{"id":7011,"date":"2014-08-06T08:38:00","date_gmt":"2014-08-06T08:38:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=7011"},"modified":"2022-12-15T09:11:03","modified_gmt":"2022-12-15T09:11:03","slug":"simple-contradiction","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/simple-contradiction\/","title":{"rendered":"Simple Contradiction"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.randian-online.com\/np_event\/singapore-zhu-jinshi-solo-exhibition-simplicity\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u201cSimplicity\u201d: Zhu Zhinzhi Solo Exhibition<\/strong><\/a><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.randian-online.com\/np_space\/pearl-lam-galleries-singapore\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pearl Lam Galleries, Singapore<\/a>&nbsp;<\/strong>(9 Lock Road #03-22, Gillman Barracks, Singapore 108937),&nbsp;<strong>May 28\u2013July 13, 2014<\/strong><\/p>\n\n\n\n<p>Art movements don\u2019t always name themselves; sometimes a pithy put-down is embraced by the artists involved\u2014the Fauvists were so named by being disparaged as wild beasts, while the term \u201cImpressionism\u201d comes to us from a critic\u2019s sarcastic remark. As far as pejorative appellations go, it\u2019s hard to beat&nbsp;<a href=\"http:\/\/www.artspace.com\/magazine\/contributors\/the_rise_of_zombie_formalism\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u201cZombie Formalism\u201d<\/strong><\/a>, which was coined by the artist-critic Walter Robinson to describe a trend towards market-friendly blandness in recent abstraction. It is what American Psycho\u2019s identikit yuppies might buy, were the story to be set here and now.<\/p>\n\n\n\n<p>The term casts its net far and wide. The American critic Jerry Saltz recently suggested that it might include paintings that look handmade but aren\u2019t (and vice versa), or which are sent through the mail or left outdoors and so on, employing a&nbsp;<a href=\"http:\/\/www.vulture.com\/2014\/06\/why-new-abstract-paintings-look-the-same.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cvocabulary of smudges, stains, spray paint, flecks, spills, splotches, almost-monochromatic fields, silk-screening, or stenciling.\u201d&nbsp;<\/a>Given that \u201cZombie Formalism\u201d can command such a broad definition, perhaps it\u2019s less a matter of market machinations by opportunistic artists and dealers (and unsuspectingly earnest fellow travelers) in concert with monied rubes than a more general anxiety about the place of the painted image in an image-saturated age.<\/p>\n\n\n\n<p>As opposed to specific, singular artworks that fail on that count, Zombie Formalism might instead suggest diffuse distributions of generalized imagery: an unconscious echo of the dislocations of cloud-computing, substituting beauty with an aesthetic of the paralysis of choice. In a similar sort of distributive vein, the drive in some recent abstraction towards processes which place some distance between the hand and the canvas might be seen in the works of artists like Xie Molin, who uses a modified axial cutting plotter to produce his paintings, or Shang Yixin\u2019s almost programmatic use of the airbrush.<\/p>\n\n\n\n<p>Such practices seem to situate the painting as a singular, fleeting act; something like a performance-installation which traces its way through the operations of the art market. In other words, a specific painting is only a given instance of a larger whole, both of the artist\u2019s process-governed methodology and as something akin to radiographic contrast agents, plumbing the depths of the art market\u2019s interconnected machinery by itself passing through it.<\/p>\n\n\n\n<p>However, with his lavishly thick impastos and varied colors\u2014at times fostering the illusion of being a mote before a giant\u2019s palette\u2014this discussion seems at first removed from the work of Zhu Jinshi, a pioneering artist who moved into abstraction at a time when it was embattled on two fronts, with the Chinese \u201cavant-garde\u201d inclined to dismiss it as rather conservative, while the Social Realists suspected it of bourgeois deviancy. Unlike those accused of Zombie Formalism, Zhu\u2019s concatenation of influences comes from his lived experience of going from post-Cultural Revolution China to the wider world beyond\u2014a process of synthesizing disparate aesthetic traditions through a personal journey.<\/p>\n\n\n\n<p>Though the exhibition\u2019s title \u201cSimplicity\u201d might also seem at odds with the uncompromisingly lively textures and tones of his canvases, perhaps the simplicity here lies not in the immediate sensory impression, but in the underlying approach to painting that this impression alludes to. Without oversimplifying, it boils down to a man and his unbridled enthusiasm (perhaps verging on the indulgent) for paint. From this emerges depth, in much the same way that the simple rules of cellular automata can give rise to staggering complexity.<\/p>\n\n\n\n<p>And while the installation \u201cWork\u201d might suggest an austere and elegiac counterpoint to this textural and tonal richness\u2014a single swoop of white paper and black ink moving through the gallery space\u2014its physical presence suggests more. Much as with the interplay between simplicity and complexity in Zhu\u2019s paintings, the simple form of \u201cWork\u201d is founded on the accumulation of uncounted rolls of ink-dipped paper, suggestive of near-infinite differentiation at some minute level.<\/p>\n\n\n\n<p>In addition to hints of fractal regression supplied by \u201cWork\u201d, the installation also comes to define one\u2019s experience of the exhibition as a whole. By dividing the space along its length, the installation comes to prescribe one\u2019s movements through it, and in so doing serves as some silent arbiter for how we relate to the images on the walls. It\u2019s as if one of Zhu\u2019s brushstrokes came to extend beyond the pictorial frame, sliding effortlessly into experiential space like some sort of integral element, binding apparently separate canvases into a greater whole\u2014one which requires some tacit participation on our part, with our movements governed at least in some way by the physical presence of \u201cWork.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"248\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1306.png\" alt=\"\" class=\"wp-image-7012\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1306-300x113.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1306-150x56.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1306-500x188.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1306.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Zhu Jinshi, \u201cLi Bai Falling Down Yueyang Tower\u201d, oil on canvas Triptych, 180 x 160 cm x 3 (70 9-10 x 63 in. x3), 2013<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"295\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1307.png\" alt=\"\" class=\"wp-image-7015\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1307-300x134.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1307-150x67.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1307-500x223.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1307.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Zhu Jinshi, \u201cWork\u201d, ink on Xuan paper, dimensions variable, 2014<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"300\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1308.png\" alt=\"\" class=\"wp-image-7018\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1308-300x136.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1308-150x68.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1308-500x227.png 500w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1308.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Zhu Jinshi, \u201cWork\u201d, ink on Xuan paper, dimensions variable, 2014<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"660\" height=\"834\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1309.png\" alt=\"\" class=\"wp-image-7021\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/9zNAI2zb-image-1309-237x300.png 237w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1309-119x150.png 119w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1309.png 660w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Zhu Jinshi, \u201cBitter Sea\u201d, oil on canvas, 100 x 80 cm (39 2-5 x 31-1-2 in.), 2012<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cSimplicity\u201d: Zhu Zhinzhi Solo Exhibitio &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/simple-contradiction\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":7024,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[3151,2473,2704,3145,3144,3146,3147,3148,1215,3149,3150],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Simple Contradiction - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/simple-contradiction\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Simple Contradiction - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cSimplicity\u201d: Zhu Zhinzhi Solo Exhibitio &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/simple-contradiction\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2014-08-06T08:38:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-15T09:11:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zhu-jinshi.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"735\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Duyen Le\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Duyen Le\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/simple-contradiction\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/simple-contradiction\/\"},\"author\":{\"name\":\"Duyen Le\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13\"},\"headline\":\"Simple Contradiction\",\"datePublished\":\"2014-08-06T08:38:00+00:00\",\"dateModified\":\"2022-12-15T09:11:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/simple-contradiction\/\"},\"wordCount\":831,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"\u201cZombie Formalism\u201d\",\"abstract painting\",\"Bruce Quek\",\"Chinese abstract painter\",\"commercial abstraction\",\"contemporary abstract painting\",\"impasto\",\"Jerry Saltz\",\"Pearl Lam Galleries\",\"Pearl Lam Singapore\",\"Zhu Zhinshi\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/simple-contradiction\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/simple-contradiction\/\",\"url\":\"http:\/\/www.randian.art\/simple-contradiction\/\",\"name\":\"Simple Contradiction - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2014-08-06T08:38:00+00:00\",\"dateModified\":\"2022-12-15T09:11:03+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/simple-contradiction\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/simple-contradiction\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/simple-contradiction\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Simple Contradiction\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13\",\"name\":\"Duyen Le\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g\",\"caption\":\"Duyen Le\"},\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/duyen\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Simple Contradiction - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/simple-contradiction\/","og_locale":"zh_TW","og_type":"article","og_title":"Simple Contradiction - \u71c3\u70b9 Ran Dian","og_description":"\u201cSimplicity\u201d: Zhu Zhinzhi Solo Exhibitio &hellip; Continue reading &rarr;","og_url":"http:\/\/www.randian.art\/simple-contradiction\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2014-08-06T08:38:00+00:00","article_modified_time":"2022-12-15T09:11:03+00:00","og_image":[{"width":1400,"height":735,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zhu-jinshi.jpeg","type":"image\/jpeg"}],"author":"Duyen Le","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Duyen Le","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"5 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/simple-contradiction\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/simple-contradiction\/"},"author":{"name":"Duyen Le","@id":"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13"},"headline":"Simple Contradiction","datePublished":"2014-08-06T08:38:00+00:00","dateModified":"2022-12-15T09:11:03+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/simple-contradiction\/"},"wordCount":831,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":["\u201cZombie Formalism\u201d","abstract painting","Bruce Quek","Chinese abstract painter","commercial abstraction","contemporary abstract painting","impasto","Jerry Saltz","Pearl Lam Galleries","Pearl Lam Singapore","Zhu Zhinshi"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/simple-contradiction\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/simple-contradiction\/","url":"http:\/\/www.randian.art\/simple-contradiction\/","name":"Simple Contradiction - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2014-08-06T08:38:00+00:00","dateModified":"2022-12-15T09:11:03+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/simple-contradiction\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/simple-contradiction\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/simple-contradiction\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"Simple Contradiction"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/4d95ceea857b4c4fde91b6437bfaee13","name":"Duyen Le","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g","contentUrl":"http:\/\/1.gravatar.com\/avatar\/4a05baedd929aa0058dfc5a657eec365?s=96&d=mm&r=g","caption":"Duyen Le"},"url":"http:\/\/www.randian.art\/zh-hant\/author\/duyen\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7011"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=7011"}],"version-history":[{"count":1,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7011\/revisions"}],"predecessor-version":[{"id":7027,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7011\/revisions\/7027"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/7024"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=7011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=7011"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=7011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}