{"id":7239,"date":"2016-07-22T10:03:00","date_gmt":"2016-07-22T10:03:00","guid":{"rendered":"http:\/\/www.randian.art\/?p=7239"},"modified":"2022-12-15T10:07:42","modified_gmt":"2022-12-15T10:07:42","slug":"big-tail-elephants-one-hour-no-room-five-shows","status":"publish","type":"post","link":"http:\/\/www.randian.art\/zh-hant\/big-tail-elephants-one-hour-no-room-five-shows\/","title":{"rendered":"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows"},"content":{"rendered":"\n<p><strong>\u201cOperation PRD\u2014Big Tail Elephants: One Hour, No Room, Five Shows\u201d<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.randian-online.com\/np_space\/guangdong-times-museum\/\"><strong>Guangdong Times Museum<\/strong><\/a>&nbsp;(Times Museum, Times Rose Garden, Huangbian Bei Lu, Baiyun Dadao, Guangzhou, Guangdong),&nbsp;<strong>Jun 14 \u2013 Oct 7, 2016<\/strong><\/p>\n\n\n\n<p>Of all the avant-garde artistic groups and collectives in today\u2019s research agenda, a group rather seldom mentioned is the \u201cBig Tail Elephant Working Group\u201d (aka Big Tail Elephants;&nbsp;<em>Daweixiang<\/em>) active in the southern province of Guangdong in the 1990s. The most comprehensive introduction to the group must surely be the exhibition \u201cOperation PRD\u2014Big Tail Elephants: One Hour, No Room, Five Shows\u201d curated by Hou Hanru and Nikita Cai at Guangdong Times Museum. And the references in the title? \u201cOne Hour\u201d originates from \u201cOne Hour Game\u201d by Liang Juhui; \u201cNo Room\u201d harks back to an exhibition the Big Tail Elephants held in an apartment on No. 14 Sanyu Road, Guangzhou, back in 1994; and \u201cFive Exhibitions\u201d is the number of exhibitions the collective put up during the 1990s. The curators\u2019 focus on Big Tail Elephant\u2019s role in the art world in Guangdong, and indeed the rest of China, has everything to do with the particular regional specificity of the Pearl River Delta.<\/p>\n\n\n\n<p>China saw its peak in avant-garde artists forming collectives and organizing exhibitions during the 1980s. In a cultural landscape still dominated by officialdom, engaging in various kinds of activity in the name of a collective was one of the most effective means for artists to find a voice. As one art historian has noted how between 1982 and 1986, 79 young artist collectives were formed in 23 provinces or province-level regions who organized 97 events (L\u00fc Peng,&nbsp;<em>A History of Art in 20<sup>th<\/sup>&nbsp;Century China<\/em>). These groups formed in order to arrange an exhibition and they frequently dissolved after just a few showings to the public.<\/p>\n\n\n\n<p>The emergence of Big Tail Elephant, however, happened after this peak. Unlike what sparked the formation of similar groups in the 1980s, the Big Tail Elephant\u2014established in 1991 by Lin Yilin, Liang Juhui, and Chen Shaoxiong\u2014did not, as its chief collective aim, seek to resist official governmental criticism or to fight for more chances to exhibit. In contrast with what was happening in the capital, Beijing, Guangzhou\u2014the center of the broader Pearl River Delta region\u2014seemed much freer both politically and culturally. The three artists, having already worked together in the \u201cSouthern Artists Salon\u201d [Nanfang Yishu Shalong] in 1986, got together simply because their ideals and paths aligned.<\/p>\n\n\n\n<p>Looking back at all this from the point of view of the present, the importance of how the curators are reframing the Big Tail Elephants lies in the fact that the collective was, in its time, very unusual. At the turn of the 1990s, when northern China had scarcely begun the transition to a market economy, Guangzhou, neighboring Hong Kong, had already become a city centered on consumption and entertainment. In contrast with a cultural landscape steeped in Socialism, artists in Guangzhou were much more in tune with the rapid processes of urbanization. While artists in the north such as Wang Guangyi, Fang Lijun, and others were resisting consumerism with ideologically-laden political symbols, the Big Tail Elephant Group\u2019s works were more about intervening from a local, everyday level\u2014this could really be one of its most distinct characteristics. They employed materials that were close at hand and sought inspiration in the sorts of phenomena found in ordinary life. In contrast with those other northern works\u2014against the system, self-mocking, individualized\u2014we seem to be able to glimpse through works by the Big Tail Elephants the environment as lived by a particular group of people in a particular region at a particular time. It is more of a diary, and less of a manifesto.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/07\/%E6%9E%97%E4%B8%80%E6%9E%97%EF%BC%8C%E3%80%8A%E4%BD%8F%E5%99%A8%E9%99%88%E5%88%97%E4%B9%8B%E4%B8%80%E3%80%8B%EF%BC%8C%E8%A3%85%E7%BD%AE%EF%BC%8C1992-Lin-Yilin-Household-Goods-%E2%85%A0-installation-1992.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/07\/%E6%9E%97%E4%B8%80%E6%9E%97%EF%BC%8C%E3%80%8A%E4%BD%8F%E5%99%A8%E9%99%88%E5%88%97%E4%B9%8B%E4%B8%80%E3%80%8B%EF%BC%8C%E8%A3%85%E7%BD%AE%EF%BC%8C1992-Lin-Yilin-Household-Goods-%E2%85%A0-installation-1992-528x396.jpg\" alt=\"\u6797\u4e00\u6797\uff0c\u300a\u4f4f\u5668\u9648\u5217\u4e4b\u4e00\u300b\uff0c\u88c5\u7f6e\uff0c1992. Lin Yilin, \" class=\"wp-image-77893\" \/><\/a><figcaption class=\"wp-element-caption\">Lin Yilin, \u201cHousehold Goods \u2160\u201d, installation view, 1992<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1367.png\" alt=\"\" class=\"wp-image-7240\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1367-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1367-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1367-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1367.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Chen Shaoxiong, \u201c72.5 Hours of Electricity Consumption\u201d, installation view, 1992<\/figcaption><\/figure>\n\n\n\n<p>Modernization and urbanization were often accompanied by the large-scale demolition of old buildings. And so abandoned bricks became a familiar material for the artist Lin Yilin, as in his 1992 piece \u201cHousehold Goods\u201d where on top of a winding brick base a lightweight \u201cwall\u201d made of metal mesh is built; several bricks are inserted within, and this impression of suspension imparts this sensation of demolition and construction at once. Or Chen Shaoxiong\u2019s \u201c72.5 Hours of Electricity Consumption\u201d (1992), which employed the colorful neon normally used in such sites of consumption as&nbsp;<em>tai paai dongs<\/em>&nbsp;[<em>daipaidang<\/em>&nbsp;in Mandarin, or \u201cstreet-side stalls\u201d], hotels, and karaoke halls. Shaping variegated neon tubes into a human figure with a transparent raincoat wrapped over the top gives the impression of the sort of hazy reverie one sees in an urban nightscape. When the work is turned on, an electric meter on the side begins counting the electricity consumed\u2014as though hinting at that silent passing of time through leisure in sites of consumption. Also displayed is Liang Juhui\u2019s \u201cParadise\u201d (1994): along with its pleasing title, the glass pieces filling the space and the many lights decorating it conjure a dreamy, seemingly infinite spatial effect. Yet the bamboo poles crisscrossing inside the work remind one of the scaffolding used in construction. Using construction detritus and repair materials found on the street, Big Tail Elephant fuses consumerist ideas of creation with the actual living environment.<\/p>\n\n\n\n<p>The second salient characteristic of the Big Tail Elephant Group was how they made their own space at a time when there were no set exhibition spaces. In 1993, for instance, the third \u201cart event\u201d of the Big Tail Elephant Group was held outside the Red Ant Bar where they frequently met; in 1994, meanwhile, the \u201cNo Room\u201d exhibition was carried out in an apartment Liang Juhui found (on No. 14 Sanyu Road, Guangzhou). The title of the exhibition (which was curated by Hou Hanru) also happened to point out how in the 1990s, Guangzhou, distant as it was from the cultural capital of Beijing, had no institutions that could show experimental art. As far as Big Tail Elephant was concerned, their way of working outside a studio lowered their artworks\u2019 dependence on any exhibition space to a minimum. What is more, unlike other artists with a studio, they were without a set place and so often paid particular attention\u2014even in the process of making something\u2014to the possibility of displaying it in a public space. One example was \u201cSafely Maneuvering across Linhe Road\u201d, created in 1995 by Lin Yilin, where the artist reflected on the relationship between people and architecture. In the Tianhe district of Guangzhou, then still being built and developed, Lin carried out a performance where he \u201cmoved\u201d a brick wall from one side of the street to the other (causing a small-scale traffic jam in the process). In another work, \u201cOne Hour Game\u201d, Liang Juhui played a video game (\u201cBattle City\u201d from 1989, in case you were wondering) in the only elevator in a construction site, thus temporarily transforming an elevator that every day transports hundreds of workers into an arcade, and temporarily halting construction. Through these quiet, unobtrusive actions, the two artists unveiled the madness of the speed of urbanization.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1368.png\" alt=\"\" class=\"wp-image-7243\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1368-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1368-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1368-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1368.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Lin Yilin, \u201cSafely Maneuvering across Linhe Road\u201d, performance, 1995<\/figcaption><\/figure>\n\n\n\n<p>This exhibition at Guangdong Times Museum presents over twenty works by the Big Tail Elephants when they were still a group (composed of Lin Yilin, Liang Juhui, Chen Shaoxiong, and Xu Tan, who joined in 1992). In this, aside from the \u201coriginals\u201d of performance-related documentaries and the video works, the vast majority of the artists\u2019 works are presented in the form of images, or else have been meticulously replicated by museum volunteers according to the dimensions in the photographs. By putting up partitions, some of the works were positioned rather aptly. For instance, Lin Yilin\u2019s \u201cX Billion-and-First Person III\u201d not only recreates the work which was displayed in the Kunstmuseum Berne in Switzerland in 1998, it also restores its relationship with Liang Juhui\u2019s work \u201cConstruction of a Place and Ants\u201d in the same space. As the first stage of the \u201cOperation Pearl River Delta\u201d, the curators especially emphasize the intimate relationship between the Big Tail Elephant Group\u2019s artistic oeuvre and the urbanization of the surrounding city. In terms of content, the \u201cChronology: 1986\u20132005\u201d on the walls not only starts from the Southern Artists\u2019 Salon and sorts through the collective and its members\u2019 activities organized in this period (as well as later exhibitions each of them took part in individually), it also notes some important events that took place in Guangzhou and around the world.<\/p>\n\n\n\n<p>One part of the exhibition space is covered by black curtains; inside are colored plastic chairs and folded tables, mimicking one of the elements of urban culture in the Pearl River Delta, the&nbsp;<em>tai paai dong<\/em>&nbsp;\/&nbsp;<em>daipaidang<\/em>&nbsp;(or casual street-stall eateries). The other element is the culture of renovation, which is presented as part of the exhibition design with the look of renovations and repairs\u2014think bare plywood separating the spaces, and grayish paint resembling exposed concrete.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/07\/%E5%BE%90%E5%9D%A6%EF%BC%8C%E3%80%8A%E5%8C%80%E9%80%9F%EF%BC%8C%E5%8F%98%E9%80%9F%E4%B9%8B%E4%B8%80%E3%80%8B%EF%BC%8C%E8%A3%85%E7%BD%AE%EF%BC%8C1992-Xu-Tan-Uniform-Velocity-Variant-Velocity-No.1-installation-1992.jpg\"><img decoding=\"async\" src=\"https:\/\/www.randian-online.com\/wp-content\/uploads\/2016\/07\/%E5%BE%90%E5%9D%A6%EF%BC%8C%E3%80%8A%E5%8C%80%E9%80%9F%EF%BC%8C%E5%8F%98%E9%80%9F%E4%B9%8B%E4%B8%80%E3%80%8B%EF%BC%8C%E8%A3%85%E7%BD%AE%EF%BC%8C1992-Xu-Tan-Uniform-Velocity-Variant-Velocity-No.1-installation-1992-528x396.jpg\" alt=\"\u5f90\u5766\uff0c\u300a\u5300\u901f\uff0c\u53d8\u901f\u4e4b\u4e00\u300b\uff0c\u88c5\u7f6e\uff0c1992 \u3002Xu Tan, \" class=\"wp-image-77888\" \/><\/a><figcaption class=\"wp-element-caption\">Xu Tan, \u201cUniform Velocity, Variant Velocity No.1\u2033, installation view, 1992.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1369.png\" alt=\"\" class=\"wp-image-7247\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1369-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1369-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1369-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1369.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Liang Juhui,\u201dEntering the Project\u201d, installation view, 1991<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1370.png\" alt=\"\" class=\"wp-image-7250\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1370-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1370-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1370-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1370.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Lin Yilin. \u201cDrive Shaft\u201d, performance, 1996<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"528\" height=\"396\" src=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1371.png\" alt=\"\" class=\"wp-image-7253\" srcset=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1371-300x225.png 300w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1371-150x113.png 150w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1371-400x300.png 400w, https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/zh-hant\/image-1371.png 528w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Chen Shaoxiong, \u201cStreet \u2161\u201d, 14 C-prints, 1998<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u201cOperation PRD\u2014Big Tail Elephants: One H &hellip; <a href=\"http:\/\/www.randian.art\/zh-hant\/big-tail-elephants-one-hour-no-room-five-shows\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":7256,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[20],"tags":[149,415,67,3284,3283,3285,1152,102,3286,3287,416,374,393,3289,3288,2328,3290,1437,3291,3292,419,210,460,230,421,1443,3293],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows - \u71c3\u70b9 Ran Dian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows - \u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"og:description\" content=\"\u201cOperation PRD\u2014Big Tail Elephants: One H &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/\" \/>\n<meta property=\"og:site_name\" content=\"\u71c3\u70b9 Ran Dian\" \/>\n<meta property=\"article:published_time\" content=\"2016-07-22T10:03:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-15T10:07:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/186f5c12929a99096e8fc7e4381416bd_0-1230x820-1.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1230\" \/>\n\t<meta property=\"og:image:height\" content=\"820\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lien\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lien\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u9810\u4f30\u95b1\u8b80\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 \u5206\u9418\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/#article\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/\"},\"author\":{\"name\":\"Lien\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\"},\"headline\":\"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows\",\"datePublished\":\"2016-07-22T10:03:00+00:00\",\"dateModified\":\"2022-12-15T10:07:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/\"},\"wordCount\":1519,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"keywords\":[\"art\",\"art gallery\",\"artist\",\"Big Tail Elephant group\",\"Chen Shaoxiong\",\"Dada\",\"Diane Wong\",\"exhibition\",\"Liang Juhui\",\"Lin Yilin\",\"magazine\",\"randian\",\"randian online\",\"Xu Tan\",\"\u4e09\u89d2\u6d32\u884c\u52a8\",\"\u4faf\u701a\u5982\",\"\u5927\u5c3e\u8c61\",\"\u5e7f\u4e1c\u65f6\u4ee3\u7f8e\u672f\u9986\",\"\u6797\u4e00\u6797\",\"\u6881\u949c\u8f89\",\"\u6b63\u5728\u5e03\u5c55\",\"\u71c3\u70b9\",\"\u827a\u672f+\",\"\u827a\u672f\u5bb6\",\"\u827a\u672f\u753b\u5eca\",\"\u8521\u5f71\u831c\",\"\u9648\u52ad\u96c4\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/\",\"url\":\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/\",\"name\":\"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows - \u71c3\u70b9 Ran Dian\",\"isPartOf\":{\"@id\":\"http:\/\/www.randian.art\/#website\"},\"datePublished\":\"2016-07-22T10:03:00+00:00\",\"dateModified\":\"2022-12-15T10:07:42+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/#breadcrumb\"},\"inLanguage\":\"zh-TW\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.randian.art\/#website\",\"url\":\"http:\/\/www.randian.art\/\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"description\":\"art magazine\",\"publisher\":{\"@id\":\"http:\/\/www.randian.art\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.randian.art\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"zh-TW\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/www.randian.art\/#organization\",\"name\":\"\u71c3\u70b9 Ran Dian\",\"url\":\"http:\/\/www.randian.art\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"contentUrl\":\"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png\",\"width\":761,\"height\":118,\"caption\":\"\u71c3\u70b9 Ran Dian\"},\"image\":{\"@id\":\"http:\/\/www.randian.art\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb\",\"name\":\"Lien\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"zh-TW\",\"@id\":\"http:\/\/www.randian.art\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g\",\"caption\":\"Lien\"},\"sameAs\":[\"http:\/\/www.randian.art\"],\"url\":\"http:\/\/www.randian.art\/zh-hant\/author\/lien\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows - \u71c3\u70b9 Ran Dian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/","og_locale":"zh_TW","og_type":"article","og_title":"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows - \u71c3\u70b9 Ran Dian","og_description":"\u201cOperation PRD\u2014Big Tail Elephants: One H &hellip; Continue reading &rarr;","og_url":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/","og_site_name":"\u71c3\u70b9 Ran Dian","article_published_time":"2016-07-22T10:03:00+00:00","article_modified_time":"2022-12-15T10:07:42+00:00","og_image":[{"width":1230,"height":820,"url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/12\/186f5c12929a99096e8fc7e4381416bd_0-1230x820-1.jpeg","type":"image\/jpeg"}],"author":"Lien","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Lien","\u9810\u4f30\u95b1\u8b80\u6642\u9593":"9 \u5206\u9418"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/#article","isPartOf":{"@id":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/"},"author":{"name":"Lien","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb"},"headline":"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows","datePublished":"2016-07-22T10:03:00+00:00","dateModified":"2022-12-15T10:07:42+00:00","mainEntityOfPage":{"@id":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/"},"wordCount":1519,"commentCount":0,"publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"keywords":["art","art gallery","artist","Big Tail Elephant group","Chen Shaoxiong","Dada","Diane Wong","exhibition","Liang Juhui","Lin Yilin","magazine","randian","randian online","Xu Tan","\u4e09\u89d2\u6d32\u884c\u52a8","\u4faf\u701a\u5982","\u5927\u5c3e\u8c61","\u5e7f\u4e1c\u65f6\u4ee3\u7f8e\u672f\u9986","\u6797\u4e00\u6797","\u6881\u949c\u8f89","\u6b63\u5728\u5e03\u5c55","\u71c3\u70b9","\u827a\u672f+","\u827a\u672f\u5bb6","\u827a\u672f\u753b\u5eca","\u8521\u5f71\u831c","\u9648\u52ad\u96c4"],"articleSection":["Reviews"],"inLanguage":"zh-TW","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/#respond"]}]},{"@type":"WebPage","@id":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/","url":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/","name":"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows - \u71c3\u70b9 Ran Dian","isPartOf":{"@id":"http:\/\/www.randian.art\/#website"},"datePublished":"2016-07-22T10:03:00+00:00","dateModified":"2022-12-15T10:07:42+00:00","breadcrumb":{"@id":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/#breadcrumb"},"inLanguage":"zh-TW","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.randian.art\/big-tail-elephants-one-hour-no-room-five-shows\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.randian.art\/zh-hant\/%e4%b8%bb%e9%a0%81\/"},{"@type":"ListItem","position":2,"name":"BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows"}]},{"@type":"WebSite","@id":"http:\/\/www.randian.art\/#website","url":"http:\/\/www.randian.art\/","name":"\u71c3\u70b9 Ran Dian","description":"art magazine","publisher":{"@id":"http:\/\/www.randian.art\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.randian.art\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"zh-TW"},{"@type":"Organization","@id":"http:\/\/www.randian.art\/#organization","name":"\u71c3\u70b9 Ran Dian","url":"http:\/\/www.randian.art\/","logo":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/","url":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","contentUrl":"https:\/\/randian-art.s3.ap-east-1.amazonaws.com\/2022\/08\/Ran-Dian-logo-randian.png","width":761,"height":118,"caption":"\u71c3\u70b9 Ran Dian"},"image":{"@id":"http:\/\/www.randian.art\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/www.randian.art\/#\/schema\/person\/52a3fdee246825a3356b50e0c44bbeeb","name":"Lien","image":{"@type":"ImageObject","inLanguage":"zh-TW","@id":"http:\/\/www.randian.art\/#\/schema\/person\/image\/","url":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","contentUrl":"http:\/\/0.gravatar.com\/avatar\/f5ab5bb6c17c650698ba234cd1af904a?s=96&d=mm&r=g","caption":"Lien"},"sameAs":["http:\/\/www.randian.art"],"url":"http:\/\/www.randian.art\/zh-hant\/author\/lien\/"}]}},"_links":{"self":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7239"}],"collection":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/comments?post=7239"}],"version-history":[{"count":1,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7239\/revisions"}],"predecessor-version":[{"id":7259,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/posts\/7239\/revisions\/7259"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media\/7256"}],"wp:attachment":[{"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/media?parent=7239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/categories?post=7239"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.randian.art\/zh-hant\/wp-json\/wp\/v2\/tags?post=7239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}