the post-Reform and Opening (1978\u201379 onwards) generation. All from mainland China and born after 1976, these artists\u2019 live in a more liberalized and more consumer-oriented country than their predecessors, one that has shifted at warp speed from a traditional agrarian society into a modern industrial nation, signaling a radical societal upheaval for the third time in a century.<\/p>\n\n\n\n

The exhibition emphasizes how much these YCAs (\u201cYoung Chinese Artists\u201d\u2014with the exhibition title, Pollack deliberately refers to the widely acclaimed YBAs, Young British Artists of the late \u201990s) differ in attitude from the Chinese artists who first came to the attention of the international art world. In addition, she said that YCAs emphatically avoid dragons, lanterns, pagodas, and other clich\u00e9d, retrograde motifs\u2014\u201cAs much influenced by Martin Kippenberger as by Zhang Xiaogang.\u201d If these images appear\u2014and they do, on occasion\u2014 it is in a double-edged way; from a self-conscious, critical point of view that is also critical, perhaps, of viewers who expect to see them. However, the most compelling aspect of the show is that these artists, in language that is contemporary, international, original and at times disruptive, vividly recount their present concerns as inhabitants of one of the fastest-developing countries in the world\u2014its illuminated sky-high towers, multi-level roadways and state-of-the art technologies evidence of its position as the world\u2019s second largest national economy.<\/p>\n\n\n\n

Consisting of 27 Chinese artists (for the record, around a third are women, to Pollack\u2019s credit) working in painting, installation, sculpture, video and photography, it was divided between the two venues, roughly separated into the political and the personal, with subheadings that include urbanization, familial relationships and religion, the themes treated both seriously and with edgy humor, as seen, for example, in Double Fly Art Center\u2019s \u201cDouble Fly Saves the World\u201d (2012) in which the all-male collective irreverently, scatalogically pokes fun at world leaders.<\/p>\n\n\n\n

\"\"
Shi Zhiying, \u201cThe Pacific Ocean\u201d, oil on canvas, 240 cm x 180 cm (94 1\/2 in x 70 5\/16 in), 2011, Courtesy of a private collection and James Cohan Gallery, Shanghai<\/figcaption><\/figure>\n\n\n\n

The first work in the St. Petersburg museum, appropriately enough, is what might be called a reconfigured, abstract version of a traditional Chinese entry way by Zhang Ding, the flanking stone lions or guardian figures replaced by shining circular black discs wrapped in dangerously sharp razor wire \u2014not harmful if given space but capable of inflicting deep wounds if one is imprudent and comes too near (an apt emblem of an authoritarian state). \u201cUntitled\u201d (2013) also demonstrates that artists can delve deeply into political issues without encountering censorship if they are not explicit. Another pointed but amusing instance of this is performance artist Hu Xiangqian\u2019s video, \u201cFlying Blue Flag\u201d (2006). He filmed himself going house to house to solicit votes for his candidacy for mayor of his hometown, inventing a party, the Blue Flag, as his sponsor, offering outright but ludicrously small bribes, such as a single cigarette for a vote\u2014a commentary on the pervasive political corruption that extends from the highest echelons of the government to the lowest. So persuasive was he as a candidate, and so appealing, that when the townspeople went to vote, they were deeply disappointed that he wasn\u2019t on the ballot.<\/p>\n\n\n\n

One of the highlights of the exhibition is Sun Xun\u2019s remarkable video animations and the ambitious installation of countless works on paper from his \u201clibrary of images,\u201d as he calls it. It\u2019s a project, as most of his projects are, influenced by the recent history of China as told by his father, grandfather and their friends, a more somber version at odds with the official party narrative. The message he stresses is how governments in general disseminate and manipulate information, the recurrent image of a magician performing tricks in his videos his symbol for the politician.<\/p>\n\n\n\n

Another, \u201cFearless\u201d (2012) is an enormous wall-sized tapestry with high-relief appliqu\u00e9s by Xu Zhen\/MadeIn, a m\u00e9lange of deracinated, appropriated images of Western culture taken from the internet which is a critique of contemporary Chinese art production. This extends to shanzhai\u2014the culture of fakes that is endemic in China and elsewhere in the East in which fake and authentic are difficult to distinguish\u2014 in part because copying historically was not considered negatively but as an act of veneration and instruction. Pollack, interestingly, includes artists who address this issue more subtly, as a conceptual act or as trompe l\u2019oeil rather than fraud. Liang Yuanwei, for instance, makes paintings that look like Chinese silk embroidery (\u201cDiptych Painting\u201d from 2010 is an example here) while Hu Xiaoyuan painstakingly inks the fine grain of wood on silk and then seamlessly attaches the delicate fabric to the wooden panel, the simulated pattern mistaken for the real (in works such as \u201cWood Pair\u201d, 2010-11).<\/p>\n\n\n\n

Yet another tour de force is the technically stunning, brightly colored 3-D animation of Yamantaka, the many-armed Tibetan Buddhist god of wrath by Lu Yang (\u201cWrathful King Kong Core\u201d, 2011). One component of the installation, accompanied by pulsing techno-music, is a brain scan of the god that was then analyzed by a neuroscientist who probed the physiological roots of its rage to determine the appropriate psychotropic drug to administer, provocatively joining Buddhism with 21st Century science.<\/p>\n\n\n\n

At the Tampa Museum, urbanization and the artists\u2019 individual responses to it form the principal narrative thread as they come to terms with a China which, intent on modernization, has razed much of its past, destroying their childhood homes and early memories. Several enormous paintings greeted the viewer entering the main gallery, including Qiu Xiaofei\u2019s beautifully textured \u201cUtopia\u201d (2010), its subject, underscored by the gritty surface, the demolition and reconstruction of Beijing for the 2008 Olympics and Shi Zhiying\u2019s \u201cThe Pacific Ocean\u201d (2011), once the definitive border between China and the rest of the world. Seeing the ocean while in California, looking eastward, was the impetus for a spiritual reawakening for the artist. This is reflected in the painting\u2019s monochromatic immensity and repetitious brushstrokes as a kind of visual Buddhist chant, invoking infinity.<\/p>\n\n\n\n

There is also an arresting 20-ft. long white tyvek sculpture by Jin Shan of a Futurist structure, its fa\u00e7ade shadowed by a projection of a peony, flying crane and sun. Called \u201cNo Man\u2019s City\u201d (2014), it refers to his artist Father\u2019s history during the Cultural Revolution as a government stage designer. The nine-member collective Irrelevant Commission, contributed a video sequence in which the artists asked their family what they thought art is. Working in collaboration with their family is their trademark, and like Hu Xiangqian\u2019s performance video, they take you directly inside ordinary Chinese homes; in \u201cAbout Family\u201d (2011), an installation, Yu Nan made a chandelier from metal dishes that belonged to his Grandfather and the loom used to make a rainbow of multi-colored threads by Li Liangyong belonged to her grandmother.<\/p>\n\n\n\n

Photography and video are abundant here, among them the series of beautifully staged, subliminally disquieting pictures by Chen Wei of urban interiors called Some Dust from the Everything, Scenery and Props, 2009. There is also the striking, monumental photograph by Chi Peng of a blue glass building in a Beijing eerily devoid of people except for the naked, solitary figure of the artist, a blur of small red airplanes wheeling overhead, his back to us, standing on the great staircase leading up to it (\u201cSorinting Forward 4\u201d, 2004). In contrast, there is also an immersive grid of photographs of events in the daily lives of the Shanghai duo Birdhead and their friends that is similar to the endless stream of images available on social media. The videos include Ma Qiusha\u2019s disturbing performance \u201cFrom No.4 Pingyuanli to No. 4 Tianqiaobeili\u201d (2007) in which she is shown facing the camera, speaking slowly as she talks about her life with unusual intimacy, revealing at the end (you should see for yourself) why she was speaking so hesitantly, the self-mortification of the body a thread often found in contemporary Chinese performance art. Huang Ran\u2019s video \u201cDisruptive Desires, Tranquility and the Loss of Lucidity\u201d (2012), is also deceptive \u2014its dream-like pastoral ambience belying the darker psychological undercurrents that gradually emerge, the tension between beauty and latent transgressions the source of its unsettling allure.<\/p>\n\n\n\n

More straightforward is a series of short, informative interviews with 14 artists in the show filmed by Max Berger, recounting their experiences as Chinese artists today. Overall, the show is admirably diverse, balanced between the serious and the comedic. the artists\u2019 works offer a focused exploration of current issues, sometimes startlingly personal, which might mark the biggest shift in expressive attitudes. No longer as reactive to external forces, these young artists have forged their own themes and their own lexicon in their own image\u2014 their contribution to the polyphonic, multi-conscious global discourse. For those who are encountering contemporary Chinese art for the first time, \u201cMy Generation\u201d should be particularly enlightening\u2014as well as refreshing. For those who are more familiar with it, the show offers the substantial reward of individual works by rising artists that uniformly merit high marks. Not a copy, \u201cMy Generation\u201d gives made in China renewed aesthetic credibility and luster.<\/p>\n\n\n\n

\"\"
Exhibition View
\u5c55\u89c8\u73b0\u573a<\/figcaption><\/figure>\n\n\n\n
\"\"
Birdhead, \u201cLight of Eternity No.3\u201d, black and white inkjet print, each: 50 cm x 60 cm (20 in x 24 in), 2012, Courtesy the artists and ShanghART Gallery, Shanghai<\/figcaption><\/figure>\n\n\n\n
\"\"
Jin Shan, \u201cNo Man City\u201d, dubond paper, slide projector, aluminum, plastic, 244 cm x 610 cm x 183 cm(96 in x 240 in x 72 in), 2014, Courtesy of the artist<\/figcaption><\/figure>\n\n\n\n
\"\"
Irrelevant Commission, \u201cAbout Family\u201d, mixed media, 2011, Courtesy of the artists and Tang Contemporary, Beijing<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u201cMy Generation: Young Chinese Artists\u201d T … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":6982,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[3006,1381,123,1747,3007,3008,3009,3010,3011,3012,3013,1467,3014,1040,620,3015,3016,3017,2324,3019,3018,1223,209,127,1299,150,3020,970,3021,3022,1282,3023,3024,3025,3026,3027,769,1301,2329,3028,3029,3030,3031,3032,3033,3034,115,1438,3035,3036,3037,3038,188,1468,3039,3040,3041,3042,3043,3044,1746,1230,3045,3046],"yoast_head":"\nMy Generation - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/my-generation\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"My Generation - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cMy Generation: Young Chinese Artists\u201d T … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/my-generation\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-02T08:14:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-15T08:16:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/shi-zhiying.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1800\" \/>\n\t<meta property=\"og:image:height\" content=\"1044\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Duyen Le\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Duyen Le\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/my-generation\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/my-generation\/\"},\"author\":{\"name\":\"Duyen Le\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13\"},\"headline\":\"My Generation\",\"datePublished\":\"2014-09-02T08:14:00+00:00\",\"dateModified\":\"2022-12-15T08:16:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/my-generation\/\"},\"wordCount\":1664,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\""My Generation"\",\"Barbara Pollack\",\"Birdhead\",\"chen wei\",\"Chi Peng\",\"contemporary chinese art\",\"Cui Jie\",\"Double Fly Art Center\",\"Fang Lu\",\"generation exhibition\",\"Guo Hongwei\",\"Hu Xiangqian\",\"Hu Xiaoyuan\",\"Huang Ran\",\"installation\",\"Irrelevant Commission\",\"Jin Shan\",\"Liang Yuanwei\",\"Liu Chuang\",\"Liu Di\",\"Lu Fang\",\"Ma Qiusha\",\"painting\",\"photography\",\"Qiu Xiaofei\",\"Shi Zhiying\",\"Song Kun\",\"Sun Xun\",\"Tampa Museum\",\"Video\",\"Wang Yuyang\",\"Xu Zhen (MadeIn)\",\"Yan Xing\",\"young Chinese artist exhibition\",\"zhang ding\",\"Zhao Zhao\",\"Zhou Yilun\",\"\u4ec7\u6653\u98de\",\"\u5218\u7a97\",\"\u5218\u8fea\",\"\u53cc\u98de\u827a\u672f\u4e2d\u5fc3\",\"\u5468\u8f76\u4f26\",\"\u5b59\u900a\",\"\u5b8b\u7428\",\"\u5d14\u6770\",\"\u5f20\u9f0e\",\"\u5f90\u9707\",\"\u65b9\u7490\",\"\u65e0\u5173\u5c0f\u7ec4\",\"\u6881\u8fdc\u82c7\",\"\u6c60\u9e4f\",\"\u738b\u90c1\u6d0b\",\"\u77f3\u81f3\u83b9\",\"\u80e1\u5411\u524d\",\"\u80e1\u6653\u5a9b\",\"\u82ad\u82ad\u62c9\u00b7\u6ce2\u62c9\u514b\",\"\u8d75\u8d75\",\"\u90ed\u9e3f\u851a\",\"\u9122\u9192\",\"\u91d1\u95ea\",\"\u9648\u7ef4\",\"\u9a6c\u79cb\u838e\",\"\u9e1f\u5934\",\"\u9ec4\u7136\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/my-generation\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/my-generation\/\",\"url\":\"http:\/\/www.randian.art\/my-generation\/\",\"name\":\"My Generation - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2014-09-02T08:14:00+00:00\",\"dateModified\":\"2022-12-15T08:16:34+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/my-generation\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/my-generation\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/my-generation\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"My Generation\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13\",\"name\":\"Duyen Le\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g\",\"caption\":\"Duyen Le\"},\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/duyen\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"My Generation - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/my-generation\/","og_locale":"zh_TW","og_type":"article","og_title":"My Generation - \u71c3\u70b9 Ran Dian","og_description":"\u201cMy Generation: Young Chinese Artists\u201d T … Continue reading →","og_url":"http:\/\/www.randian.art\/my-generation\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2014-09-02T08:14:00+00:00","article_modified_time":"2022-12-15T08:16:34+00:00","og_image":[{"width":1800,"height":1044,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/shi-zhiying.jpg","type":"image\/jpeg"}],"author":"Duyen Le","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Duyen Le","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"9 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/my-generation\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/my-generation\/"},"author":{"name":"Duyen Le","@id":"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13"},"headline":"My Generation","datePublished":"2014-09-02T08:14:00+00:00","dateModified":"2022-12-15T08:16:34+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/my-generation\/"},"wordCount":1664,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":[""My Generation"","Barbara Pollack","Birdhead","chen wei","Chi Peng","contemporary chinese art","Cui Jie","Double Fly Art Center","Fang Lu","generation exhibition","Guo Hongwei","Hu Xiangqian","Hu Xiaoyuan","Huang Ran","installation","Irrelevant Commission","Jin Shan","Liang Yuanwei","Liu Chuang","Liu Di","Lu Fang","Ma Qiusha","painting","photography","Qiu Xiaofei","Shi Zhiying","Song Kun","Sun Xun","Tampa Museum","Video","Wang Yuyang","Xu Zhen (MadeIn)","Yan Xing","young Chinese artist exhibition","zhang ding","Zhao Zhao","Zhou Yilun","\u4ec7\u6653\u98de","\u5218\u7a97","\u5218\u8fea","\u53cc\u98de\u827a\u672f\u4e2d\u5fc3","\u5468\u8f76\u4f26","\u5b59\u900a","\u5b8b\u7428","\u5d14\u6770","\u5f20\u9f0e","\u5f90\u9707","\u65b9\u7490","\u65e0\u5173\u5c0f\u7ec4","\u6881\u8fdc\u82c7","\u6c60\u9e4f","\u738b\u90c1\u6d0b","\u77f3\u81f3\u83b9","\u80e1\u5411\u524d","\u80e1\u6653\u5a9b","\u82ad\u82ad\u62c9\u00b7\u6ce2\u62c9\u514b","\u8d75\u8d75","\u90ed\u9e3f\u851a","\u9122\u9192","\u91d1\u95ea","\u9648\u7ef4","\u9a6c\u79cb\u838e","\u9e1f\u5934","\u9ec4\u7136"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/my-generation\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/my-generation\/","url":"http:\/\/www.randian.art\/my-generation\/","name":"My Generation - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2014-09-02T08:14:00+00:00","dateModified":"2022-12-15T08:16:34+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/my-generation\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/my-generation\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/my-generation\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"My Generation"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13","name":"Duyen Le","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g","contentUrl":"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g","caption":"Duyen Le"},"url":"http:\/\/www.randian.art\/zh-hant\/author\/duyen\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/6962"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=6962"}],"version-history":[{"count":1,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/6962\/revisions"}],"predecessor-version":[{"id":6978,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/6962\/revisions\/6978"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/6982"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=6962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=6962"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=6962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}